Small More Art

Japanese beauty , 50x50cm, print on canvas Edition 20 pcs.

Pablo Picasso (1881-1973) - The Madman Pochoir from 1961. The edition: 442/500 written in pencil. Dimensions of work: 53.8 x 41.5 cm Publisher: Au Vent d'Arles, Paris. Image siz...

Uno, 2024 Additional information: Medium: Blown glass Dimensions: 20 × 10 × 10 in 50.8 × 25.4 × 25.4 cm Signature: Hand-signed by artist, initialed and dated on the base Certificat...

STEPHEN STALLINGS – "MAY 1ST" ⚜ Mixed Media on Board ⚜ Hand Signed, Dated, and Titled Lower Right; Signed Verso ⚜ Conservation Frame DETAILED AMERICAN LANDSCAPE Painted in 1975, Ste...

Color drypoint. Signed by the artist in pencil lower right. Numbered 44/100 in pencil lower left. Published by Editions d'Art de Francony, Paris. Catalogue raisonne reference: Fi...

Dancing Man YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 45 x 50 cm Condition: Brand ...

ROBERT KENNETH WHITE – "GIRL WITH RED HAIR" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A PORTRAIT STUDY OF STRENGTH AND INTROSPECTION In this emotionally charged p...

"She loved pearls" 60x50cm Canvas/acrylic The work is sold without a frame.

“The Lovers”, 60x40cm, acrylic, pastel, canvas

Delve into the captivating world of Rachel Marie's artwork at our exhibit, featuring "Untitled" crafted in 2024. This mesmerizing piece showcases acrylic on canvas, measuring 20 x 16...

Giclée print on Cold Press 100% cotton rag archival paper. Edition of 30, comes with a certificate of authenticity signed by artist Serj Tankian. With e...

Dramatic and luxurious, Still Life with Grapes is a striking study of contrast, texture, and abundance. The deep blue-black grapes spill onto a delicate porcelain plate, their clustered forms exuding a natural opulence. The twisting vine, reaching upward like a sculptural relic, adds an element of wild elegance, while the surrounding leaves, tinged with autumnal hues, remind us of the inevitable change of seasons. Titorenkov’s exquisite use of light and shadow heightens the depth of this composition—the grapes shimmer under soft illumination, each one a study in transparency and reflection. The intricate blue patterns of the plate lend an air of timeless refinement, grounding the composition in a sense of tradition. Against the stark darkness of the background, the fruit and its organic details stand out with mesmerizing clarity. This painting is more than a depiction of fruit; it is a testament to nature’s richness, to the beauty of growth and decay, and to the fleeting, yet eternal, nature of the harvest. Still Life with Grapes speaks of abundance, nostalgia, and the simple pleasures of the earth’s bounty. This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. Artist bio: Born in 1963 in Kotel, Bulgaria, Alexander Titorenkov...

Pablo Picasso (1881-1973) - Le Poete Decadent Pochoir from 1961. The edition: 442/500 written in pencil. Dimensions of work: 53.8 x 41.5 cm Publisher: Au Vent d'Arles, Paris. Im...

A Pair of Italian Carved Gilt Wood Antique Frames , Mirror not included. Circa 1755. Frame Size: Width: 20.25″ X Height: 23.75″ Thickness: 4″ Pict...

FREE SHIPPING TO WORLDWIDE! Artisan: Maria Guadalupe Tapia Talavera IAM 3rd. Place Category “Gold Bathed Laca” INSTITUTO DEL ARTESANO MICHOACANO LVII State Edition Award "Domingo de...

This piece titled "Muddy Creek 2" is an original artwork by Tuft the World and is made tufted 100% New Zealand wool. Tuft the World was established in...

Mexican contemporary art, geometric, abstract, unique piece.

Info artist : Van Beers studied at the Academy in Antwerp. In 1873, he undertook a trip to London with Alexandre Struys. In 1878, Van Beers went to Paris where he worked in the stud...

Nineteenth Century Barbizon School Oil Painting of Cattle being herded through woods and drinking from a Stream. Oil on Panel, this piece is unsigned but there is no doubt it is of...

July, 60x50 cm, acrylic on canvas

Lady with a Bird, 60x50 cm, acrylic on canvas

glazed stoneware

GROUNDED - This contemporary minimal abstract painting emphasizes simplicity and quiet depth. Layers of tone on tone gray build up subtle variations, with loose brushstrokes adding c...

