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CB Hoyo’s irreverent multidisciplinary practice—which spans painting, sculpture, and installation—approaches art-world fraud, forgery, and hype with a sense of humor. The self-taught...

series "Shells", 70x50 cm, acrylic on cardboard The work is sold without a frame and mat

David Rankin American (b. 1946) Untitled (Black on gray) (1990) Gouache and charcoal on paper signed lower left 19 x 15 inches Rankin is a New York-based, British-born Australian p...

Blue still life , 62x43cm, print on canvas.Edition 20 pcs. A different print size can be made upon request.

#31, 120x80 cm, acrylic, pastel, canvas

Please note that insitu images are purely an indication of how a piece may look Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic an...

KAWS CHUM Companion 2022 (black): Published by KAWS to commemorate the 20th anniversary of his famed KAWS’ Chum character; "I can remember clearly packing and shipping the first CHUM...

From the Peace Portfolio I. Color litho on Rives BFK. Signed, numbered (50/175), dated in pencil in lower right corner. Blind stamp lower right. Printed by Solomon and Company, New ...

Shattered

Chhotu Lal - Untitled, 10.25 x 14 inches Gouache and Gold on Acid Free Paper, 2020 ** Shipped in roll form. Born in 1957, Chhotu lal is an acclaimed artist ba...

Artist Comments
While driving west on Bahia Vista Road in Florida, artist Benjamin Thomas, his wife, and their dog, Gaia, noticed the sky turning into a breathtaking display...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

100x70cm, oil\canvas

Cultured South Sea Pearl Shape: Round Luster: Excellent Color: White with ever so slight silver overtone Clean surface grade The pearl necklace is rope length, 50 inches from clasp t...

Albrecht Dürer 1471-1528 German The Penance of St. Chrysostom Monogrammed in the plate lower center "AD" Copper engraving on laid paper “Whatever was mortal in Albrecht Dürer li...

KAWS SEPARATED & KAWS Holiday Changbai (set of 2 works): These highly collectible KAWS SEPARATED and KAWS HOLIDAY Changbai figures are derived from the Brooklyn based artist’s larger...

Holland Cunningham 1967 - Current Doppio, 2026 Oil on board 25.4 x 25.4 cm 10 x 10 in

Jenny Lock b. 1949 Sunday Afternoon, 2024 oil on canvas 75 x 60 cm 29 1/2 x 23 5/8 in signed and dated verso Jenny Lock came to painting later in life and the fresh relationship wit...

Artist Comments
Bold strokes capture a partially nude woman against a deep, muted background. Artist Judy Mackey uses minimal detail, intentionally leaving the face blank to ...

"Angel of Hope and Strength" Silkscreen Print by Obey Giant Artist: Shepard Fairey Year: 2020 Dimensions: 18" x 24" Edition Size of 550 prints Print Details: Signed and numbered by S...

KAWS Companion 2016, Complete Set of 8 works. Each new and sealed in original packaging. Published by Medicom Japan in conjunction with the exhibition, KAWS: Where The End Starts at ...

Sleeping, 70x47cm, print on canvas.Edition 20 pcs.

Sleeping, 70x47cm, print on canvas.Edition 20 pcs.

Etching (Reproduction). Measures 20 x 16 inches and is framed. The piece is in Very Good Condition.

Jean Michel Basquiat: Paintings: Akira Ikeda Gallery, 1985: Rare sought-after Basquiat exhibition catalog from 1985 published by Akira Ikeda Galler...

Bearbrick x Andy Warhol Foundation "Marilyn" 400% Vinyl Figure (set of two: 400% + 100%): Andy Warhol (after) Marilyn figure trademarked & licensed by the Estate of Andy Warhol. The ...

This 27.5" x 21.5" acrylic on canvas work by Iranian-born, Oklahoma-based artist Nasim Nekubakht is inspired by the iconic c. 1665 "Girl with a Pearl Earring" oil painting by Johanne...

Jane Dickson New York 1985: A rare 1980s announcement card published on the occasion of: "Works on Paper 1983-1984" at Brooke Alexander, Inc. from December 11, 1984 - January 12, 19...

Nick Thomm 'After Dark' (Blue) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #106 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NEW...

Sold exclusively at Beyond The Streets New York, in-Store only. "The Cut it Up - Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto k...

KAWS CHUM Companion 2022: set of 5 works: This complete set of 5 KAWS CHUM Companions, was published by KAWS to commemorate the 20th anniversary of his famed Chum character; "I can r...

Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931. Publis...

Antique North African Manuscript Leaf Maghribi Script 14th Century North African, c. 14th Century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm This fin...

Artist Comments
A woman pours tea from a shiny metal teapot into a delicate cup. The rich, warm liquid cascades smoothly. The composition reflects a routine that demands slow...

Artist Comments
This still-life painting depicts two red roses in a vase. The rich hues of the flowers stand out against the transparent glass and subdued background. The simple impressionistic rendering of the elements imparts a sense of stillness to the composition.

