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KAWS SHARE (Black), new & unopened in its original packaging: KAWS SHARE first appeared in 'BLACKOUT' – the first London solo exhibition by KAWS (Skarstedt London 2019). In SHARE, ...

A delightful African maternity figure from the Lobi peoples of the Ivory Coast/Ghana. With a serene yet feisty expression, the mother is carry...

Jean-Michel Basquiat The Offs 1984: "The Offs: First Record" original first printing, 1984, featuring original offset artwork by Jean-Michel Basquiat. Difficult to find in good condi...

Yayoi Kusama (after) Kusama Pumpkin (Yellow & Black), ca. 2015 Painted cast resin Open edition 4 × 3 2/5 in 10.2 × 8.6 cm Published by Benesse Holdings, Inc., Naoshima, Japan

La Tentation de St. Antoine is an original modern rare book illustrated by Odilon Redon (Bordeaux, 1840 - Paris, France) and written by various authors...

G. Ferrari, Matta. Entretiens Morphologiques. Notebook N°1, 1936-1944 , First Edition, Sistan, London 1987. In this book, there is an original lithograph by Matta, hand-signed and n...

Georges Braque (1882-1963) - Carnets intimes de Braque II Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fas...

“Rosebud-Hat Extravagant” belongs to Óscar Aldonza Torres’s “The Extravagants” series: a high-fired stoneware sculpture topped by a scarlet, petal-like hat that evokes a rosebud. The...

Contemporary Impressionist Marine Seascape Oil Painting of Sailing Boats in Fowey Cornwall. Large Oil Painting of Sailing Boats in the Fowey Estuary and a view looking out towards ...

Bound Heart is a unique oak wood and cotton cord sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 × 34 × 26 cm (7.5 × 13.4 × 10.2 in). The sculpture comes with...

KAWS Exposed, 1999 Early Illustrated softcover book with French folded flaps, published in Paris 8 4/5 × 6 1/5 inches Limited Edition of 2000 Published by Colette and printed by La P...

Garo Antreasian (Hand Signed & Inscribed), 1978 Offset lithograph invitation card. Hand signed & inscribed 7 3/4 × 5 1/2 in 19.7 × 14 cmublisher Published by Alice Simsar Gallery Ra...

ANDY WARHOL (after) "Santa Claus" from "MYTHS" Invitation portfolio 1981 Offset lithograph (Invitation) Published by Ronald Feldman Fine Arts, Inc, New York City. Signed in marker to...

This piece is a unique, original gouache on paper by Erte, also known as Romain de Tirtoff. Erte was a vastly diverse artist who excelled in an array of fields including fashion, jew...

a wonderful antique pokerwork/pyrography panel by I W Wells, an American artist who flourished between 1845 - 1880. He was active in Pennsylvania/Philadelphia, yet most of his work is conserved in the Pinto Collection, which is part of the Birmingham Museums Trust in the UK. A portrait of Tennyson by Wells is in the Virginia State...

Keith Haring, Vivienne Westwood, and Malcolm McLaren collaboration for the 1983 'Witches' collection: A rare, museum worthy art fashion collectible published on occasion of the AW1...

"Pressure Point" by Sarah Milne, mixed media, 8 1/2 X 5 inches (Frame size:16 1/4 X 13 1/2 in.), $325. I use old book pieces, ephemera, and subtle signs of life as my palette, and c...

Jacqueline Lee "Jackie" Kennedy Onassis (July 28, 1929 – May 19, 1994) was an American socialite, writer, and photographer who became First Lady of the United States as the wife of P...

Harding Black San Antonio (1912 - 2004) Huge Heavy Oxblood Vase 1984 Height 17'' At widest 5'' Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

1980s Andy Warhol record art: A collection of 4 LPs with individual cover art designed by Andy Warhol between the late 1970s to early & mind 1980s.. Featuring: Aretha Franklin, Diana...

Andy Warhol Jean-Michel Basquiat 400% Bearbrick Vinyl Figure c.2021: A unique, timeless collectible trademarked & licensed by the estates of Jean-Michel Basquiat & Andy Warhol. The ...

"Roman Bronze Figure Of A Romping Dog" Roman Empire, circa 1st Century B.C.- 1st Century A.D. Bronze width 7 cm width 2 3/4 in Provenance: Leo Mildenberg (1913-2001) Private Collection, Zurich, prior to 1986 American Private Collection, acquired in 1991 Literature: A.P. Kozloff, et al., More Animals in Ancient Art...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

Wounaan Tribe Panama Rainforest Basket black, white geometric rectangle hand woven, palm fibers natural dye Tribal artwork The baskets are made by ...

Presented here is the rare iconic Basquiat New York Times Magazine 1985: The New York Times Magazine, February 10, 1985 edition famously entitled “New Art, New Money: The Marketing ...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Immersion" by Roman Goss is an original abstract painting tha...

Ed Ruscha
 Sweet Taters, 2021 Fine bone china
 Printed signature and edition details on verso
 Comes with custom artist box with printed signature Diameter: 10.5" / 26.7 cm Edition o...

Valerie Etitinwo's unique approach to abstract figurative painting celebrates the unconventional beauty found in imperfection and awkwardness. The Nigerian-Swiss artist uses bold col...

MEDIUM: ​Original Production Cel on Hand Painted Background IMAGE SIZE: 12.5" x 10.5" PRODUCTION: Wild and Woolly Hare, 1959 FRAMING: Framing included in Pricing SKU: CCV1593 ABOUT THE IMAGE: The setting is 1889, somewhere in the Old West. The town of Canasta Flats lives in fear of Yosemite Sam...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Glazed and...

Basquiat record art 1983/2005: This Basquiat Beat Bop record was published c.2005 featuring a RARE limited edition highly decorative 24 x 24 inch (61 x 61 cm) double-sided fold-out p...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XLIV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in ...

Double sided page produced as part of a special art insert from a well respected art publication

Ellen Williams Sweet Pea II Original Drawing Coloured pencil on A4 150gsm paper Image Size: H 29.7cm x W 21cm Signed Sold Unframed (Please note that in situ images are purely an indi...

Salomé is an original modern rare book, a versione of Oscar Wilde's Salomé illustrated by Alastair (1887 – 1969) in 1922. Published by Crès Editeur, Paris. Original edition. Format: in 8°. 89 pages with 9 full page engravings in two colors. Mint conditions. Alastair (1887 – 1969). Hans Henning Otto Harry Baron von Voigt (1887 – 1969), best known by his nickname Alastair, was a German artist, composer, dancer, mime, poet, singer and translator. He is best known as an illustrator, under the nom de plume "Alastair". His career as an artist was launched in 1914, when John Lane...

KAWS Brown Companion, 2016 & KAWS SEPARATED brown 2021, set of two individual works: This set features KAWS classic figurative sculpture, KAWS C...

Naked Raku Pottery, Duck Egg Blue Vase- Small is a ceramic work by Tamsin Levene ADDITIONAL INFORMATION: Clay 16.3 cm H x 5.5 cm D Sold unframed ARTIST BIOGRAPHY: Tamsin Levene st...

KAWS SEPARATED COMPANION: New & unopened in its original packaging: This highly collectible black KAWS SEPARATED figure is derived from the Brooklyn based artist’s larger scale sculpture of same (originally constructed in 2019), and is a key highlight of the major 2021 KAWS Brooklyn...

A fabulous and rare large 19th century Bombay Pottery Charger from the J J School of Art, depicting scenes of Buddha from the Ajanta caves. Bombay Scho...

Kiss By Barbara Kruger Barbara Kruger is an influential American conceptual artist known for her powerful and politically charged works that combine bold text with striking imager...