Screen Mixed Media

Artist: Brainwash, Mr. Title: Banksy Thrower Date: 2023 Medium: Silkscreen and Mixed Media on Paper Unframed Dimensions: 22" x 22" Framed Dimensions: 28" x 28" Signature: Sign...

Artist: Roy Lichtenstein Title: Rose, Cover from 1 Cent Life (Rose) Screenprint in green over yellow linen and (1 Cent Life) Screenprint in pink over blue lettering on board of unbou...

Dave Buonaguidi Just Be Nice - Blue on Red Hand Pulled Screenprint with Glitter on Fine Paper 2022 Size: 11.81 × 8.27 inches (30 x 21 cm) Edition: AP of 80 Signed and numbered by ha...

Shuby Banana Hand-colored screenprint on cotton canvas mounted on board Year: 2017 Size: 19.6 x 15.75 inches (49.78 × 40.01 cm) Signed lower right, inscribed verso COA provided (gall...

Mr Brainwash Balloon Girl, 2022 Screenprint in colours and mixed media Hand signed in ink lower right, hand signed and dated on the reverse Inscribed 'UNQ21218', with a drawing (...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; hand signed, dated with thumbprint by Mr. Brainwash and studio catalog number on verso. Art...

James Rosenquist (American, 1933-2017), Sketch for Forest Ranger, Screenprint in Colors on Plastic Film, 1967, from Ten from Leo Castelli portfolio, published by Tanglewood Press, In...

silk damask, silver leaf, screen print, impressed metal leaf

Kenny Scharf Val Wong Worm, 2006 Oil, acrylic, silkscreen and rhinestones on paper Signed, dated and titled by the artist on the die-cut window on the back Frame Included: elegantly ...

Various artists We Love You...So Love Us, 2000 We Love You – AMOUR 1 LP Cover art credit: Banksy Album cover with vinyl record inside Vinyl record held silkscreened album cover 12 1/...

Robert Rauschenberg Rare lifetime edition Untitled Limited Edition Porcelain Plate (Guggenheim Museum), 1997 Porcelain Plate (Limited Edition Exclusively for Guggenheim) 10 2/5 in di...

Marina Abramovic Homage to Frida Kahlo (Self Portrait with Scorpion), 2014 Silkscreen on 100% Silk Shawl/Scarf Limited Edition of 50 (unnumbered) With original label from publisher in collaboration with Marina Abramovic Institute (MAI) Unframed The exquisite silk work...

Barbara Kruger (American, b. 1945) Never Enough, 2019 Medium: Screenprint in on cotton Dimensions: 42 x 38 cm (16 1/2 x 15 in) Edition of 200: Not signed, not numbered Condition: Exc...

RETNA Madre (Mother), 2023 Silkscreen and crystallina (diamond dust) on Coventry rag paper Hand signed and numbered by RETNA from the limited edition of only 75 on the front (41/75) ...

Alan Shields - Untitled from The Incestuous Kids, 1973 Mixed media silkscreen collage with embossing, woodcut, linoleum cut, dye- cutting, flocking and glass bead additions, from the...

Brand new in original sealed packaging (not shown) - never opened MEL BOCHNER Blah, Blah, Blah Limited Edition Mask, 2021 Machine washable lightweight fabric with three layers of pro...

Keith Haring Pop Shop Tokyo 1988: Rare vintage original 1980s Keith Haring Pop Shop Tokyo bag designed & illustrated by the artist. Features a bold Keith Haring printed signature and standout original Haring Pop shop Tokyo logos, plus bright, lush colors which make for a unique frame piece. Medium: silkscreened vinyl shopping bag. 19 x 16.75 inches inches. Minor wear commensurate with age & medium; in otherwise good vintage condition. A very cool vintage original Keith Haring frame...

"Sexual Spring-like Winter" is a large painterly work, created with layers of pink and resin by the art and film world's favorite enfant terrible, Julian Schnabel. The artist and dir...

Art history has always been a source of inspiration. Since 2010 she has been specifically interested in investigating Tibetan Tangkas. Visiting key collections nearby at the Newark Museum, the Metropolitan Museum and the Rubin Museum repeatedly studying their structure and content. Pat Lay has used computer data and computer parts...

Tracey Emin BBC 4 textile (HAND SIGNED and dated by Tracey Emin), 2002 Limited edition screenprint on linen (uniquely signed and dated 2017 in pencil) Pencil signed and dated 2017 on...

Jeff Koons Balloon Dog Women's Shoulder Bag (Hand Signed by Jeff Koons), 2014 100% Leather Shoulder Bag with silkscreened image of yellow balloon dog. Hand signed and dated by Jeff ...

Charles Fazzino (b. 1955) I'll See Ya in Court, 2003 Limited Edition 3-Dimensional Serigraph Construction Framed: 43 x 34 1/2 in. Edition 81 of 200 Signed and inscribed bottom: 81/20...

Unique Screenprint Collage on Canvas Reimann specializes in the further development of pop art in the tradition of Warhol’s portraits, paying homage to the icons of the 20th century...

Makes a unique and memorable gift! Jeff Koons Louis Vuitton Da Vinci bag (Hand Signed and dated by Jeff Koons), 2017 Limited Edition print with ...

Martha Wahlert Hand-signed and titled in pencil

Richard Smith Seven from Logo Suite (Pink Blue), 1971 Silkscreen on 3-D Molded Plastic Over Wood Pencil signed, dated and numbered 65 from the edition of 75 on the front 23 1/2 × 19 ...

Russell Young (1959) Bardot Thunder (2019) Acrylic and enamel screenprint on linen with diamond dust 48 x 62 in (121.9 x 157.5 cm) From a series of 10 plus proofs; unique in this co...

This piece titled "Jake Yeager Untitled 12" is an original artwork by Jake Yeager and is made from spray paint and screenprint. This piece measures 24”h x 18”w. Founded in 1997 at 1...

ALAN SHIELDS Peace of the Rock, 1974 Aquatint & Silkscreen Signed and numbered 14/20 in graphite pencil recto Frame included: held in original vintage frame Measurements: 19 3/4 squ...

Barbara Kruger War Platter, 2018 Glazed Earthenware Artists name fired on the underside which is considered her authorized signature as she officially does not sign her works Hand nu...

Gerald Laing City Center Light Opera, 1968 Lime colored Screenprint on die-cut Mylar Hand signed, numbered 6/144 and dated in pencil on the front 25 × 35 inches Unframed Gerald Lai...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Larry Clark Untitled Larry Clark Kids Skateboard Skate deck, 2013 Screenprint on 7-ply Canadian maplewood skatedeck Signed on the deck 31 × 8 inches Long sold out 2013 skateboard dec...

Sam Gilliam Buoy Landscape IV, 1982 Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper 31 1/2 × 24 inches Hand signed and numbered 3/25 in graphite pencil Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto Unframed with elegant deckled edges Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market. Steven M. Andersen (Printer) Philip Barber (Printer) Hang Nguyen (Printer) Stephanie Nowack (Printer) Michael Reid (Printer) Daniel Rounds (Printer) Vermillion Editions Limited (Publisher) Sam Gilliam Biography: Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting. A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials. In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago. Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...

Jacquelyn Strycker One Day Tomorrow Will be Yesterday, 2024 collage of risographs and screenprints on Japanese and handmade fibers papers with sewing and acrylic gouache 57 x 76 in. ...

This orginal piece by Luke O'Sullivan is made from wood and salvaged materials that the artist has silkscreen printed onto with his original drawings and patterns, which he then cut and assembled into a three-dimensional, wall-hanging sculpture. The finished piece measures 56”h x 26”w x 10”d. Artist Statement // My work is about the intersection of built environments and subterranean systems. I create drawings and sculptures of fantastical urban environments. Often inspired by dystopian and science fiction films, I combine recognizable architectural forms and impossible buildings to make diorama-esque works. Early Nintendo games...

Silkscreen print Limited Edition of 100 Hand Signed by Sheefy McFly

Jennifer Losch Bartlett #7 (Glass Houses), 2000 Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame Signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Unique Frame included Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature Provenance: The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label. Measurements: Frame: 15.75 x 15.75 x 2 inches Artwork: 12 x 12 inches About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Stuart Davis Eggbeater No. 1 Silk Scarf, ca. 1980 100% silks scarf 34 × 34 inches (the smaller measurements shown are after the scarf is folded, to minimize shipping costs, as it sh...

Kenneth Noland Untitled Whitney Museum Limited Edition Silk Scarf, 1999 Artist designed scarf in colors on 100% Silk in original Whitney Museum packaging with artist's printed name a...

Unique hand embellished with silver marker on serigraph. Hand signed and dated lower right by Ronnie Cutrone. Hand numbered 29/36 lower left. Artwork size: 40 x 30 inches. Frame ...

Mr. Brainwash "Chaolin" Unique 1/1 Mixed Media Original Hand-signed and numbereD 1/1 (One of a kind Silkscreen and Mixed media variation) Verso dated 2023 with thumbprint and hand dr...

Andy Warhol (After) Vintage Large Rosenthal Bowl (Blue Horse), ca. 1991 Large Silkscreen Glass bowl (authorized signature fired onto plate) Warhol's signature is printed on the plate...

Peter Tunney (b. 1961) Audrey Hepburn 2015 Acrylic paint Hand-pulled silkscreen with hand coloring on archival museum board. 40 x 32-1/4 inches (101.6 x 81.9 cm) (sheet) Hand signed and dated in ink lower right This is from a series titled The movie stars. Each is a unique silkscreen based on a licensed photograph of a movie actor. Each is unique due to the colors and patterns created by the artist on the photo image. Audrey is a unique, hand-pulled silkscreen on hand painted archival museum board Peter Tunney (b. 1961) is a legitimate force of nature with boundless creative energy, spreading his positive messages in unconventional ways and delivering works of art to a worldwide collector base. He creates in almost every medium: paint, collage, wood, photography, found objects, and discarded materials. Peter Tunney is an American visual artist, publisher, art dealer, socialite and former Wall Street executive. He currently lives and works between New York City and Miami, Florida. Tunney first made his fortune investing in biotechnology stocks on Wall Street. He then went onto found for the now closed SoHo gallery "The time is Always Now" where for nine years he showed a vast collection of work by the famed wildlife and fashion photographer Peter Beard, some of which was created on site. In 1994 Tunney was featured on Lifestyles of the Rich and Famous, as profiled by Robin Leach, and mentioned as one of the worlds most eligible bachelors. Later Beard and Tunney had a dramatic falling out. A tumultuous period followed leading to Tunney's living in the nightclub Crobar while doing a performance piece and eventually to rehab. Today Tunney is a visual artist who works in the genre of neo-pop and whose work has been compared to that of Mel Bochner and Christopher Wool. Tunney is also known for his "Tunney Money" a system of art given in place of cash relinquished. one of his more high profile works so far was a billboard he did in the New York City borough of the Bronx alongside the Major Deegan Expressway which spelled out "GRATTITUDE" (in all capital letters with an extra T added on for emphasis) a word which Tunney has articulated frequently in his visual works. Tunney is also known for his surfboards which he turns into artworks often with his sayings such as "City of Dreams" or the aforementioned "GRATTITUDE" embellished onto them rendering the pieces of sports equipment works of art. In 2009 Tunney was commissioned by now Senior advisor to the President of the United States Jared Kushner (for whom Tunney had previously created a stencil overlay taken from his work "Don't Panic" for Kushner's newspaper The New York Observer) to establish an immersive work called "The Experiment" in the lobby of Kushner's fifth avenue sky scraper 666 Fifth Avenue. In the Wynwood section of Miami he opened a gallery dedicated to his work called the "Peter Tunney Experience". Now forthcoming with the kickoff of the new NFL season at Hard Rock Stadium, home of the Miami Dolphins in Miami Gardens, Florida, is a large scale multiple mural project mostly of bright colorful abstract works some with a tip of the hat to Football, a project which arose out of a dialogue between Tunney, Jessica Goldman Srebnick (CEO of Goldman Global Arts and daughter of the late famed real estate developer, preservationist and arts visionary Tony Goldman) and the Dolphins. Among the artists whose efforts are included in the body of work are; Assume Vivid Astro Focus...

This large scale 113" x 55" mixed media painting by XVALA was created during the pandemic and features floating green robots on a silver canvas with multi-color dollar signs throughout. The COVID-19 pandemic has had a devastating effect on the global economy. The Rona Bots have canceled the economy, but it's not only our money that has been affected. XVALA appropriated this specific dollar symbol from Andy Warhol to remind us that the pandemic has also ripped through the fabric of pop culture in 2020. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

2015 piece by Mr. Brainwash, hand finished, and unique, one of a kind. Metro Polisa. Hard to come by piece. Dimensions of 24 x 46 inches. Stunning piece featuring the Mona Lisa in th...

Alan Shields Alice in Grayland, 1979 Mixed media collage: Etching, aquatint, screen print with stitching and collage on hand made paper Hand signed, dated, titled and numbered 1/13 b...

This striking “Unyielding” aluminum signed print from 2020 stands as a commanding testament to one of the most influential figures in contemporary street art. Conceived by Shepard Fa...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Faile Happens Everyday 1986, 2018 Silkscreen on 7-Ply Canadian Maplewood Skateboard Deck 30 × 9 3/4 × 3/10 inches Edition: 66 of 150 Signed on the Deck Fai...

Rene Magritte Le fils de l'homme, 2018 7-Ply Grade A Canadian Maplewood 31 × 8 inches Edition 35/250 Authorized artist's signature on the deck; hand numbered. along with separate han...

Created as a one-off limited edition; exact number unknown, but scarce collectible: David Hockney The Rake's Progress, 2019-2020 Fine Bone China finished with platinum gilding in ele...

Remi Rough, No Consequence, 2020 11 Colour Screenprint on plywood paper 73.5 x 53.5 cm (28.94 x 21.06 in) Edition of 33 of 125 Hand-signed by the artist Remi Rough, born in 1971 in...

Kenneth Noland Limited Edition Canvas Tote, 1977 Mixed Media: Silkscreen on Canvas with handles and leather tag. Numbered with ink stamp 15 × 15 inches Edition 268/500 Plate signed and dated Kenneth Noland and stamp numbered from the edition of 500 Very good vintage condition with handling and creasing (see photos) This was not commercially marketed but was designed as a prototype with each one stamp numbered. Not too many are around, and very rarely found in such good condition. This work is sold unframed as shown in the first image, but for inspiration only, see a photograph of how one collector framed a different edition of this work - and it looks like a print or painting! (see last image) A true vintage collectors item.

Sam Francis Suite of Four Limited Edition Ceramic Plates, ca. 2000 Set of four (4) limited edition ceramic plates in original museum box Edition of 2000 7 × 7 inches Unframed Note: M...

RICHARD ANUSZKIEWICZ Grey Tinted Rainbow, 1992 Assemblage with 14 Color Silkscreen and Lithograph Pencil signed and numbered 11/40 on the front Frame included: elegantly framed in a ...

Artist: Peter Max (1937) Title: Flower Lady Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 14 x 12.5 inches Inscription: Signed in ink Notes: Published, printed...

Artist: Peter Max (1937) Title: Angel with Spread Wings Year: 2015 Medium: Watercolor and silkscreen on Fabriano paper Size: 15 x 11 inches Inscription: Signed in ink Notes: Publishe...

Martin Whatson PP 23 Colour Screen Print on 300 gsm Somerset Satin Paper Edition of 175 Signed by the Artist Certificate of Authenticity included size 72 x 40 cm

Artist: Steven Sorman, American (1948 - ) Title: When Something is a Picture Year: 1980 Medium: Mixed Media Collage with Fabric, Screenprint, and Glitter, signed and numbered in penc...