Stone Mixed Media

EDITION SIZE : 99 Edition 2/99 DIMENSIONS : 83 cm x 60 cm (32.67 inches x 23.62 inches) PAPER : BFK Rives 270 g. TECHNIQUE : Lithographs on stone...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by Grège Gallery. Her artistic practice reflects a deep exploration of materia...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by the Grège Gallery. Her artistic practice reflects a deep exploration of mat...

Smooth surfaced, white engineered stone flecked almost imperceptibly with black-blue, the work sparkles gently in the light. The work is mounted on a rectangular brushed metal base. ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

Marble, granite and limestone sculpture

Gold Landscape mixed media on canvas 60x60 cm material painting ready to hang original artworks it is sold with a certificate of authenticity

Berlin's series of remarkable images of mythically, spiritual women is now augmented by this latest work. The Inner Heart to the Dove of Peace is an intense piece, a paean of hope. H...

Silvia De Marchi (b. 1967, Melzo, Italy) is an Italian painter currently based in Italy and represented by Grège Gallery. Her artistic practice reflects a deep exploration of materia...

Wall mount or pedestal mount. Absinthe metallic finish. 20"x16"x8" keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled an...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Clas...

EDITION SIZE : 99 Edition 2/99 DIMENSIONS : 83 cm x 60 cm (32.67 inches x 23.62 inches) PAPER : BFK Rives 270 g. TECHNIQUE : Lithographs on stone...

Hamilton Co. Rockslide Granite and galvanized and powder-coated steel 35" (height) x 15.5" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are...

Portrait of actor Mark Rylance preparing for one of his earlier roles Gouache on Italian Slate in a contemporary Black frame.

Sentinel (Rocker) NY State slate/pigmented and sealed steel 39" (height) x 17" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in ...

Pradeep Jogdand - Untitled Black Marble H 43 x W 19 x D 7 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J....

Sisyphean Circle (Tefilllin) Granite and galvanized and powder coated steel 30.5" (height) x 42" (width) x 7" (depth) Stone and metal, usually granite or slate, and found object ste...

In these testing times it's become easy to turn inwards rather than looking outwards into the world. In a painting that is archetypical of Sax Berlin Angel of Peace is a reflection ...

Very occasionally a painting invites deep study; nothing exists within it without reason, each form has purpose, every shade has nuance, every line has meaning. Berlin has presented...

Pyxis Awry 2021 (Plunge X) Bronze 14.5" (height) x 9.5" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inter...

Smooth black granite has been engineered by Canadian artist Jeremy Guy into an elegant sculpture in the form of a mobius strip. Granite base measures 7.25 W x 7.25 D x 2 H inches. ...

We are excited to bring this incredible painting to public attention. Berlin is renowned for his use of colour, pigments and texture but this piece is truly exceptional. Sumptuous in...

BLADE III Enamel on granite and steel 13" (height) x 19" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

Cambre 7-21 Bronze and Vermont slate 21" (height) x 14.5" (width) x 4.5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The i...

Enigmatic and engaging, Alice Vander Vennen’s contemporary compositions always tell a story. Created by hand, this intricately detailed mixed media piece is made from an eclectic ass...

Sentinel (Wall of Worry) Vermont slate/pigmented and sealed steel 30.5" (height) x 16.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are c...

Implement Stout Handle II Bronze and slate 24" (height) x 33" (width) x 10" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin...

COLUMN 7-16 Granite/galvanized and powder-coated steel 98" (height) x 27" (width) x 15" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...

Twister '23 Slate/pigmented and sealed steel 32" (height) x 12" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. T...

Pointe (Kyklos III) slate and pigmented and sealed steel 46" (height) x 20" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are central in my ...

POINTE 2016 Slate/pigmented and sealed steel 22.5" (height) x 23" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture....

UPPERCUT II Enamel on granite and steel 16" (height) x 16" (width) x 10" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The i...

Sisyphean Circle (Twirl III) NY State slate/pigmented and sealed steel 14" (height) x 24" (width) x 4.5" (depth) Stone and metal, usually granite or slate, and found object steel ar...

