Monoprint Mixed Media

Patty deGrandpre’s “Landlocked (Welcome to Utah)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and cre...

Patty deGrandpre’s “Sighting (Coyote Pink)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts from both printmaking and creative photography....

This piece titled "the same mysterious animacy" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, ...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

Thomas Monaster has photographed many great rock and roll legends like John Lennon, Bob Dylan, The Rolling Stones, Janis Joplin and Jimi Hendrix to name just a few. We are please to ...

Hand signed bottom center This is a mixed media on paper. The August Series is a prominent group of mixed-media monotypes and handmade paper works created by American artist Terence...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

Alfred Ortega (American, 20th C.) Abstract Monoprint with wash Ghost of Champs-Élysées (Paris, France) Born in Philadelphia, Alfred Ortega studied painting and sculpture at the Pe...

Monica DeSalvo’s “Stream of Cobbleness” is a 20 x 16 abstract collage composed of organically shaped fragments of acrylic monoprints in pink, green, yellow, green, teal, and blue. Th...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Monica DeSalvo’s “Up-sun-down” is a surreal mixed media collage over a digital inkjet photo montage printed on Yupo paper. The abstract montage of blue, tan, sage green, yellow, and ...

Monica DeSalvo’s “Sunny Side Down” is a surreal mixed media collage over an asymmetrical digital inkjet photo montage on Yupo paper with blue, green, teal, white, and purple. The abs...

Nancy Spero Goddess and Mourning Women 1989 unique example of handprinting and printed collage on paper, measuring 20 by 17 inches

Ceravolo's Mono Print with iridescent acrylic hand work is titled "RED POW" with YELLOW burst. based on his "Batman and the Movie Star" original painting on canvas. This canvas measures approx. 28x40" framed. Ceravolo has created several unique monoprints based on his "Batman and the Movie Star" painting all with different "POW" and burst colors. This one is RED POW with a Yellow burst. All of these monoprints have an iridescent painted Bat Signal in the sky hand painted by Ceravolo. One of The Hampton's most popular urban Pop artists Ceravolo's work has been exhibited alongside Warhol and Peter Max for years, his paintings are collected by Elton John, Rod Stewart, and Alice Cooper among others. He has been call the "Rock and Roll Painter" and "Painter of the Stars of Rock" by the media. This Monoprint features Batman driving his Batmobile with a sultry Movie Star sitting next to him while at the same time there is a "Bat Call" signal in the night sky signaling him that there is a need for his help in Gotham City. Along with those two distractions the gopher "G" is standing next to Batman on the side of the Bat Mobile. While this is all going on Batman is thinking...."I must concentrate on driving" Maybe this is a typical night for Batman in Gotham City. We have included in this listing an image of Ceravolo with some of his famous collectors. His paintings can be found in many influential corporate and private collections, including: ELTON JOHN, ROD STEWART, PETE DAVIDSON<, GRANT CARDONE, HUGH M. HEFNER, DAVID BRENNER, MONIQUE VAN VOOREN, WARNER BROS., RCA RECORDS AND SCHENLEY INDUSTRIES to name a few. Ceravolo's art came to popular attention when he was commissioned to create five large scale paintings for the lobby of The Palladium Theatre in New York City of Jackson Browne, Linda Ronstadt, Frank Zappa, Neil Young and Hall and Oates.

Monica DeSalvo’s “Subterranean” is a 28 x 20 inch abstract mixed media collage on a photo montage of cropped images of sky, the sea, and a bridge in varying orientations. Blue, turqu...

Patty deGrandpre’s “Lofts, Nob Hill, Albuquerque” is a vivid 12 x 9 inch mixed media abstracted depiction of a sign and lamp post advertising loft rentals in the Nob Hill area of Alb...

This unique embossed white print was inspired by nature and features tree branch imagery. The sublime work of award winning artist Susan Collett has been featured and found an audi...

This is a mixed media monoprint titled Homage a Sam (I first thought it was for Sam Gilliam but the artist told me it was for Sam Francis. He has done a number of these Homages as I have found a New York Times article referencing a "cast paper folded into an airplane shape by Richard Royce serves as an homage to the late sculptor Alexander Calder".Richard Royce, born New York, 1941. After getting his BA and MA in fine art at the University of Wisconsin where he studied under Alfred Sessler...

This piece titled "the sacredness unfolds" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, water...

Cottonwood in Jemez Canyon by John Hogan mixed media monotype, New Mexico unique framed mixed media mono print John Hogan A graduate of Northeast Louisiana State University with a b...

This piece titled "Philly Street III" is an original piece by Alexis Nutini and is made from a woodcut and found object stencil monoprint. This piece mea...

This piece titled "Follow" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 7.25"h x 9.5"w. Born in Mexico City, Ale...

This piece titled "Fragments" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 19"w. Born in Mexico City, A...

This piece titled "Waves" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w. As a woodcut printmaker, ...

This piece titled "Streets Of" is an original piece by Alexis Nutini and is made from woodcut and and found object stencil monoprint mounted on panel . This piece measures 19"h x 14....

This piece titled "Philly Street V" is an original piece by Alexis Nutini and is made from a woodcut and found object stencil monoprint. This piece measures 40"h x 29.5"w and ships u...

This piece titled "a path to becoming" is an original piece by Cassie Normandy White and is made from collaged monoprints, microscopic scans, watercolo...

Monica DeSalvo’s “Cairns” is an 18 x 24 collage made up of a series of 4 individual 11 x 4.25 inch abstract collages with red, silver, chartreuse green, yellow, black, and blue on pa...

