Stone Mixed Media

Oil paint and marble dust. Signed inscribed and dated to verso Gareth Edwards is a contemporary landscape painter. He is a graduate of Goldsmiths Coll...

Cloak and Dagger begins with a memory of the movie theatre. Emmanuelle Vroelant tells it simply: "Seeing The Three Musketeers and The Count of Monte Cristo at the cinema makes me wan...

I am a fan of science fiction, especially depictions of minimalist dwellings in desert areas. I am fascinated by the adobe houses found in certain African countries. The simplicity, ...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

This unique piece was made by Roan Van Oort in 2024. With a strong focus on simplicity and timelessness, he consciously chooses natural materials, characterized by a certain fragilit...

I often think of Japanese screens and I really like the scanning of triptychs. I wanted to suggest a poetic atmosphere, a little strange that we see at the seaside in the heat mists ...

Acrylic paints, oil paints, and gold leaf My paintings explore the relationship between elements such as the skies, the oceans, the natural environment such as the formation of rocks, cliffs, and weathered material. In my work, I aim to bring together certain properties of each of these elements to create an experience and understanding of the world and the contrasting relationships between each of these ideas. The use of texture in my work is formed using material which has been subjected to the forces of the weather, and I love to use ‘untouched’ and ‘natural’ material in my work to form the basis of all my paintings. It is the idea of bringing together a number of natural materials in my work that inspires me. The contrast between elements such as the roughness of the texture, the smoothness of the ink or paint. and the reflection of the metallics brings about a composition and structure that is unique. The impact of the weather, space, and seasons has been important in determining the structure of each of the paintings and the way the different elements and materials react to one another. The use of ink in my work has been a work in progress that I have been experimenting with over the past year. The use of this new medium has proved to be invaluable to the message and direction that I would like my work to take. On each of the works, I manipulate the Ink using air from my mouth as I want to form a stronger relationship with the canvas and the way that the ink Is manipulated. I have particularly enjoyed the added contrast which has been created between the variety of mediums being used. Textured mixed media original abstract painting by Rajan Seth.

This canvas slept for twenty years in Emmanuelle Vroelant’s storage, from the time when she painted still lifes. Found again by chance, it suddenly “spoke” to her: she altered a few ...

“It takes a great deal of courage to remain serene and accept this stage of life. In our society, we struggle to see its beauty, but we can at least salute its dignity.” These words ...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Spanish Windows II Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in the...

Jinni Oil, bitumen, graphite, marble powder, burlap on canvas 63" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

Box of Strings Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the med...

Middle Ground Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

Brook Soss, "Home I" – Contemporary Abstract Artwork in Sandstone and Acrylic Elevate your space with "Home I", a stunning contemporary mixed-media artwork by acclaimed artist Brook ...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

Artist: Laddie John Dill, American (1943 - ) Title: untitled Year: 1984 Medium: Glass, Cement and Polymer on panel Size: 30 x 50 x 2.5 in. (76.2 x 127 x 6.35 cm)

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

James Spencer Russell "#4" 1958 Collage with paper, sand, gouache Signed in pencil 19.25x13.5" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but spent much of h...

This painting is born of a true “visual, sensual encounter” between two sheets of paper “very different in their structure, their colour and their origin,” says Emmanuelle Vroelant....

Big Little 117 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of blue & burgundy ...

This unique piece was made by Roan Van Oort in 2024. With a strong focus on simplicity and timelessness, he consciously chooses natural materials, characterized by a certain fragilit...

Emmanuelle Vroelant wanted to paint "something strong" — and the canvas conveys that from the first glance. It rises vertically like a trunk in full growth, carried by a brilliant gr...

For me frimas is a rather poetic term, this word evokes the frosted powder on the trees, the soft light of a pretty morning very early in winter. It is a feeling of freshness and pl...

It is a small Zen and dreamlike garden where everything is calm and smiling with a benevolent sun. It is a small garden like one would find in children’s tales, a refuge for Jradin. ...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are force...

Fascinated by the images sent back by Hubble, I played with deep ultramarine blue, manipulated distant light, and crafted shadowy areas to signify the unexpected. The canvas reflects...

A long, panoramic format — 50 × 140 cm — stretches the canvas like a strip of dune seen very close up. The material, acrylic and marble powder, takes on a sandy, scraped, almost crum...

