Screen Mixed Media

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 150/600 DX lower left. This Deluxe Edition features three layers of dimens...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Robert Petersen Giotto, 1989 Mixed Media: Silkscreen with Watercolor and Acrylic on paper Hand signed, numbered and dated on front A.P 2/3 (Unique variant - each example unique with ...

Loie Hollowell Cascade, for Coalition for the Homeless, 2020 Fine bone china in red gift box 10 3/4 in diameter Edition of 175 Signed in plate, Artists ...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 9 x 12 inches Inscription: Signed in ink Notes: Published, printed, ...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 28 x 22 inches Inscription: Signed in ink Notes: Published, printed,...

Allan D'Arcangelo Trenette Al Pesto - I Tre Merli - New York, NY, 1998 Ceramic Plate Artist signature fired into the plate on the back and numbered 132 from the edition of 1000. 10 1/8 inch diameter by 1/4 inch height Unframed "My most profound experiences of landscape were looking through the windshield." - Allan D'Arcangelo. Note: the stated edition is 1000, but far fewer were actually made, and many were said to have been lost after 9/11 which is why this is so scarce. Makes a memorable and very special gift! This beautiful, extremely rare limited edition, signed and numbered bowl...

A diamond dust screenprint by Russell Young. "Marilyn Desire Live (B+W)" is a contemporary Pop Art print. A black and white acrylic paint, enamel, and diamond dust screenprint on can...

This piece is an original black and white photograph by George Hurrell with an original mat design by Erté. The photograph, which was shot in 1984, depicts cabaret artist and costum...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Audrey is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Published, printed,...

Artist: Peter Max (1937) Title: Galaxy Profile Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 11 x 15 inches Inscription: Signed in ink Notes: Published, printe...

Artist: Peter Max (1937) Title: Umbrella Man Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 12 x 13.75 inches Inscription: Signed in ink Notes: Published, print...

Death NYC - Girl death - 2010 Silkscreen print signed, numbered and dated in pencil 2 artist's certificates 45 x 32 cm Price: 99 euro

Unique Screenprint Collage on Board 41" x 42" AW, 42.75" x 43.88" F Reimann specializes in the further development of pop art in the tradition of Warhol’s portraits, paying homage ...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats It...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

Damien Hirst, H13 The Empresses, H10-3, Theodora, 2022 Limited Edition. 100 cm by 100 cm, 39.3 in by 39.3 in. Beautiful large piece; stored since original purchased. Laminated Gicl...

A mixed media work by Russel Young. “Brando Portrait” is a black and white screenprint on linen with diamond dust by UK Pop artist Russel Young. The work ...

Skylar Fein was born in Greenwich Village and raised in the Bronx. He has had many careers including teaching nonviolent resistance under the umbrella of the Quakers, working for a g...

This piece titled "OUT ON THE RACETRACK" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 16.5"...

This piece titled "PEACE SPACE" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 16.5"h x 13"w ...

This piece titled "STAY A LITTLE BIT LONGER" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 1...

Death NYC Vuitton grenade Techniques mixtes sur billet de 1 dollar 2017 Exemplaire unique 2 certificats Signé et daté 15,5 x 6,7 cms 99 euros

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 33/350 DX lower left. This Deluxe Edition features three layers of dimensi...

Tim White-Sobieski Alpha LV#1, 2005 Unique photo screenprint on canvas 28 × 20 in 71.1 × 50.8 cm Tim White Sobieski has been commissioned by LVMH multiple times, and in 2005, was invited to create an artwork for the new Louis Vuitton Flagship Store on Champs-Elysees in Paris alongside artists James Turrell and Olafur Eliasson. The project consisted of a 24-meter programmed fiber-optics video wall. Another colossal video wall was installed at the Petit Palais for the celebration of the launch. This was a unique cooperation of the three artists. In 2006, the Louis Vuitton Company invited Tim White-Sobieski back to participate in an exhibition entitled "Icons", an interpretation of the iconic logo-bags. Other artists included Marc Jacobs, Zaha Hadid, Ugo Rondinone, Sylvie Fleury, Shigeru Ban, Robert Wilson and Andrée Putman. From the 2006 ‘Icones’ exhibition at Espace Louis Vuitton, Paris. celebrating Marc Jacobs’ reinvention of their iconic pieces, works by Andree Putman, LV invited the architects Zaha Hadid and Shigeru Ban, the video artist Tim White-Sobieski, the director-scenographer Robert Wilson, and the artists James Turrell, Shigeru Ban, Sylvie Fleury, Bruno Peinado, and Ugo Rondinone to riff on their fashion logos Louis Vuitton's classic designs are an inextricable part of chic travel history. From trunks to leather bags to wine holders, their styles have traveled across time and fashion, becoming classics that never look old. With the genius of Marc Jacobs, these icons have entered new domains where art and fashion are directly linked. Tim White is a video and installation artist based in New York and Berlin. He was educated as an architect and dedicated himself to visual art and filmmaking, exploring the fields of painting, sculpture, photography, video, video installations and light installations throughout his career. He began showing in New York in the early 1990s with his "Blue Paintings." Emphasis on the role of the subconscious in his paintings had affinities with visual abstractionism and literary existentialism. He has consistently been at the technological forefront of video and light art, being called a "video maverick" and "an abstract "'painter of motion.'" Tim White-Sobieski was born in 1961 and emigrated to the United States in 1993. He attended New York University and Parsons School of Design before embarking on a career in art. Much of his work draws from literary work that has inspired the artist, and he has often featured icons of American literature in his installations. Writers such as Walt Whitman, John Steinbeck, John Updike, Kurt Vonnegut, J.D. Salinger, William Faulkner, and Robert Penn Warren all have a permanent presence in Tim White-Sobieski’s oeuvre. Musically, White-Sobieski composes most of his own film and video soundtracks, but also incorporates the work of his contemporaries such as Brian Eno, David Byrne, Robert Fripp...

