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Medium: Monoprint
Suzanne Benton_Catherine Howard d. 1542_2003_monoprint, Chine collé_13 x 18 in
Located in Darien, CT
Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...
Category
2010s Feminist Monoprint Mixed Media
Materials
Monoprint
"Sighting (Tarantula Season)", Contemporary, Abstract, Desert, Mixed Media Print
Located in Franklin, MA
Patty deGrandpre’s “Sighting (Tarantula Season)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts of both printmaking and creative photograp...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Archival Ink, Mixed Media, Archival Paper, Monoprint, Color, Digital
"Sighting (Coyote Pink)", Contemporary, Abstract, Landscape, Mixed Media Print
Located in Franklin, MA
Patty deGrandpre’s “Sighting (Coyote Pink)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts from both printmaking and creative photography....
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Mixed Media, Archival Ink, Archival Paper, Monoprint, Digital Pigment
Iain Baxter& "Recovering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with music record or disc in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
"Cairns", Abstract, Red, Green, Blue, Yellow, Silver, Collage, Mixed Media
Located in Franklin, MA
Monica DeSalvo’s “Cairns” is an 18 x 24 collage made up of a series of 4 individual 11 x 4.25 inch abstract collages with red, silver, chartreuse green, yellow, black, and blue on pa...
Category
2010s Abstract Monoprint Mixed Media
Materials
Glue, Mixed Media, Acrylic, Archival Paper, Paper, Monoprint, Monotype
"Cochlear Caper", Surreal, Abstract Collage, Acylic Monotypes, Mixed Media
Located in Franklin, MA
Monica DeSalvo’s “Cochlear Caper” is a surreal mixed media collage on archival paper using fragments of acrylic monotypes printed on various papers including math homework from DeSal...
Category
2010s Abstract Monoprint Mixed Media
Materials
Paper, Mixed Media, Acrylic, Monotype, Monoprint
Sam Gilliam, Cuatro, Monoprint with collage acrylic stitching & embossing Signed
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Cuatro, 1994
Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper
Hand signed, dated, titled and annotated P/P by Sam Gilliam...
Category
1990s Abstract Expressionist Monoprint Mixed Media
Materials
Mixed Media, Acrylic, Monoprint, Screen
Atropurpureum, Botanical, Floral, Nature, work on paper, Mixed Media, Purple
Located in Riverdale, NY
Atropurpureum is a botanical mixed media work on paper by Cynthia MacCollum. This original artwork is 30x22 on archival paper. It is framed to...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Mixed Media, Monoprint
"Landlocked (Welcome to Utah)", Contemporary, Abstract Mixed Media Print, 2025
Located in Franklin, MA
Patty deGrandpre’s “Landlocked (Welcome to Utah)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and cre...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Mixed Media, Gouache, Digital, Monoprint
Suzanne Benton_Folded Hands_2003 -monoprint, Chine collé, 10 x 13 in
Located in Darien, CT
Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...
Category
2010s Feminist Monoprint Mixed Media
Materials
Monoprint
Benton, Charlotte Perkins Gilman and Her Daughter, monoprint, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Monoprint Mixed Media
Materials
Gold Leaf
Alfred Ortega Bold Figurative Abstract Expressionist Oil Monoprint Painting
Located in Surfside, FL
Alfred Ortega (American, 20th C.)
Abstract Monoprint with wash
Ghost of Champs-Élysées (Paris, France)
Born in Philadelphia, Alfred Ortega studied painting and sculpture at the Pe...
Category
20th Century Monoprint Mixed Media
Materials
Oil, Monoprint
"Swinging against plumb", Surreal, Blue, Green, Yellow, Collage, Monoprints
Located in Franklin, MA
Monica DeSalvo’s “Swinging against plumb” is a 36 x 24 inch surreal collage on a digital enlargement of two adjoined acrylic monoprints on paper. Wavy l...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Mixed Media, Archival Paper, Digital, Monoprint
Benton, Votes for Women, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
2010s Feminist Monoprint Mixed Media
Materials
Laid Paper, Monoprint
Benton, The Gaze (Dorothy Canfield Fisher) monoprint with Chine collé, Feminist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
THE GAZE
Monoprint with Chine collé, 13 ¼ x 10 inches, 1999
Dorothy Canfield Fisher
1879 –1958)
Dorothy Canfield Fisherwas an educational reformer, social activist, and best-selling American author in the early 20th century. She strongly supported women's rights, racial equality, and lifelong education. Eleanor Roosevelt named her one of the ten most influential women in the United States.
