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work contains elements that pay homage to the technique and skillful touches of the old masters, mixed with abstract expressionism and color field painting of contemporary names. :: ...

Artist Comments
One sunny afternoon, artist Elizabeth Garat came across this charming town from Frances Mayes' beloved book. This artwork captures that moment. Roses bloom un...

Real Life in London is an original couple of books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1821...

UNDERDRESSED - This ethereal dress painting, created in a loose, semi-abstract and intuitive style, embraces a minimalistic ambience. Tone on tone textures are layered with paint and...

Once again Berlin gifts us a different aspect of his art. Within Cascade he is able to echo and reference simultaneously several of the Great Masters and also include his own unique ...

Beautiful hand woven tapestry by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. It measures about 32.5 X 27.5 inches It is signed with initials. This is similar to an Aubusson style flat weave hand woven wool tapestry. This is most probably from the George Goldstein Atelier in Jerusalem. (Originally known as Nazareth Tapestries) They produced genuine handmade Gobelin tapestries in Israel). This does not bear a label. In 1964 the first French style weaving studio was inaugurated in Israel, in the new city of Nazareth Ilit. With the encouragement of master Jean Lurcat, woven upon several contemporary masters’ original sketches, such as Jean Lurcat, Hans Hartung, Adolph Gottlieb, Karel Appel, Yaacov Agam, Mordecai Ardon, Reuven Rubin, Danny Caravan, and more. Some of these tapestries encountered their moments of glory during the international exhibitions, such as in the Museum of Modern Art (NY), “Expo Montreal” (Canada), Biennale of Lausanne (Switzerland), and others. In 1967, after the Six-Day War, Nazareth’s workshop closed its doors and returned to Jerusalem where he opened a new studio with a young team made up of eighteen artisans, dedicating their work more specifically towards Israeli artists. The tapestries are woven upon the original sketches of Yohanan Simon, Naftali Bezem. They can be seen hanging on the wall of the Israeli President’s residence, the Yeshiva University of New York, the University of Haifa, New York Bank Discount, as 60-square meter tapestries for the Shaare Zedek Medical Center, Jerusalem, and in ceremonial art. Tapestries for Parochet and Torah mantles are seen in Washington, Bet-El Springfield, Babson College, Boston, Bet-El Univ. Andover, Bet-El Highland Park and the Strasbourg Great Synagogue in France. Along with Itche Mambush in EIn Hod these were the fine, Gobelin style modern art tapestry...

Richard Serra Early Work (Hand signed and dated by Richard Serra), 2013 Hardback monograph with no dust jacket as issued (Hand signed and dated 2014 by Richard Serra) Hand signed and dated 2014 by Richard Serra on the title page 12 × 10 × 1 3/5 inches Provenance The artist signed the work for the present owner at a special 2014 event with Hal Foster...

Nordic Beauty I

Easy Money

Caretaker, 90x70 cm, acrylic on canvas

Error, 70x50 cm, acrylic on canvas

Scaffolding in Red

Lineage Unframed price listed

This traditional Hawaiian oil painting on stretched canvas evokes a cherished time and place, capturing the spirit and beauty of the islands. ::...

Venice Biennale - International art exhibition is a catalogue of venice Biennale, 1972.  Second Edition, 18 July, 1972. Venice printing house, 1972.  Good conditions. ury he conce...

JUST BREATHE is an impressionistic style landscape painting combining intricate floral detail with intuitive abstract brush work. Delicate collage flowers hand cut from textile and p...

What animal do you associate with Christmas? I'm not saying I associate a rat with Christmas. I just have a different association. For me, a rat can be a symbol of Christmas, just ...

Small abstract paper collage in teal and white by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique...

The woman on my painting is enjoying a portrait of Brigitte Bardot by Andy Warhol. The portrait is not just a portrait of Brigitte Bardot, but it also explores themes of fame, celebr...

Blue Horizon, 100x70 cm, oil, canvas

Mosaic realized by Tommaso Cascella in 1990s. Mounted on a wooden panel. Excellent condition.

