Wool Mixed Media

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Rain and Mountains by Javier Vicente Handwoven Zapotec Rug attached to a wooden wall hanger 56" x 32" Javier grew up in the town of Teotitlán in the state...

Original art by Alena Po. Hand-Woven Wool Tapestry "Pure Joy". This work was born in reflection on the simple joys of ordinary life. The addition of the thre...

Matis Zapoteco by Javier Vicente Handwoven Zapotec Wool Rug 62" x 31" Javier grew up in the town of Teotitlán in the state of Oaxaca, the son and grandson of a family of weavers. In the mid-nineties, when the economic problems and peso devaluation in Mexico caused very hard times all over the country, Javier left home alone and headed to the United States to earn money for his family. He knew no one there. He was fifteen years old. After making his way to Orange County, California, he found a job washing...

Original art by Alena Po. Hand-Woven Wool Tapestry "Vanilla Sky". This abstract thick yarn tapestry was born out of a desire to abstract away the negativi...

Dimensions board backing is 2 X 18.5 board opening is 16.5 X 13 inches 19th Century framed tapestry of a Rabbi, embroidered sampler, with beaded script below. (it reads J. Eger Oberlandes Rabbiner or Oberlander Rabbiner) There is some sort of texture and dimension to his fur hat (Shtreimel) and coat collar. This is being sold without the frame.. Rabbi Akiba Eger (5521-5598; 1761-1838) Rabbi Akiba Eger was one of the greatest scholars of his time, who had a great influence on Jewish life. He was born in Eisenstadt, Hungary, in the year 5521 (1761), nearly two hundred years ago. The city of his birth was a seat of learning for centuries, and his family was a family of scholars and Rabbis.Rabbi Akiba Eger, who was Rabbi in the famous community of Pressburg (also Hungary, but since 1913 it belonged to Czechoslovakia and was called Bratislava). He was invited to become Rabbi of the famous city of Posen, and in fact became the chief rabbi of the entire Posen province, though he did not carry that title. His famous son-in-law, Rabbi Moshe Sofer (known as the 'Chasam Sofer'), Rabbi of Pressburg, who had married Rabbi Akiba Eger's daughter. King Frederick III of Prussia honored him with a special medal. Rabbi Akiba Eger was recognized as a great authority on Jewish law, and many well known rabbis and Jewish leaders turned to him for advice and decisions on points of law. "This sort of art, craft work, emerges from a long tradition of Jewish folk art...

Meike Legler 'Snack Platter,' 2021 Linen, bleach, wool, polyester, buried bed sheet, vintage army tent, cotton fabric, velvet over stretched canvas 48 x 36 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “women’s work.” In 1918 Le Corbusier said, “There is a hierarchy in the arts: decorative art at the bottom and human form at the top. Because we are men”¹ Legler craftily subverts this notion by stitching together ideas and methodologies and powerfully placing herself within the spectrum of contemporary abstract painting. Originally trained as a clothing designer at Berlin’s Hochschule für Technik und Wirtschaft and Central St. Martins in London, Meike Legler uses fabrics and nimble sewing machine skills to create abstract paintings, stretched like canvas over wooden stretcher bars. When she moved to Los Angeles in 2016 her paintings became more complex, with wilder ideas and influences, and she started integrating materials like automotive tarps and faux fur into her elaborate constructions. ━━━━━━━━━━━━━━━━ - BIOGRAPHY - Meike Legler has exhibited at galleries and institutions in the Los Angeles area and internationally, including Art Movement LA, Los Angeles; Stella Ripley Contemporary, Québec, Canada; E.P. & L.P., West Hollywood; Claremont Graduate University, Claremont, CA; Nous Tous, Los Angeles; and Art House LA, Pacific Palisades. Her solo exhibitions include shows at The Voyager, Los Angeles; LADIES ROOM, Los Angeles; Soho House...

Original art by Alena Po. Hand-Woven Wool Tapestry "Bird of Peace". The work was born at a time of personal loss and the outbreak of war. The combinati...

Meike Legler 'Relapse,' 2021 Polyester, cotton, linen, wool, velvet and bleach over stretched canvas 16 x 20 inches Meike Legler’s works are a bold post-feminist reframing of sewn o...

Meike Legler 'Jewels Of Life,' 2021 Cotton fabrics, linen, wool and bleach over stretched canvas 48 x 36 inches Meike Legler’s works are a bold post-feminist reframing of sewn objects, recontextualized far beyond “women’s work.” In 1918 Le Corbusier said, “There is a hierarchy in the arts: decorative art at the bottom and human form at the top. Because we are men”¹ Legler craftily subverts this notion by stitching together ideas and methodologies and powerfully placing herself within the spectrum of contemporary abstract painting. Originally trained as a clothing designer at Berlin’s Hochschule für Technik und Wirtschaft and Central St. Martins in London, Meike Legler uses fabrics and nimble sewing machine skills to create abstract paintings, stretched like canvas over wooden stretcher bars. When she moved to Los Angeles in 2016 her paintings became more complex, with wilder ideas and influences, and she started integrating materials like automotive tarps and faux fur into her elaborate constructions. ━━━━━━━━━━━━━━━━ - BIOGRAPHY - Meike Legler has exhibited at galleries and institutions in the Los Angeles area and internationally, including Art Movement LA, Los Angeles; Stella Ripley Contemporary, Québec, Canada; E.P. & L.P., West Hollywood; Claremont Graduate University, Claremont, CA; Nous Tous, Los Angeles; and Art House LA, Pacific Palisades. Her solo exhibitions include shows at The Voyager, Los Angeles; LADIES ROOM, Los Angeles; Soho House...

Meike Legler 'Mater,' 2021 Cotton fabrics, velvet, laquer, pigments, glue, wool blend, bleach and buried bed sheet over stretched canvas 48 x 36 inches Meike Legler’s works are a bo...

Meike Legler 'Transcendence,' 2021 Cotton fabrics, velvet, polyester, wool, bleach and buried bed sheet over stretched canvas 39.25 x 31.5 inches Meike Legler’s works are a bold pos...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a deep, colorful palette with layers of w...

Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished with gilt fabric accents. Hand made and hand embroidered. This had a paper artists label but it has since become detached. Overall image resembles a colorful pop art sunset over ocean waters. Hanging cords in various fabrics, colors and textures. Her work bears the influence of Sheila Hicks and bears similarities to Latin American, Colombian textile artists Olga de Amaral and Stella Bernal. Hand made, hand woven felt and wool spectacular textile wall hanging fabric sculpture by Miami woman artist Marlene Richard. It consists of long hanging pods...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It features layers of woven yarn in varying colo...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Claudia Doring-Baez, "Kubrick Kidman Scarf", 2021, Cashmere/Modal blend, 26 x 71 in. Beautiful scarves created by artist Claudia Doring-Baez with her paintings printed on high quali...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a warm, muted palette with layers of wove...

This hand-woven fiber art wall hanging by Dolores Tema is made with light white and cream-toned cotton and Alpaca and Merino wool. The weaving hangs from a clear acrylic rod, suspend...

This hand-woven fiber art wall hanging by Dolores Tema is made with cotton and Alpaca and Merino wool. It has a deep, earthy palette with layers of wov...

Tracey Emin Always Me (Hand signed and dated by Tracey Emin), 2004-2016 Limited edition two-sided hand bag of printed cotton canvas, leather trimmings and wool felt patchwork. Uniquely hand signed and dated by Tracey Emin in black marker 10 × 18 1/4 × 8 1/4 inches Hand signed and dated in black marker by Tracey Emin; also bears plate signature Produced by Tracey Emin in collaboration with Longchamp If you're looking for a special Tracey Emin gift that nobody you know has, and that you are unlikely to find anywhere else in the world - this is it. Tracey Emin has been internationally acclaimed for her textile work, so it is not surprising that the company Longchamp would have commissioned her to design a bespoke handbag for them. This is the only Tracey Emin Longchamp bag...

Pablo Picasso Le Baiser, 1979/1980 Wool Tapestry Edition of 20 190 x 140 cm (74.8 x 55.1 in.) Limited edition of 20 Textile Arts Excellent Condition Knotted signature ‘Picasso’ on t...