The Women’s Rights Historical Park exhibited Benton's growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...
Category
1990s Feminist Monoprint Mixed Media
Materials
Silver
Benton, Susan B. Anthony the Elder, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020
From Wikipedia
Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society.
In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female.
In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...
Category
2010s Feminist Monoprint Mixed Media
Materials
Laid Paper, Monoprint
Benton, The Suffragist(Alice Pau), monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
The Suffragist (Alice Paul)
One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment to the US Constitution...
Category
2010s Feminist Monoprint Mixed Media
Materials
Laid Paper, Monoprint
Benton, Spirit of Hope (Alice Paul) monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
The Spirit of Hope (Alice Paul)
One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment...
Category
2010s Feminist Monoprint Mixed Media
Materials
Laid Paper, Monoprint
"Blue Planet, " Acrylic Monoprint and India Ink on Paper, circa 1980
Located in Long Island City, NY
Artist: Yannick Ballif, French (b. 1927)
Title: Blue Planet
Year: circa 1980
Medium: Acrylic Monoprint with India Ink on Rag Paper
Size: 30 x 44 inches
Category
1980s Abstract Expressionist Monoprint Mixed Media
Materials
India Ink, Acrylic, Monoprint
Maggie Laporte Banks, It takes allsorts, Original Art, Abstract Art, Art Online
Located in Deddington, GB
Maggie Laporte Banks.
It takes allsorts.
Acrylic, collage, graffiti spray paint, carborundum, monoprint.
H. 50 cm x W. 50 cm. x D 2 cm , unframed.
Insitu images are purely an indicat...
Category
21st Century and Contemporary Abstract Monoprint Mixed Media
Materials
Canvas, Mixed Media, Spray Paint, Acrylic, Monoprint
Tracey Emin, Exploration of the Soul Monoprint, ex-Estate of Andy Warhol's agent
By Tracey Emin
Located in New York, NY
Tracey Emin
Exploration of the Soul from the Estate of Warhol's Agent, 1994
Tipped-in monoprint (unique) and ink inscription held in Hand signed and numbered (edition of 200) & i...
Category
1990s Contemporary Monoprint Mixed Media
Materials
Fabric, Textile, Thread, Monoprint, Offset
"System Liability", Abstract Collage, Red, Purple, Acrylic Monotype, Mixed Media
Located in Franklin, MA
Monica DeSalvo’s “System Liability" is a 16 x 20 abstract collage, deconstructed and reassembled as five separate parallel panels. The collage was built on an acrylic monotype create...
Category
2010s Abstract Monoprint Mixed Media
Materials
Mixed Media, Acrylic, Archival Paper, Monotype, Paper, Color Pencil, Mon...
Monotype: 'Eat the Stars'
Located in New York, NY
"Sometimes, as an antidote to fear of death, I eat the stars....". Inspired by 'Antidote to Death', a poem by Rebecca Elson
Angelica’s multi-layered works are informed by her ongoin...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Paper, Monoprint
Goa
By Perry Burns
Located in Fairfield, CT
Artist's Statement: "My paintings are an attempt to synthesize and enlighten pursuits of eastern and western art and their traditions. Using the full visual language of abstraction –...
Category
20th Century Abstract Monoprint Mixed Media
Materials
Gouache, Monoprint, Paper, Watercolor
$2,100
Large 3D Cast Paper Abstract Oil Monoprint Unique Monotype Painting John Walker
By John Walker
Located in Surfside, FL
John Walker British (b. 1939)
Salsipuedes Forms (1991)
Monoprint relief print with dry pigment, monotype
Hand signed lower right
Provenance: Garner Tullis Workshop
A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype.
John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint.
In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985.
After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University.
Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985.
In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others.
Select Group Exhibitions (partial list)
1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool.
1966 Recent Aspects of British Art. Australia and New Zealand (traveled).
1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...