#31, 120x80 cm, acrylic, pastel, canvas

Green Loch, 2020

Untitled , 150x100 cm, acrylic, pastel, canvas

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Untitled , 150x100 cm, acrylic, pastel, canvas

Untitled , 120x80 cm, acrylic, pastel, canvas

In the cake, 150x80cm, Watercolor, paper, pencil

Richard Serra Richard Serra Drawing: A Retrospective (hand signed by Richard Serra), 2011 Hardback monograph with dust jacket (hand signed by Richard Serra) Hand signed by Richard Serra on the title page 12 × 10 × 1 1/2 inches Provenance Strand bookshop New York, official signed copy (see cover) This is the official signed copy from Strand bookshop, NY. bearing the "Signed Copy" stamp on the cover. Makes a superb gift! Published on the occasion of these exhibitions: The Metropolitan Museum of Art(04/11/11-08/28/11) San Francisco Museum of Modern Art (10/15/11-01/16/12) The Menil Collection (03/02/12–06/10/12) Book information: Published by Yale University Press, CO, and The Menil Collection, Houston. English; Hardback; 232 pages with 160 quadratone illustrations Publisher's blurb: As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. More about Richard Serra: Obsession is what it comes down to. It is difficult to think without obsession, and it is impossible to create something without a foundation that is rigorous, incontrovertible, and, in fact, to some degree repetitive. Repetition is the ritual of obsession. Repetition is a way to jumpstart the indecision of beginning. To persevere and to begin over and over again is to continue the obsession with work. Work comes out of work. In order to work you must already be working. —Richard Serra One of the most significant artists of his generation, he has produced large-scale, site-specific sculptures for architectural, urban, and landscape settings spanning the globe, from Iceland to New Zealand. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Serra attended the University of California, Berkeley before transferring to the University of California, Santa Barbara graduating with a BA in English literature; he then studied painting at Yale University, New Haven, Connecticut completing both a BFA and MFA. He began showing with Leo Castelli in 1968, and his first solo exhibition in New York was held at the Leo Castelli Warehouse the following year. His first solo museum exhibition was held at the Pasadena Art Museum, California, in 1970. Serra’s sculptures and drawings have been celebrated with two retrospectives at the Museum of Modern Art, New York, twenty years apart: Richard Serra/Sculpture (1986) and Richard Serra Sculpture: Forty Years (2007). He has had solo exhibitions at the Stedelijk Museum, Amsterdam (1977–78); Kunsthalle Tübingen, Germany (1978); Staatliche Kunsthalle Baden-Baden, Germany (1978); Museum Boijmans Van Beuningen, Rotterdam, Netherlands (1980, 2014, and 2017); Centre Pompidou, Paris (1983–84); Museum Haus Lange, Krefeld, Germany (1985); Louisiana Museum, Humlebæk, Denmark (1986); Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany (1987); Städtische Galerie im Lenbachhaus, Munich (1987); Stedelijk Van Abbemuseum, Eindhoven, Netherlands (1988); Bonnefantenmuseum, Maastricht, Netherlands (1990); Kunsthaus Zürich (1990); CAPC Musée d’Art Contemporain, Bordeaux, France (1990); Museo Nacional Centro de Arte Reina Sofía, Madrid (1992); Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (1992); Dia Center for the Arts, New York (1997); Centro de Arte Hélio Oiticica, Rio de Janeiro (1997–98); Trajan’s Market, Rome (1999–2000); Pulitzer Arts Foundation, St. Louis (2003); and Museo Archeologico Nazionale di Napoli, Naples, Italy (2004). In 2005 The Matter of Time (1994–2005), a series of eight large-scale works, was installed permanently at the Guggenheim Museum Bilbao, Spain. For Monumenta 2008, the major site-specific installation Promenade was shown at the Grand Palais, Paris. Three years later the large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. A major traveling retrospective dedicated to Serra’s drawings was presented at the Metropolitan Museum of Art, New York, San Francisco Museum of Modern Art, and the Menil Collection, Houston (the organizing venue), from 2011 to 2012. In 2014 the Qatar Museums Authority presented a two-venue retrospective survey of Serra’s work, and East-West/West-East (2014) was permanently installed in the Brouq Nature Reserve, Zekreet, Qatar. In 2017 the Museum Wiesbaden, Germany, presented Richard Serra: Props, Films, Early Works; an overview of Serra’s work in film and video was shown at the Kunstmuseum Basel; and recent drawings were featured at the Museum Boijmans Van Beuningen. Serra has participated in numerous major international exhibitions, including Documenta (1972, 1977, 1982, and 1987), and the Biennale di Venezia (1980, 1984, 2001, and 2013), and his work has been included in many Whitney Annuals and Biennials (1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006). He is the recipient of the Leone d’Oro for lifetime achievement, Biennale di Venezia, Venice (2001); Orden Pour le Mérite...

Tout ce qu'on Voudra Album II is an original modern rare book engraved by Honoré Daumier (Marseille, 1808 -1879, Valmondois) in 1850. Published in Paris. Original Edition. Format...