Artist: Ray Elman Title: Sox Year: 1979 Medium: Screenprint and Collage, signed and numbered in pencil Edition: 88/160 Image: 27.75 x 24 inches Paper Size: 3...

Conceptual artist Hank Willis Thomas uses photography to explore issues of identity, history, race, and class. Inspired by the works of Carrie Mae Wee...

Mr Peanut Clark Fox, American (1946 - ) Date: 1987 Acrylic, Screenprint, Aerosol on Arches, signed and dated in pencil lower right Size: 22 x 29.5 in. (55.88 x 74.93 cm) Frame Size: ...

Unique hand embellished with acrylic paint and marker on serigraph. Hand signed and dated by Ronnie Cutrone. Custom framed as pictured. Black color. Frame to fit style. Artwo...

D*Face is a London-based sculptor and stencil artist, who uses London as his own personal gallery. Sticking, pasting and drawing on any wall or space he doesn't actually own. (If he ...

Mixed media polymaterial color screen printing on paper with applications and glitter, coloured powder and flocking on handmade paper, Edited in 1973 limited edition in 250 exemplars...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Set of 4 Limited Edition "Los Angeles Print Series, Group 2" by Rick Rodine This is a rare opportunity to acquire the artwork of a very talented artist! Mixed media acrylic and scr...

Set of 4 Limited Edition "Los Angeles Print Series, Group 3" by Rick Rodine This is a rare opportunity to acquire the artwork of a very talented artist! Mixed media acrylic and scr...

Set of 4 Limited Edition "Los Angeles Print Series, Group 1" by Rick Rodine This is a rare opportunity to acquire the artwork of a very talented artist! Mixed media acrylic and scr...

Screen print in colors, on two sides of cut aluminum, mounted on a metal stand and base. Hand singed by Alex Katz on verso. Hand numbered 2/35 on verso (there were also 7 artist's ...

Artist: Max Hein Title: Cube Year: 1974 Medium: Acrylic with Collage on Paper, signed and dated in pencil Size: 23 x 29 in. (58.42 x 73.66 cm)

Robin Winters (b. 1950) hand signed; 1986. Acrylic, rhoplex and powdered pigment on screenprint Dimensions: 36”h, 32”w Title: "Home" Provenance: Brooke Alexander Gallery, New York, New York. Gallery label verso. Robin Winters is known for his conceptual works in a wide variety of two- and three-dimensional media and performance/durational art. The reliquary and other recurring themes that appear in his works can be seen in the collection of sculptures and paintings offered in this sale (lots 170, 171, 173, 393, 396). Gallery label to reverse: Brooke Alexander Gallery, New York, New York. Provenance: Brooke Alexander Gallery, New York, New York. Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. These meetings led to the formation of the Group Collaborative Projects, or Colab, of which Winters is a founding member. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover traveled to Liege from the US, and the three in combination with two of the factories master glassblowers, realized Mr. Winters' work over six weeks time. A portion of the works, a group of glass heads and hats that the artist had produced at the factory, were exhibited in 1990 at the Centre d’Art Contemporain Geneve in Geneva, Switzerland. Later in the year they were included in his solo exhibition at Brooke Alexander Gallery in New York City. They were also shown at Facts and Rumours, an exhibition at the Witte de With Center for Contemporary Art in Rotterdam, the Netherlands in 1991. Winters had a solo exhibition at Van Esch Galerie in Eindhoven, the Netherlands called I am not Indifferent in 1991. The show consisted of paintings, glass heads, and bronze sculpture. Two years later he had another solo exhibition at the Renaissance Society at the University of Chicago, entitled Human Nature. Several hundred heads, made of glass and ceramic, lined the walls and were arranged in rings on the floor. Also on display were various paintings and bronzes. In 1994 Winters had a show at the Michael Klein Gallery in New York City entitled Notes from the Finishing Room, a solo exhibition of paintings. The artist also collaborated with fellow Benicia natives and glass artists Leroy Champagne and Michael Nourot...

Mr Brainwash You Look Beautiful, 2018 Screenprint in colours and mixed media Hand signed in ink lower right, hand signed and dated on the reverse Inscribed 'UNQ20519', with a dra...

Mixed media polymaterial color screen printing on paper with applications and glitter, coloured powder and flocking on handmade paper, Edited in 1973 limited edition in 250 exemplars...

Artist: Mike McKenzie, American (1954 - ) Title: When Dreams Come True (Madonna) Year: 1992 Medium: Screenprint with Hand Painting on Heavy Stock, signed and titled in marker Size: 3...

The first edition to wear. The striking orange roughfiber work is brought to life by printing on high-quality satin silk and can be admired or worn....

Mr Brainwash Aquaman, 2018 Hand signed in ink low right, hand signed and dated on the reverse Inscribed 'UNQ21218', with a drawing (on the reverse) Numbered 1/1 Sheet size  126...

serigraph with hand embellishments float mounted in custom shadow box frame

photo collage, screen print, impressed silver leaf on handwoven kasuri silk

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 347/400 lower left. Artwork size 10 x 5.5 inches. Frame size 18.25 x 14 i...

Martin Wong Supreme Skateboard Decks, 2019: – featuring – Martin Wong 'Iglesia Pentecostal', 1986. Limited edition Martin Wong skateboard published by Supreme New York in 2019 incor...

Peter Halley Uovo In Raviolo Alla Bergese - San Domenico - New York, NY, ca. 2000 Limited Edition Ceramic Plate. Artist signature fired into the plate on the underside and numbered 166 from the edition of 510. 10 3/10 inches diameter by 1/4 inch height Makes a terrific gift. This beautiful, limited edition, extremely rare, plate signed and numbered bowl/plate was handmade in southern Italy by master artisans near Vietri sul Mare. The edition is 510 - but the reason one rarely sees this on the market is because only about half that amount were said to have been created, and the remaining ones were lost after 9/11; the plan was to create a second batch after these sold out. That was in the year 2000. Then in 2001 terrorists struck the World Trade Center. All marketing efforts ceased. It is not even known if the other plates from this edition are still around - but they are rarely found on the marketplace. It was designed by the internationally renowned American artist Peter Halley. In 2000, Buon Ricordo...

'Taytu Betyl,' 2022 by Damien Hirst, Laminated Giclee print on aluminium composite, screen printed with glitter 39 x 39 in. As one of the most successful artists in the world, Dami...

This large, mixed media work by artist XVALA depicts the infamous actor Tom Cruise. The background features primarily painted gold and white tones with a variety of images of Tom Cruise enhanced by the artist with oil stick. The painting is layered with images of the actor and masks created by the artist. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

A unique print by Russell Young. "Mick Jagger Sympathy for the Devil (cloud pink)" is a striking portrait of Mick Jagger in light pink, black, and grey. A contemporary Pop Art screen...

A print by Russell Young depicting the band, the Beatles. "Beatlemania (diamond white)" is a black and white, contemporary Pop Art screenprint on linen with acrylic paint, oil based ...

A print by Russell Young. "Kurt Cobain (cream+suicide pink)" is a contemporary Pop Art acrylic paint, enamel, and screen print on linen with diamond dust by UK artist Russell Young. ...

Richard Lin 1933-2011 May 2, 1971 screenprint on wove and acetate sheet 50.8 x 50.8 cm 20 x 20 in signed and numbered in pencil edition of 70 Born in Taichung, Taiwan, and brought u...

Death NYC Chanel No5 aérosol bomb Techniques mixtes sur billet de 1 dollar 2017 Exemplaire unique 2 certificats Signé et daté 15,5 x 6,7 cms 99 euros

Mark Gonzales Supreme Skateboard Deck 2017: Dimensions: 31.5 x 8 x 0.5 in. (80.01 x 20.32 cm). Medium: Offset print on Maple Wood. Printed artist sig...

Rare "double" dollar bill illustrated by Death NYC, street artist at the coast rising sharply. collage Signed by the artist Support: 2 dollar bills Size: 13.5...

Artist: Peter Max (1937) Title: Lady Profile Year: 2015 Medium: Monotype silkscreen on Fabriano paper Size: 19.75 x 15.25 inches Inscription: Hand signed in ink PETER MAX (1937- ) P...