Fabric Mixed Media

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Michael Adetula...

They reveal themselves over time, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on canvas. Image size: 48 in. H x 36 in. W Mounted on a stretcher __________...

"Lead The River to the Sun" is an original painting by Jason Andrew Turner on canvas measuring 28in x 28in. Biography // Jason Andrew Turner was born in 1982 in Birmingham, AL. He p...

French School, circa 1970's paper stuck on canvas with cut out magazine shapes 21.5 x 15 inches provenance: from a private collection in Paris, France The painting is in sound condit...

Let's keep our oceans clean Artist: Jakob Gold Work: Original Acrylic Painting, Handmade Artwork, One of a Kind Medium: Acrylic, Oil, Dried paint and Spr...

John Baker’s “The Two Dummies” is an acrylic painting on canvas with collage 32 x 24 x 1.5 inches wide in browns, tans and greys with red and yellow accents. The wooden neck lever of the ventriloquist suggests that he is in reality the dummy of the young boy; and yet, impossibly, both seem to be the dummies of one another! Regardless, the brightness of the props on the prop table...

Monochrome abstract conceptual artwork uses the principle of color field painting. 30x30x1,7cm, Ready to hang and signed on the backside. Shipping worldwide in a safe package with ...

Maria Poroy (American, born 1952) "Cloud Trees" 2024 Acrylic Paint, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom right of the painting. "Cloud Trees" by Maria P...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has de...

A gathering of five figures, enjoying an impromptu concert. Signed Coletti, 2010 at bottom left.

Untitled, 2016 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 110 cm H x 110 cm W Mounted on a stretcher Ana Seggiaro's training as an engraver awakens her fas...

Useful Object Cover, 2009 oil on canvas, plexiglass box, umbrella 47.24 H x 27.55 W x 11.81 D in 120 H x 70 W x 30 D cm In the "Useful Objects" series, the woman is identified with...

"A SET OF KEYS" is an original painting and assemblage work by Jim Houser measuring 9in x 9in. ABOUT // Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

The Weight of Air II, 2019 Oil & wax on deep-fame canvas

French artist, signed verso pop art collage on canvas, unframed painting: 18 x 12 inches provenance: private collection, Paris condition: overall very good

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Guided by her passion for life and her spirit, French Canadian painter Zabel creates vibrant artworks filled with romance and immersive textures. With a belief that art is all about feeling, she creates magic and captures the moment by infusing her art with strong emotive qualities. Zabel communicates each scene with precision. Her work evokes the Impressionists, but depicts modern love and adventure. Couples stand at bar top tables sipping aperitifs. Bartenders and piano players help to break the ice among palm trees and cityscapes presented in vibrant, dripping hues. The energy of social butterflies drawn to one another is palpable as they float effortlessly across the canvas. This 36 inch high by 18 inch wide painting...

This abstract painting in mixed media on canvas, bifurcated by a strong horizontal black line, achieves a balance in composition. Radiating from the black line are tones of red and m...

Bettina Mauel expresses dynamism and sensuality in her paintings: “I paint what I experience,” she articulates. “This includes landscapes, flowers, and people in motion, capturing th...

That Curtain Something, 2014 Mixed technique: oil on canvas (Signed on reverse) 47.24 H x 39.37 W in 120 H x 100 W cm MASCH's work describes a discursive rebellion of continuous civ...

