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Medium: Leather
Vintage Hermes 1963 Piano  Black Leather
Vintage Hermes 1963 Piano  Black Leather

Vintage Hermes 1963 Piano Black Leather

By Hermès

Located in Tel Aviv - Jaffa, IL

Vintage Hermes Flap Bag Shiny black Porosus Piano Black Leather 1963 Claf leather lining

Category

Late 20th Century Leather More Art

Materials

Leather

EDWARD BOHLIN 1920s-1930s SILVER ART PARADE SADDLE HOLLYWOOD WESTERN ARTIST VAIL
EDWARD BOHLIN 1920s-1930s SILVER ART PARADE SADDLE HOLLYWOOD WESTERN ARTIST VAIL

EDWARD BOHLIN 1920s-1930s SILVER ART PARADE SADDLE HOLLYWOOD WESTERN ARTIST VAIL

By Edward H. Bohlin

Located in San Antonio, TX

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

Category

1930s Realist Leather More Art

Materials

Silver

Linda Stein, 1211 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1211 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1211 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1211 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

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Leather, Fabric, Canvas, Gouache, Board

Linda Stein, 1210 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1210 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1210 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1210 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

2010s Contemporary Leather More Art

Materials

Leather, Fabric, Canvas, Gouache, Board

Linda Stein, 1220 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1220 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1220 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1220 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

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Materials

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Linda Stein, 1224 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1224 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1224 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1224 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

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Materials

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Linda Stein, 1212 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1212 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1212 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1212 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

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Materials

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Linda Stein, 1223 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1223 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1223 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1223 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

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Materials

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Always Me, limited edition handbag (Uniquely Hand signed & dated by Tracey Emin)
Always Me, limited edition handbag (Uniquely Hand signed & dated by Tracey Emin)

Always Me, limited edition handbag (Uniquely Hand signed & dated by Tracey Emin)

By Tracey Emin

Located in New York, NY

Tracey Emin Always Me (Hand signed and dated by Tracey Emin), 2004-2016 Limited edition two-sided hand bag of printed cotton canvas, leather trimmings and wool felt patchwork. Uniquely hand signed and dated by Tracey Emin in black marker 10 × 18 1/4 × 8 1/4 inches Hand signed and dated in black marker by Tracey Emin; also bears plate signature Produced by Tracey Emin in collaboration with Longchamp If you're looking for a special Tracey Emin gift that few (if any) people you know would have, and that you are unlikely to find anywhere else in the world - this is it. Tracey Emin has been internationally acclaimed for her textile work, so it is not surprising that the company Longchamp would have commissioned her to design a bespoke handbag for them. This is the only Tracey Emin Longchamp...

Category

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Materials

Leather, Wool, Cotton Canvas, Mixed Media

Linda Stein, 1215 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1215 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1215 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1215 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

2010s Contemporary Leather More Art

Materials

Leather, Fabric, Canvas, Mixed Media

Linda Stein, 1222 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1222 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1222 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1222 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

2010s Contemporary Leather More Art

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Leather, Fabric, Mixed Media, Board

Linda Stein, 1225 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1225 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1225 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1225 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

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Linda Stein, 1221 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1221 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1221 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1221 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

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Linda Stein, 1214 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage
Linda Stein, 1214 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Linda Stein, 1214 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage

Located in New York, NY

Linda Stein, 1214 - Contemporary Art 3D Mixed Media Fabric Sculptural Collage Linda Stein started her Knights of Protection series after she was forced to evacuate her New York down...

Category

2010s Contemporary Leather More Art

Materials

Leather, Fabric, Canvas, Mixed Media

Lt. Ed. Artist Book: Business Cards (Signed by Ed Ruscha and Billy Al Bengston)
Lt. Ed. Artist Book: Business Cards (Signed by Ed Ruscha and Billy Al Bengston)

Lt. Ed. Artist Book: Business Cards (Signed by Ed Ruscha and Billy Al Bengston)

Located in New York, NY

Ed Ruscha, Billy Al Bengston Business Cards (hand signed by Ed Ruscha and Billy Al Bengston), 1968 Mixed Media Artist's Book: Softback monograph with a latigo leather thong, silver g...

