Intaglio More Art

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure sh...

Y.N. (Self-Portrait) By Yoshitomo Nara Yoshitomo Nara is a Japanese contemporary artist acclaimed for his evocative and emotive depictions of children, often characterized by thei...

Henri Matisse (1869-1954) - Jeune fille Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure...

Henri Matisse (1869-1954) - Femme Nu Photogravure from 1952. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure sh...

Earrings with cameos depicting Vesuvius and the sea with the sailing ship. Antique cameos, hand carved at the end of the 19th century. Cameo hand engraved on shell and filigree. Ital...

Danse Macabre is an original Rare Book illustrated by Frans Masereel (1889 – 1972) in 1941. Original Edition. 950 numbered copies. Published by Lang, ...

This piece titled "The Second Coming of Ophelia" is an original piece by Kate VanVliet and is made from intaglio with aquatint and soft ground on Rives BFK. This piece is an edition ...

Die Elixiere des Teufels is an original modern rare book written by Hoffman E.T.A. (24 January 1776 – 25 June 1822) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 194...

Brooch with Cameo and Micromosaic Late 19th century - early 20th century Materials: Shell cameo, micromosaic in glass tesserae, metal alloy (likely brass) Central cameo depicting a...

Aurelia is an original modern rare book written written by Gérard Labrunie (Paris, 1808 – Paris, 1855) and illustrated by Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. Original First Edition. Published by Georg Muller, München/Leipzig. Format: Large 8°. The book includes 146 pages with 57 drawings (several are full page drawings). Binding by Paul Renner Mint conditions. Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. He was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism. Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like Oskar Kokoschka and Albert Paris Gütersloh, Kubin had both artistic and literary talent. He illustrated the works of Edgar Allan Poe, E. T. A. Hoffmann, and Fyodor Dostoevsky...

Very Rare Vesuvius lava stone writing set. Torre del Greco (Naples). 19th century. 4 objects with small sculptures (cameos) depicting the poet Petrarch, mythological female figures, ...

Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931. Publis...

Über alles die Liebe is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Bruno Cassirer, Berlin. Format: in 4°. The book includes 119 pages with Sixty full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Métiers des Hommes is an Original Rare book written by Pierre Courthion (1902-1988) and illustrated by Kurt Seligmann (Basel, 1900 - Middletown, 1961) in 1936. Original Edition. Pu...

Henri Matisse (1869-1954) - Divagations Photogravure from 1937. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. Text on the verso. The work is in Excellent conditi...

Here are two neoclassic relics of the aristocratic education known as the Grand Tour, a pair of plaster intaglios, mated and presented under glass in a gilt wood frame.

Tartarin (Original title "Die Abenteuer des herrn Tartarin aus Tarascon") is an original modern rare book written by Alphonse Daudet (Nimes, 1840 – 1897) and illustrated by George Gr...

This piece titled "(Love's) Ring of Fire" is a limited edition piece by Kate VanVliet and is made from intaglio with aquatint, soft ground, and drypoint on Rives BFK. This piece is a...

Das Gesicht der Herrschenden Klasse is an original modern rare book written by Wieland Herzfelde (Weggis 1896 – 1988) and illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in...

Edition of 587 copies including illustrations by Hermann-Paul. One of only 30 copies on Japon imperial. Superbe copy in perfect conditions.

K. Laxma Goud Intaglio on Paper 6.5 x 10.5 inches 16.5 x 26.7 cm ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, w...

La Coda di Paglia is an original modern rare book illustrated by Mino Maccari (Siena, 1898 – Rome, 1989) and written by Alfonso Gatto in 1949. Original First Edition. Published by...

Die Elixiere des Teufels is an original modern rare book written by Hoffman E.T.A. (24 January 1776 – 25 June 1822) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 194...

Hedwig Courths-Mahler is an original modern rare book written by Hans Reimann (1889–1969) and illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1922. Original First Editi...

Edition of 111 copies including 9 original full page etchings by Mariette Lydis, realized on Arches des Vosges paper watermarked "Les Cent Une". 2 of the etchings are signed in penc...

Mythologies is an original Rare Book engraved by André Masson (Balagny, Oise, 1896 - Paris, 1987) in 1946. Original Edition. Published by Editions de la Revue Fontaine, Paris. Fo...

Les Chants de Maldoror is an original modern rare book written by Comte de Lautréamont, pseudonym of Isidore Lucien Ducasse (Montevideo, 1846 — ...