Category
1990s Abstract Expressionist Monoprint Mixed Media
Materials
Monoprint, Monotype
"Stacked and Arranged", Contemporary, Toy, Blue, Pink, Yellow, Mixed Media Print
Located in Franklin, MA
Patty deGrandpre’s “Stacked and Arranged” is a 14 x 11 inch unique mixed media contemporary print depicting 4 iterations of the classic children’s stacking toy presented in a square ...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Archival Ink, Mixed Media, Digital, Gouache, Monoprint, Pigment
"We'll Know It When We See It", Abstract, Red, Black, Collage, Mixed Media
Located in Franklin, MA
Monica DeSalvo’s “We’ll Know It When We See It” is a 12 x 18 abstract collage on pale gray paper with a linen finish. Collage elements include a deconstructed monotype on yellow pape...
Category
2010s Abstract Monoprint Mixed Media
Materials
Paper, Mixed Media, Acrylic, Archival Paper, Monoprint, Monotype, Paint
26x41" - Thors Twins II - Monochrome on Paper
Located in Los Angeles, CA
This is a beautiful monochrome on paper by Alexis Portilla.
This is sold unframed.
Thors Twins II
26x41 in.
Monochrome on Paper
Alexis Portilla holds an MFA from Columbia Universi...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Monoprint
"High and Low III" Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "High and Low III" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 9.5"h x 14.5"w.
Born in Mexico...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Found Objects, Panel, Monoprint, Woodcut
"the same mysterious animacy", Abstract, Collaged Monoprints, Watercolor, Photos
Located in Philadelphia, PA
This piece titled "the same mysterious animacy" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, ...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Paper, Watercolor, Monoprint
"Fragments", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Fragments" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 19"w.
Born in Mexico City, A...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Panel, Monoprint, Woodcut, Paper, Alkyd
Classical Nude, Pink Mixed-Media Art and Design Original Work on Paper
Located in New york, NY
Classical Nude, 2016 by Roberta Fineberg (RF) is a 13" x 10.75" photopolymer chine-colle monoprint on rag paper - signed, titled, and dated by the artist on verso (back of the work)....
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Rag Paper, Intaglio, Monoprint, Other Medium
"the sacredness unfolds", Abstract, Collaged Monoprints, Watercolor
Located in Philadelphia, PA
This piece titled "the sacredness unfolds" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, water...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Paper, Watercolor, Monoprint
"Viaje", Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint on Panel
Located in Philadelphia, PA
This piece titled "Viaje" is an original piece by Alexis Nutini and is made from a woodcut and found found object stencil monoprint mounted on panel. This piece measures 14.5"h x 9.5...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Found Objects, Monoprint, Woodcut, Panel
"Blox", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Blox" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w and ships unframed.
Born in...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Panel, Monoprint, Woodcut, Paper
"High and Low I" Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint
Located in Philadelphia, PA
This piece titled "Waves" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w.
As a woodcut printmaker, ...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Found Objects, Panel, Monoprint, Woodcut
"Streets Of", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Streets Of" is an original piece by Alexis Nutini and is made from woodcut and and found object stencil monoprint mounted on panel . This piece measures 19"h x 14....
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Found Objects, Panel, Monoprint, Woodcut
"Philly Street III", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Philly Street III" is an original piece by Alexis Nutini and is made from a woodcut and found object stencil monoprint. This piece mea...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Paper, Found Objects, Monoprint, Woodcut, Stencil
"Follow", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint on Panel
Located in Philadelphia, PA
This piece titled "Follow" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 7.25"h x 9.5"w.
Born in Mexico City, Ale...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Panel, Monoprint, Woodcut
"learning to see", Abstract, Collaged Monoprints, Microscopic Scans, Watercolor
Located in Philadelphia, PA
This piece titled "learning to see" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolor. ...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Paper, Watercolor, Monoprint
"Up Sun Down", Surreal, Abstract Landscape, Desert, Blue, Mixed Media Collage
Located in Franklin, MA
Monica DeSalvo’s “Up-sun-down” is a surreal mixed media collage over a digital inkjet photo montage printed on Yupo paper. The abstract montage of blue, tan, sage green, yellow, and ...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Paper, Glue, Mixed Media, Acrylic, Archival Paper, Monoprint, Monotype, ...
Cottonwood in Jemez Canyon, by John Hogan, mixed media, monotype, New Mexico
Located in Santa Fe, NM
Cottonwood in Jemez Canyon by John Hogan mixed media monotype, New Mexico
unique framed mixed media mono print
John Hogan A graduate of Northeast Louisiana State University with a b...