About the Artist
Artist Carey Parks paints impressionist scenes of everyday life that imbue a sense of nostalgia reminiscent of a family album. By observing how her subjects navigate their way and relate to each other, Carey seizes the moment they are randomly connected, even so briefly. "My goal is to capture the character and personalities of the individuals in a scene, as well as the surroundings as a whole," shares Carey. Positive in her artistry, she completed her undergraduate degrees in Fine Art and Zoology from UC Santa Barbara, then finished with a Master's in Art. When producing her paintings, she frequently mixes paint directly on the canvas to create intriguing color palettes. She carries out her creativity in her home studio, an organized space that helps her minimize any distractions. Carey also teaches as an adjunct professor of art during the school year. She enjoys running, hiking, and relaxing at the beach during her free time. Her esteemed work has been profiled in American Artist Magazine and numerous local publications.

Words that describe this painting: flower, rose, stem, vase, glass, floral...

POST NO BILLS launches with a unique ten-year retrospective from the acclaimed Brooklyn-based artist collaborative− FAILE. Recognized for their bold graphic imagery gracing street, ...

This is a signed, Limited Edition Giclée print of the original painting by Harriet Hoult. The print is on a high grade, cold press rough textured, hand torn art paper. Harriet Hoult...

Artist Comments
The artwork offers a glimpse of a peaceful summer day at the beach. The tranquil sea stretches into the distance, while the sandy, pink shore gradually transi...

A beautiful and extremely rare Italian frame in the Neoclassical Empire style. It features two extremely elegant rows of carvings running the entire length of the frame, whilst the s...

32 x 8 inches (81.3 x 20.3 cm) from an Edition of 50, unnumbered. Produced by Beyond the Streets, Los Angeles. Deck is in good condition, in the plastic, and has been stored flat si...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of suppo...

35 exceedingly rare 19th century US Private Offices postage stamps collected by our grandfather George Cary of Buffalo, N.Y. related to the Postmaster Gen Wilson S Bissell (1893-1895...

KAWS Monsters (set of 2 works): A highly collectible & super decorative set of KAWS art toys, featuring the famed cereal characters: Frankenberry & Count Chocula. A playful exploration of KAWS’s love for these timeless pop cultural characters featuring his signature motifs. Each new / never displayed; accompanied by full original packaging. Medium: Vinyl art toys; set of 2 individual works. Approximate dimensions of each individual work: 11.4 × 6.3 inches. New in original packaging. Published by the artist from a sold out edition of unknown. Further background: “Inspired by classic horror film characters, the Monster Cereals...

Marie Kash-Weltzheimer is an Oklahoma-based representational artist who finds inspiration in the beauty of everyday life, the natural world, and music and pop culture. This work by K...

This 50.25" x 37" oil paint on birch wood panel work by Oklahoma-based artist April Dawes depicts a woman, contemplative in her body language, with her eyes cast to the ground as the...

Quiet Please was developed through an intuitive process of layering and expressive mark-making. Marksbury’s paintings explore ideas of time and space, the...

[320] pp. The Jockeys' Association of Great Britain 1973 First Edition 12" x 8 1/2" A pictorial dictionary of racing colours; as much a work of graphic art as a reference book. ...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

Edition of 345 copies including an original etching on frontispiece and 10 original lithographs by Maurice de Vlaminck. Copy on Vélin d'Arches. Original editorial soft cover. Copy i...

Edition of 325 copies including 4 full-page lithographs and 10 smaller woodcuts by Maurice De Vlaminck. This copy is one on 300 on papier pur fil Lafuma-Navarre. Superb copy in perfe...

Edition of 649 copies including 15 original full page woodcuts in medioeval style, by the french illustrator René Ben Sussan (1895-1988), coloured by Edmond Vairel. Preface by Robert...

Edition of 670 copies. Copy number 528 of 500 copies on Rives paper. Includes numerous original drypoints by Paul Emile Bécat in perfect conditions. Gilt up edge. Half leather and ma...

Edition of 600 copies including  25 colored etchings out of the text by Sylvain Sauvage Bound on an elegant beige leather and yellow cardboard.  Spine with 6 nerves, with name of a...

Edition of 1200 copies. Copy on Velin Chiffon de Lana paper.  French literary work in two volumes, including  original coloured illustrations by Raoul Serres .  First Volume pp. 271,...

Edition of 101 copies plus 10 out of commerce on Japon Nacré including coloured illustrations by A. Latour. Copy in perfect conditions and uncut. Copy printed for the Countess Anna L...

Bearbrick x Estate of Jean-Michel Basquiat and Andy Warhol Foundation 1000% Figures: Set of three works: Unique, timeless collectibles trademarked & licensed by the Estate of Jean-Mi...

The colorful abstract artworks of Romanian artist Alex Voinea are inspired by experiments with paint poured over vibrating surfaces, such as speakers at full volume. Alex Voinea coll...

Brush and black and gray inks and wash on cream wove paper. Signed by the artist in pencil, lower center. Titled in pencil, lower right. Inscribed with the artist's name and addre...

Wrapped Statues/West Germany Christo (Bulgarian, 1935-2020) Mixed Media Hand-signed lower right Numbered PP 1/10 lower left 35 x 27 inches 39.25 x 31.2...