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Marcello Fantoni (Italian, 1915-2011) Faces Vase Ceramic Signed on bottom 10.5 x 5.5 x 6 inches Marcello Fantoni was an Italian sculptor, ceramicist, metalworker, multi-media artist...

Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, 1983: RARE historic Basquiat announcement card published on the occasion of: Jean- Michel Basquiat. Larry Gagosian Gallery, Los ...

Visible, 130x80 cm, oil, acrylic, coal, canvas

Love, 120x100 cm, oil, acrylic, coal, canvas

The 1975 first American edition published by Leon Amiel in New York from the XXieme Siècle Review is a meticulously crafted volume that showcases a wide range of modern and contempor...

H. Lawrence Hoffman (American, 1911-1977) Inhale Exhale, 1969 Monoprint Sight: 19 x 15 in. Framed: 27 1/2 x 23 1/4 x 3/4 in. Signed and dated lower right, title inscribed verso H. Lawrence Hoffman (23 October 1911 – 20 January 1977) was a commercial book jacket designer, illustrator,calligrapher and painter who worked in New York City. He illustrated book covers for over 25 publishing companies, including Alfred A Knopf, Pocket Books, Popular Library, Macmillan, Simon & Schuster, The Viking Press, and Random House. Over the course of his career, he illustrated over 600 book jacket covers. Hoffman graduated from the Rhode Island School of Design (RISD) in 1934 and then completed two years of post graduate study in Commercial Art from RISD. He moved to New York City with the $200 he was awarded for winning a competition to design a coin for the 1936 300 year Rhode Island Tercentennial. He began his career as an Art Director at the A.M. Sneider Advertising Company (1938–1941) and at Immerman Art Studios (1941–?). After leaving Immerman, he worked as a free-lance artist and book illustrator for the remainder of his career. He also taught illustration and lettering at The Cooper Union (1960-1967) and was a Professor of Art at C.W. Post University (1967–1976). Hoffman began his career doing drawings for the pulp magazine, "Thrilling Mystery Magazine...

"Close my eyes with rose petals"

Untitled , 100x75cm, acrylic, canvas

Large abstract painting using acrylic markers and acrylic paint. Painting will be shipped rolled. :: Painting :: Abstract Expressionism :: This piece comes with an official certifica...

Composition with a dragonfly, 90x70 cm, acrylic on canvas

Shells, 100x70cm, acrylic on canvas

Michael and Magdalena Suarez Frimkess Ginger jar c. 1997 glazed earthenware 6½ h × 4½ dia in (17 × 11 cm) signed and stamped on the bottom with "MF"

KAWS X BE@RBRICK BWWT 400%, 2005 Karimoku wood Edition of 400 Size 27.3 × 12.7 × 8.9 cm Incised on the reverse 'MEDICOM TOY / LIFE ENTERTAINMENT / JAPAN / ©KAWS..05' Produced by Medi...

Artist Comments
Complementary colors take center stage in this still life. Purple plums rest in a yellow bowl, creating an immediate impact of bright hues. Above, a brightly ...

Alma Prism stands at the intersection of art and ethics, creating geometric abstraction designs that are as responsible as they are beautiful. Through our collaboration with skilled ...

Wolf and Crow Guard, 118х 84 cm, acrylic on pay

Jean-Michel Basquiat Spray Paint Cans 2017: Limited Edition Jean-Michel Basquiat spray paint cans (set of 2), published circa 2017 featuring the Estate trademark of Jean-Michel Basq...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Lady Dior, 130x100cm, acrylic on canvas

Pure emotion and energy are reflected in this work. The powerful strokes and the high-contrast use of acrylic colors create a dynamic composition. It invites you to let the figurativ...

New life, 100x80 cm, acrylic on canvas

Untitled , 150x100 cm, acrylic, pastel, canvas

Idle chatter, 2021, 78x54 cm

Horse hair and cotton Dutch artist Marian Bijlenga's work has exhibited and received awards at venues worldwide. Rather than drawing on paper, Bijlenga draws in space, using textile...

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

series "Personal Contacts", 61 x 48 cm The work is sold without a frame and mat

Tamara de Lempicka (1894-1980) - Saint Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

Artist Comments
"Every spring I get inspired by spectacular blooming magnolias," shares artist Oksana Johnson. "This time, I arranged contrasting white and dark maroon blosso...

Stranger, 100x120cm, acrylic on canvas

The McGuires have created a body of work inspired by the seedy, shady underworld of Film Noir. Inhabited by gritty gangsters and femme fatales these characters come alive within a se...

Artist Comments
The sky and clouds can be unpredictable, offering no certain forecast for the weather ahead. A gathering of dark clouds may hint at rain or a refreshing cooln...

