Monotype Mixed Media

Landscape with refrigerator in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Lanscape with waffle iron in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. F...

Monica DeSalvo’s “Cairns” is an 18 x 24 collage made up of a series of 4 individual 11 x 4.25 inch abstract collages with red, silver, chartreuse green, yellow, black, and blue on pa...

Landscape with music record or disc in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual...

Landscape with framed house in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist....

Landscape with ironing board in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Landscape with barbecue grill in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artis...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. ...

Landscape with Sandwich Maker in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artis...

Brilliantly colored nixed media monotypes of opposing faces in profile by American artist Kismine Varner, circa 1990. Original one-of-a-kind work of art on paper displayed on a wh...

Monica DeSalvo’s “System Liability" is a 16 x 20 abstract collage, deconstructed and reassembled as five separate parallel panels. The collage was built on an acrylic monotype create...

Abstracted still-life painting on panel of a striped flower on a striped collaged background. David Konigsberg Fleur, 2023 9" x 12" oil on panel This contemporary still-life paintin...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Bernal Ghost by John Hogan mixed media monotype unique yellow brown blue green unique framed landscape print New Mexico landscape John Hogan A graduate of Northeast Louisiana State...

This artwork titled "Fan Series" c.1990, is an original monotype, with embossing and collage on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, ti...

Bold reds, oranges, and sparkling gold accents play across this beautiful abstract original work "Life Cycles II A" by master print maker Linda Whittemore. This mixed media viscosity...

This artwork titled "Fan Series" c.1990, is an original monotype, with embossing and collage on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, ti...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Inspired by the volcanic eruptions on the Big Island, this beautiful abstract original work "More Pele III" by master print maker Linda Whittemore displays rich golds, browns and yel...

Monica DeSalvo’s “A Bus Tour in the Woods—Stage 5” is a 22 x 30 inch triptych with three collages on acrylic monotypes with black, gray, dark and lime greens, orange, pink, purple, a...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

"Peles Ground" features rich reds, oranges and burgundy streaked with pearlescent accents that play across this beautiful abstract original work by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson, Roger Folk George Allen and John Cosby. Chris Nugent was a student of Phil Dike, Millard Sheets and Rex Brandt. Sullivan was also a student of Diebenkorn, so Linda was able to gain a very contemporary understanding of painting. Her mother is Margaret Bedell...

This artwork titled "Too Far" 2004 is an original mixed media (color monotype and pencil drawing) by noted Swiss artist Francois Burland b.1958. It is hand signed, dated, numbered 1/1 and dedicated in pencil by the artist. The subject size is 7.75 x 10.5, including the pencil drawing is 9.5 x 13.5 inches, sheet size is 13 x 19.75 inches, framed size is 21 x 28 inches. Custom framed in a wooden black frame, with white matting. It is in excellent condition. About the artist: François Burland (1958) was born in Lausanne (Switzerland). He began drawing in self-taught fashion at the end of his adolescence. He undertook a first trip to Egypt's Sinai Peninsula at the age of twenty. A few years later, he encountered the Tuaregs in the Sahara Desert. Enthused by their nomadic lifestyle, he began returning to the region regularly over some thirty years. During his long stays with the Tuaregs, he shared their daily life, including their dromedaries and witchcraft, but also their 4x4s, mobiles and kalachnikovs. This creator has produced an abundant and varied oeuvre. Depending on each series and on his inspiration of the day, he avails himself of a number of techniques and materials. For his drawings, he prefers to use wrapping paper as a support: he applies pastels, colored pencil and white chalk to very large surfaces. His creations bring to mind shamanic art...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...

"Field of Truth III 'E'" features rich aquas, blues and a touch of red streaked with pearlescent accents that play across this beautiful abstract original work by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

This triptych of monotypes from Nina Tichava is a stellar example of a part of her practice that focuses on botanical shapes and the interaction between colors. Each print is set in ...