"Self Love (Town Girl)" depicts a young lady in a vibrant urban setting, exuding an aura of self-assurance and strength. The central focus of the artwork is the subject's face, beautifully painted with meticulous attention to detail. The artist employs a mix of bold brushstrokes and subtle shading, highlighting the woman's expressive eyes and radiant smile. Her posture and gaze project a sense of determination and self-awareness, symbolizing the journey of self-love and acceptance. The young lady's attire further emphasizes her individuality and confidence. Clad in a fusion of traditional and modern garments, she represents the convergence of cultural heritage and personal identity. The artist's deliberate choice of a diverse range of colors adds depth to the piece, infusing it with energy and life. The vibrant hues convey a message of optimism and celebrate the beauty found within diversity. "Self Love (Town Girl)" is a testament to the power of self-love and acceptance. Through his artwork, Akanmu seeks to inspire viewers to embrace their individuality and celebrate their unique qualities. The young lady portrayed in the piece serves as a symbol of strength, resilience, and unwavering self-belief. In a world that often imposes standards and expectations, the artwork invites us to reflect on the importance of self-acceptance and self-expression. It serves as a reminder that true beauty lies not in conformity but in embracing our authentic selves. By portraying the young lady with confidence and grace, Akanmu challenges societal norms and encourages viewers to cultivate their own inner strength. Furthermore, "Self Love (Town Girl)" prompts a dialogue about the amalgamation of different cultures and the beauty that arises from such fusion. The blending of traditional and contemporary elements in the lady's attire symbolizes the richness of heritage and the freedom to express oneself in a modern world. Akanmu's artwork celebrates diversity and prompts us to appreciate the beauty that arises when different cultures converge. Art possesses the ability to evoke emotions and trigger introspection, and "Self Love (Town Girl)" achieves just that. Akanmu's artwork acts as a catalyst, urging viewers to reevaluate their own self-perception and embrace their unique qualities. It serves as a gentle reminder that self-love is a journey that requires patience, understanding, and acceptance. "Self Love (Town Girl)" has the potential to inspire individuals from all walks of life, encouraging them to embrace their true selves and celebrate their inherent worth. By fostering a sense of empowerment and confidence, the artwork contributes to the ongoing narrative of self-love and acceptance in our society. Oluwafemi Akanmu...

"Far From Home" by Michael Adetula is a poignant artwork that eloquently captures the essence of the human pursuit for a better life and the bittersweet experience of being far away ...

Tactile memory #128, by Natasha Zupan Mixed media oil, acrylic, and lace on Canvas Size: 9.5 in. H x 7.5 in. W x 3 in D. canvas on a stretcher Natasha Zupan beautifully unites the ...

Yanira Collado (Dominican, American, 1975 ) "Que Ya Estan En El Olvido" Mixed Media unique fabric and painting assemblage collage on plywood Textile, clothing and found material on a custom-made frame. COA signed by the artist on 11/27/2020. Provenance: Oolite Arts, Miami Beach, where Collado was a resident artist. DIMENSIONS: H: 30" W: 24" As a child, Collado traveled between social structures: from Brooklyn, New York where she was born; to the Dominican Republic; to Miami, where her mother worked to become a tailor. Her use of construction materials summons the perception of a displaced personal and public history. She is a Caribbean African American artist with a Feminist leaning. In her practice, Collado displays an awareness of language conveyed through a keen analysis of identity, the latter referenced in her use of reclaimed literary texts and textiles, simultaneously opposed by various construction materials: wood, concrete, masonry brick, iron, and drywall. Materials with inherent geographic histories, processes, and economies imply varying degrees of personalized and public memory. "My connections are grounded to an alternate imagination: a Caribbean imagination and an alchemic consciousness. The Dominican Republic is a culturally rich country. Our musical narratives, folkloric traditions, oral histories, spiritual and supernatural beliefs are complex and embedded in our everyday life. All these components shaped my perceptions, sensibilities, and life experiences. I am always seeing the world through a Caribbean lens". Her artist residency fellowships include Bridge Red Art Center, North Miami, FL (2013-present), Project Row Houses, Houston, TX (2018), Oolite Arts, Miami Beach, FL (2019 – present), and the Joan Mitchell Foundation residency in New Orleans, LA (2020). She was awarded a South Florida Cultural Consortium Fellowship in 2021, and Ellie Creator Grant from Oolite in 2019, first place in the 2013 South Florida Biennial at the Art and Cultural Center/Hollywood, FL, and a Joan Mitchell Foundation Fellowship in 2018. Her work has been featured in group shows around the country including Perez Art Museum, Miami, FL; El Museo del Barrio, New York, NY; PRIZM Art Fair, Miami, FL; Storage Project Space, New York, NY; Oolite Arts, Miami Beach, FL; Project Row Houses, Houston, TX; Museum of Contemporary Art, North Miami, FL; Patricia & Phillip Frost Art Museum, Florida International University, Miami, FL; The Franklin, Chicago, IL; Florida Atlantic University, Boca Raton, FL; and NOVA University, Ft. Lauderdale, FL. Collado’s work was pictured in the Artforum Critic’s Pick, accompanying the review of Fragment, a group exhibition at Emerson Dorsch. In 2016, Collado had a one-person exhibit at the Museum of Art + Design at Miami Dade College, in collaboration with Bridge Red Studios. She had solo exhibitions with Dimensions Variable, Under the Bridge and Far Side Gallery in 2018. In 2019, an interview with her and Onajide Shabaka, mediated by Ryan N. Dennis, was published in BOMB Magazine. Her work is in the collections of Perez Art Museum Miami and El Museo del Barrio. Collado lives and works in North Miami, FL. SELECTED ONE & TWO-PERSON EXHIBITIONS 2022 Areíto/ Allusions of Sacred Geometry and Diaspora, Noyes Cultural Arts Center, Evanston, IL 2021 Alchemic Chants/ Reliquías Fragmentadas, Emerson Dorsch Gallery, 2018 Penumbras, Under the Bridge Art Space, Miami, FL Viento brujo, Farside Gallery, Miami, FL 2016 Original Conditions, MDC Museum of Art + Design/Bridge Red Studios, Miami, FL SELECTED GROUP EXHIBITIONS 2021 Under the Florida Sun: South Florida Cultural Consortium Fellowship Visual and Media Artists, curated by Mikhaile Solomon, Schmidt and Ritter Art Gallery, Florida. Exhibition Diverse Networks, Curate by Laura Marsh, Oolite Arts, Miami Beach, FL Performance 4 Ways: MY BODY, MY RULES, Perez Art Museum, Miami, This was an all-female group exhibition confronting the stereotypes, violence, limitations, and ideals imposed on the disputed image of the female body. The contemporary female image narrative through a feminist lens. The exhibition features artworks across all mediums, such as painting, sculpture, photography and video. Artists included Ida Applebroog, Ruth Bernhard, Louise Bourgeois, Patty Chang, Naomi Fisher, Anna Gaskell, Anna Bella Geiger, Andrea Geyer, Frances Goodman...

