Monotype Mixed Media

Unique contemporary wall work mixing monotype print making, painting, and sculpture. The striking shape and contrasting black and white colors make this unique piece shine on the ...

Bernal Ghost by John Hogan mixed media monotype unique yellow brown blue green unique framed landscape print New Mexico landscape John Hogan A graduate of Northeast Louisiana State...

Monica DeSalvo’s “Multiplication, Division” is a 14 x 12 inch abstract collage over an acrylic monotype with shades of red, orange, yellow, and hints of green printed on cream textur...

This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold. Quite small, it measures just 8 x 8 inches x 3/4...

Monica DeSalvo’s “Cochlear Caper” is a surreal mixed media collage on archival paper using fragments of acrylic monotypes printed on various papers including math homework from DeSal...

Monica DeSalvo’s "Fallen Dream" is a 12 x 18 minimalist abstract mixed media collage on mat board with bright blue, chartreuse green, black, gray, white, yellow, red, and a hint of p...

DAVID HUMPHREY Lies III (Framed with David McKee Gallery Label), 1986 Monotype on wove paper Unique signed and dated in graphite on the recto Frame included Measurements: 29 1/2 x 21...

Signed lower right, 'Douglas McClellan' (American, 1921-2016), dated 1988 and titled lower left, 'Cretan View'; additionally signed, titled, dated and media noted as 'monotype with c...

This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing. This monoprint was made using tall grass from my own garden during the ...

This artwork titled "Fan Series" c.1990, is an original monotype, with embossing and collage on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, ti...

These yellow monotypes look like block prints or screen prints but are actually lensless photographs. They began as blue cyanotypes and were turned yellow through a process called "t...

This minimalist patterned collage calls to mind West African indigo textiles, Japanese Shibori fabric or perhaps the work of Ellsworth Kelley. The pattern mounted on wood panel was ...

These are two miniature 12 x 6 inch hand-printed abstract cyanotypes mounted on wood. They are sealed with a satin finish varnish on the face and all sides.The sides are natural wood...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

Monica DeSalvo’s “Space Junk” is a 22 x 30 inch surreal collage on a digital enlargement of an abstract acrylic monotype with pink, tan, orange, peach, sage, and white. Soft textures...

Barbara Hocker sees her life’s vocation as being an ambassador for the natural world through her art. Nature is facing many challenges right now. Hock...

Monica DeSalvo’s “We’ll Know It When We See It” is a 12 x 18 abstract collage on pale gray paper with a linen finish. Collage elements include a deconstructed monotype on yellow pape...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool...

This artwork titled "Too Far" 2004 is an original mixed media (color monotype and pencil drawing) by noted Swiss artist Francois Burland b.1958. It is hand signed, dated, numbered 1/1 and dedicated in pencil by the artist. The subject size is 7.75 x 10.5, including the pencil drawing is 9.5 x 13.5 inches, sheet size is 13 x 19.75 inches, framed size is 21 x 28 inches. Custom framed in a wooden black frame, with white matting. It is in excellent condition. About the artist: François Burland (1958) was born in Lausanne (Switzerland). He began drawing in self-taught fashion at the end of his adolescence. He undertook a first trip to Egypt's Sinai Peninsula at the age of twenty. A few years later, he encountered the Tuaregs in the Sahara Desert. Enthused by their nomadic lifestyle, he began returning to the region regularly over some thirty years. During his long stays with the Tuaregs, he shared their daily life, including their dromedaries and witchcraft, but also their 4x4s, mobiles and kalachnikovs. This creator has produced an abundant and varied oeuvre. Depending on each series and on his inspiration of the day, he avails himself of a number of techniques and materials. For his drawings, he prefers to use wrapping paper as a support: he applies pastels, colored pencil and white chalk to very large surfaces. His creations bring to mind shamanic art...

Landscape with Alpine Skiing and furniture armoire in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pionee...

Landscape with beach chair or lawn chair in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conce...

Monica DeSalvo’s “Throwing Stones” is a diptych of two 4.25 x 6 inch collages on abstract acrylic monotypes. Green lettuce, tan and ivory eggs, and blurred fields of red, maroon, and...

Monica DeSalvo’s “What about the numbers?” is a 48 x 24 inch surreal collage built on a digital enlargement of collaged monotype fragments and a black a...

Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pio...

This unique print is 1 of 3 in the series. Behind Bars No. 1 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. ...

Landscape with music record or disc in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual...

Landscape with refrigerator in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Landscape with ironing board in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Landscape with framed house in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist....

Landscape with barbecue grill in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artis...

Landscape with Sandwich Maker in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artis...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. ...

Lanscape with waffle iron in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. F...

