Paper Mixed Media

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

mixed media - giclee prints, photographic prints, painted paper, fabric, costume jewelry, glass All secure. Pieces won’t move in transport 2025 12x12x3.5" inches The NY artist exa...

Mixed media abstracted landscape composition on handmade paper of a town on the edge of a lake, in monochromatic orange tones with white accents, by Grace Eichholz (American, b. 1927...

Subaquatic Canyon - Abstract Expressionist on Paper Abstract in bold blue and red with textures created by salt in India ink and watercolor, by California-based artist Ricardo de Silva (Brazilian, 20th Century). Bonus sketch on verso of a person's face, perhaps a self-portrait of the artist. Unsigned, but was acquired with a collection of the artist's work. Paper size: 17.75"H x 12"W From a collection of Ricardo de Silva's work and memorabilia. DeSilva was a gallery owner, first in Santa Barbara in the 1960's and 70's, then in San Jose in the 1980's. He was dedicated to promoting the work of talented upcoming artists, including Kogyo and Hasui Kiyochika, Robert Frame, Jim Stuckenberg, Alice Robertson Carr, Deborah Eve Alastra...

An abstract collage on wood by Kenneth Morrow Martin, American (1911-1983). Exhibited: 1st Knoxville Art Center National Exhibtion, 1961 White Landscape by Keith Morrow Martin...

This piece titled "S&S&S&S 28 Pink on Pink" is an original piece by Matt Shlian and is made from hand-folded archival paper. This piece measures 11”h x 26”w unframed. As a paper eng...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Oil pastels, acrylic, wax pencil, graphite, watercolor and collage elements on paper framed to 39.5 X 31.5. sheet measures 30 X 22 inches. (no glass) Raimundo Figueroa...

This mixed-media painting on a salvaged panel presents a cluster of stylized cypress trees rising against a luminous gold-leaf sky. Created from reclaimed materials—including wood ve...

California visual artist Kim Frohsin is unsurpassed in her depictions of figures, mostly female, usually in paintings that are intimate in size and scale. All of her work, whether re...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Unique, from the cycle RECYCLED, used NESPRESSO capsules, recycled items/ cartoon, heavy gold wooden frame. SalamonArt certificate will be provided.

"Eastern Puma" is a wonderfully morbid sculpture created by the Canadian artist Yulia Shtern. This piece is part of her Mini Zoo Series depicting beautifully decaying remnants of species on our planet that are currently endangered. An unfortunate truth of our current society that is often forgotten. Shtern creates these beautiful pieces to draw the viewer in and force them to engage with reality head-on. Follow our gallery, or message us for more works by Yulia Shtern and special pricing. From the artist "My new series of sculptures Magical Zoo observes this calamity through the prism of the wonder and playfulness of the natural world, through the miracle and majesty that is found in each and every animal, big and small, aquatic and land. The medium of the series consists of post mass consumption up-cycled material: paper products, packaging, non-recyclable plastics, fabric leftovers, other items that would have otherwise gone to a landfill. All the color on the finished sculptures comes from swatches of the up-cycled material itself. The only other substance added to the work is the transparent varnish glue. The pieces in the series are produced in an environmentally sustainable manner. Magical Zoo creates its own reality through the dualism of a colorful, whimsical representation of an animal whose habitat has been destroyed by industrial expansion or deforestation. Or an animal that was a hair away from going extinct, or an animal that could be next unless we do something today to stop this tragedy. The element of magic makes it easier to cope with the fact that our planet is dying...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

This framed collage work by artist Mario Zoots featured a ghostly visage on a white background. The included frame allows the work to take center stage, showcasing the works deckle e...

Original Wall Art Painting, Abstract Paintings, Letter Art-On All Counts II A B O U T T H I S P I E C E : “On All Counts II” is a piece of letter art that is featured on unique hand...

"#159 – SLEEP" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 159 of a found copy of Ernest Hemingway's WWII romance novel. The artis...

Torn Layered Papers Collage

Steven H. Rehfeld (American, born 1954) "Blue Impressions" 1980 Oil Paint, Mixed Media, Paper, Tape, Graphite, Ink, Canvas, Stretcher Bars The artist signed the back of the painting....

Important work on paper by French artist Jean Halion. Ink, watercolor and colored pencil study done in 1952. Signed top right in ink and dated in pencil 15-9-52. Jean Hélion was ...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

In this original acrylic paint and vinyl on paper from Art Angler Gallery, Jose Palacios depicts an abstract pop art style. A playground of forms bursts across a cool turquoise field...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Shimmering Pond in the Woods - Surrealist Abstract 1960s Highly textured abstract composition by Rose Herzog (American, mid-20th Century). A multicolored pond is shown in the middle...

Cecil Touchon (1956-, Austin, Texas) FS3809ct16 Abstract Composition Framed ink and collage on heavy aquarelle Arches paper Hand inscribed lower center (these were typically signed v...

„Free Blue 3331" is an abstract mix media painting on paper, measuring 59,5 x 42 cm, by contemporary Polish artist Monika Widenka. A space where emotions take shape before thoughts c...

