Monoprint Mixed Media
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Artist: Kory Twaddle
Artist: Iain Baxter
Medium: Monoprint
Iain Baxter& "Alpine Skiing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Alpine Skiing and furniture armoire in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Containing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with snow capped mountains in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Reaching Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Ranch Fence in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Regurgitating Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with beach chair or lawn chair in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Merging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with ironing board in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Recovering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with music record or disc in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Correcting Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with refrigerator in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Jumping Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Lettering Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with framed house in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Kissing Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with Sandwich Maker in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham.
BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago.
His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London.
He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Deflecting Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Lanscape with waffle iron in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Iain Baxter& "Dislodging Landscape" Conceptual Monoprint Painting
By Iain Baxter
Located in Surfside, FL
Landscape with barbecue grill in bright vibrant colors.
Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.)
He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum...
Category
20th Century Conceptual Monoprint Mixed Media
Materials
Mixed Media, Monoprint, Monotype
Waltham Biogram
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Waltham Biogram
Materials : Oil, acrylic, resin, string, and mixed media on canvas
Date : 2007
Dimensions : 54 x 56 x 0.3 inches
Kory Twaddle is a Ka...
Category
Early 2000s Abstract Geometric Monoprint Mixed Media
Materials
Tempera, Watercolor, Cardboard, Newsprint, Pencil, Color Pencil, Graphit...
Self Portrait as Cell Mitosis Library
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Self Portrait as Cell Mitosis Library
Materials : Oil, acrylic, paper, fabric, string, hair of the artist and the artist's husband, rubble from studio ...
Category
Early 2000s Abstract Monoprint Mixed Media
Materials
Newsprint, Pencil, Color Pencil, Graphite, Monoprint, Paint, Paper, Cont...
Portland Old Port
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Portland Old Port
Materials : Oil and acrylic on canvas
Date : 2004
Dimensions : 20 x 14 x 0.2 inches
Kory Twaddle is a Kansas...
Category
Early 2000s Abstract Geometric Monoprint Mixed Media
Materials
Charcoal, India Ink, Acrylic, Tempera, Watercolor, Cardboard, Newsprint,...
Portland Apartment Organ Building
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Portland Apartment Organ Building
Materials : Pastel, charcoal, conté crayon, marker, graphite, and mixed media on paper diptych
Date : 2006
Dimensions...
Category
Early 2000s Abstract Geometric Monoprint Mixed Media
Materials
Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, Cardboard, New...
Portland Apartment Biogram
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Portland Apartment Biogram
Materials : Pastel, oil pastel, marker, charcoal, conté crayon, colored pencil, gaphite china marker, and mixed media on pap...
Category
Early 2000s Conceptual Monoprint Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
Organ Buildings
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : Organ Buildings
Materials : Oil, acrylic, charcoal, conté crayon, marker, string, hair, postage stamps, buttoms, and mixed media on paper mounted on pa...
Category
Early 2000s Abstract Impressionist Monoprint Mixed Media
Materials
Graphite, Monoprint, Paint, Paper, Conté, Charcoal, India Ink, Acrylic, ...
On the Way to Class
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : On the Way to Class
Materials : Charcoal, conté crayon, pastel, oil pastel, graphite, marker, bees wax, birch bark, and mixed media on paper
Date : 201...
Category
2010s Conceptual Monoprint Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
New York Biogram
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : New York Biogram
Materials : Oil and mixed media on tar paper
Date : 2006
Dimensions : 28 x 20 x 0.2 inches
Kory Twaddle is a Kansas City based artist...
Category
Early 2000s Minimalist Monoprint Mixed Media
Materials
Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, Cardboa...
MECA Walk Home to School
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : MECA Walk Home to School
Materials : Oil on canvas
Date : 2006
Dimensions : 54 x 52 x 0.2 inches
Kory Twaddle is a Kansas City based artist and Resear...
Category
Early 2000s Minimalist Monoprint Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
California Monoprint Apartment Biogram
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : California Monoprint Apartment Biogram
Materials : Tempera and acrylic monoprint on paper
Date : 2008
Dimensions : 52 x 42 x 0.1 inches
Kory Twaddle ...
Category
2010s Abstract Monoprint Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
California Apartment Biogram Monoprint
By Kory Twaddle
Located in Kansas City, MO
Artist : Kory Twaddle
Title : California Apartment Biogram Monoprint
Materials : Tempera and acrylic monoprint on paper
Date : 2008
Dimensions : 52 x 42 x 0.1 inches
Kory Twaddle ...
Category
2010s Abstract Expressionist Monoprint Mixed Media
Materials
Paint, Paper, Conté, Charcoal, India Ink, Acrylic, Tempera, Watercolor, ...
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In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
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Located in Surfside, FL
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Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneeri...
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Monoprint mixed media for sale on 1stDibs.
Find a wide variety of authentic Monoprint mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Suzanne Benton, Iain Baxter, Kory Twaddle, and Jolynn Reigeluth. Frequently made by artists working in the Abstract, Minimalist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Monoprint mixed media, so small editions measuring 12 inches across are also available Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $500 and tops out at $5,800, while the average work can sell for $1,312.
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