Robert Indiana Classic Love, 1995 Hand Woven Wool Tapestry 182.5 × 182 cm (71.9 × 71.7 in) Signed and numbered on label Edition of 150 In excellent condition Provenance: acquired from publisher Accompanied by certificate of authenticity With this particular four-letter arrangement of L.O.V.E, Robert Indiana has created an image so powerful that it has been adopted all over the world. A pop image, with its mix of the top and bottom lines is now presented in the form of the hand-woven wool tapestry. MoMA historian Deborah Wye has said that "[T]he word love was connected to Indiana´s childhood experiences attending a Christian Science...

Acrylic wool, handmade, tufted rug. “Insomnia” is a wild rug of hand-tufted acrylic wool. This non-rectangular piece creates another in/side/out/side scene. ...

Structure #11 acrylic on wool. Hand signed and titled on verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Cerami...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Materials: Wool Merino, Drenth Heath, Raw Silks, Cotton Gauze Jongstra embraces the full potential of life on earth by benefitting from the wonderful material of sheep wool and by distilling her own colour palette using ancient dyers crops and almost lost handcraft skills. At the same time she is incessantly striving to enhance biodiversity, to safeguard cultural heritage and to transfer secret knowledge to younger generations. In 2022, the year that activist Claudy Jongstra launches two new essential initiatives as part of her ongoing mission - the nomadic Guernica de la Ecologia and the foundation of the Phi School - her most recent art pieces seem to want to express a new urgency. The electrifying pink of Fuchsia Hybrida...

Abstract #5 acrylic on wool. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the school of Sculpture and Ceramics in Mendoza, Calman Shemi was a stu...

From Mehbaran : Notes' is an elegant wool embossed shag rug. It is a part of the Design Rhymes Collection which pulls inspiration from different aspects of architecture. Don't let th...

Materials: Drenthe heath, merino, silk, mohair, cotton pigments: walnut, cochineal, onion, madder Created with Claudy Jongstra’s signature Drenthe Heath Sheep wool and dyed in a sub...

Materials: Wool Merino, Drenth Heath, Raw Silks, Cotton Gauze Jongstra embraces the full potential of life on earth by benefitting from the wonderful material of sheep wool and by distilling her own colour palette using ancient dyers crops and almost lost handcraft skills. At the same time she is incessantly striving to enhance biodiversity, to safeguard cultural heritage and to transfer secret knowledge to younger generations. In 2022, the year that activist Claudy Jongstra launches two new essential initiatives as part of her ongoing mission - the nomadic Guernica de la Ecologia and the foundation of the Phi School - her most recent art pieces seem to want to express a new urgency. The electrifying pink of Fuchsia Hybrida...

This depicts King David playing the harp, along with a verse in Hebrew from the Psalms. all made by hand. woven and stitched. Vintage, original piece. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel...

Material: Drenthe heath, merino, silk, mohair, cotton pigments: walnut, cochineal, onion, madder Created with Claudy Jongstra’s signature Drenthe Heath Sheep wool and dyed in a subt...

Materials: Drenthe heath, merino, silk, mohair, cotton pigments: walnut, cochineal, onion, madder Created with Claudy Jongstra’s signature Drenthe Heath Sheep wool and dyed in a sub...

"Juggling" is a mixed media sculpture by Eva Maier. The piece is 10 inches tall, 8 inches wide, and 2 inches in depth. It is made from porcelain, cotton thread (dyed with turmeric), ...

Rachel Denny's work is an exploration of the seductive beauty of our natural world and the imprint that human intervention has made on its flora and fauna...

Materials: Wool Merino, Drenth Heath, Raw Silks, Cotton Gauze Jongstra embraces the full potential of life on earth by benefitting from the wonderful material of sheep wool and by distilling her own colour palette using ancient dyers crops and almost lost handcraft skills. At the same time she is incessantly striving to enhance biodiversity, to safeguard cultural heritage and to transfer secret knowledge to younger generations. In 2022, the year that activist Claudy Jongstra launches two new essential initiatives as part of her ongoing mission - the nomadic Guernica de la Ecologia and the foundation of the Phi School - her most recent art pieces seem to want to express a new urgency. The electrifying pink of Fuchsia Hybrida...

Mychaelyn Michalec is a textile artist and painter working in Dayton, OH. Her work depicts the private, awkward, and mundane moments of family life through a medium traditionally ass...

