Paper Mixed Media

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with new communities and place-making. On...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

This intaglio mixed media unique monoprint is on heavy hand made paper with beautiful deckled edges on all sides. it is a Surrealist image with nude figures and planets. This monoty...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 30" x 40" x 2". It is acrylic on panel, charcoal, mulberry paper, g...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

A native of Kansas City, Josh George completed his BFA at the Kansas City Art Institute (1997), followed by an influential session at The Illustration Academy. His exhibitions and pu...

Although photography remains Arnone's primary form of expression, the artist begins to see certain limitations in this medium when it comes to adequately depicting his altered and of...

This series of contemporary black acrylic and pencil on paper was created by Yvonne Lammerich. The masterful Canadian artist has spent decades exploring the nature of the human condi...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Full title: "Awakening to Routine" The artwork is made on a wooden panel with Japanese paper, Oguni washi, pigment, sumi and nikawa glue. It is signed on the side, Japanese style. ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

ABOUT THIS PIECE: 24" W x 24" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

ABOUT THIS PIECE: 17" W x 22" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

ABOUT THIS PIECE: 17" W x 20" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Califo...

Marie Laforey is a self-taught artist based in New York, US who maintains a sustainable art practice using primarily organic material. Laforey enjoys the tactility of working with or...

This artwork depicts an urban landscape in sepia tones. This piece was created with a mixed technique of acrylic painting on photograms on paper mounted on a wood panel. Some edges...

To create this masterpiece, Kempken used a unique technique of painting multiple artworks and cutting them up to weave them back together. The process of weaving to her is meditativ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

ink, pastel on paper

Steven H. Rehfeld (American, born 1954) "Scattered" 2024 Oil Paint, Mixed Media, Varnish, Paper, Tape, Canvas, Stretcher Bars The artist signed the back of the painting. Steven H. R...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Shuli Sadé, Israeli (b. 1952) Pipe Bending (1995) Hand painted silver gelatin photo print Hand signed in pencil lower right, numbered 1/10 Framed: 23.25 X 29.25 sight, 15 x 19 inches Provenance: Estate of Gideon Gartner Shuli Sade (Shuli Sadeh Goshen) is an Israeli Postwar & Contemporary artist born in Israel in 1952. Shuli Sadé studied at the Bezalel Academy of Art, Jerusalem and the School of Visual Arts. Her work, which uses urban movement as a central theme, explores technology and its potential to impact still, moving, and two- and three-dimensional images. Sadé has lectured at the University of Pennsylvania School of Architecture, Parsons The New School for Design, and Barnard College. Her Sadé's cross-disciplinary artwork blends theory and practice with a focus on memory, space, and urbanism. Her work creates maps of urban memory, reflecting the DNA of a city. She mixes mediums including photography, video, augmented reality, site-specific installations, sculpture, and drawing. Her recent exhibitions include Upstream Downstream, a site-specific augmented reality installation, Riverside Park, NYC, part of Re: Growth, public art exhibition (2021), Fluid Formations, Gensler DC, (2019), Wild_Heterotopias, AR installation at the HighLineNine Galleries, and the High Line, (2019), Solid Red, Galeria Ethra, Mexico City, (2018) Day Dreams, AR installation at Montefiore Medical Center, the Bronx, NY (2017) and group shows including Timing is Everything, Mead Art Museum collection (2018), Making Time, AR installation Index Art Center, Newark, NJ (2019), Anniversario, Datasets, Galeria Ethra, Mexico City (2019) Israeli Modernism in the 1970s from the Collection, Haifa Museum of Art (2016). She had collaborated with Neural scientists at the Neurobiology of Cognition Laboratory, Center for Neural Science, New York University, and with architects and designers across the US. Sadé creates large-scale site-specific murals in the Corporate environment. She is an Israeli contemporary woman artist. Her recent artworks are permanently installed in Manhattan, Philadelphia, Boston, North Carolina., Miami, Mexico City, Jersey City, and more. Sadé received the Pollock Krasner Foundation Grant, (2014), the National Endowment for the Arts Fellowship (1991), New York Foundation for the Arts Emergency Grant (2001), Lower Manhattan Cultural Council Fund, NY- Israel Cultural Cooperation Commission Grant, AICF study grant, NY Art Development Committee grants. Her work is in private and public collections. Shuli Sade is a NY artist and architectural photographer. Sade studio photographed Renzo Piano renovations at the Morgan library, Norman Foster Hearst tower, Weiss Manfredi Nexus at Barnard College, Shiseido at Grey Art Gallery by Marble Fairbanks, Sade works on international commissions, Published in Metropolis magazine, Architectural Digest, Eating Architecture, MIT, Avroko Design, Regan books and others. She lives in NYC and works at her studio at Mana Contemporary, NJ. Her work is represented by Galleria Ethra in Mexico City. Select Exhibitions 2012 Reconfiguring Memory, (permanent installation), Center for Neural Science, New York University 2012 Conference of the Birds, CYNTHIA-REEVES Projects at Mana Contemporary, New Jersey 2011 Conceptualizing the Body Gaze, Masquerade, and Spectacle 2011 ENCODE/ DECODE: Work in Progress, The City of Herzliya Art Gallery, Herzliya, Israel 2009 H20 Film on Water, Brattleboro Museum, Bratleboro, NH 2009 Meeting/Place Cabri Gallery of Israeli Art, Kibbutz Cabri: Yigal Ozeri, Alex Kremer, Ofer Lellouche, Lea Nikel, Moshe Kupferman, Ori Reisman, Jan Rauchwerger, David Reeb, Shuli Sadeh, Yehiel Shemi, Marik Lechner, 2006 Illuminated Disjunction, Hungarian Cultural Center, New York, NY 2005 The Silence of the Sea, The National Maritime Museum, Haifa, Israel 2003 Sacred Drawings, Tibetan Healing International Conference, Washington DC 2003 Blueprints Reconfiguring Space, Art in General Gallery, New York, NY 2000 Light and its Opposite, Lemberger Museum of Photography, Tel-Hai, Galilee, Israel 2000 Bassam Abu Shakra Gallery, Um -El-Fahem, Israel 1999 Mythic Arrangements, Ehrenkrantz Eckstut & Kuhn Architects, Los Angeles, CA 1999 Women photographers reflecting women, Talli's Fine Arts Gallery, New York, NY 1999 Neil Folberg Vision Gallery, Jerusalem, Israel 1996 Fragments of Anxiety, Columbia University, Avery Hall, School of Architecture, New York, NY 1995 Agni Vidya- the Fire of Knowledge, City of Venice Biennale, Isola Certosa, Italy 1994 Imprint, A.I.R. Gallery, New York, NY 1993 Sculptors of the Next Century, Socrates Park, Long Island City, NY 1990 Galleria Principal, Altos de Chavon, Dominican Republic 1981 Feminine Objects, Tzavta Jerusalem P.V.V, Israel 1980 Biennale of Contemporary Art, Tel Hai 80, Israel 1980 Borders, Israel Museum of Contemporary Art, Jerusalem, Israel Igael Tumarkin, Shuli Sadeh, Michal Naaman, Yair Garbuz, Gad Ullman...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Steven H. Rehfeld (American, born 1954) "Subliminal" 2002 Oil Paint, Mixed Media, Tape, Tissue Paper, Pencil, Canvas, Stretcher Bars This mixed media...