Tactile memory #135, by Natasha Zupan Mixed Media on canvas: oil, acrylic, silk, pigments Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautifully unit...

Triptych Barcos Violeta, by Sergio Bazan Mix media on Canvas Image Size: 50 H x 150 W cm Unframed Signed by artist _______ Sergio Bazan was born in Buenos Aires in 1962. He was ar...

Close Before Striking V, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

"Enemonalisa" is a thought-provoking artwork by the talented artist Daniel Oguche Junior, which brings a unique and powerful reinterpretation of the iconic Mona Lisa portrait. In thi...

Steven Rehfeld's 50" x 40" masterpiece is a captivating medley of color, texture, and form. This contemporary abstract is a journey through a vivid landscape of emotion, with each br...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Going Deeper has a novel orientation in relation to the rest of Teichert's Connectivity series and with this orientation she has achieved a distinct feeling of falling - or possibly ...

Purple and gold mixed media abstract with reflective gold square and highly textured surface by artist and architect Peg Denney (American, 20th century...

"To Whom It Is Deserved," an evocative artwork by Eyitayo Alagbe, depicts a powerful narrative of recognition and support. In this piece, two young men take center stage, with one we...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Original and unique painting by french street-artist SEATY. This captivating artwork depicts two children from behind, holding a paintbrush and gazing at a wall covered in colorful ...

Symbol of Memories 1 is an original painting by Oladimeji Alabi. Oladimeji created the Symbol of Memories with Mixed Media on a 30W by 50H inches primed canvas. The symbol of Memories is inspired by the story of my childhood. The objects and signs we grew up with as a child in our homes become symbols of our memories today. Art has the ability to evoke strong emotions and convey meaningful messages. One such artwork that does just that is "Symbol of Memories," a stunning piece that uses the mother as a symbol of life and hope. This artwork is made even more significant by the use of damask fabric, which was popular among Nigerian women in the late 70s to 90s and used for making gele, the head ties worn by women. The artwork speaks volumes about the importance of mothers in society. The mother is dressed in a vibrant damask fabric, which adds a sense of richness and texture to the painting. The use of damask fabric in the painting is significant as it represents a part of Nigerian culture and history. Damask was a popular fashion among Nigerian women in the late 70s to 90s and was used to make gele, the head ties worn by women on special occasions. The fabric is often associated with elegance, sophistication, and beauty, which adds a layer of meaning to the artwork. The mother in the painting is the focal point of the artwork, symbolizing the importance of mothers in society. Mothers are the backbone of families, providing love, support, and guidance to their children. They are often the ones who hold families together through difficult times, serving as a symbol of hope and resilience. The use of the damask fabric in the painting also represents the concept of memories. The fabric has a rich history in Nigerian culture, and for many people, it is a symbol of their childhood and the memories they hold dear. The painting serves as a reminder of the importance of preserving memories, both good and bad, and how they shape our lives. Overall, "Symbol of Memories" is a beautiful piece of art that celebrates the role of mothers in society. The use of damask fabric adds a layer of meaning to the painting, representing the importance of preserving memories and the rich culture of Nigeria. The mother as a focused subject symbolizes life and hope, the fabric applied in this art is called damask, which was a popular fashion among Nigerian women around the late 70s to 90s used for making gele(the head ties). Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe, while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

Tactile memory #64, by Natasha Zupan Mixed media: Oil, acrylic, lace pigments Size: 9.5 in. H x 7.5 in. W x 3 in D. Canvas on a stretcher Natasha Zupan beautifully unites the old ...

John Baker’s “Self-Chaperone” is an acrylic painting on canvas with collage 28 x 22 inches in flesh tones, yellows and greys. The portrait depicts the inner conflict between uninhibi...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Authenticity.

Oladimeji Alabi, a Nigerian contemporary artist, created a thought-provoking artwork titled "Energy," which emphasizes the essence of energy, both positive and negative, according to African spirituality. The artwork is a vivid depiction of the concept of karma, which is fundamental to African spirituality, and the law of nature, which states that what you give out, you get back in turn. The central piece of the artwork is a painting of a human figure, seemingly in a state of contemplation with her flowing hair. "What you give out, you get back in turn." This phrase is a direct reference to the concept of karma, which is prevalent in African spirituality. Karma is the belief that our actions have consequences, and that every action we take has an effect on our lives and the lives of those around us. Furthermore, the artwork emphasizes the importance of energy, both positive and negative, and how it affects our lives. According to African spirituality, everything in the universe is interconnected, and energy flows through all things. Positive energy is associated with good fortune, success, and happiness, while negative energy is associated with misfortune, failure, and sadness. In conclusion, Oladimeji Alabi's artwork "Energy" is a beautiful and thought-provoking piece that embodies the essence of African spirituality. The artwork's central message of karma and the law of nature is a powerful reminder that our actions have consequences and that we must be mindful of the energy we put out into the world. The artwork is a testament to the artist's skill and creativity, and it is sure to leave a lasting impression on all who view it. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oladimeji Alabi is an experimental contemporary visual artist based in Lagos. His works are based on social and environmental issues in modern Nigeria and the globe while highlighting and archiving the social customs of his Yoruba ethnicity. Oladimeji's works are in paintings (acrylics, charcoal, spray cans, and LED), graffiti, illustrations, wood works, street art, and wearable art. Oladimeji studied Fine Art at the Yaba College of Technology in Lagos and has created works shown in exhibitions, auctions, and magazines in Nigeria and beyond. Dimeji's work has been featured in Vogue Germany, Royal Academy, BLK Arthouse Washington, Artist Movement 2020, Galleries of the Community College of Baltimore County, Nike Art...

The dynamic beauty of the natural world inspired Canadian artist Otto Rogers. This striking painting’s waves of colour in earthy tones of blue, gold, brown, black and white is enhanc...

Lover boy, 2011 Textile, synthetic fiber filling 21,6 H x 17,3 W x 3,9 D in 55 H x 44 W x 10 D cm Unique 'Lover Boy' is a unique decorative pillow signed by Raluca Arnăutu. The artist first conceived the collage image, photo shut the...

The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a b...

"Downtown Hartford" Hooked rug tapestry, various landmark buildings in Hartford, Connecticut, congregate within composition, including capital building, Colt building, Wadsworth Mus...