Category
1990s Contemporary Monoprint Mixed Media
Materials
Mixed Media, Monoprint
"Sunny Side Down", Surreal, Abstract, Landscape, Mixed Media Collage, 2024
Located in Franklin, MA
Monica DeSalvo’s “Sunny Side Down” is a surreal mixed media collage over an asymmetrical digital inkjet photo montage on Yupo paper with blue, green, teal, white, and purple. The abs...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Paper, Glue, Mixed Media, Acrylic, Archival Paper, Color, Digital, Monop...
"Landlocked (Cactus, a million needles)", Abstract, Landscape, Mixed Media Print
Located in Franklin, MA
Patty deGrandpre’s “Landlocked (Cactus, a million needles)” is an 12.375 x 16 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both print...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Archival Ink, Mixed Media, Bamboo Paper, Monoprint, Gouache, Archiv...
Conceptual Pop Art Color Oil Monotype Painting Abstract Figure Robin Winters
Located in Surfside, FL
Robin Winters (American, born 1950),
Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco.
Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat).
Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing.
Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...
Category
1980s Pop Art Monoprint Mixed Media
Materials
Monoprint, Monotype
"Cochlear Conundrum", Abstract, Shell, Blue, Monotype, Collage, Mixed Media
Located in Franklin, MA
Monica DeSalvo’s “Cochlear Conundrum” is a 16 x 20 mixed media collage with blue, yellow, and turquoise monotype fragments printed on vintage paper, a ruled xerox report with black type, a white conch...
Category
2010s Abstract Monoprint Mixed Media
Materials
Mixed Media, Acrylic, Archival Paper, Paper, Monoprint
"Landlocked (Recreation)", Abstract Landscape Mixed Media Print, 2025
Located in Franklin, MA
Patty deGrandpre’s “Landlocked (Recreation)” is a 16.25 x 10.875 inch unique mixed media abstracted landscape print represented on Awagami Bamboo Japanese paper utilizing both print...
Category
2010s Contemporary Monoprint Mixed Media
Materials
Ink, Mixed Media, Bamboo Paper, Monoprint, Archival Ink, Digital Pigment
Conceptual Pop Art Color Oil Monotype Painting Abstract Figure Robin Winters
Located in Surfside, FL
Robin Winters (American, born 1950),
Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco.
Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat).
Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing.
Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...
Category
1980s Pop Art Monoprint Mixed Media
Materials
Monoprint, Monotype
Large 3D Cast Paper Abstract Oil Monoprint Unique Monotype Painting John Walker
By John Walker
Located in Surfside, FL
John Walker British (b. 1939)
Salsipuedes Forms (1991)
Monoprint relief print with dry pigment, monotype
Hand signed lower right
Provenance: Garner Tullis Workshop
A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype.
John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint.
In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985.
After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University.
Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985.
In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others.
Select Group Exhibitions (partial list)
1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool.
1966 Recent Aspects of British Art. Australia and New Zealand (traveled).
1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...
Category
1990s Abstract Expressionist Monoprint Mixed Media
Materials
Monoprint, Monotype
Benton_Mary Church Terrell Life Cycle_monoprint, collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Monoprint Mixed Media
Materials
Laid Paper, Monoprint
Benton, Mabel Loomis Todd, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
1990s Feminist Monoprint Mixed Media
Materials
Gold Leaf
Annemarie Petri - "Interior of an Zoologist" - turtle - edition size 25
Located in Winterswijk, NL
Annemarie Petri - "Interior of an Zoologist".
Surrealism, imaginary cities, fantasy, mirage, etching.
Technique: Etching/monoprint, highest technical level with 8-15 plates.
Editi...
Category
21st Century and Contemporary Surrealist Monoprint Mixed Media
Materials
Etching, Monoprint
Benton, Catherine Marya Sedgewick, monoprint with Chine collé, PioneerActivist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...
Category
2010s Feminist Monoprint Mixed Media
Materials
Gold Leaf
Benton_Mary Church Terrell Over Time_monoprint and collage, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Mary Church Terrell Over Time, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Mary Church Terrell Life Cycle, monoprint with Chine collé, 27 x 20 inches, 2018
(1863 – 1954)
Born in Memphis, Tennessee, Mary Church Terrell was a well-known author and activist for equal rights.