Kerf V Granite/pigmented and sealed steel 12" (height) x 14" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The ...

Twister '23 II slate and pigmented and sealed steel 34.5" (height) x 11.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

A stunning contemporary composition of carefully curated objects, this wall sculpture is by Alice Vander Vennen. Her mixed media works are made from an eclectic assortment of ‘found’...

Portrait of British actor Mark Rylance in his now famous role as Thomas Cromwell. Gouache on Italian slate. Well framed in ornate black wood frame. Framed 30" x 30" Image 23' x 23"

The title means to ‘shine a light’ or illuminate. Alice Vander Vennen’s beautiful contemporary compositions are designed to tell a story. Fashioned by hand, the canoe-like shape of t...

Lunge 2-20 Slate/pigmented and sealed steel 14" (height) x 27" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. Th...

Soulful and spiritual she gazes deep into the innermost sanctum of being. She is not a portrait of one woman she is a representation of all women. Strength with nurture, solace with ...

Sax Berlin is emphatically back in the studio!  Emblem of Peace has been woven onto the canvas with the rarest of pigments, precious metal and glistening marble. These precious ingre...

Tiller VI 15"h x23"w x5"d Small bronze and slate Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is ...

Sisyphean Circle 3-23 (Sagitta) Granite and galvanized and powder-coated steel 36" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object st...

First Bite,female figure holding apple,garden of eden,bronze sculpture Williams First Bite, female figure holding apple, garden of eden, bronze sculpture Expressing Situations and Beings in Human Form Sculptor Troy Williams unites the timeless and the contemporary in sculptures of rare beauty and meaning Beyond all the narrative potential of the three obvious physical dimensions of Troy Williams’ sculpture there are many other considerations that contribute greatly to the enjoyment, appreciation, and understanding of his entrancing 360-degree works of figurative art. Among these are the emotional responses and intellectual interpretations that first go into the artist’s creative process and then into every subsequent spectator’s viewings at least somewhat differently each time. Some artists insist on leaving these entirely up to each viewer, but Williams is glad to enrich the experience by inviting the viewer in for a little insight into the artist’s intention. Certain ambiguities and unintended provocations might otherwise arise, as Williams uses original combinations of materials or ideas in highly original ways. For the sophisticated clientele of Glenn Green Galleries Williams specializes in figurative and facial sculptures hewn from fallen woods he finds while running near his home in the mountains of north central New Mexico. Williams has in the past worked with exotic woods, but now avoids them in a desire to protect the people, plants, and animals that depend on a vibrant, healthy, and unexploited local ecosystems. Finding dead and downed wood also introduces an element of serendipitous chance into the sculptor’s process of selection and inspiration. Nature provides an exquisite mass of workable solids, surfaces, patterns, and curves in cottonwood and the many varieties of juniper this sculptor favors. Troy Williams simply rescues these from the elements and then elevates them to timeless treasures by relating them to themes that express our deepest nature. Awake to the most beautiful twists, turns, and striations already present in these found mediums, Williams is naturally and passionately drawn to every stage of freeing the underlying sculpture. Following the wood’s ingrained tendencies is always a creative guide for Williams. Growing up in an Indiana farming community, his dad a family practice doctor and his mother an artist, Troy has always felt an affinity for the earth and especially its mountains. He initially came west to study agriculture at Fort Lewis College in Durango, Colorado, attracted there by a setting where his athletic nature could find full expression. His interest in an agriculture career gave way to his love of the mountains. In order to continue living in them and enjoy the hiking, climbing, and running he also loved, Troy worked for several years in a solar business, progressing from manufacturing to installations to design. On a fortuitous errand for a cousin back home, Troy happened into silversmithing and began producing simple, hammered ear cuffs. At this point the artistic nature that he had earlier suppressed in favor of athletics began to emerge strongly, and he expanded into more complex designs as he learned and mastered goldsmithing and lapidary. Another quantum leap occurred when he made his first copper face for a pendant. He couldn’t wait to see the face on a larger scale and was eager for the challenge of learning another art. He began sculpting metal, then stone, then came upon wood as his medium of choice. Wood had immediate allure: scented, expanding, contracting, and seeming to breathe. Williams was seduced by its warmth, the play of light on the complexion of its grain, and the inherent life force so evident in wood. He also learned to coax creative advantage from some of wood’s pitfalls, like soft spots, tricky grains composed of woody xylem and softer phloem; and to avoid the conditions that make it splinter. A quality of segmentation or fragmentation characterizes Williams’s sculptures and provides great visual satisfaction along with intriguing thematic provocation. One is struck by the beautiful outlines that might never be apparent had Williams not removed segments or created interior voids expressly to reveal them. When sculpting a face, Williams focuses on aspects that are mask-like, floating, and alive with contours that might not be visible were the artist to sculpt the full head. The segmentation in his exquisitely refined female figurative works incorporates solids, hollows, and curvilinear elements for reasons that are at once artistic, philosophical, and experiential. Besides attending basic college art classes, to understand more fully the human figure, Troy spent a summer in Europe...