This striped collage in all shades of indigo calls to mind Indonesian or Guatemalan woven textiles. The pattern mounted on wood panel was made by hand-printing, then then slicing int...

Monica DeSalvo’s “Threshold” is an 18 x 24 inch surreal mixed media collage comprised of a red and orange acrylic monotype on felt textured paper with cut-out leaf forms, and an abstract collage on cream ledger paper with black distressed writing, brown, gray, and gold. A cluster of images with lily pads connects the two halves. Collage elements include DeSalvo’s late father’s paper memorabilia such as the ledger paper, black and white cavalry horses, and legs sitting in a chair. Print fragments are from work created using a Gelli plate...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Monica DeSalvo’s “We didn’t take the plane—the plane took us!” is a lively 30 x 22 inch surreal collage on paper. Abstract areas of lime green, red, royal blue, and deep yellow embed...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Monica DeSalvo’s “Wind Systems” is a 16 x 12 inch abstract diptych with asymmetrical collages on chipboard. Bright yellow, blue, green, purple, and gray organic acrylic...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...

John Walker British (b. 1939) Salsipuedes Forms (1991) Monoprint relief print with dry pigment, monotype Hand signed lower right Provenance: Garner Tullis Workshop A monotype is literally one of a kind; it is not a method of multiplication. The artist makes an image with a liquid medium on wood, metal or glass, and paper is laid over the moist image and bonded under pressure the paper is then removed bringing with it the transposed monotype. John Walker (born 1939) is an English painter and printmaker. He has been called "one of the standout abstract painters of the last 50 years." Walker studied in Birmingham at the Moseley School of Art, and later the Birmingham School of Art and Académie de la Grande Chaumière in Paris. Some of his early work was inspired by abstract expressionist art and post-painterly abstraction, and often combined apparently three-dimensional, sculptural shapes with "flatter" elements. These pieces are usually rendered in acrylic paint. In the early 1970s, Walker made a series of large Blackboard Pieces using chalk first exhibited at the opening of Ikon Gallery, in Birmingham Shopping Centre, Birmingham in 1972 and the Juggernaut works which also use dry pigment. From the late 1970s, his work marked allusions to earlier painters, such as Francisco Goya, Edouard Manet and Henri Matisse, either through the quoting of a pictorial motif, or the use of a particular technique. Also during this time, he began to use oil paint more in his work. His paintings of the 1970s are also notable for what has come to be termed canvas collage, the application of glued-on, separately painted patches of canvas to the main canvas. Beginning in the 1970s John Walker was one of the most influential and imitated painters working in the UK; he exhibited alongside Andy Warhol and Roy Lichtenstein, represented his country at the 1972 Venice Biennale, had extensive survey shows at both the Tate and Hayward galleries and was nominated for the Turner Prize in 1985. After spending some time in Australia, Walker got a position at the Victoria College of the Arts in Melbourne. He produced the Oceania series around this time which incorporates elements of native Oceanic art. Walker is currently the head of the graduate painting program at Boston University. Walker won the 1976 John Moores Painting Prize and was nominated for the Turner Prize in 1985. In September 2010, Walker and five other British artists including Howard Hodgkin, John Hoyland, Ian Stephenson, Patrick Caulfield and R.B. Kitaj were included in an exhibition entitled The Independent Eye: Contemporary British Art From the Collection of Samuel and Gabrielle Lurie, at the Yale Center for British Art. His art was influenced by Boston Expressionism. Along with Aaron Fink, Gerry Bergstein, Jon Imber, Michael Mazur, Katherine Porter, Jane Smaldone, John Walker, and Philip Guston. Through Garner Tullis at Experimental Press he met Sean Scully, Friedel Dzubas, Helen Frankenthaler, Sam Francis, William Wiley, and others. Select Group Exhibitions (partial list) 1965 John Moores Liverpool Exhibition. Walker Art Center, Liverpool. 1966 Recent Aspects of British Art. Australia and New Zealand (traveled). 1967 4 Artists. Betty Parsons Gallery, New York. John Walker, Michael Kidner, Bruce Tippett, Michael Tyzack...

Criss-Cross, 2019 by a.muse is on the subject of missed connections and chance meetings. A one-of-a-kind chine-colle monotype hand-pulled on the etching press by the artist, Criss ...

Katherine’s delicate and evocative monotypes portray nature’s flora in all its glory, from the most organic trees and branches to airily etched florals. They are the result of a per...

Leaf collagraph with embossing on white BFK Rives Printmaking Paper. Approx. image size: 3" x 3" Paper size: 10" x 8" At the core of the dialogue between the artist and the work ...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...

I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway ...