Graphite Mixed Media

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

"Untitled" Mixed media piece by the artist KENT KALMAN PACHUTA. Mediums used include color pencil, graphite, pastel and powdered pigment on thick paper. The piece measures approximat...

Based in Cornwall, UK Brad creates expressive and abstract paintings with a graffiti influence that scale smaller mounted works to larger street art murals. Using a variety of media ...

A dynamic mid-century modern mixed media collage by American artist Mary Chenoweth, titled Biplane Over Water, combining abstracted aviation imagery with layered compositional elemen...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Based in Cornwall, UK Brad creates expressive and abstract paintings with a graffiti influence that scale smaller mounted works to larger street art murals. Using a variety of media ...

Xavi Carbonell (Spanish, b. 1971), Untitled (Abstract Composition), Mixed Media on Paper, 2012, signed in pencil "X. Carbonell" and dated lower left, white frame. Image: 19.25" H x ...

Aziz et Aziza by Georges Manzana Pissarro (1871-1961) Pastel, watercolour, graphite, gold and silver paint on paper laid down on cardboard 63 x 50 cm (24 ³/₄ x 19 ³/₄ inches) Signed ...

This original 1960 abstract gouache and graphite on paper painting by Hilaire Hiler (1898–1966) exemplifies his distinctive structuralist style and modernist vision. Created during his influential period in New Mexico, the artwork features soothing, harmonious tones of pink and blue, expertly layered to evoke a sense of calm and balance. Signed in the lower right corner, this mid-century modern piece measures 15 ½ x 18 ¾ inches framed, with an image size of 14 x 17 ½ inches. Hilaire Hiler’s work stands out for its intellectual rigor and visual harmony, blending abstraction with a structuralist approach that explores color, form, and rhythm. About the Artist: Born in St. Paul, Minnesota, and raised in Providence, Rhode Island, Hiler received extensive art training at the Rhode Island School of Design, Pennsylvania Academy of the Fine Arts, and the University of Paris. Between 1919 and 1934, he lived in Paris, working as a jazz pianist while engaging deeply with the European avant-garde. After returning to the U.S., Hiler painted WPA murals for San Francisco’s Aquatic Park...

Original media artwork by Nahum Tschacbasov composed of watercolor, felt pen, and graphite on archival paper. Signed bottom middle and dated 1977. Condition is excellent. Presently unframed. Provenance: Estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

"Field Study - Winter Patterns" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in ...

Graphite, ink and crayon mixed media artwork of a surgical team at work by the Russian/American, Nahum Tschacbasov. Titled top right. Signed and dated lower left, 1979. Condition: Very good. Provenance: Estate of the artist. Overall framed in one inch wide black matte frame with off white mat 17.5 by 21.5 Inches. Nahum Tschacbasov’s paintings are in the permanent collections of the Metropolitan Museum of Art, the Brooklyn Museum, the Jewish Museum, the Philadelphia Museum, the Pennsylvania Museum of Fine Art, as well as numerous college and private collections. His work was shown at ACA Gallery in New York, as well as Perl’s Gallery and John Heller...

Mark Freeman (1908-2003) Mix media - graphite, crayon and color pencil on paper. This lovely Chinatown, New York image measures 10 ½ x 9 inches. Frame: 19 x 16 1/2. It is in excellen...

"Field Study - Artifacts" is a mixed media piece by Terri Warpinski using photographs, drawings, and fragments of notebook and sketchbook paper. The artist signed the piece in the lower right and titled it lower left. 9 1/2" x 7" art 20 7/8" x 17" frame From her home base in Oregon Terri Warpinski travels the world to pursue her creative practice. She is a Professor of Art at the University of Oregon and was a Fulbright Scholar in Israel 2000-2001. Recent awards include an Individual Artist Fellowship (2014), two Career Opportunity Grants (2015, 2013) from both the Ford Family Foundation and the Oregon Art...

Generous by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 48 x 36. This is part of a new 2022 series. According to Umerlik, " I became a mother this past ye...

Collaborate by Rose Umerlik is an abstract painting, Oil and Graphite on wood panel, 36 x 48. Rose Umerlik extracts the intangible emotional moments that live in our collective human psyche and interprets them abstractly through form, line and color so that they may also exist outside of ourselves. In recent years, Umerlik has shown in seven solo exhibitions and innumerable group shows domestically and internationally, published a book of work titled Intimacy of Forms, received notable reviews in such publications as Art New England, and been awarded the Clowes Award by the Vermont Studio Center. The most affecting experience of Umerlik’s career to date has been her two-month stay in the Takt Kunstprojektraum Artist Residency in Berlin, Germany. She was named a 2018 Vermont Artist...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

“Faulkner in Fresno” is a striking original abstract painting by acclaimed American artist Sidney Guberman (b. 1936), created in 1986. Executed in oil and pastel on paper, this large...

Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Original work by Mary Early. Work is graphite, wax crayon, and sumi ink on Arches paper, 12 1/4 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Original work on Arches paper by Mary Early. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

“It is terrifying to paint. When you start out, you are faced with this great unknown. And you think, am I ever going to paint again? Yet, as you work, it starts to formulate itself...

Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spen...

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

Triple Shadow Bathers, by Daniel Berman - Mixed Media - 60 x 60 cm, - Figurative abstraction, c. 2023 The pieces attract by the power of the pictorial gesture materialized in the l...

Watercolor, ink, and graphite on canvas 10 x 13 in. (framed) Framed in a wood frame

Working with a palette of graphite and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alchemist, summoning ...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Acrylic, graphite, transfer, spray paint on linen

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

Signed "James Montgomery Flagg" Lower Right by Artist "Mr. Corroway was wearing a broad smile. He slapped Dave jovially on the shoulder and said: 'No hard feelings, I hope, about o...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Small mountains on dark paper. Gouache and graphite on handmade paper.

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

Signed and dated by artist on back. Andrew W. Young (American) is an artist who lives in Manhattan and has life-long and abiding associations Downeast (Maine) and Down Cape (Cod). ...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

Between September 2018 and April 2019, I created 100 small paintings consecutively. I endeavored to make nothing else and viewed the project as an opportunity to experiment and solid...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...

"My artistic journey is marked by a unique blend of conceptual mathematics, political engagement, and deeply personal narratives which offer a rich tapestry of human experience and e...

A 16” x 16” x 2” Surrealist Mixed Media Portrait Painting executed on Wood Panel with Acrylic and Graphite by artist Christopher Polentz. A certificate of authenticity will accompany...

Monoprint with water based ink and graphite

Mirror to the Sun III Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primaril...

Mirror to the Sun II Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily...

Untitled (Burnt Orange) Oil, graphite, litho ink, spray paint, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primar...

Mirror to the Sun Oil, graphite, litho ink, dry pigment on paper 40" x 26" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium o...

Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...

Artwork by New York artist Gail Postal. Graphite, Oil Paint. Postal has had two major influences on her work – old hand tinted black and white Japanese photographs and Eastern Orth...

Turbulence III 64" x 42" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 67.5" x 46.5": $12,500

Turbulence VIII 42" x 100" Pigment, Graphite and Sumi Ink on Archival Paper Unique Framed 105.5" x 44.5": $18,000

Collage, acrylic and graphite on paper. This abstract collage by the New York/ Hawaiian artist, Debra Drexler, incorporates cut paper, drawing and impasto brushwork with poured pain...

Collage, acrylic and graphite on paper. This abstract collage by the New York/ Hawaiian artist, Debra Drexler, incorporates cut paper, drawing and impasto brushwork with poured pain...

Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer and inner geographical regions in this piece. The finished work is a d...

Utiliza piedras rayadas o bancos de corte sobre las que coloca las telas y hace frottage con grafito para luego intervenirlas con óleo. Su obra habla acerca del paisaje y de la natur...

60"x48" oil and graphite on canvas (signed on reverse). This large scale oil painting by Mark Masyga created with a stunning linear abstract composition. Masyga employs drawing tech...

This is a beautiful piece by Alexis Portilla. The rich inky grey, black and white colors of this piece contrasts against the symbolism of vessels and pictographs. Vessels are a recur...

Signed and dated lower right Provenance David Stuart Galleries, Los Angeles Willard Gallery, New York Daisy Viertel Shapiro, New York Exhibition Corcoran Gallery of Art, Washington...