L Richards Blue Cord Composition Multimedia collage and coloured drawing 20 x 25 cm Both compositions signed to bottom right Provenance: Family of A. E. Halliwell Little is known...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

"Fading Out, Fading In" from the "Presences" series by Joan Giordano Mixed Media, Caste Handmade Paper (made from Kozo or Abaca Paper with natural pigment), B...

Created in 1991, this expressive figurative drawing by Menachem Gueffen depicts two stylized characters: a seated crowned figure and a younger harlequin-like character dressed in a g...

Carefully applied layers of wood ash, chicken eggshell, glass beads, polymer medium on hygrothermograph paper create surface texture in this mandala made up of an intricately pattern...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Carefully applied layers of wood ash, chicken eggshell, emu eggshell, polymer medium on hygrothermograph paper create surface texture in this mandala made up of intricate patterns in...

Barbara Rae b. 1943 Above Capileira, 1989 mixed media 62 x 83 cm 24 3/8 x 32 5/8 in signed 'Spain is Barbara's favourite destination, providing her with inspiration galore ... Capil...

With Balance the artist starts exploring more deeply the boundaries of the photographic media by mixing it with different techniques on a very traditional subject (classic sculptures...

Untitled, 2012 by Ana Seggiaro From the series "Cartographies" Embroidery on paper 25 cm H x 36 cm W Unframed In the mid-2000s, Ana Seggiaro made her first small-scale collage works on paper. Starting from pages of books, maps, and scores, she carries out the first series intervened through embroidery and painting. In these works she finds the universe of cartography, using maps as supports for the construction of imaginary geographies. This search leads her to tackle larger works. Thus, she recovers old school maps...

ABOUT THIS PIECE: 22.5" W x 17" H Original collage on paper UNFRAMED ABOUT THIS ARTIST: Anthony Zinonos is a British collage artist and illustrator based in the city of Orange, Cali...

Nancy Cohen Weighted, 2025 paper pulp and handmade paper 24 x 10 in. (coh114)

Unique hand embellished with acrylic paint and marker on serigraph. Hand signed and dated by Ronnie Cutrone. Custom framed as pictured. Black color. Frame to fit style. Artwo...

Nancy Cohen Light Tangle, 2024 paper pulp and handmade paper 55.5 x 38 in. (coh116)

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

Lisa Weiss, TRAPEZE, Mixed Media, 13.00 X 17.00 in, $800.00, Grey, Blue, Yellow Lisa Weiss’ work is about mark making, patterning, spontaneous movement, momentary awareness and pari...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages...

Amy Sands Revolution XXVI Monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15, 22 1/4 x 22 1/4 framed in a white wood frame 2017 Amy Sands' works of art embody so...

ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to c...

Watercolor, acrylic, and gesso on paper by New York artist Peter Opheim, titled "Untitled (#38)," created in 2009. This signed original work measures 20 x 11 inches and represents an...

Nancy Cohen Night View, 2025 paper pulp and handmade paper 24.5 x 10 in. (coh112)

Nancy Cohen Barrier, 2023 paper pulp and handmade paper 54.5 x 38 in. (coh120)

Nancy Cohen Seeing Through, 2022 paper pulp and handmade paper 20 x 54 in. (coh115)