Interior design paintings. Abstraction art, made in red, orange, yellow, black, white and grey. Can be positioned in horizontal or vertical mode. Lena Chern...

Armando Mesías (Grège Gallery) is a contemporary artist whose large-scale abstract compositions blend painting, oxidation processes, and reclaimed materials. His work explores themes...

Ettoja is one of the most prominent illustrators and street art creators in Lithuania. His work explores themes such as social issues, ecology, environmental protection, and the rela...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has de...

Beth Shields is a distinguished abstract artist whose work has captivated collectors and audiences worldwide. Based in Santa Cruz, California, Beth has dedicated her life to artistic...

Tracey Emin Everybody Needs a Place to Think, 2002 Limited Edition Screenprint on Linen Handkerchief with VIP Invite in Original Box 21 × 20 1/4 inches Limited Edition of 1500 Plate ...

Interior design paintings. Abstraction art, made in yellow, blue, black and white color. Lena Chernyavskaya / LENA CHER Born in 1986. She lives and works i...

"We are all equal in the fact that we are all different." These poignant words serve as the foundation of "Harmonious (Mixed Feeling)." The artwork beautifully captures the essence of diversity by presenting two women, each with their own distinct features, cultural backgrounds, and experiences. The artist's skillful portrayal of these differences reminds us that our individuality is a cause for celebration, as it contributes to the vibrant tapestry of human existence. "We are all the same in the fact that we will never be the same." This powerful statement challenges the notion of uniformity and emphasizes the beauty of our unique identities. In "Harmonious (Mixed Feeling)," the smiles shared by the two women symbolize a universal language of joy and happiness. Regardless of our disparities, the human capacity to experience and express emotions unites us on a profound level. It is in these shared emotions that we find common ground and build bridges of understanding. "We are united by the reality that all colors and all cultures are distinct & individual." The vibrant colors depicted in the artwork serve as a metaphor for the rich diversity present in our world. Just as a rainbow showcases a spectrum of hues, cultures, and ethnicities contribute to the multifaceted nature of humanity. "Harmonious (Mixed Feeling)" reminds us that it is within the intersections of our varied backgrounds that we can appreciate and learn from one another, fostering a sense of respect and admiration for the tapestry of cultures that surround us. "We are harmonious in the reality that we are all held to this earth by the same gravity." These profound words emphasize the fundamental truth that unites us all: our shared existence on this planet. Regardless of our differences, we are bound by the interdependence of life, breathing the same air and being subject to the same natural laws. The artwork serves as a reminder that, beyond societal constructs and cultural boundaries, we are all interconnected beings, deserving of empathy, compassion, and respect. "I will not blind myself and say that my black brother...

Emmanuel made this work as a source of hope for those who have health issues, not to lose hope, They’re not alone so far they’re waking up every day they still have a chance to do gr...

Hunters work is included in several corporate collections including Sterling Drug, Chugai-Upjohn, Ernst and Young, Satellite Health Care of Mountain View, Ca., and the Ojai Valley In...

Another area of focus while exploring the number 3 has been the three centers within the body for creation; the mind, the heart, and the groin/sexual center. From the power center o...

"Be-Flowered" is deeply rooted in the African cultural heritage of a female child. In African culture, it is revered that a young woman should maintain her sexual purity until marriage, which brings immense joy and honor to her family when her husband finds her a virgin on their wedding night. The title "Be-Flowered" is derived from the concept of "Deflower," which signifies taking away a lady's innocence or dispossessing her of her virginity. However, in this painting series, my premise is centered on empowering women and celebrating their pride and inherent power. The first two pieces of the series feature ladies adorned in traditional South African bids worn during the Virgin festival. The gentle pink clouds symbolize feminine power and poise, evoking the strength and grace embodied by women. A community that empowers women tends to uphold higher moral standards than one that does not. My perspective veers away from the idea of gender equality, recognizing its limitations, and instead, I believe in gender equity, providing each gender with the opportunities they need to fulfill their potential. This series aims to leave my audience with a profound appreciation for empowerment and a celebration of cultural heritage. I hope viewers will reflect on the significance of embracing one's roots while acknowledging the strength and beauty that women contribute to society. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Paul Ayihawu...