Glitter Mixed Media

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* FOREVER AVICII is a very special creation both style and framing....

"After years of nature-based artwork, in Spring 2020 I became an Anthomaniac. Covid was raging in NYC so I retreated with my family Northwest Connecticut. Nature, for so many of us, ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Ripples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC. Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees...

Bruce Helander Road Runner (Beep, Beep) Mixed Media Artwork Hand signed and dated This is a unique work and is not numbered. Frame: 31" X 21.25" Image: 29.5" X 19.5" This appears to be glitter and paint over a printed background on canvas. Wile E. Coyote and the Road Runner are a duo of cartoon characters from the Looney Tunes and Merrie Melodies series of animated cartoons, first appearing in 1949. The characters were created for Warner Bros in 1948 by animation director Chuck Jones and writer Michael Maltese Bruce Helander (1947 -) is an art critic, arts writer, curator and artist whose specialty is collage and assemblage. He has a master’s degree in painting from the prestigious Rhode Island School of Design, where he later became the Provost and Vice President for Academic Affairs of the college. He is a former White House fellow of the National Endowment for the Arts and has won the South Florida Cultural Consortium fellowship for professional achievement in the visual arts. He is one of two 2014 inductees to the Florida Artists Hall of Fame, Florida’s most prestigious arts and culture honor (the other is musician Tom Petty). Helander is the former Editor-in-Chief of The Art Economist magazine and recently exhibited his work at Georgia Scherman Projects (Toronto), Corzine Fine Art (Los Angeles), Peter Marcelle Gallery (Bridgehampton, New York), Cornell Museum of Art (Delray Beach), and ArtHouse 429 (West Palm Beach). Most currently, his work was shown by Arcature Fine Art at Art Miami and Art Miami New York/Pier 94 and by Tansey Contemporary at Art Wynwood. Helander had a retrospective of his collages and paintings for the Coral Springs Museum of Art, scheduled for 2017, and his collages are included in “Open This End,” a five-year traveling museum show of works from the celebrated Blake Byrne collection in Los Angeles, currently at the Nasher Museum of Art. It included Pop art and Conceptual Art, Minimalism, body-oriented performance art, the Pictures Generation, identity politics and psychologically-inflected figurative works. Andy Warhol, Ed Ruscha, John Baldessari, Cindy Sherman, Louise Lawler, Rita McBride, Bruce Helander, Marlene Dumas, Albert Oehlen, Glenn Ligon, Mark Bradford and more. His work is in over fifty museum permanent collections, including the Metropolitan Museum of Art, the Solomon R. Guggenheim Museum of Art, the Smithsonian Institution, the Montreal Museum of Art, the Art Institute of Chicago, the Whitney Museum of American Art, the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, the White House and the Vatican in Rome. His collages have been the subjects of over one hundred exhibitions in North America and Europe, with reviews in leading magazines such as ARTnews and Art in America. Helander's work is in numerous private collections, including actors Martin Mull and Dennis Hopper, musicians David Byrne and Jimmy Buffett and fashion designer Todd Oldham, as well as numerous corporate commissions. Prominent artists who collect his work include Dale Chihuly, Robert Rauschenberg, James Rosenquist and Larry Rivers. Football great Dan Marino, Senator Howard Metzenbaum and author Tom Wolfe own Helander work. City Link magazine called Bruce Helander "arguably the most recognized and successful collage artist in the country.". "If there was a Pulitzer Prize for collage, Helander would surely win it," observed Kenworth Moffett, the former director of the Museum of Fine Arts in Boston, in a feature article in the November 2001 issue of Gold Coast magazine. His collages appear nationally in leading print media, including The New Yorker magazine. He was commissioned by the United Nations in August 1999 to design a first day postal cover design and limited edition print, which was presented in the General Assembly Building. He has produced prints for the Washington Opera, Ballet Florida and the Palm Beach and Boston Film Festivals. He has written extensively on contemporary art and in 2007 Grassfield Press will publish a book, titled Fire & Ice, of one hundred of his favorite reviews. He writes a monthly columns in South Florida Times magazine. Select Exhibitions 2013 Zadok Gallery, 20 Shades of Grey, Miami 2011 Dennis Hopper Estate Sale Exhibition, Christie’s, 2001 Bernice Steinbaum Gallery, A Painting Over the Sofa (that is not necessarily a painting), Miami, Florida 2001 Society of the Four Arts, 63rd Annual National Exhibition of Contemporary American Paintings, Palm Beach, Florida 2000 ArtWest Gallery, RISD on the Road—Printmaking 2000 Woods-Gerry Gallery, RISD on the Road—Printmaking & Photography, Providence, Rhode Island 1999 Armory Art Center, Figurative Small Works, West Rhode Island School of Design, Art in a Box, Providence, Rhode Island 1995 Norton Museum of Art, Group show, West Palm Beach, Florida 1995 Marisa del Re Gallery, Summer group show 1993 Philharmonic Center for Contemporary Art, Greetings From Florida, Naples, Florida (included Robert Rauschenberg, James Rosenquist, Larry Poons, Jules Olitski and Hanson) 1992 Museum of Art, Stars in Florida, Fort Lauderdale, Florida (curated by David Miller; included Larry Rivers, John Chamberlain, Richard Anuszkiewicz) 1991 O. K. Harris Works of Art, Centennial Biennial Invitational, New York, New York 1986 Diane Brown Gallery, RISD in New York, New York, New York (included Jedd Garet, Italo Scanga, Jim Sullivan, Dale Chihuly, Stuart Diamond, Heide Fasnacht) 1986 Forum Gallery, Collages, New York, New York (included Romare Bearden, Varujan Boghsian, Buster Cleveland...

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"Kate Moss Nr. 1" Photography 58 × 53 1/2 in Edition 1/1 by Kate Garner Signed on the back. High Quality Print on Hahnemuhle paper using archival ink with partial diamond dust and ...

Atomic Kate Silver Leaf and Black Glitter Dust on Board 113 x 113 cm 44 1/2 x 44 1/2 in "I have always been fascinated by motion. What fascinates me with this craft is to capture th...

Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC. Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees...

Born  Robert  Keith  Court  on  November  2nd  1970  in  the  market  town of Romford,  Essex,  England  to  a  working  class  family.  Courty,  is  his childhood  nickname  adopted  for  signature  reference  to  his  collection of signed neon artworks. Since  1987  Courty  has  dedicated  his  life  to  the  study  of  neon  lights and  immersed  his  mind  in  creating  beautiful  works  of  art  with  the  use of  vibrant  colours,  lighting  technology,  typography  and  the  written word,  predominantly  with  the  use  of  the  iconic  light  form  known  as 'Neon'. A  respected  and  well  known  English  craftsmen  of  the  100  year old  art  of  glassblowing  neon  tube  lights,  Courty  has  reached  master neon  glass  blower  level  and  is  forever  exploring  and  pushing  the boundaries  of  hand  made  neon  light  use  in  the  world  of  art  & sculpture from his East London based studio. Not  a  classically  trained  artist,  Courty  has  chosen  to  work  from industry  ground  level  and  has  spent  a  lifetime  working  hands  on  with creative  minds  from  around  the  world  in  the  art  &  design  arena, turning  ideas  and  visions  into  'illumination  reality'  on  a  spectacular level.  This  has  earned  him  the  reputation  of  being  'the  man  to  go  to' for  high  end  neon  fabrication.  Being  company  owner  of  commercial illumination  specialists  'Signs  Of  All  Kinds'  and  art  world  specialists 'Creative  Neon',  Courty  is  in  a  unique  position  to  produce  high  quality neon  art  that  combines  his  own  personal  creativity  with  his  knowledge and  technical  expertise  that  culminates  in  a  beautifully  crafted  light  art piece...

Artist: Steven Sorman, American (1948 - ) Title: When Something is a Picture Year: 1980 Medium: Mixed Media Collage with Fabric, Screenprint, and Glitter, signed and numbered in penc...