Produced by the Broad Museum in collaboration with Yayoi Kusama - long sold out The Broad x Yayoi Kusama With All My Flowering Heart (Triptych), 2014 Set of Three (3) Separate Limite...

Artist Comments
This painting is part of Suren Nersisyan's series of California landscapes focusing on the nature and stunning light around Los Angeles. He draws inspiration ...

Artist Comments
Light slowly filters through branches and leaves as the sun gradually rises. "It was early morning, the birds were singing, the light falling on the road was ...

Color offset lithograph. Signed and numbered by hand. Edition: 180. In good condition, minimal storage traces. A beautiful artwork that looks good in every room and especially in...

Cleansed, 2018

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

Put On A Red Dress And Make Yourself A Drink - This dress painting features an interplay of paint and lace textile with an outcome both expressive and ref...

70x50cm

Artist Comments
I love tall birch trees, especially when their big leaves swing and shine under the late evening light. This painting is on gallery...

Artist Comments
In his signature style, artist Warren Keating draws inspiration from a character he saw on a Santa Fe Plaza restaurant balcony. Using perspective and textural...

LeRoy Neiman, American (1921 - 2012) - Olympic Jumper, Year: 1989, Medium: Tapestry, signed and dated, Size: 84 x 60 in. (213.36 x 152.4 cm)

Frank Stella's Moby-Dick: Words and Shapes (Hand signed and inscribed), 2000 Elegant, beautifully illustrated hardback monograph with dust jacket Hand signed, dated and inscribed by Frank Stella 10 1/4 × 8 3/4 × 1 1/4 inches Ink Inscription reads: for Ed & Rochelle Frank Stella '02 Book info: Published by The University of Michigan Press, 2000 Hardcover; 326 pages Publisher's Synopsis: One of the world's leading painters and printmakers, the artist Frank Stella spent over a decade creating a huge series of works linked with Herman Melville's classic novel Moby-Dick. The completed series consists of more than 135 pieces: large metal reliefs...

Sold exclusively at Beyond The Streets New York, in-Store only. "The Cut it Up - Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto k...

First edition of this rare and important work by the spanish Abbot Vincente Requeno (1743-1811) on the importance of hand signs and positions in communications. Dedication of the Ed...

Walasse Ting 丁雄泉 Chinese Moonlight (signed, dated and inscribed by Walasse Ting), 1967 Illustrated Softback monograph with four original double-page litho...

KAWS Clean Slate - set of 2 (Grey & Black version), new & unopened in its original packaging. Sold Out versions after the artist's retrospect exhibiti...

Twentieth Century Traditional style Figurative Portrait Oil Painting on Canvas of Lady in a Victorian Dress. Beautiful Model in a white Victorian Gown wearing elegant gloves and looking pensive. Beautifully modelled and featuring Helen as the model who worked with the artist in the late 1980's. RENE JEROME LEGRAND British born 1953 Rene Legrand...

Be yourself, 110x90cm, oil on canvas

In the arms of summer, 100x90cm, oil on canvas

La Bella Attrice, 2018 Graphite and White Chalk on Toned Paper, 7.75 x 5.5 inches Exemplifying the essence of Renaissance poise, La Bella Attrice showcases Justas Varpucanskis’s e...

2021, 110x88 cm

Lithographic poster with a yellow silk screen overlay on 170gsm paper. Released by CIRCA in 2021. Limited edition of 3,000 prints. 89.4 x 25.4 cm. The print comes with a stamped dat...

Original poster: Food and the War! American wheat to win! Rare and very seldom seen original World War 1 authentic vintage poster. Archi...

"Seize the Moment", 60x40cm, acrylic, pastel, canvas

KAWS SEPARATED COMPANION: New & unopened in its original packaging: This highly collectible grey KAWS SEPARATED figure is derived from the Brooklyn based artist’s larger scale sculpt...

Artist Comments
A white chicken with a quirky stack of objects on its head balances on a unicycle. The pile includes a coffee cup, a potted plant, an egg, a toy truck, books,...

Series "Shells", 42 x 30 cm The work is sold without a frame and mat

Collection: Unsigned and marked with a unique reference number on the underside. New although some imperfections may exist given the nature of the material. Sold with the original receipt from WOH. About: Miniature concrete souvenir sculpture, hand painted by local artists Open edition. The Souvenir Wall Section consists of a mini stretch of separation wall decorated with recreations of well-loved graffiti. Lovingly hand painted by local craftspeople. Made from enhanced polymer resin on a stone plinth extracted from the dividing wall. Graffiti artist Banksy...

North African Maghribi Manuscript Leaf Gold Illumination, c.15th Century North African, c. 15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm Prod...