Pradeep Jogdand - Untitled Black Marble H 41 x W 18 x D 13 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

Something so special it's hardly ever seen - creative silver and gold leafing. The face passed through seven stages before it was complete and crushed marble is used to adorn her fac...

Pradeep Jogdand - Untitled Black Marble H 28 x W 24 x D 14 inches ( Delivered ) Pradeep Jogdand (born 1987) is a young sculptor based in Mumbai. He did his BFA in sculpture from J.J...

Promenades is part of my latest series: Roots of a City. Each painting in this series is based on the urban environments of places that I have visited or lived in. There is an emotio...

Balsam, ground marble and hand ground pigments give this work great depth. This piece from Sax Berlin works on different levels; the beautiful, subtle palette & the contemplative dra...

Mattia Listowski(b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, coming from a creative family. He lives and wor...

Sculptor Jeff Glode Wise's expertise as a jewelry maker is immediately evident in the pedestal-sized kinetic sculpture "Streaming Obelisk." The mixed media ...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

A figure reclines in a red and yellow-strapped lawn chair. The figure sitting in the chair is activated by Aldrich’s transformation of paint and resin into oozing swaths of skin between the lawn chair straps. The chair, recalling the grid, works as a pattern trying to hold and contain the body resting inside it. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings and small, overfilled sculptures. Aldrich uses thick materials that protrude from the surface, reminding the viewer that the paintings are not only physical objects in themselves, but also create the illusion of the picture. The work employs a risky excess of material that borders on uncontrollable; becoming metaphoric for barely controlled femininity, the attraction and repulsion of materialism, and the body pressing against constraints. The figures in the paintings are seen from behind or have turned away. The viewer is put in a place of questioning whether they are a voyeur or a co-viewer with the figure of something deeper in the picture plane. The full body paintings...

FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

"Mirror" is a site specific installation that was exhibited in the show "Dialects of Place(s) by Land Report Collective at COOP Gallery in Nashville, TN. In this piece, Jobe uses industrial materials such as insulation foam, concrete, window screen, and graphite tracing paper to create a patterned structure that protrudes from the corner and carries the viewer's eye upward. At the bottom of the piece, we see delicately balanced concrete on top of pale blue insulation foam. The patterned concrete and insulation foam carries the viewer's eye upwards towards another pop of blue on top of the aluminum window screen frame. The screen gives the viewer a window in which to look through the piece. On one side, this mesh frames the graphite paper and on the other side the viewer can see the patterned concrete and insulation foam. Review from "The Rib" about "Mirror" One of the more surprising works here is Nashville-based Brian Jobe...

Unique pedestal sculpture in welded and stained bronze, lava stone, seashells, and black stained wood. Jeff Glode Wise makes wildly exuberant sculptures. H...

Rising Collection, combines two key elements of my process --- my signature use of needlepoint, plus, mixing powdered pigments, gesso, and marble dust to create my own colors. These ...

Smooth abstract composition mounted on slate by an unknown artist. Unsigned. No frame.