La Dame Ovale is an original modern rare book written by Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011) and illustrated by Max Ernst (1891 - 1976) in 1934. Original edition. Published by GLM, Paris. 535 numbered copies. Format: small 8°. Seven full page collages. Unnumbered pages. Good conditions. Max Ernst in 1934. Originally a Dada activist in Germany, Max Ernst (1891 - 1976) became one of the early adherents of the Surrealist circle. As a child living in a small community near Cologne, Ernst had considered his existence incredible and full of wonders. In autobiographical transcripts, written mostly in the third person, he said of his birth: “Max Ernst had his first contact with the world of sense on the 2nd April 1891 at 9:45 a.m., when he emerged from the egg which his mother had laid in an eagle’s nest and which the bird had incubated for seven years”. Ernst’s service in the German army during World War I swept away his early success as an Expressionist. In his own words: “Max Ernst died on 1st August 1914. He returned to life on 11th November 1918, a young man who wanted to become a magician and find the central myth of his age. From time to time he consulted the eagle which had guarded the egg of his prenatal existence. The bird’s advice can be detected in his work”. Mary Leonora Carrington (Chorley, Lancashire 1917 – Mexico City, 2011). Carrington was a British-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City and was one of the last surviving participants in the Surrealist movement of the 1930s. Carrington was also a founding member of the women's liberation movement in Mexico during the 1970s. In 1936 Leonora saw the work of the German surrealist...

Edition of 1107 copies. One of only 71, plus 10 out of commerce, copies on Japon Imperial paper. Language: french. One of the most famous works by the french journalist and novelist Anatole France...

Questa maschera guatemalteca del inizio del XX secolo, scolpita in legno e utilizzata per la danza della Riconquista (Baila de la Conquista) , raffigura vividamente un uomo europeo, ...

Polichinel ex-roi des Marionnettes devenu philosophe is an original modern rare book illustrated by Alcide-Joseph Lorentz (1813-1891) in 1848. Original Edition. Published by Willer...

This stone icon depicts the Crucifixion at the top and Calvary at the bottom. At the foot of the Cross is Our Lady and St. John the Evangelist. The tormentor who flogs Jesus on his a...

Suite Provinciale is an original Modern Rare book ritten by Gustave Coquiot (24 September 1865 – 6 June 1926) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 198...

Vie Privée et Publique des Animaux is an original modern rare book engraved by Jean Jeacques Grandville (Nancy, 1803 – Vanves, 1847) and written by Various Authors in 1868. Original...

Feu central is an original modern Artwork written by Benjamin Péret (Rezé, July 4, 1899 - Paris, September 18, 1959) and illustrated by Raymond Georges Yves Tanguy (January 5, 1900 – January 15, 1955) in 1947. Original Edition. Published by K éditeur, Paris. 1030 numbered copies. Format: in 4°. The dimensions and the weight are indicative. The book includes 101 pages with Four Full page illustrations. Mint conditions. Raymond Georges Yves Tanguy (January 5, 1900 – January 15, 1955), known as just Yves Tanguy, was a French surrealist painter. Tanguy's paintings have a unique, immediately recognizable style of nonrepresentational surrealism. They show vast, abstract landscapes, mostly in a tightly limited palette of colors, only occasionally showing flashes of contrasting color accents. Typically, these alien landscapes are populated with various abstract shapes, sometimes angular and sharp as shards of glass, sometimes with an intriguingly organic look to them, like giant amoebae suddenly turned to stone. Benjamin Péret (Rezé, July 4, 1899 - Paris, September 18, 1959); he was a French poet. Alongside Breton he was among the most important and influential protagonists of the surrealist movement. He wrote poems characterized by a vehement anti-bourgeois aggression, by the rejection of the clichés of morality, by the parody of official rhetoric: Le Passager Du Transatlantique, Je Ne Mange Pas De Ce Pain-La, Feu Central. Faithful to the libertarian and internationalist ideal, communist militant, then Trotskyist, he enlisted in the international brigades...

Steh auf prolet! is an original modern rare book engraved by George Grosz (Berlin, 1823 - 1959, Berlin) and written by Oskar Kanehl (Berlin, 1888 - Berlin, 1929) in 1922. Original F...

K. Laxma Goud Intaglio 13 x 10.5 inches 33 x 26.7 cm 2022 ( Set of 2 Works ) ( Framed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmakin...

