Crayon More Art

#15, 120x70 cm, acrylic, pastel, canvas

#13, 100x120 cm, acrylic, pastel, canvas

Untittle, 140x100 cm, acrylic, canvas

This 27" x 19" monochromatic graphite, oil pencil and charcoal drawing by Serbian artist Bojan Grof depicts a dog with a lifted leg, urinating on a stone wall with a graffiti'd "FREE...

#15, 120x70 cm, acrylic, pastel, canvas

Henriëtte Sibie This pastel drawing ‘Model Session – 18-10-25 – 1’ is a continuation of my cubist endeavours during live model drawing sessions. Henriëtte Sibie was our ...

A finely-drawn, pastel still-life showing red tulips informally arranged in a Chelsea soft paste porcelain Chocolate pot decorated in the Japanese style and set beside a cup and sauc...

#32, 70x120 cm, acrylic, pastel, canvas

Girl with umbrella 70x50 cm

Umbrellas 40x30 cm

George Dannatt (1915-2009) Ticket Collage - "Entree 12H" 1982 Mixed media: Collage crayon Image: 10.3 x 9.20 cm Frame: 25.4 x 21.5 cm George Dannatt (1915-2009) was an outsta...

Artist Comments
A gentle arrangement of pink peonies harmonizes with lush green foliage. Artist Joanie Ford renders the petals with care, giving the flowers depth and texture. ...

basket with flowers 70x50 cm

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. He is willing to address a very unique point of view about social issues of our day with unmistakable perspectives. His artworks have the potential to influence a new generation of artists, incorporating diversity and respect for varying cultures. This one-of-a-kind acrylic and oil stick painting...

Artist Comments
Artist Joanie Ford invites the viewer to experience the soothing embrace of nature in this impressionist painting. Gentle water mirrors the vibrant sky and soft...

Untittle, 110x105 cm, acrylic, canvas

Pinky , 2022, 120x100cm

Banana leaves 100x70 cm Fleur Professional artist from Belarus

Girl with a cup of coffee 70x50 cm

One More to Unlearn This pastel drawing ‘Neo Deco – 30-12-24’ is inspired by a great reference picture by Laure Albin Guillot. There is a bit of value added from my side. Fi...

Immersion , 2018, 70x100 cm

Red vase 110x80 cm

Red vase 110x80 cm

Single twin reclined by Efren Isaza Size: 40.5 x 29 inches Framed image printed on an archival canvas, intervened with paint, ink and intentionally scratched by the artist Signed, ti...

Still Life with a Blue Vase 70x50 cm

Security Detail, 2020

Dialogue, 2018, 70x100 cm

Untitled , 150x100 cm, acrylic, pastel, canvas

Pinky , 2022, 120x100cm

Artist Comments
Artist Joanie Ford channels her love for sunrises and sunsets into this piece. Observing the shifting colors reflected on clouds and in the atmosphere, she docu...

Missing You This work is sold unframed, and will need to be framed.

Lemon leaves 100x70 cm

A cloud of silvery white floats across shimmering layers of turquoise and cerise in this abstract painting by Alice Teichert. The cloud appears above a flurry of calligraphic marks t...

Nothing More But Angularity This pastel drawing ‘Model Session – 16-09-25 – 2’ is a display of nothing more but angularity over the top. A live model position that begged ...

Sea 40x30 cm

ONLY PINK - An expressive burst of delicate pink flowers creates a composition full of movement and energy. A blend of acrylic and oil pastel is used to build up rich textures and lo...

Sinks the sun as a flamingo, 100x80cm, acrylic, pastel, canvas

A wonderful tonalist cityscape of New York City at night by American impressionist artist Frederick (Frank) Usher De Voll (1873-1941). De Voll was born i...

Untitled , 2025, 78x54 cm The work is sold without a frame.

Vases 100x100 cm The work is sold without a frame.

Girl with flowers 65x50 cm

Hares, 2023, 78x54 cm

Umbrellas 40x30 cm

Fethiye 40x30 cm

New York Window, 1986, mixed media on illustration board, signed and dated lower right, 31 x 20 inches (image), 36 ½ x 28 inches (sheet) Marina Stern was a multifaceted New York-based artist whose works ranged from Expressionism and Pop Art to the Neo Immaculate paintings and pastels for which she is best known. A native of Venice, Stern and her family fled in 1939 to escape Italy’s repressive racial laws. After living in England for several years, the family arrived in the United States in 1941. A bright and capable student, Stern graduated from New York’s Julia Richman High School at age 15 and soon enrolled in the Pratt Institute to pursue an interdisciplinary education in the arts. Despite majoring in advertising design, Stern favored her fine art courses. She graduated from Pratt in 1946 at age 18 and began working for advertising agencies. After a brief marriage which ended in divorce, Stern married her second husband, who encouraged the artist to study at the Art Students League of New York, under the renowned Japanese American modernist, Yasuo Kuniyoshi. In Fall 1953, Stern gave birth to her first child, Michael, as she continued to study at the Arts Students League. Later in the Spring of 1957, Stern gave birth to her daughter Nina, as she continued to balance motherhood with her fine art practice and commercial art and design work. Stern’s first significant exhibitions were in 1962 at the Waverly Gallery and the Osgood Gallery, both in New York, followed by inclusion of her work in the Bertha Schaefer Traveling Collage Show from 1963 to 1964. Stern made a splash in the avant-garde art world in 1964 when Time magazine reviewed a show at Amel Gallery which featured three of her audio-visual paintings. Time’s critic noted that Stern created the “cleverest noisemakers” in the exhibition. Time dubbed this work “Talkie Pop,” a label which Stern rejected. Following this recognition, Stern was selected for inclusion in The New American Realism at the Worcester Art Museum—a major showcase of leading artists, including Andy Warhol, Robert Indiana, Roy Lichtenstein, and Jasper Johns. After the Worcester exhibition, Stern began to shift away from her “talking” Pop paintings to mysterious, interior scenes with orange, blue or black walls with windows or doors rising above black and white floors, often depopulated, but sometimes with figures. One of these works, Seven Minus Twenty-One Equals Seven, entered the permanent collection of New York’s Museum of Modern Art in 1966. By 1969, Stern began to incorporate industrial images into these scenes, and in the early 1970s, Stern created her first Neo-Immaculate works of rural, and urban landscapes, which she described as her most satisfying work. Stern often depicted locations that she held close -- New York, New Jersey, Iowa (where her son attended college), Sharon, Connecticut (where her family spent weekends and vacations) and her native Venice, Italy. Stern’s success as a Neo Immaculate painter led to consistent New York gallery representation for over two decades, first with Lee Ault & Co and James Yu Gallery, and then Forum Gallery, where she had six solo shows. In 1971, Stern completed a Neo-Immaculate mural commission for the Port Authority of New York, George Washington Bridge #1 and #2, followed by another commission from the NY Cityarts Public Art Program in 1976 for a mural on Mulberry Street. Stern also enjoyed solo exhibitions in Boston (Eleanor Rigelhaupt Gallery), Connecticut (Silo Gallery, the Hotchkiss School, J. Rosenthal Fine Arts Gallery, Tremaine Gallery, and Staib Gallery), Chicago (Michael Rosenfeld Gallery), and Santa Fe (Santa Fe East Gallery). Her work was included in group shows at over a dozen public institutions, including The National Academy of Design, The Staten Island Museum, Worcester Art Museum, the Oklahoma Art Center, and the Arkansas Art Center. The Southern Alleghenies Museum of Art hosted a retrospective of four decades of Stern’s work from January 19 to April 22, 2007, entitled Perception and the Cultural Environment: The Paintings of Marina...

In crowd, 2023, 78x54 cm The work is sold without a frame.

Artist Comments
Artist Joanie Ford created this pastel artwork using high quality pure pigment pastels. A sailboat glides across calm water, its silhouette reflected in the shi...

#33, 90x140 cm, acrylic, pastel, canvas

Layers of paint build up this neutral palette where emphasis is placed on minimal composition. From a distance, the painting explores colour fields and geometric abstraction. Closer up, it's about subtle textures, intuitive mark-making, playful scribbles and remnants of colour. The blending of these two elements invites the viewer to experience a calm while stimulating, visual response. // Andrea Stajan-Ferkul is a Canadian artist whose work conveys a sense of experimentation through the use of paint, fabric collage and abstract mark-making. While not exclusive to fashion, dresses have been a compositional focus throughout her oeuvre. With an emphasis on timelessness, her series of dress paintings shift between realistic representation and interpretive impressions. In contrast, her series of abstract works embrace minimalism, considerate to a restrained palette and composition. Stajan-Ferkul began her career in fashion advertising before shifting her focus to fine art in 2000. Her work has been exhibited widely through galleries and art fairs, and hangs in private and public collections across Canada, US, Europe and Asia. keywords: abstract, minimal art...

So little with so much to say. This expressive abstract painting invites the viewer to interpret an untold message. Emphasis is on simplified composition with the use of paint, paper...

Untitled , 150x100 cm, acrylic, pastel, canvas

#33, 90x140 cm, acrylic, pastel, canvas

way home, 120x150 cm, acrylic on canvas

Green leaf 100x 70 cm

Jogen Chowdhury - Untitled Brush & Ink on Paper 8.2 x 5.8 inches, 2023 (Unframed & Delivered) Modern Indian artist Jogen Chowdhury executed Still life drawing in Ink, pastel. Alway...

Green leaf 100x 70 cm

Marbella 100x100 cm The work is sold without a frame.

Tulips in a bag 65x50 cm

Picnic 70x50 cm

Summer still life