Crayon More Art

Untittle, 140x100 cm, acrylic, canvas

Untittle, 110x105 cm, acrylic, canvas

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

Valley, 120x100cm, acrylic on canvas

Artist Comments
The pastel artwork captures a tidal river at low tide on a quiet summer morning. A solitary sailboat rests on the sandbar. Low-hanging clouds glow with rosy hue...

Pinky , 2022, 120x100cm

Banana leaves 100x70 cm Fleur Professional artist from Belarus

ONLY PINK - An expressive burst of delicate pink flowers creates a composition full of movement and energy. A blend of acrylic and oil pastel is used to build up rich textures and lo...

#13, 100x120 cm, acrylic, pastel, canvas

George Dannatt (1915-2009) Ticket Collage - "Entree 12H" 1982 Mixed media: Collage crayon Image: 10.3 x 9.20 cm Frame: 25.4 x 21.5 cm George Dannatt (1915-2009) was an outsta...

Abstract minimalist artist Jason DeMeo presents a collection of artworks designed to engage viewers in a meditative experience, drawing them closer to the enduring ideals of truth, b...

Girlfriends, 120x100cm, acrylic on canvas

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

This 27" x 19" monochromatic graphite, oil pencil and charcoal drawing by Serbian artist Bojan Grof depicts a dog with a lifted leg, urinating on a stone wall with a graffiti'd "FREE...

Umbrellas 40x30 cm

WILD AND FREE - This original artwork on paper captures delicate scattered flowers in a field of grass. The blending of acrylic, oil pastel and colour pencil, make up loose and intui...

Girl with a cup of coffee 70x50 cm

Untittle, 140x100 cm, acrylic, canvas

basket with flowers 70x50 cm

Missing You This work is sold unframed, and will need to be framed.

Find a bird, 50x60cm

Reclined Position This pastel drawing ‘Model Session - 15-03-25 - 2’ shows model Renee in a reclined position. This is the way she prefers to sleep, she said. Only good for us...

Banana leaves 100x70 cm Fleur Professional artist from Belarus

A cup of coffee 100x100 cm The work is sold without a frame.

Tulips in a bag 65x50 cm

Girl with umbrella 70x50 cm

"Domino", 100x73 cm, acrylic, pastel, canvas

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

Floral abstraction N2 50x60 cm

Birds

Artist Comments
A gentle arrangement of pink peonies harmonizes with lush green foliage. Artist Joanie Ford renders the petals with care, giving the flowers depth and texture. ...

Untitled , 120x80 cm, acrylic, pastel, canvas

Untitled , 150x100 cm, acrylic, pastel, canvas

"Seize the Moment", 60x40cm, acrylic, pastel, canvas

A cloud of silvery white floats across shimmering layers of turquoise and cerise in this abstract painting by Alice Teichert. The cloud appears above a flurry of calligraphic marks t...

Umbrellas 40x30 cm

Pinky , 2022, 120x100cm

In my paintings, I chose the main character Gestalt wooden figurine of a man) and trying to "animate" his\her

Still Life with a Blue Vase 70x50 cm

Lemon leaves 100x70 cm

Provenance: Virginia Field, arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Bernard Childs, John Ford and Andy War...

Marbella 100x100 cm The work is sold without a frame.

Picnic 70x50 cm

Summer still life

Glass of wine 65x50 cm

Portrait of Princess Wilhelmina (Tribute to Thérèse Schwartze) - 23-08-24 A Great Independant Female Artist This pastel drawing ‘Portrait of Princess Wilhelmina (Tribute to...

Hares, 2023, 78x54 cm

Birds

Fethiye 40x30 cm

Travel notes 2007. Paper, pastel, 19x27 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

The vision of St. John Paper, pastel, 16x23 cm It presents a colorful cityscape on a dark background, the use of pastels allows for the creation of vibrant colors and a dynamic com...

This is Not a Riot 2

This is Not a Riot 1

This is Not a Riot 3

Travel notes Paper, pastel, 19x25 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during their...

Lemon leaves 100x70 cm

Travel notes 2007. Paper, pastel, 24x22 cm The focal point of the artwork is a colorful cityscape, reflecting the artist's impressions and experiences of a particular place during ...

Untitled , 2025, 78x54 cm The work is sold without a frame.

Red vase 110x80 cm