Wood Mixed Media

Martin Wong Supreme Skateboard Decks, 2019 (set of 2):
 – 'Big Heat', 1986.
 – 'Iglesia Pentecostal', 1986. Set of 2 limited edition Martin Wong skateboard p...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...

Joy of Twins Mother is an original painting by the late Prince Twins Seven-Seven. About the Artist Twins Seven-Seven was born Taiwo Olaniyi Oyewale Aitoyeje in Ogidi Ikumu, Nigeria,...

Artist Len Klikunas paints to modify experienced reality through visual perception. His art is a mix of art and architecture, hovering between painting and sculpture. It employs shiz...

Large-scale abstract assemblage by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Circa 2010. Canvas size...

Mixed media collage attributed to Gordon Wagner. Unsigned. Dated 1968. This artwork is is not titled and title given is based on on the can of pipe and...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

This is a beautiful contemporary photograph of the bridge over the River Kwai in Thailand. The photograph is processed in a way that the grain of the wood eventually becomes the "canvas" and backdrop for this image. It is processed directly on birch wood using archival inks and is then sealed with a durable semi-glossy lacquer. The image shows a person with a bright halo, crossing the bridge or in the center of the bridge about to cross a metaphorical bridge. This metaphor can be translated into many beautiful messages in life. HUGO G. URRUTIA + MK SEMOS Urrutia is an interdisciplinary artist, interested in the cross-pollination between art and architecture. A graduate and active member of the Architectural Association in the United Kingdom, Urrutia’s work creates a distinct spatiality located at the interstice of art and architecture. His work explores and uses the technology for design and fabrication, with a sensitive and conscious reminder of the creativity of human endeavor. Urrutia graduated from the Architectural Association in 2013, earning a Master of Architecture in the Design & Make programme. In 2000, he graduated from Texas Tech University, with a Bachelor of Architecture and Design and received the 2000 Outstanding Thesis Award. In 2004, he founded Decorazon Gallery in Dallas’ historic Bishop Arts District where he directed, curated and exhibited numerous art/architectural exhibitions for national and international artists. His personal artwork has been exhibited in the United States, United Kingdom, Thailand, Colombia, and Hong Kong. His participation in art and architectural competitions and public projects include; the AIA Cincinnati, where he received the Design Award for the 2000 National Urban Poetry I competition and the 2005 ARQUINE - International Architecture Competition in Mexico City. His art installations – The Mexican Tsunami, and Making a Killing – have both been featured at the Art Santa Fe 2010 Contemporary Art Fair, curated by Charlotte Jackson...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

Are We There Yet? (2014) by Roberto Fonfría Acrylic, graphite, oil pastels, paper & transfers on wood Image size: 48 in. H x 72 in. W Mixed Media _________________________________ Roberto Fonfría lives and works in Miami, Fl. He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Abstract mixed media triptych. This abstract "Air" by African artist Kugbe Kukoff from Togo is the third in a trilogy of works titled " Air, Fire and Water" all of which are availab...

Discover a captivating piece of nature with this unique section of a vintage herbarium. Crafted with meticulous care, this botanical press on paper c...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

"Currency #237" by Natasha Lelenco features a striking profile of a woman with meticulously braided hair, set against a vibrant blue background. The figure’s skin, rendered in shades...

"Lath Study II" is an original wood, joint compound, and white paint sculpture by Seth Clark measuring 24”h x 24”w x 2.75”d. This piece ships ready-to-hang framed as pictured. "My ...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing col...

Color Boundaries #68, Painting 2018 by Natasha Zupan From the series Color Boundaries Oil, fabric, wax, gold, medium, on wood Size: 31.5 in. H x 23.5 in. W Natasha Zupan beautifull...

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

Kathleen Keifer is a California-based internationally collected artist. She is a leading force of the New California Realism. Keifer brings a fresh perspective to her hyperrealistic ...

Abstract expressionist found object assemblage on wood with highly expressive silver and gold paint by Bay Area artist Michael Pauker (American, b. 1957). Against the raw woodgrain, the artist has attached several objects, including paper fragments of ornithological illustrations of birds...