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Materials

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'April Requiem', by Sunni Mercer, Sculptural Assemblage, Mixed Media, 2021
'April Requiem', by Sunni Mercer, Sculptural Assemblage, Mixed Media, 2021

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Located in Oklahoma City, OK

'April Requiem', 2021, by Sunni Mercer, is a human-scale, Mixed Media, Sculptural Assemblage featuring Clay, Gauze Bandages, Deer Hide, Copper and Paint. The sculpture depicts a fema...

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Partial Shako from Napoleon III's 42nd Infantry Regiment
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Exceptional set of complete works, dedicated, with 8 original endpage drawings
Exceptional set of complete works, dedicated, with 8 original endpage drawings

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By Yayoi Kusama

Located in New York, NY

Yayoi Kusama Infinity Mirrored Room: The Souls of Millions of Light Years Away: Leather Clutch Purse in Original Box, 2017 Leather outside; polyester inside 6 × 10 × 2 inches This leather clutch with polyester on the inside, is, according to the manufacturer, the most popular product they ever sold. It was created exclusively for the Broad Museum in a limited edition of an undisclosed amount, and has long sold out. Brand new in original box. Makes a wonderful gift! The clutch purse itself measures 6 inches vertical x 10 inches horizontal, and the box measures 6.75 inches x 10.75 inches. Inspired by Yayoi Kusama's iconic artwork, Infinity Mirrored Room: The Souls of Millions of Light Years Away, 2013—originally done in wood, metal, glass mirrors, plastic, acrylic panel, rubber, LED lighting system, acrylic balls, and water - this collectible and very wearable purse features perspectives of the room's expansive interior. YAYOI KUSAMA BIOGRAPHY Yayoi Kusama's work has transcended two of the most important art movements of the second half of the twentieth century: Pop art and Minimalism. Her highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design, and interventions within existing architectural structures, which allude at once to microscopic and macroscopic universes. Born in 1929 in Matsumoto, Japan, Kusama’s work has been featured widely in both solo and group presentations. She presented her first solo show in her native Japan in 1952. In the mid-1960s, she established herself in New York as an important avant-garde artist by staging groundbreaking and influential happenings, events, and exhibitions. Her work gained renewed widespread recognition in the late 1980s following a number of international solo exhibitions, including shows at the Center for International Contemporary Arts, New York, and the Museum of Modern Art, Oxford, both of which took place in 1989. She represented Japan in 1993 at the 45th Venice Biennale, to much critical acclaim. In 1998, the Los Angeles County Museum of Art and the Museum of Modern Art, New York, co-organized Love Forever: Yayoi Kusama, 1958–1968, which toured to the Walker Art Center, Minneapolis (1998-1999), and Museum of Contemporary Art, Tokyo (1999). More recently, in 2011 to 2012, her work was the subject of a large-scale retrospective that traveled to the Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Georges Pompidou, Paris; Tate Modern, London; and the Whitney Museum of American Art, New York. From 2012 through 2015, three major museum solo presentations of the artist’s work simultaneously traveled to major museums throughout Japan, Asia, and Central and South America. In 2015, the Louisiana Museum of Modern Art in Humlebæk, Denmark, organized a comprehensive overview of Kusama’s practice that traveled to Henie-Onstad Kunstsenter, Høvikodden, Norway; Moderna Museet, Stockholm; and Helsinki Art Museum. In 2017-2019, a major survey of the artist’s work, Infinity Mirrors, was presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC; Seattle Art Museum; The Broad, Los Angeles; Art Gallery of Ontario, Toronto; The Cleveland Museum of Art, Ohio; and the High Museum of Art, Atlanta, Georgia. Yayoi Kusama: Life Is the Heart of the Rainbow, which marked the first large-scale exhibition of Kusama’s work presented in Southeast Asia, opened at the National Gallery of Singapore in 2017 and traveled to the Queensland Art Gallery Gallery of Modern Art in Brisbane, Australia and the Museum of Modern and Contemporary Art in Nusantara, Jakarta. In 2019, All About Love Speaks Forever, an exhibition "tailor-made" specifically for the Fosun Foundation, Shanghai included more than 40 works by the artist. A comprehensive retrospective of the artist’s work was on view at Gropius Bau, Berlin in 2021, and traveled to the Tel Aviv Museum of Art in 2022. KUSAMA: Cosmic Nature...