Banana YP x JM Basquiat Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 41 x 50 cm Condition: Brand new Jean-Michel Basquiat’s banana is a recurring motif in his work that, like many of his symbols, blends humor, irony, and social critique. At first glance, it may seem trivial or even comical, but within Basquiat’s visual language it takes on multiple layers of meaning. On one hand, the banana works as a pop reference: an everyday object loaded with cultural, sexual, and even absurd connotations, echoing the tradition of pop art and artists like Andy Warhol (who, in 1967, famously turned the banana into an icon with the album cover for The Velvet Underground & Nico). Basquiat, who both admired and collaborated with Warhol, reintroduces the motif in a playful way, but with a more chaotic and visceral energy. On the other hand, the banana can be read as a critical symbol: it connects to themes of consumerism, exoticization, and racial stereotypes. The tropical fruit evokes colonial imaginaries and the economic exploitation tied to the trade of “exotic” goods in the West. By incorporating it into his work, Basquiat decontextualizes it and turns it into an emblem full of tensions—between comedy and discomfort, pop lightness and historical memory. Moreover, the way he depicts it —with energetic, almost childlike strokes, scattered words, and graphic marks— enhances the sense of immediacy and freshness, yet behind this apparent spontaneity lies a sharp reflection on identity, power, and contemporary visual culture. Ultimately, Basquiat’s banana is not just a fruit: it is a visual artifact that fuses humor, irreverence, and social critique, perfectly embodying the artist’s ability to transform the everyday into a biting commentary on the modern world. The flexible LED tube is safe and environmentally friendly, too! Set the light to the time of day with adjustable brightness. © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Each sign is made of a neon flex material, consisting of PVC or Silicon piping with LED lights, that is mounted on a recycled acrylic board. These materials allow to create realistic neon signs, with bright lights and intense color, while being more durable, affordable, and sustainable than traditional neon. Sustainability is taken seriously thanks to its LED lights which consumes 6 times less energy than traditional lights, lasting up to 100,000 hours. These neon is crafted using recycled materials and 100% recycled packaging, including removing all useless plastic. ABOUT THE ARTIST Jean-Michel Basquiat (1960-1988) was one of the most influential artists of the 20th century, famous for his ability to fuse urban culture, social criticism and art history into a unique style. Born in Brooklyn, New York, to a Haitian father and Puerto Rican mother, his life and work were shaped by his multicultural heritage, the New York art scene and the social tensions of his time. Although his career was brief, his impact on contemporary art has been lasting and significant. Basquiat showed an interest in art from an early age. His mother, Matilde Andrades, took him to museums and encouraged him to draw. At the age of seven, a car accident left him hospitalized for a time, and it was then that his mother gave him a copy of the anatomy book Gray's Anatomy, which influenced his fascination with the human body and its visual representation. Despite his early talent, Basquiat's family life was turbulent. His mother was hospitalized for psychiatric problems and his relationship with his father, Gerard Basquiat, was troubled. This instability contributed to Basquiat dropping out of school at age 17 to pursue his artistic career on the streets of New York. As a teenager, Basquiat joined the New York graffiti scene under the pseudonym SAMO (an acronym for "Same Old Shit"), which he used to sign his cryptic and poetic messages on the streets of Manhattan with his friend Al Diaz. SAMO's graffiti were a mixture of philosophical and social commentary on popular culture, capitalism and religion, and soon attracted the attention of the underground art scene. In 1980, SAMO "died" when Basquiat and Diaz decided to end their collaboration, marking the beginning of Basquiat's transition from street graffiti to art galleries. Basquiat emerged as a talent to watch in 1980, when he participated in the group exhibition The Times Square Show, which included other emerging artists from New York's Lower East Side scene. That same year, he attracted the attention of critics and collectors who saw in his work an electrifying blend of street art and neo-expressionism, the predominant movement of the time. In 1981, art critic René Ricard published the influential essay The Radiant Child in Artforum magazine, which positioned Basquiat as one of the most promising artists of his generation. Shortly thereafter, he met renowned artist Andy Warhol, with whom he formed a close friendship and significant artistic collaboration. This association was instrumental in catapulting his career into the world of high art. The collaboration with Warhol was a pivotal point in Basquiat's career. The two artists, although coming from very different worlds, shared a fascination with fame and popular culture. Together, they produced a series of works that combined Warhol's pop art icons with Basquiat's raw, spontaneous style. However, this collaboration was also a source of controversy. Many critics accused Warhol of "exploiting" Basquiat, while others saw the collaboration as a creative dialogue between two genius minds. Although the criticism was mixed, there is no doubt that the relationship between the two artists helped cement Basquiat's reputation in the art world. Basquiat's style is a unique amalgam of influences. His work is characterized by the use of dismembered human figures, skeletons and internal organs, evoking the fragility of the body and mortality. Basquiat also used symbols that alluded to African-American and African history, such as crowns, masks and references to historical figures such as Toussaint Louverture. The use of text is another crucial aspect of his work. Words, phrases and numbers appeared in his paintings, often crossed out or overlapped, creating a sense of controlled chaos. These fragmented words provoked a non-linear reading of his works and conveyed multiple layers of meaning. His art also reflected his concerns about racial issues, especially the place of people of African descent in Western art history and in society at large. The crowns that Basquiat often drew on his figures were a symbol of power and resistance, a way of proclaiming himself "king" in a world that had historically excluded black artists from the upper echelons of art. In works such as The Death of Michael Stewart...