Terrell’s parents were freed slaves who grew to become financially successful.
A part of a rising African-American upper middle class, Terrell used her position to campaign for racial equality and women’s suffrage. I
In 1884, she graduated from Oberlin College...
Category
2010s Feminist Monoprint Mixed Media
Materials
Laid Paper, Monoprint
Benton, Carrie Chapman Catt, monoprint with Chine collé, Pioneer Activist
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992
(1859 – 1947)
The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt.
Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage.
Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900.
Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920.
Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War.
The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...
Category
1990s Feminist Monoprint Mixed Media
Materials
Gold Leaf
Benton, Anna Julia Cooper, monoprint with Chine collé, Oberlin College Women
Located in Darien, CT
Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present.
Anna Julia Cooper, monoprint with Chine collé, 27 x 19 3/4 inches, 2020
1858-1964
An educator, administrator, and social reformer, Anna J. Haywood Cooper was born a slave in Raleigh, North Carolina, and spent fourteen years fighting to gain access to Latin and Greek classes reserved for men at St. Augustine's Normal School and Collegiate Institute, from which she graduated in 1877. She married the Reverend A. C. Cooper at St. Augustine's, where each taught, but after his death in 1881, she began the second phase of her education at Oberlin. That year she joined Mary Eliza Church (Terrell) and Ida A. Gibbs Hunt in the "gentleman's"
collegiate course and graduated in 1884. One of the pioneer African-American women who earned a B.A., she returned to Oberlin for an M.A. in Mathematics, which she received in 1887.
Continuing her trailblazing for race and gender issues, Cooper wrote the feminist manifesto, A Voice from the South, spoke at feminist and educational conferences, and achieved many honors such as membership in the American Negro Academy. She was a leader in the National Association of Colored Women. Aligned with DuBois's philosophy, she spoke at the
1900 Pan African Conference in London, arguing for self-determination for African-Americans and an end to colonialism in Africa and apartheid in South Africa.
Anna Cooper received a Ph.D. at the Sorbonne in 1925 after a decade of study while she also maintained a full-time teaching load. Her thesis was on French policies during slavery. She had been shaping Frelinghuysen University in Washington, D.C., an interdenominational Bible college, and became its president in 1930, at the age of 72. She died in 1964 at the age of 105.
In preparation for this ongoing series the artist received images from Legacy Magazine’s photo archive of 19th Century women writers, understanding that she’d obtain permission from each source to use the photos in her artworks. Permissions were received and she began the series in 1992. The Harvard/Radcliffe Schlesinger library then offered Suzanne access to relevant microfiche images that were employed in subsequent works. In addition, the library exhibited the in 1992. The collector Vivien Leone purchased and donated one to the library, and the library subsequently purchased two more.
The Women’s Rights Historical Park in Seneca Falls, NY, exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...
Category
2010s Feminist Monoprint Mixed Media
Materials
Monoprint, Laid Paper
"Waves" Abstract Patterns, Geometric Abstraction, Woodcut, Monoprint on Panel
Located in Philadelphia, PA
This piece titled "Waves is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w....
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Panel, Monoprint, Woodcut, Paper
"Philly Street VII", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Philly Street VII" is an original piece by Alexis Nutini and is made from a woodcut and found object monoprint. This piece measures 40"h x 29.5"w and ships unframe...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Found Objects, Monoprint, Woodcut, Paper
"Philly Street V", Abstract Patterns, Geometric Abstraction, Woodcut Monoprint
Located in Philadelphia, PA
This piece titled "Philly Street V" is an original piece by Alexis Nutini and is made from a woodcut and found object stencil monoprint. This piece measures 40"h x 29.5"w and ships u...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Found Objects, Monoprint, Woodcut
"a path to becoming" Abstract, Collaged Monoprints, Watercolor
Located in Philadelphia, PA
This piece titled "a path to becoming" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolo...
Category
21st Century and Contemporary Contemporary Monoprint Mixed Media
Materials
Paper, Watercolor, Monoprint
Monoprint mixed media for sale on 1stDibs.
Find a wide variety of authentic Monoprint mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Suzanne Benton, Iain Baxter, Kory Twaddle, and Jolynn Reigeluth. Frequently made by artists working in the Abstract, Minimalist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Monoprint mixed media, so small editions measuring 12 inches across are also available Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $5,800, while the average work can sell for $1,312.
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