Materials: Drenthe Heath and merino wool, mohair, silk, cotton and linen, naturally-dyed with organic pigments including madder, cochineal, logwood, St John’s wort and walnut. The panels are hung with oak bark tanned leather strips in steel frames. After three years of traveling and manifesting itself the time has come to say goodbye to Woven Skin in its original form as an art installation and nomadic forum consisting of 60 hanging panels to be placed together in changing constellations and harboring essential global dialogue. Jongstra’s urgent message demanding attention for topics concerning ecology, colour and community will be continued in a new work of art and concept that will be revealed at the end of 2021. Galerie Fontana...

Material: Drenth Heath Wool, Raw Silks, Merino, Silk Organza Jongstra embraces the full potential of life on earth by benefitting from the wonderful material of sheep wool and by distilling her own colour palette using ancient dyers crops and almost lost handcraft skills. At the same time she is incessantly striving to enhance biodiversity, to safeguard cultural heritage and to transfer secret knowledge to younger generations. In 2022, the year that activist Claudy Jongstra launches two new essential initiatives as part of her ongoing mission - the nomadic Guernica de la Ecologia and the foundation of the Phi School - her most recent art pieces seem to want to express a new urgency. The electrifying pink of Fuchsia Hybrida...

Materials: Drenth Heath, Raw Silks, Merino, Silk Organza Claudy Jongstra is known worldwide for her monumental artworks and architectural installations, whose organic surfaces and n...

Materials: Drenth Heath, Raw Silks, Merino, Siks Organza Claudy Jongstra is known worldwide for her monumental artworks and architectural installations, whose organic surfaces and n...

Materials: Drenthe Heath and merino wool, mohair, silk, cotton and linen, naturally-dyed with organic pigments including madder, cochineal, logwood, St John’s wort and walnut. The panels are hung with oak bark tanned leather strips in steel frames. After three years of traveling and manifesting itself the time has come to say goodbye to Woven Skin in its original form as an art installation and nomadic forum consisting of 60 hanging panels to be placed together in changing constellations and harboring essential global dialogue. Jongstra’s urgent message demanding attention for topics concerning ecology, colour and community will be continued in a new work of art and concept that will be revealed at the end of 2021. Galerie Fontana...

Materials: Drenthe heath, merino, silk, mohair pigments: madder, walnut, cochineal, indigo Claudy Jongstra is known worldwide for her monumental artworks and architectural installat...

Materials: Drenthe Heath and merino wool, mohair, silk, cotton and linen, naturally-dyed with organic pigments including madder, cochineal, logwood, St John’s wort and walnut. The panels are hung with oak bark tanned leather strips in steel frames. After three years of traveling and manifesting itself the time has come to say goodbye to Woven Skin in its original form as an art installation and nomadic forum consisting of 60 hanging panels to be placed together in changing constellations and harboring essential global dialogue. Jongstra’s urgent message demanding attention for topics concerning ecology, colour and community will be continued in a new work of art and concept that will be revealed at the end of 2021. Galerie Fontana...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around...

"Chupacabra Eaten by a Bear" is a mixed media work on paper by Kathryn Hunter. The piece is 9 inches high and 7 inches wide. With the included frame, "Chupacabra Eaten by a Bear" is ...

Mixed media composite (oil, coffee and gouache) on white BFK Rives Printmaking Paper. The circles are hand-cut and shaped to reveal the underside of the paper, as well as the bottom ...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

Old constructs finally breaking down, 2020 Contemporary Textile Artwork Wool rowing, silk, Michigan wool, Japanese Cotton 24x24in Signed and dated

100% superfine cashmere 50.98 x 70.98 in (129.5 x 180.3 cm) Edition of 80. Sold in 'as new' / unused condition and in original packaging (as issued). Sold unframed.

Iqi Qoror's surreal figurative paintings are arresting in their earthy palettes offset by pops of fluorescent textile embroidery. His artworks revolve around questions of trust, inte...

Extensions of rope, impeccably wrapped, woven, tied and embellished with recycled beads, zip ties, ribbon, lace, tape and beads lure you into a hue-imbued, installation symbolizing n...

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors ...