Paper Mixed Media

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Contemporary neutral toned social commentary collage by Texas based artist Ken Luce. Created using modified shooting range targets after experiencing an armed robbery, the work feat...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 8 x 8 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg and ma...

Torn Layered Papers Collage

Joseph Lawrence Gardella (American, XX-XXI), Untitled (Red Abstraction), Watercolor on Paper, unsigned, estate stamp to reverse, black frame. Image: 19.25" H x 15.5" W; frame: 30" H...

Joseph Lawrence Gardella (American, XX-XXI), Geometric Composition, Mixed Media on Wove Paper, taped stripes and blue ink, unsigned, estate stamp to reverse, wood frame. Image: 13.5...

Joseph Lawrence Gardella (American, XX-XXI), Op Art Study, Mixed Media on Paper, tape and graphite, unsigned, wood frame. Image: 22.5" H x 20" W; frame: 35" H x 33" W x 1.5" D. Pro...

Mixed Media Ben, de son vrai nom Benjamin Vautier, né le 18 juillet 1935 à Naples, est un artiste français d'origine suisse. Il acquiert une certaine notoriété auprès du public dès ...

Joseph Lawrence Gardella (American, XX-XXI), Untitled (Abstract Stripes), Mixed Media on Paper, unsigned, estate stamp to reverse, wood frame. Image: 13.75" H x 11" W; frame: 22.5" ...

Size includes Mat. Without its 8" X 4". Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962, Pratt Institute (MFA), and New York University (Ph. D, Art History). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first Korean artist to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. He belongs to the generation of Korean Abstract artists that include Kim Whan-Ki, Park Se-Bo, Lee Ufan, Chung Sang-Hwa, Yun Hyong-Keun and Ha Chong-Hyun. He was also a student of the T'ai Chi grandmaster Cheng Man-ch'ing in New York City. Ahn's work is greatly influenced by nature, specifically the cycles of nature as in Zen and other Eastern philosophies. Ascribing to the Eastern belief that nature is central to everything that exists, Ahn paints natural forms and environments, which he abstracts into brushstrokes, drips, and splatters. Titles of his paintings reference trees, wind, and water, and include Broken Branch in the Rain, Old Zen Tree, and Wind, Rain, & Ocean. His swirls and drips portray the rapid, random, and untamed effects of natural forces. Another influence or concept in Ahn's work is the dragon, a good and powerful figure from Korean and Chinese mythology, whose movements and forms Ahn suggests in whimsical ribbon-like marks and trails of paint. In Korean folk tales, dragons show goodwill to humans by sending clouds and rain, and they tend to live in lakes, rivers, and oceans. Paying tribute to this Folkloric legacy, Ahn's paintings bear titles such as Brown Dragon and Yellow Dragon, as well as titles using names of underwater creatures and habitats, like Phantasy in the Deep Sea. Ahn's ink and acrylic paintings on canvas are reminiscent of Chinese Zen Calligraphy and paintings, with their quick brushstrokes and elegant compositions. Composed of swipes and spatters that course across the pictorial field, these works blend Eastern brush painting with Abstract Expressionist "action painting." Ahn has had numerous solo and group exhibitions in the U.S. and abroad, including the solo shows Dragons & Oceans at Ewha Gallery, Seoul, South Korea in 2007, and Zen & Void at Walter Wickiser Gallery, New York, NY in 2004. His work is in private and public collections, including The Museum of Modern Art, New York, the Dayton Art Museum, Ohio, and the Evansville Museum, Indiana. Awards and honors include First Prize (in painting) from the Dayton Art Museum Ohio Regional Art Annual in 1963, the Pratt Graduate Fellowship in 1963, First Prize (in etching) from East Coast Printmaker's Annual in 1964, and the McDowell Artist Fellowship in 1964. Selected solo exhibitions 2014 Don Ahn: Spirit, BBCN Bank, New York, NY 2014 Don Ahn (1937-2013), Walter Wickiser Gallery, New York, NY 2012 Paintings From 1968 Through 2005, Walter Wickiser Gallery, New York, NY 2007 Dragons & Oceans, Ewha Gallery, Seoul, South Korea 2004 Zen & Vold, Walter Wickiser Gallery, New York, NY 1975 Lotus Gallery, New York, NY 1972 Green Mountain Gallery, New York, NY 1972 Westbeth Gallery, New York, NY 1971 Westbeth Gallery, New York, NY 1971 Dalhousie Gallery, Nova Scotia, Canada 1969 Downey Museum, Los Angeles, CA 1965 Evansville Museum, Evansville, IN 1963 Dayton Art Museum, Dayton, OH 1952 Kilbride Bradley Gallery, Minneapolis, MN 1950 Korean Do-Su-Kwan Gallery, Seoul, South Korea Selected group exhibitions 2013 Coloring Time, Korean Cultural Service, New York, NY 2013 Friends, Walter Wickiser Gallery, New York, NY 2011 Friends, Walter Wickiser Gallery, New York, NY 2011 Art Toronto, Toronto, Canada 2011 Art Chicago, Chicago, IL 2010 Art Toronto, Toronto, Canada 2002 Eastern Essence, Gary Snyder Gallery, New York, NY 2001 Abstract Expressionism, Gary Snyder Gallery, New York, NY 1999 Pleiades Gallery, Seoul University Alumni show, New York, NY 1999 Korean New York Art Society Show, Jersey City, NJ 1999 Fukuoka Asian Art Museum Fukuoka, Japan 1999 Artist of the Third Millennium, Walter Wickiser Gallery, New York, NY 1998 Kaohsiung Museum Of Fine Arts, Taipei, Taiwan 1997 Chicago Institute Of Art, Chicago, IL 1997 Zimmerli Museum, Rutgers University 1997 Asian Tradition & Modern Expression: 1945 - 1970, Zimmerli Museum, Rutgers University 1976 Lotus Gallery, New York 1972 Westbeth Gallery, New York, NY 1971 US National Print Biennial, Museum Of Modern Art, Tokyo, Japan 1969 Cooper Union, faculty show, New York, NY 1968 6th Invitational International Print Biennial, Museum Of Modern Art, Tokyo, Japan 1967 International Print Biennial, Grenchen, Switzerland 1967 Audubon, National Annual, New York, NY 1966 Society of American Graphic Artists, National Annual, New York, NY 1966 Ball State College, National, Drawing and Sculpture, Muncie, IN 1966 Traveling U.S. Print Show, Pratt Graphic Arts Center, New York, NY 1965 Traveling U.S. Print Show, Pratt Graphic Arts Center, New York, NY 1964 New York, Institute of Technology, faculty show New York, NY 1964 Evansville Museum, Indiana 1964 East Coast Printmakers, Village Art Center, New York, NY 1963 Ohio Regional Art Show, Dayton Art Institute, OH 1963 Drawing and Prints from the collection of J.Johnson, Cincinnati Museum of Art, OH 1962 Seattle...

This is a mixed media collage with an almost sculpture quality to it. it is hand signed. size includes frame. Hugh O'Donnell is an English painter, printmaker and site-specific art...

These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...

Joseph Lawrence Gardella (American, XX-XXI), Untitled (Two Squares), Mixed Media on Paper, unsigned, with estate stamp to reverse, black frame. Image: 21" H x 21" W; frame: 23.5" H ...

Paper and Adhesive collage by Wayne Timm. Image measures 12 x 13 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lich...

Acrylic, soft pastel, graphite, coffee, india ink, transfer on paper

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a collage with newspaper...

Artist: Michael Goldberg, American (1924 - 2007) Title: Untitled - Triangle Year: 1977 Medium: Papercast, signed and dated verso Size: 25 in. x 29 in. (63.5 cm x 73.66 cm)

Jordi Prat Pons (Spanish, 1965) Mixed media paintings on canvas. Depicts a pair of Schweppes bottles. Not signed on front. Bears name verso. Catalan, Spanish painter Jordi Prat Po...

Canadian artist, designer, teacher and writer Stephen James Andrews was born in Saskatoon, Saskatchewan in 1922. Studied art at Winnipeg School of Art, Winnipeg, Manitoba, Camberwell...

Steven H. Rehfeld (American, born 1954) "Deity" 2003 Oil Paint, Newsprint, Pencil, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. This work is a dra...

Published by Princeton University Press in association with No More Rulers, 2021 Hardcover, 152 pages 10.8 x 13.4 cm 4.25 x 5.25 in Edited by Larry Warsh From the publisher: The w...

Mercedes Jelinek (b. 1985) is an American artist and photographer based in Brooklyn, NY. Specializing in black and white photography, she transforms her images through painting and c...

Skateboard Series with X-Ray II, cold wax, graphite, X-ray, and collaged images are choreographed with calligraphic marks. The obscured X-ray, a reminder of risk, of the gamble. In ...

By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey the atmosphere of intimacy, eroticism and arousal

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Ilmar Blumbergs Serving, silkscreen, 1995, 89x59.

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee...

Abstract Mixed Media artwork by Spanish artist Eduardo Arranz-Bravo. Cadaques No.22 Eduardo Arranz-Bravo, Spanish (1941) Date: 1994 Mixed Media on Paper, signed lower left Size: 8 x...

Ivan Chermayeff born London, United Kingdom, 1932 Chermayeff was one of the greatest American graphic designers, the son of the Russian born, British architect Serge Chermayeff. Ivan...

Samik De - Saraswati Acrylic on Paper 12 x 17 inches, 2025 ( UNFRAMED & DELIVERED ) Style : Sekhar Kar's paintings depict men and women in swirling masses of color with cesspools ...

In Wall Street, Salvatore Matteo examines systems of power and control through the manipulation of architectural imagery associated with finance and institutional authority. Using a ...

Bessie Smith - If You Don't Like My Peaches - Don't Shake My Tree Collage, 1980 Signed and dated in pencil lower right (see photo) Titled in pencil lower left Original price verso '3,000' (see photo) Provenance: Acquired from the artist Joseph M. Erdelac, Cleveland, friend and patron of the artist Condition: Very good Usual minor condition issues (wrinkling) associated with the artist's creation process Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...

Carolyn Carter Blackbird Original Animal Painting Mixed Media on Paper Image Size: H 25cm x W 20cm Framed Size: H 40cm x W 34cm Sold Framed i...

"Hong Kong", mix medias on paper by Tony Soulié A prolific painter, performer and photographer, Tony Soulié is recognized artist of the New French Abstraction since the 1970s. He is...

"Gaze" Abstract Mixed Media Photography 61'x44' inch Edition 1/1 by Ben Cope 2019 Photo on deconstructed paper with oils and paint pigments 61” X 44” inch Ben Cope is a Georgia na...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

Samik De - Kali Acrylic on Paper 12 x 17 inches, 2025 ( UNFRAMED & DELIVERED ) Style : Sekhar Kar's paintings depict men and women in swirling masses of color with cesspools of em...

This unique artwork is created through interweaving strips of painted fabriano paper in order to create a complex composition with depth and texture. The artwork is framed and floate...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

Samik De - Surya Acrylic on Paper 12 x 12 inches, 2025 ( UNFRAMED & DELIVERED ) Style : Sekhar Kar's paintings depict men and women in swirling masses of color with cesspools of e...

Steven H. Rehfeld (American, born 1954) "Burning Passion" 2003 Oil Paint, Mixed Media, Resin, Paper, Canvas, Stretcher Bars The artist signed the back of the painting. This masterpi...

Contemporary Handmade Paper Artwork with Fern and Elder Flowers, Framed Nature Art. This one-of-a-kind contemporary botanical artwork is created from handmade paper embedded with rea...

The present illuminated folio page contains a fine miniature depicting four figures playing polo. Polo, also called 'chagun,' was the sport of kings and princes of central Asia and Iran, and the sport probably originated there in the 6th century BCE. Polo matches appear in a large number of early Persian texts, including in the writings of the 10th century epic writer Abu l-Qasim al-Firdawsi: He describes numerous polo matches in his famous 'Shahnameh' (The Persian Book of Kings). This particular illumination also is closely related to an example held at the Smithsonian Museum of Asian Art: a folio from 'Guy u Chawgan' (The ball and the polo-mallet) which shows a polo game with the dervish and the shah. 12 x 8.25 inches, artwork 19.75 x 15.88 inches, frame accompanied on the back with an image of the verso framed to conservation standards with a 100% rag silk-lined mat in a gold gilded frame A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature...

''Abstract Portrait" French School, circa 1980's inscribed verso oil paint with paper collage stuck down on canvas, unframed canvas: 18 x 13 inches the painting is in overall very go...

''Abstract Portrait" French School, circa 1980's signed inscribed verso oil paint with paper collage stuck down on canvas, unframed canvas: 18 x 13 inches the painting is in overall ...

A professional artist from Tennessee, Lisa Weiss received her BFA in painting and sculpture from Middle Tennessee State University in 1990. She received a teaching assistantship to Louisiana State University in Painting and Drawing and completed her MFA in 1996. Lisa has exhibited her work nationally in solo and group shows for the past fifteen years. She is included in numerous public and private collections throughout America, Canada, United Kingdom, Australia and Holland. She has the honor of being in the Hunter Museum permanent collection. In the last seven years, Lisa has attended four artist residencies: Dorland Colony in California, Millay Colony in New York, Wurlitzer Foundation in New Mexico and the Nantucket School of Art on Nantucket Island. She has taught design, painting and drawing at the University of Southern Mississippi, Watkins College of Art and Film, Eastern New Mexico University and Winthrop University. Lisa has recently earned initial certification for teaching yoga from Yandara Yoga Institute in Todos Santos...