Monica DeSalvo’s “Scar” is a 20 x 28 inch abstract mixed media collage on a montage of cropped photos of the sea, a jetty, sand, and a lighthouse in varying orientations. Blue, gray,...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Monica DeSalvo’s “Cochlear Caper” is a surreal mixed media collage on archival paper using fragments of acrylic monotypes printed on various papers including math homework from DeSal...

Patty deGrandpre’s “Sighting (Tarantula Season)” is a unique abstract mixed media print represented on 11 x 14 inch Yupo utilizing concepts of both printmaking and creative photograp...

Cropped and deconstructed images of clouds, palm trees, an abandoned Hawaiian hotel facade, a car, an Aloha Airlines vintage trademark, a beach chair and a vintage photo of the two ladies in skirts are represented on 14 x 11 inch Awagami Bamboo Japanese paper in Patty deGrandpre’s contemporary abstract monoprint titled “Vintage Hawaii and Some Lady Legs...

Patty deGrandpre’s “Stacked and Arranged” is a 14 x 11 inch unique mixed media contemporary print depicting 4 iterations of the classic children’s stacking toy presented in a square ...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Suffragist (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment to the US Constitution...

Landscape with snow capped mountains in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptua...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Susan B. Anthony the Elder, monoprint with Chine collé, 18 ½ x 13 ¼ inches, 2020 From Wikipedia Susan B. Anthony (born Susan Anthony; February 15, 1820 – March 13, 1906) was an American social reformer and women's rights activist who played a pivotal role in the women's suffrage movement. Born into a Quaker family committed to social equality, she collected anti-slavery petitions at the age of 17. In 1856, she became the New York state agent for the American Anti-Slavery Society. In 1851, she met Elizabeth Cady Stanton, who became her lifelong friend and co-worker in social reform activities, primarily in the field of women's rights. In 1852, they founded the New York Women's State Temperance Society after Anthony was prevented from speaking at a temperance conference because she was female. In 1863, they founded the Women's Loyal National League, which conducted the largest petition drive in United States history...

Monica DeSalvo’s “We’ll Know It When We See It” is a 12 x 18 abstract collage on pale gray paper with a linen finish. Collage elements include a deconstructed monotype on yellow pape...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers an...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. Carrie Chapman Catt, monoprint with Chine collé, 18 ¾ "x 12 15/16", 1992 (1859 – 1947) The women’s right to vote in the United States is owed largely to the efforts of Carrie Chapman Catt. Born in Wisconsin and educated at Iowa State, Catt left work as a high school principle and later as a newspaper editor to join the fight for women’s suffrage. Skilled as a lecturer, Catt rose rapidly to national leadership, succeeding Susan B. Anthony as president of the National/American Women’s Suffrage Association in 1900. Catt’s pressure on President Woodrow Wilson and her tireless work to secure state ratification, culminated in the Nineteenth Amendment’s adoption in 1920. Following suffrage work, Catt devoted herself to peace and disarmament issues, serving as chair of the Committee on the Cause and Cure of War. The Women’s Rights Historical Park exhibited the growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

Patty deGrandpre’s “Landlocked (The End of the Line)” is an 14 x 11 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. THE GAZE Monoprint with Chine collé, 13 ¼ x 10 inches, 1999 Dorothy Canfield Fisher 1879 –1958) Dorothy Canfield Fisherwas an educational reformer, social activist, and best-selling American author in the early 20th century. She strongly supported women's rights, racial equality, and lifelong education. Eleanor Roosevelt named her one of the ten most influential women in the United States. The Women’s Rights Historical Park exhibited Benton's growing series in 1995 during the 75th anniversary of women’s suffrage. The Oberlin College...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Patty deGrandpre’s “Attempting to Unplug” is an 15 x 12 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and creative ph...

Suzanne Benton has been a working artist in a wide range of media for more than 60 years, with more than 150 solo exhibitions, 110 group shows, and two retrospectives of her multi-fa...

Landscape with Alpine Skiing and furniture armoire in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pionee...

Landscape with beach chair or lawn chair in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conce...

Landscape with refrigerator in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Cropped and deconstructed images of a two typewriters, a fence, a distant suburban landscape, and the lower half of three mannequins donning flowered coats are represented on 14 x 11...

Landscape with framed house in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist....

Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pio...

This piece titled "Viaje" is an original piece by Alexis Nutini and is made from a woodcut and found found object stencil monoprint mounted on panel. This piece measures 14.5"h x 9.5...

This piece titled "Waves is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 14.5"h x 9.5"w....

This piece titled "High and Low III" is an original piece by Alexis Nutini and is made from a woodcut monoprint mounted on panel. This piece measures 9.5"h x 14.5"w. Born in Mexico...

This piece titled "Philly Street VII" is an original piece by Alexis Nutini and is made from a woodcut and found object monoprint. This piece measures 40"h x 29.5"w and ships unframe...

Patty deGrandpre’s “The Beauty on the Way There” is a predominately turquoise blue, black, grey, and red contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord” block embracing creative photography, mixed media, and collage. Snapshots of a Western United States highway and it’s vast scenic surroundings are printed on Awagami Bamboo Japanese paper in both black and white as well as monochromatic red. The prints are cropped and combined with thoughtfully shaped monoprint fragments and collaged onto smooth fields of turquoise and grey hued water based block printing ink. The graphic design approach to this modern composition is appreciated as the viewer recognizes a glimpse through a car window of distant mountains and roadside terrain. A rectangular red and blue print reminiscent of vintage floral wallpaper...

Patty deGrandpre’s “The Long Part of the Drive” is a predominately blue, yellow, and gold unique contemporary abstract landscape represented on a 16 x 20 x 2 inch “Ampersand Claybord...