Christopher Wool Skate Deck, 2008 (Hand Signed and Dated 2017) Silkscreen on Maplewood (Hand Signed by Christopher Wool, with a dateline of New York, 2017) 31 × 8 × 3/10 inches Boldly signed and dated 2017 with the dateline "NYC" in black marker This skateboard was created in 2008 by Supreme, Inc. and is signed on the deck...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

This 43.75" x 19.5" work incorporates three painted metal panels on a white wood base depicting a simplistic rendering of Adam from the biblical story of 'Adam & Eve'. The figure is ...

Unique Piece handmade Resin and Pigments on Wood As a self-taught artist, he uses the unique expression of resin materials to create fascinating works of art. Daniel combines variou...

A mixed media sculpture of a standing figure using wood, enamel, acrylic, and found objects.

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Chicago-based artist Michael Thompson creates unique kites crafted from split bamboo frames covered with stretched muslin and a collage of vintage Asian ephemera—including fragments of fabric, scrolls, drawings, and books collected during his travels. This kite entitled "Boro" is patterned with Japanese indigo-dyed fabric scraps, sewn together to form a patchwork of contrasting patterns and shades of blue. The kite's design recreates the traditional practice of Boro stitching...

"Gotham" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "Sm...

An abstract sculptural artwork using wood an paint by Robert Brady.

Dualidad I Beads on Wood Panel More than 10,000 beads Ready to hang 25 x 20 cm 2023 About the artist Colectivo Aurora is the new project of a plastic artist and a designer whose w...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Tactile memory #138, by Natasha Zupan Mixed Media on wood, fabric, oil, acrylics Size: 27.5 in. H x 23.6 in. W x 3 in D. Mounted on a stretcher Natasha Zupan beautifully unites the ...

The Currencies series by Natasha Lelenco is designed for versatile display, working either as a standalone contemporary artwork or as part of a modular art installation, allowing co...

This work is sourced directly from the artist. Butterflies cut from fine art paper, arranged in the shape of a solid circle, airbrushed with liquid acrylic paint and pinned with stai...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

In "Currency #234", Natasha Lelenco presents a striking portrait set against a vibrant pink background, rendered in vivid green tones that give the profile a surreal and almost alien...

"Currency #230" from Natasha Lelenco’s Currencies series is an acrylic work on a 26 cm diameter wooden panel. This piece features a surreali...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

"Harbor Flags" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Series which ...

"Currency #231" from Natasha Lelenco’s Currencies series is a striking conceptual work, created with acrylic on a 26 cm circular wooden pane...

NOTE: This piece has sold. But it can be commissioned in different sizes and or colors. Timeline for commission is roughly 4-6 weeks to ship. Modulus II is a striking mid century ...

Sometimes, the most celebrated artists are not the most original. Such is the case with Jean-Michel Basquiat, known for bringing into mainstream abstract yet representational street ...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her Collage Portrait Series, Amy Smith uses photography, and layers of hand cut stencils, and torn recycled fashion magazine pieces to simultaneously represent her love of fashion and her contempt for excessive consumerism. In addition, she showcases female portraits to empower and unify, creating a space to feel connected to oneself and to each other. Smith’s mixed media collages have been shown at Wallspace, Saatchi’s The Other Art Fair, La Art Fair to name a few and been part of auctions such as revered Julien’s Auctions...

Purple Heart Ash strip It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to creating furniture that...

Note: Streamliner I is shown with Streamliner II in some of the photos. Streamliner II is the Darker of the two sculptures and shown on the right (When both are shown in same photo)...

"I Like it" is an original mixed media artwork by Volker Kuhn. The work is hand-signed and numbered by the artist below the artwork on the mat. 28 x 26 cm framed in a silver-gold woo...

Matches on painted wooden board by unknown artist inspired by Bernard Aubertin. W/frame

On a circular wooden panel, Currency #218 features a profile portrait inspired by Maori culture. Painted in warm ochre and yellow tones, the piece is encircled by the Maori phrase “K...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

"GADOLINIUM FISSION" Abstract Painting 48" x 96" inch by Cameron Michel Michel has been an apprentice to established artists Matthew Barney (NY), Sterling Ruby (LA), and The Haas Br...