“Nantucket Rose” by artist Mary Spencer is a 29.5 x 41.75 inch contemporary mixed media painting on paper with dominant colors of red, pink, green and orange. The painting is signed ...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

A unique monotype with charcoal, graphite and acrylic makes the textures as important as the image. Seiko Tachibana was born in Japan and completed her Masters of Art Education at K...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

Monica DeSalvo’s “A Bus Tour in the Woods—Stage 6” is a 36 x 24 inch surreal collage on a digital enlargement of two acrylic monotypes printed onto archival foamcore. Magenta, violet, green, and creamy yellow organic, botanical forms with impressions of leaves contrast with lists of numbers and vintage document rules. The original images were printed with a Gelli plate...

Cool tans, blues, and greens are streaked with pearlescent accents that play across this beautiful abstract original work "Motion Formed 'D'" by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

Monica DeSalvo’s “What about the numbers?” is a 48 x 24 inch surreal collage built on a digital enlargement of collaged monotype fragments and a black a...

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Monotype silkscreen on Fabriano paper Size: 19.75 x 15.25 inches Inscription: Hand signed in ink PETER MAX (1937- ) P...

Monica DeSalvo’s “A Golden Place” is a 16 x 12 inch abstract minimalist collage on paper with a golden wheat field, a bold graphic shape containing brig...

This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. Quite small, it measures just 8 x 8 inches x 3/4...

Monica DeSalvo’s “Wind Systems” is a 16 x 12 inch abstract diptych with asymmetrical collages on chipboard. Bright yellow, blue, green, purple, and gray organic acrylic...

This striped collage in all shades of indigo calls to mind Indonesian or Guatemalan woven textiles. The pattern mounted on wood panel was made by hand-printing, then then slicing int...

Cool torquoise, blues, and greens are streaked with pearlescent accents that play across this beautiful abstract original work "Music In Life (d)" by master print maker Linda Whittem...

Terence La Noue was born in Hammond, Indiana in 1941. He received a Bachelor of Fine Arts from Ohio Wesleyan University in 1964. After going to Berlin as a Fulbright Meister Student ...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Monica DeSalvo’s “Looking Around for You” is a 11 x 14 inch abstract collage built on an acrylic monotype with bright red, bronze, green, silver, and black botanical...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Monica DeSalvo’s “We didn’t take the plane—the plane took us!” is a lively 30 x 22 inch surreal collage on paper. Abstract areas of lime green, red, royal blue, and deep yellow embed...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

These yellow monotypes look like block prints or screen prints but are actually lensless photographs. They began as blue cyanotypes and were turned yellow through a process called "t...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

A full rich range of blues and greens are streaked with pearlescent accents that play across this dynamic abstract original work "The Otherness of Life III" by master print maker Lin...

"Thalos Series 'G''" features rich turquoise, oranges and light blues streaked with pearlescent accents that play across this beautiful abstract original work by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

"Field of Truth II 'E'" features rich aquas, blues and a touch of red streaked with pearlescent accents that play across this beautiful abstract original work by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

Cool turquoise and blues are streaked with colorful gold and red accents that play across this beautiful abstract original work "Balance of Life" by master print maker Linda Whittemore. This mixed media viscosity monotype displays all of the unique skill and painterly touch of the artist, who draws her inspiration from the natural beauty that surrounds her on her home of Maui. Linda works in a printmaking style called viscosity monotype, although she is trained in the traditional form of Intaglio printmaking. Her works are a story of color and mood, She continues to paint scenes around the island of Maui and further abstracts them in her studio using the printmaking process. Often, watercolor plein aire paintings are a prelude to her original monotypes. “It’s all a process, one medium leads to the next. We create from what we know or don’t know. My paintings are who I am.” Linda also has enjoyed painting the figure for many years. Linda began a life long relationship with watercolor painting at the age of eight. She studied two full years with the past president of the Watercolor Society, Roger Armstrong, as well as other teachers like Chris Sullivan, Hiroke Morinue, Richard Nelson...

"Comediantes", by the Argentine visual artist and sculptor Blas Castagna (Buenos Aires, 1935). Hand-colored Symbolic Monotype. Mixed media on handmade Tagesa paper. Image size: 26 × ...