Triple Eyes YP x Keith Haring Date of creation: 2025 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 51 x 52 cm Condition: Brand ...

Venetian Frame 17th Century Gilt carved wood Sight size: 30 x 26 cm (The middle being the largest size) Exterior size: 52 x 47 cm Due to the curves of...

This piece titled "DALL·E 2023-05-30 07.23.49" is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This p...

Frank Stella The Dayton's Bag, 1984 Two (2) separate offset lithographs: one on each side of a mixed media paper shopping bag 18 1/2 × 16 × 4 inches Plate signed "Frank Stella '84" twice: once on each side of the bag (see photos) This paper shopping bag with two different color offset lithographs (one on each side) was created by Frank Stella along with his longtime publisher Tyler Graphics. The work is plate signed Frank Stella on the top of each side, and each side bears the printed text, "Dayton's Salutes the Opening of Walker Art Center's New Galleries. Premiere Exhibition Selections from Tyler Graphics, 23 September '84 to 17 May '85." This elegant work, produced with the highest quality lithography by Frank Stella at Tyler Graphics, was created in a limited quantity solely for VIP collectors at that one day's event as it was a true one-off creation. Not too many of them have survived a quarter century on, and rarely in such good condition. Not too many people you know can boast that they possess a Frank Stella shopping bag. Note that this listing is for one two sided shopping bag, each side with a different color lithograph - so it's actually two Frank Stella lithographs...

Clara Berta’s acrylic and mixed-media paintings blend texture and color to create harmony, mystery, and depth on the painted surface. Her paintings transform spaces into Zen environm...

Los Angeles native RF fuses original and iconic characters in her vivid graffiti-inspired twisted pop artworks. Within each artwork, RF blends a mix of humor, eccentricity, and contr...

Marc Chagall (1887-1985) - Daphnes and Chloé, Planche XXIII (trial proof) Lithograph from 1961. Trial proof - unique work. On Arches paper with watermark. Dimensions of work: 56 x...

A wonderful pair of patinated iron egret bird wall sculptures, one reaching for the sky and one focused forward, each signed on the weighted bases “Maxfield Parrish Jr, March 1956”. ...

Winnie the Pooh was created by English author A.A. Milne and English illustrator E.H Shepard. The first collection of stories about the character was the book Winnie-the-Pooh and th...

Rye Bay, Woodcut Painting by Keith Purser B. 1944 Additional information: Medium: Woodcut Dimensions: 44 x 53.5 cm 17 3/8 x 21 1/8 in Signed and titled Keith Purser lives and works...

Shi Jie Weng’s Large Langyao Red Meiping Vase unites imperial elegance with contemporary ceramic mastery. The meiping form is tall and balanced, with rounded shoulders and a slender ...

Barbara Kruger's powerful interpretation of the American flag is screen printed onto a large cotton bandana. These were a limited timed released where they were only sold for about a...

Enrique "Sebastian" Carbajal (Born 1947) bronze sculpture Brilliant bronze sculpture by listed Mexican artist Enrique "Sebastian" Carbajal. This Mexican modernist bronze sculpture sits atop a marble base. Signed in the bronze. The base measures: 4.5" wide x 3" deep. The sculpture stands 24" tall. Sebastián (born Enrique Carbajal González...

This piece, titled "Illustrateur" is an original artwork by Anuj Shrestha, made in part of his traveling artist residency with The Jaunt. Through the program, Shrestha was able to tr...