"#71 – THEN IT'S HOPELESS?" is from Amy Williams' series A Farewell to Arms – wherein the artist is working directly onto page 71 of a found copy of Ernest Hemingway's WWII romance novel. The artist selects certain words and phrases from the page to isolate as a poem, and then draws, inks, redacts and paints the rest of the page according to the text of the poem. Here the poem reads: "Then it's hopeless? / But sometimes I cannot hope. / I cannot." Note the poem is outlined in dark red and purple radiating lines, while outside there are lighter violet, blue and white lines. From Amy Williams – "My recent work is focused on making treated book pages using a found vintage...

35.5 x 25.5 inches

Colored Pencil on Color Paper

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De...

Linda Stein, Practice Makes Perfect 120 - Signed Feminist LGBTQ+ Colorful Acrylic on Board Painting Practice Makes Perfect 120 is from Linda Stein's Missives series--a body of work...

Sandy Kinnee is known for paper making, printmaking and collage. This has the artists stamp verso and is signed, titled and dated verso. Sandy Kinnee lives and works in Colorado Sp...

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Provenance Acquired by American Legacy Fine Arts directly from the artist Signed "2006 W.M. Stout" on upper right Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, ...

SALE ONE WEEK ONLY "To Bunny" is brilliant painted in reds, blues, and pinks with a dash of yellow. It is lively and exuberant in the shape of a heart with Loving's well-known swirl motif throughout. It is signed and dated on verso with the inscription: "To Bunny as part of a happy marriage." Bunny is Al brother Paul daughter. This work is mounted on a Pexiglass structure and stands 3 inches from the wall. Alvin Demar Loving, Jr. better known as Al Loving...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri and Stephen De Staebler in an exhibit of 'Four Figures from the Bay...

Kim Frohsin, Third generation Bay Area Figurative artist began exhibiting in the San Francisco Bay Area in the early 1990s, and in 1993 was included with Nathan Olivera, Manuel Neri...

Driven by her love of materials and process, New Orleans artist Aimée Farnet Siegel works with color, line, and form through the building and manipulation of paper, paint, and canvas...

Emilio Tadini (1927-2002) Original Collage, Gouache and Watercolor painting. Dimensions: 41 X 29.5. framed. 39.75 X 28 artwork Emilio Tadini (1927 – 2002 ) was an Italian painter,...

Patty deGrandpre’s “Landlocked (Palm Trees)” is an 11 x 16.5 inch unique abstract mixed media print represented on Awagami Bamboo Japanese paper utilizing both printmaking and creati...

Pioneer Activists is an ongoing series of artworks by Suzanne Benton. Consisting largely of monoprints with Chine collé where the artist references suffragists, feminists, writers and educators from the 19th century and beyond. These works embody the artist’s stellar theme of bringing past to present. The Suffragist (Alice Paul) One of the prime dedicated vocal leaders of the women’s suffrage movement in the twentieth century, Alice Paul actively campaigned for the passage of the 19th Amendment to the US Constitution...

Orchid Scene [2021] Original Flowers Gouache, watercolour ink and gesso. Image size: H:63 cm x W:53.5 cm Complete Size of Unframed Work: H:65.5 cm x W:56 cm x D:0.01cm Sold Unframed ...

Rainer Stern - "Il Profumo". Giclée print on heavy handmade cotton paper. Edition: 30. Hand signed and numbered. A beautiful artwork that looks good in every room and especially ...

"BOO" is an original wall-hanging sculpture by Charles Clary as part of the artist's popular "Text-i-monial" series. To create the artwork, Clary hand cuts a series of individual she...

Myril Adler "Magic Window" c.1960s Intaglio etching collage, ink on paper Image outlined in blue ink 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on Septe...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Stunning mid century textile abstract mixed media painting of apples by Anna Ballarian (American, 1911-2010). Signed " Anna Ballarian" lower ...

Found object paper collage by Michael Pauker (American, b. 1957). Unsigned, but was acquired with a collection of his work. Numbered on verso. Presented "floating" in a new double ma...

"Black" is a painting created by Enrico Benetta in 2012. The artwork is the first of a series of monochromatic square canvasses created each in one of the primary colors. The paintin...

Roxane is an Atlanta-based, multi-disciplinary artist. Originally from the Midwest, she was influenced by the Native American spiritual sensibilities and respect for the Earth she en...

An artwork on paper by New York artist Miranda Maher. Black archival ink on pale blue archival paper with historical Audubon images of American birds, mounted on Arches paper. Miran...

James Spencer Russell "#2" 1958 Pastel, gouache and sand collage on paper Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but ...

This is a one of a kind original mixed media (Japanese text on paper, molded paper, acrylic, plexiglass) abstract painting and drawing by California artist and educator, Kathleen Kan...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

'Coney Island No 1' is one of only a few remaining works from Kim Frohsin's "Coke Work" series of miced media and collage paintings inspired by the iconic Coke bottle shape, from 201...

Mixed media

In the last decade Pat Lay’s artwork has focused on technological metaphors of the human experience. In this series of digital collages, digital images scanned from computer circuit ...

Layered torn paper collage mounted on matboard 32 x 26 inches (artwork only)

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore themes that are unique to the American experience in my work. By merging the iconography of the US flag and the headlines from major events of our past, I can express a more personal understanding of what it means to be an American and the journey that has shaped our country.   West Virginia Raised. Maine Educated. Colby College  Exhibitions 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL American Experience, Ann Nathan Gallery, Chicago, June 2015 2014 (e)merge Art Fair, Capitol Skyline Hotel, Washington, DC. Amstel...