Loren Munk (American, b. 1951), mixed media photograph collage painting signed Loren dated 1989. 13" x 19" inches sheet, framed 20.25" x 26" inches. This one has a drawing of 2 African American kids in a park at the water fountain. Titled "Squirt" (squirt) along with 2 photos of a white boy playing with the water fountain and the details of how the artwork came about. The artist Loren Munk (born 1951) is primarily known for his YouTube nickname James Kalm as an uploader of videos about New York exhibitions, amongst others. He presents himself as a maker of contemporary paintings for several decades and of cubist paintings of urban imagery. Munk has received accolades for his drawings and mosaics. He differs from traditional mosaic artists by the manner in which he incorporates glass into his decorative paintings. His unique and innovative use of materials such as mirror, gold-leaf and glass mosaic affirmed him as a founding force of Kitsch Art and a leading member of New York Neo-Expressionism. Munk's work debuted in SoHo in 1981 with a double show at J. Fields Gallery and Gabrielle Bryers. Since then, he has overseen an international career. In addition to exhibiting in Brazil, France, Germany and the United States, Munk has received national and overseas, public and private commissions. He is well represented in important collections throughout Europe, South and North America and the Middle East. Most recently, Munk has been producing a series of paintings which tackle the subject of art itself through a historical and diagrammatic lens. Munk documents the New York art world in YouTube videos, using the name James Kalm. Timeline: 1979 Attended Art Students League, New York 1973-75 Attended University of Maryland at Ramstein, Germany while in US Army 1969-72 Attended Idaho State University, Pocatello, Idaho 1951 Born, Salt Lake City, Utah Select Group Exhibitions 2018 “Under Erasure” curated by Heather and Raphael Rubinstein at Pierogi Gallery New York 2016 "It Was Never Linear: Recent Painting" at the Sheldon Museum of Art Lincoln Neb. with: Robert Bordo, Dawn Clements, Lois Dodd, Michelle Grabner, Colin Prahl, Peter Saul, Barbara Takenaga, and Stanley Whitney 2014 "Some Artists" curated by Matthew Deleget at Minus Space. David Diao, Mary Beth Edelson, Alfred Jensen, George Maciunas, Loren Munk, Ward Shelley, John Zinsser 2013 "Coming Together: Surviving Sandy Year 1" curated by Phong Bui for the Dedalus Foundation, "The Decline and Fall of the Art World: Part I" curated by Nick Lawrence at Freight+Volume, N.Y. "Reticulate" at McKenzie Fine Art Inc., N.Y. "The Pyramids Along the Nile" at English Kills Gallery 2012 "When We Were Ancient" organized by Ethan Petitt at Teddy's Bar, Williamsburg "Heroes" curated by Julie Torres at Small Black Door, Ridgewood Queens, N.Y. 2011 "ABC123" curated by Janet Goleas at Eric Firestone Gallery, East Hampton, N.Y. "6 Who Paint" curated by Fred Valentine at Big & Small/Casual, Long Island City, N.Y. "It's All Good: Apocalypse Now" curated by Richard Timperio, Side Show Gallery, Brooklyn, N.Y. "Paper 2011" at Janet Kurnatowski Gallery, Brooklyn. "NEW year NEW work NEW faces" by Jason Andrew and Deborah Brown at Storefront Gallery. "Unfinished Pictures" curated by Kristin Calabrese...

Gary Hume (English, born 1962) Misery, 2012 Medium: Collage made of silver paper and acrylic paint on hand made paper Dimensions: 49.8 x 32 cm Edition of 25: Hand-signed, numbered an...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

You are viewing a mixed media painting and collage on paper by American artist Richard Huntington. This piece is titled "George Washington with Letters" and is signed lower r...

Sekhar Kar - Untitled, Mixed Media on Paper, 2019 22 x 30 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling m...

Gemma Di Grazia (b.1970) is a native New Yorker raised on the Upper West Side in an exceptionally loving and creative home surrounded by art and poetry. Her parents attended The Coop...

Paper paint charcoal collage Whether the subject matter is figuration or nature, Audrey Anastasi approaches all her subjects directly and unabashedly. In this work on paper, she co...

"Chicago", mix medias on paper by Tony Soulié A prolific painter, performer and photographer, Tony Soulié is recognized artist of the New French Abstraction since the 1970s. He is o...

Contemporary neutral toned social commentary collage by Texas based artist Ken Luce. Created using modified shooting range targets after experiencing an armed robbery, the work feat...

Skateboard Series with X-Ray I, cold wax, graphite, X-ray, and collage, includes a symbolic spell script from an ancient Taoist manuscript. This speaks to meeting risk and chance wit...

Original mixed media (acrylics, oil, watercolor) on handmade paper. Hand signed and dated lower right by Jiang Tiefeng. Dedicated - remarqued on frame verso by Jiang Tiefeng. Artw...

Eamon Ore-Giron (American, b. 1973), "Dirty Menudo", Mixed Media on Paper with collage elements, silver-tone metal frame. Image: 23.25" H x 29.25" W; frame: 26" H x 31.5" W x 0.5" D...