Mosaic on cement panel.  Bibliography: Domus 1948, p. 38; Wagner 2003, p. 88. Exhibitions:  - "Massimo Campigli - Mediterraneità e Modernità", Darmstadt 2003, ed. Mazzotta, Klaus ...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Summer Air, 2019 is an original acrylic painting by Justin Wheatley depicting a red barn surrounded by blue skies. Justin Wheatley was born and raised in Clinton, Utah. He holds a ...

Carmie Born 1958 Tippy Messenger Box 7 2.5 x 2 Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synthetic organic chem...

VENETIAN MUSE - Inspired by the legacy of Fortuny fabrics, this delicate, mixed-media dress painting embraces a Venetian-inspired aesthetic. Pattern and textures are built up through...

Artist Comments
Pink and yellow tulips bloom under the bright sunlight, their green leaves reaching upward. Small clouds drift above the hill, completing the serene springtime ...

Original title: Vieille Marine en douze images de Guy Arnoux présentées à la lanterne magique par Claude Farrère. Specimen number 51 of 500 numbered ...

PIANIST, 100x70 cm, tempera/ paper

SINGER, 100x70 cm, tempera/ paper

CONDUCTOR, 100x70 cm, tempera/ paper

VIOLINIST, 100x70 cm, tempera/ paper

CELLIST, 100x70 cm, tempera/ paper

SAXOPHONIST, 100x70 cm, tempera/ paper

Sisters 80x70 cm

Neon angel, 115x90cm

Sad angel, 135x110cm, canvas, acrylic

Star 130x105 cm

Heterochromia, 80x80 cm

Time loop , 120x100 cm

27, 235x170 cm

Nesting, a facade. With its envelope. Greeting letter in which the writer communicates the countess the forthcoming publication of a new novel.

Artist Comments
A golden glow fills the early morning sky overhead a vast desert. Shades of red, green, and orange capture the essence of the landscape. The scene evokes a se...

"Grindelwa" Small Collage by Michael Pauker Small abstract paper collage by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique pa...

Will Barnet: A Timeless World (hand signed, dated and warmly inscribed), 2000 Softback monograph with stiff wraps (hand signed, dated and warmly inscribed) Hand signed, dated and warmly inscribed to Margo by Will Barnet on the half title page 12 × 9 × 1/2 inches We believe the colleague Margo refers to renowned African American artist Margo Humphrey, who also worked at the Rutgers Center for Innovative Printmaking with Will Barnet. The full inscription reads: Sep 21 2000 To my colleague -Margo- with appreciation and affection Will Barnet Book information: Published by the Montclair Art Museum, New Jersey and Distributed by Rutgers University Press English; Paperback; 124 pages containing 43 color and 20 black-and-white illustrations Publisher's blurb: Painter and printmaker Will Barnet has actively participated in the New York art world for nearly 70 years. A leading figure in the Indian Space painting movement of the late 1940s, Barnet stressed the spatial structures of Northwest Coast Indian art. Throughout the 1950s and into the 1960s, he made a series of hardedged, totemic abstractions marked by their "all-positive" space, which he described as austere, classical expressions of Indian culture. He then moved on to new art forms in the 1960s and 1970s, creating a series of family and art world portraits that achieved a remarkable balance between the formal demands of abstraction and the humanist aspects of representation. Will Barnet: A Timeless World is the first substantial publications to unify Barnet's prodigious output. Art historian Gail Stavitsky provides an overview of this artist's entire career. Twig Johnson, the museum's curator of Native American Art, discusses the relationship of Barnet's work to this important indigenous artistic tradition. Jessica Nicoll, chief curator at the Portland Museum of Art, explores the profound impact of New England upon Barnet and his work. Many of Barnet's works are beautifully reproduced in this catalog, containing 43 color and 20 black-and-white illustrations. More about Will Barnet: Will Barnet was born in Beverly, Massachusetts in 1911. He has taught and exhibited widely over his more than seventy-five year career. His works are in the collection of virtually every American museum, including locally The Guggenheim Museum, The Metropolitan Museum of Art, The Museum of Modern Art, and The Whitney Museum of American. He is an elected member of the American Academy of Arts and Letters. In fall 2011 the National Academy Museum will present a retrospective exhibition being organized by Bruce Weber. Barnet is represented exclusively by Alexandre Gallery...

Ex Libris - Kay Larsen is an Artwork realized in Mid 20th Century . Color Lithograph print on paper. The work is glued on cardboard. Total dimensions: 20 x 14.5 cm. Excellent con...

Double sided page produced as part of a special art insert from a well respected art publication

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

Morning Song 4

Henriëtte Sibie’s Portrait This pastel drawing ‘Model Session – 18-10-25 – 2’ shows Henriëtte Sibie’s portrait. A bit of cubism but realist as well. My first session...

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