Abstract Geometric square mixed media painting on panel in colorful shades with aqua, yellow, pink, light green, and red on a background of brown with yellow highlights Big Little #1...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

Add joy and character to your space with this one-of-a-kind three-dimensional mixed media artwork featuring a mosaic flower and the word “LAUGH” at its center. Crafted from textured ...

Kimono assembles shards of red, burnt orange and sienna, cut like fragments of heavy, torn silk, laid over a base of gold leaf that evokes a length of fabric or a wide obi. On the ri...

Pebbles, sand and pigment on panel Artist Statement My artistic practice has been profoundly influenced by exposure to two vastly different environments. Firstly, growing up in Lon...

Coming back from summer, Emmanuelle Vroelant says she “still wanted to convey [her] joy of transparent water, the well-being of the sun, the light side of life in the garden, on the ...

Colors of desert, vibrations, the sound of the didgeridoo is disturbing, exotic.

A golden disc, almost solar in its very matter — metallic deposits, impastos of marble powder that catch the light — rises above a jagged black-and-white ridgeline, where mortar and ...

Contemporary abstract mixed media on paper by Belgian artist Francis Besson, signed bottom right. Francis was born in Dundee (Scotland) in 1943 however...

Everything begins, for Emmanuelle Vroelant, with a deliberate act of restraint: faced with this handmade art paper, made from linen rags at a mill in Brittany, she says she felt no w...

Pawel Kontny (Polish-American, 1923–2002) Cosmos, Circa 1965 Mixed media with marble dust, gesso, and oil glaze on masonite Framed dimensions: 25½ × 28½ inches A striking example of...

Martha Winter employs a unique technique to create visually stunning 3 dimensional pieces where painting meets sculpture. By building textures and patter...

Big Little 119 (Striped Abstract Geometric Painting in Tones of Blue & Red) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in tones of Yellow Pink & bu...

"In the Same Time" is a nod to Emmanuel Macron's favorite phrase and a visual testament to my perception of the sluggish atmosphere brought about by the confinement and curfew. I tr...

On a white ground dotted with discreet greys, some twenty cut-out shapes, almost like puzzle pieces, compose this untitled painting. On the left, they stack into a totemic column, a ...

"All that would happen to me in addition, well, it’s like rain on a pebble. It refreshes it and it’s already very beautiful. Another day, it will burn with sunshine. It always seemed...

James Spencer Russell "#2" 1958 Pastel, gouache and sand collage on paper Signed in pencil lower right 24x18" James Spencer Russell (1915-2000) was born in Monticello, Indiana, but ...

Cala Pragonda Oil, bitumen, graphite, marble powder, burlap on canvas 66" X 56" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medi...

While walking in Japan, I spent a long time in a temple contemplating a wall where traces of time created black, grey, beige drawings… This inspired the texture and the atmosphere o...

Stunning mid century textile abstract mixed media painting of apples by Anna Ballarian (American, 1911-2010). Signed " Anna Ballarian" lower ...

Emmanuelle Vroelant starts from an observation shared by many: “we’re weighed down, made anxious by the news of what’s happening in the world.” Facing this weight, she says she felt...

Edges of a Summit II Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in t...

Wind Dancing Oil, bitumen, graphite, marble powder, burlap on canvas 72" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the mediu...

The layout of this work was imposed upon me during one night, likely in resonance with what remains after the passage of fanaticism and barbarism. Through this composition, I attem...

Manana Blanca II Oil, bitumen, graphite, marble powder, burlap on canvas 73" X 70" I am a visual artist whose work investigates small and large -scale abstraction primarily in the m...

The Goat Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of...

Spanish Windows III Oil, bitumen, graphite, marble powder, burlap on canvas 48" X 72" I am a visual artist whose work investigates small and large -scale abstraction primarily in th...

Monochromatic, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. ...

This stunning original abstract painting, titled Abstract Dancer, was created by renowned artist Pawel Kontny (also known as Paul Kontny) in the 1960s-1970s. Using a unique combinati...

The Source Oil, bitumen, graphite, marble powder, burlap on canvas 60" X 48" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium ...

Emmanuelle Vroelant started this painting after watching a news report on the National Assembly, struck by a cacophony in which egos jostled together, each claiming their own truth. ...