This piece is an abstract botanical work on paper featuring hues of blue, tan and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

#255 By Jessie Woodward [2019] Original Acrylic, pen, glitter on canvas Image size: H:30.5 cm x W:40.5 cm Complete Size of Unframed Work: H:30.5 cm x W:40.5 cm x D:3cm Framed Size: H...

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

Darren Goins, (American, b. 1993) Acrylic paint and metal flake glitter with silkscreen on paper Not signed on front. (presumably signed verso but has not been examined out of frame) Overall: 30-1/4"h x 26-1/4"w Paper Size: 26-1/2"h x 22-1/2"w Darren Goins (American Post War and Contemporary art) was born in 1984 in North Carolina but now resides in Los Angeles, California. Goins is well known for his unique style and aesthetic, which involves the combination of digital technologies and traditional painting methods to create abstract paintings. Working with a wide range of media–printmaking, painting, drawing, sculpture, neon–Goins’ art manages to capture the anxiety of the digital Information Age in both color and form. Creating imagery with both computer software and the paintbrush, Darren Goins’ paintings utilize both traditional methods of abstraction as well as digital intervention.Goins graduated from UNC Charlotte with a BFA in Photography and Printmaking and a minor in Art History. Goins soon moved to New York, and later Los Angeles where he currently lives and works. Goins’ style utilizes computer software, like Adobe Photoshop or Microsoft Paint, in order to etch the image onto an acrylic panel using a CNC carver. He then paints over the surface, which in turn becomes the backside of the painting as the reverse side of the clear panel faces the viewer. Goins in this manner appears to be tricking the eyes of the viewers with his work; portraying the pieces as a base relief in reverse as if the painting is somehow bubbling up from behind the acrylic panel. Goins’ pieces also confront the audience with how one can engage with, and utilizes, technology in art. Through his embrace of technical chance and his flexible, manual process, something organic peeks through from, within these images. In Goins’ paintings we can see the ghost of humanity filtered through digital media, fluidly weaved in space. Using his camera phone, digital prints, silver gelatin prints and screen-print drawings from his computer, Microsoft Paint or Photoshop. He has been exhibited internationally, Goins has had solo exhibitions at Hezi Cohen Gallery in Tel Aviv, Israel, Whitcher Projects in Los Angeles, Martin Lawrence Galleries, La Jolla, California and Hap Gallery in Portland, Oregon among others. Goins has participated as an artist-in-residence at Socrates Sculpture...

materials: acrylic, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawi...

MTB-4276 is one of Mack's strongest paintings. This piece part of his ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using...

This conceptual text based painting by New York artist, David Kramer, incorporates gestural swatches of color over a controlled pastel striped ground. The bold text reads: "I AM COM...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* ***Looking for one of kind precious high ending gift that no one ...

Acrylic, ink, glitter on canvas Dimitri operates from the idea of the “unfinished.” It informs his choice of materials and the way he handles them. It informs the imagery. The unfin...

Crystal LaBeija 2022 Signed Binder and glitter on acrylic 28.5 x 26.5 inches (72.4 x 67.3 cm) Crystal LaBeija (1930s-1990s) was the founder of the legendary House of LaBeija. She...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

"Psychic Garden (Dark Matter is the Seed of the Universe)" is a long horizontal abstract work on paper featuring hues of blue, purple, orange, yellow, tan and gold. This piece is framed in a simple white box frame behind Plexiglas measuring 36.75 by 95.5 inches. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earn...

materials: acrylic, ink, spray paint, airbrush, flashe, collage, color pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned...