Rose des Vents is an original Modern Rare book written by Philippe Soupault (Chaville, 1897 - Paris, 1990) and illustrated by Marc Chagall (Lëzna, 1887 – Saint-Paul-de-Vence, 1985...

Necklace with cameo depicting Vesuvius. Antique cameo, hand carved at the end of the 19th century. Central cameo with filigree cast, size h cm 2.5, L 3cm. Hand-engraved cameo on shell. Italian workmanship, typical of Naples and the areas around Vesuvius. Similar cameos were sold to travelers, attracted by the archaeological areas of Pompeii and Herculaneum. Neapolitan area town Torre del Greco Torre del Greco near the main center of cammeos carving and coral processing, thanks to the skill of its fishermen and its artisans, who specialized in refined and original techniques In excellent condition. With antique chain with blue milk glass beads. Necklace can be combined with similar earrings...

Antique Italian Coral brooch. Naples.
 XIX century. Total weight 5,60gr. Size 4,2 cm FREE WORLDWIDE SHIPPING Coral engraved and carved in...

Les Chants de Maldoror is an original modern rare book written by Comte de Lautréamont, pseudonym of Isidore Lucien Ducasse (Montevideo, 1846 — Paris, 1870) and illustrated by René ...

Der Todseher is an original modern rare book written by Ernst Adolf Willkomm (Herwigsdorf, 1810 - Zittau, 1886) and illustrated by Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. Original Edition. Published by Barsdorf, Berlin. 30 numbered copies of deluxe issue. Format: in 8°. The book includes 284 pages with six full page drawings. Mint conditions. Alfred Leopold Isidor Kubin (Leitmeritz, 1877 – Zwickledt, 1959) in 1910. He was an Austrian printmaker, illustrator, and occasional writer. Kubin is considered an important representative of Symbolism and Expressionism. Kubin is considered an important representative of Symbolism and Expressionism and is noted for dark, spectral, symbolic fantasies, often assembled into thematic series of drawings. Like Oskar Kokoschka and Albert Paris Gütersloh, Kubin had both artistic and literary talent. He illustrated the works of Edgar Allan Poe, E. T. A. Hoffmann, and Fyodor Dostoevsky, among others. Kubin also illustrated the German fantasy magazine Der Orchideengarten. Ernst Adolf Willkomm (Herwigsdorf, 1810 - Zittau, 1886). Willkomm was a German writer. Willkomm has published time-critical novels, travel sketches and short stories. With the title of his novel Die Europamüden in 1838 he took up a key word that had been coined by Heine in 1828 and with which an important aspect of thinking in the Vormärz was recorded. In the years 1845/46 Willkomm undertook a trip to Italy, whose experiences he processed in 1847 in the travel sketches Italian...

Ein sommer is an original Rare Book engraved by Jules Pascin (March 31, 1885 – June 5, 1930) in 1920. Original First Edition. Published by Bruno Cassirer, Berlin. Format: in Folio...

Edition of 98 copies. Copy on Verge d'Arches paper, including soft editorial cover. Edition reserved to the Société Stendhalienne. The rare volume was ...

Der Golem. Prager Phantasien is an original modern rare book written by Gustav Meyrink, pseudonym of Gustav Meyer (Wien, January 19, 1868 - Starnberg, December 4, 1932) and illustrated by Hugo Steiner-Prag (Prague, 1880 - New York, 1945) in 1916. Original Edition. 300 numbered and signed copies. Published by Kurt Wolff verlag, Leipzig. Format: In Folio. The book includes an original Portfolio with 25 Lithographs. Mint conditions. Hugo Steiner-Prag (Prague, 1880 - New York, 1945); he was an artist and illustrator. In his adolescence, he took private art lessons and was a member of Jung Prag, a group of young artists fascinated by mysticism. His formal artistic career began at age seventeen when he enrolled at the Prague Academy of the Arts, Prager Kunstakadmie, in 1897. He continued his education in Munich, Germany at the Royal Academy of Fine Arts, Königliche Akademie der Bildenden Künste. It was here Steiner added “Prag'' to his last name in recognition of his home city and to help distinguish his name from other artists. The Leo Baeck Institute has a vast collection of Steiner-Prag’s illustrations and personal mementos from throughout his entire career. Viewers can appreciate his beautifully drawn city scenes and mythical creatures, photographs, set designs, artistic instruments, and certificates of achievement. In 1916, Steiner-Prag illustrated Der Golem by Gustav Meyrink. The golem...

K. Laxma Goud Untitled, Intaglio on paper Size of the Etching 10.5 x 8 inches 26.7 x 20.3 cm Size of thePaper : 15 x 11 inches ( Set of 2 Works ) ( unframed & delivered ) St...

Les Réfugiés is an original Rare Book illustrated by Frans Masereel (1889 – 1972) and written by Louis Piérard (Frameries,1886 - Paris, 1951) in 1942. Original First Edition. Published by Arthaud Editeur, Grenoble. Format: Small 8°. The dimensions and the weight are indicative. The book includes 116 pages with 9 full page reproductions of drawings. Good conditions. Frans Masereel (1889 – 1972). He was a Flemish painter and graphic artist who worked mainly in France, known especially for his woodcuts focused on political and social issues, such as war and capitalism. He completed over 40 wordless novels in his career, and among these, his greatest is generally said to be Passionate Journey. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as Clifford Harper, Eric Drooker, and Otto Nückel. Masereel's woodcuts influenced Lynd Ward and later graphic artists such as George Walker, Clifford Harper, Eric Drooker, and New Yorker cartoonist Peter Arno. Masereel's woodcut series, mainly of sociocritical content and expressionistic in form, made Masereel internationally known. Among them were the wordless novels 25 Images of a Man's Passion (1918), Passionate Journey (1919), The Sun (1919), The Idea (1920), Story Without Words (1920), and Landscapes and Voices (1929). At that time Masereel also drew illustrations for famous works of world literature by Thomas Mann, Émile Zola, and Stefan Zweig.

La Tartaruga Gallery Catalogue is an original print in 1955. The artwork is designed for the exhibition of A.Raphael Mafai in La Tartaruga Gallery. Good conditions but aged with co...

Olympic Stars Between Rabbits is an original photogravure realized by William Sweetlove. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing...

Deutsches Dichterjubilaum is a book written by Arno Holz (1863 – 1929) and illustrated by Hans Steiner (1907-1962) and in 1923. Original First Edition. Published by Werkverlag, Be...

USA 1927. Album de photographies lyrique. First edition of 650 copies on Velin paper, including 18 illustrations by Pierre Legrain. From the "Plaisir de Bibliophile" series, and or...

This piece titled "Splayed Founds: Napkin Ring" is a limited edition piece by Kate VanVliet and is made from intaglio printed from engraved sterling sil...

Handmade portfolio of 47 Polaroid transfer prints with accompanying text by Mark Beard, handwritten in pencil (Edition of 10 + 5 APs) Signed and numbered in pencil 15.75 x 11.75 x ...

K. Laxma Goud Intaglio 12 x 9 inches 30.5 x 22.9 cm 2022 ( Framed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour,...

K. Laxma Goud - Untitled - Paper Size : 29.7 x 22.2 inches Print Size : 18.5 x 12.8 inches Intaglio on Paper ; 2014 ALL IN DOOR DELIVERED ( Unframed & Delivered ) Style : Goud displays versatility over a range of mediums, from printmaking, drawing, watercolour, gouache and pastels to glass painting and sculpture in bronze and terracotta. Over the many years of his artistic career, he is known to have moved from one medium to another with élan. Fellow artist T. Vaikuntam, in one of his interviews, reminisces that it was Laxma Goud who introduced him to the art of sketching and made him aware of the possibilities of this medium. When one looks at Goud’s work, rustic, raw, and potent might be the first words that come to mind. His portraits of men and women represent the dynamic Indian ethos rather than particular individual identities. A recurrent theme with the artist is that of the erotic, treated as an active and powerful aspect of male and female sexuality and existence. Goud’s work is dramatic; his protagonists are raw and vivacious in their appeal, imbibed with energy that reverberates through his strokes and textures. Most of Goud’s art is centered on the rural, recreating landscapes from his childhood as if they were frozen in time. In the artist’s later work, his figures turn softer, more introspective than brash in their outlook. About the Artist and his work : Born : 1940 in Nizampur, Andhra Pradesh...

Pickaxe (Spitzhacke) Superimposed on a Drawing of the Site by E.L. Grimm, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Unframed: 26" x 20" Framed: 28.75" x 22.75" Signed and Dated Lower Right Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...