Born  Robert  Keith  Court  on  November  2nd  1970  in  the  market  town of Romford,  Essex,  England  to  a  working  class  family.  Courty,  is  his childhood  nickname  adopted  for  signature  reference  to  his  collection of signed neon artworks. Since  1987  Courty  has  dedicated  his  life  to  the  study  of  neon  lights and  immersed  his  mind  in  creating  beautiful  works  of  art  with  the  use of  vibrant  colours,  lighting  technology,  typography  and  the  written word,  predominantly  with  the  use  of  the  iconic  light  form  known  as 'Neon'. A  respected  and  well  known  English  craftsmen  of  the  100  year old  art  of  glassblowing  neon  tube  lights,  Courty  has  reached  master neon  glass  blower  level  and  is  forever  exploring  and  pushing  the boundaries  of  hand  made  neon  light  use  in  the  world  of  art  & sculpture from his East London based studio. Not  a  classically  trained  artist,  Courty  has  chosen  to  work  from industry  ground  level  and  has  spent  a  lifetime  working  hands  on  with creative  minds  from  around  the  world  in  the  art  &  design  arena, turning  ideas  and  visions  into  'illumination  reality'  on  a  spectacular level.  This  has  earned  him  the  reputation  of  being  'the  man  to  go  to' for  high  end  neon  fabrication.  Being  company  owner  of  commercial illumination  specialists  'Signs  Of  All  Kinds'  and  art  world  specialists 'Creative  Neon',  Courty  is  in  a  unique  position  to  produce  high  quality neon  art  that  combines  his  own  personal  creativity  with  his  knowledge and  technical  expertise  that  culminates  in  a  beautifully  crafted  light  art piece...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

materials: acrylic, spray paint, airbrush, flashe, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in P...

materials: acrylic ink, spray paint, airbrush, flashe, collage, colored pencil, paint pen, glitter on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earne...

Original spray paint and glitter on canvas painting. Hand signed, dated and titled on verso by Ben Eine. Canvas size 36 x 36 inches. Canvas is stretched. Artwork is in excellent c...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

materials: acrylic, glitter, colored pencil, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing fr...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

JENNY DAY (b.1981) is a painter based in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Ala...

Medium: acrylic, flashe, collage, pencil, paint pen, glitter and crayon on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

[Tucson, AZ / Santa Fe, NM ::: b. 1981] BIO JENNY DAY (b.1981) is a painter who divides her time between Tucson, Arizona and Santa Fe, New Mexico. She earned an MFA in Painting ...

Framed in a shadow box. size includes frame. Paul Sarkisian (1928-) is an American artist who made significant contributions during the growth of contemporary art in Los Angeles, th...

537 by Jessie Woodward [2021] original Acrylic, Posca Pen and glitter on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:4cm Sold Unframed...

In WELFARE, Samuel Dunson creates a work that encompasses generations, drawing upon the symbolism of his personal history and political beliefs to expres...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

This conceptual text based painting by New York artist, David Kramer, combines stylized painting of the FBI Building in Washington DC and the bold text: BRUTAL. An architecture joke, the subtitle reads: "Quasi-Political Architecture Joke (for James Comey.). The J Edgar Hoover building is a low-rise office building located at 935 Pennsylvania Avenue NW in Washington, D.C., in the United States. It is the headquarters of the Federal Bureau...

This text based fiber work by New York artist, David Kramer incorporates elements of crafting known as hook rug, which are tooled over hand drawn elements on the burlap. A Firestone ...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

Maren Conrad’s mixed media works manifest meditation in vibrant, visual display. Inspired by the concepts of loss and renewal, Conrad creates visual metaphors that express the collec...

Original watercolor and glitter on paper. Hand signed on front by the artist. Sheet size 21.75 x 15 inches. Artwork is in excellent condition. Certificate of authenticity included. ...

paper construction on wood panel 9"x 12" (available unframed) Nancy Baker creates detailed paper constructions by combining hand and laser cut geometric forms based loosely on ma...

Acrylic on canvas with whispers of glitter coated with heavy resin.

This piece is an abstract botanical work on paper featuring hues of blue, tan, pink, green and white in a simple white box frame behind UV Plexiglas. Caroline Bullock is inspired by the work of Agnes Martin, Anish Kapoor, Katharina Grosse, Andy Goldsworthy and Lucy Dodd...

Acrylic on canvas with whispers of glitter coated with heavy resin.

materials: acrylic, ink, flashe, spray paint, glitter, paint pen, collage on canvas --- JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and ...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, enti...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon, collage, glitter on canvas Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day...

Medium: acrylic, flashe, collage, pencil, paint pen, crayon and glitter on canvas. Our gallery is pleased to announce the first solo exhibition of Tucson-based artist Jenny Day, ent...