Category

2010s Pop Art Leather More Art

Materials

Leather, Polyester, Mixed Media

"Bartender c1950s Mixing Drinks"
"Bartender c1950s Mixing Drinks"

"Bartender c1950s Mixing Drinks"

Sold

H 12.25 in W 18.25 in

"Bartender c1950s Mixing Drinks"

Located in Bristol, CT

Art Sz: 10 1/2"H x 16 1/2"W Frame Sz: 12 1/4"H x 18 1/4"W Vintage morocco leather bartender serving up savoury concoctions c1950s

Category

1950s Leather More Art

Materials

Leather, Board

Fun Red Modern Contemporary Limited Edition Watch by Donald Roller Wilson
Fun Red Modern Contemporary Limited Edition Watch by Donald Roller Wilson

Fun Red Modern Contemporary Limited Edition Watch by Donald Roller Wilson

By Donald Roller Wilson

Located in Houston, TX

A modern watch by Donald Roller Wilson. The watch features a red patent leather and a dial that features a monkey with male genitalia on its head. The watch has silver metal accents and shows only very minimal wear. Unsigned but it includes a handwritten note to the collector. The box is clean and intact. Watch length: 9" Strap width: 0.68" Dial dimensions: H: 1.5" x W 1" Artist Biography: Donald Roller Wilson (b. 1938) is an American artist, known for his paintings of people and anthropomorphized chimpanzees, orangutans, cats, and dogs, set in southern gothic...

Category

20th Century Modern Leather More Art

Materials

Leather

Javacheff Christo-The Gates-.25" x 1.25"-2005-Contemporary-Black & White

Javacheff Christo-The Gates-.25" x 1.25"-2005-Contemporary-Black & White

By Javacheff Christo

Located in Brooklyn, NY

Limited Edition Watch created for Christo and Jeanne-Claude's "The Gates" project, held in February, 2005 in New York's Central Park. The face of the watch features several of the G...

Category

Early 2000s Leather More Art

Materials

Leather

"Peruvian Frame, " Leather & Wood 4" x 6" Photograph Frame
"Peruvian Frame, " Leather & Wood 4" x 6" Photograph Frame

"Peruvian Frame, " Leather & Wood 4" x 6" Photograph Frame

Located in Milwaukee, WI

This is a hand-made leather frame by an unknown Peruvian artist. It will hold a 4" x 6" photograph vertically or horizontally and includes museum acrylic...

Category

2010s Other Art Style Leather More Art

Materials

Leather, Wood

Freedom, A Fable,
Freedom, A Fable,

Kara WalkerFreedom, A Fable,, 1997

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H 9.38 in W 8.39 in D 0.63 in

Freedom, A Fable,

By Kara Walker

Located in Hamburg, DE

Kara Walker (American, b. 1969, Stockton, California) Freedom, A Fable, 1997 Medium: Laser-cut paper pop-up book, bound in brown leather Dimensions: 23.8 × 21.3 × 1.6 cm (9 2/5 × 8 2/5 × 3/5 in) Edition of 4000 Publisher: Peter Norton...

Category

Late 20th Century Contemporary Leather More Art

Materials

Leather, Paper

EDWARD BOHLIN 1930S SILVER MOUNTED PARADE SADDLE  HOLLYWOOD WESTERN ARTIST
EDWARD BOHLIN 1930S SILVER MOUNTED PARADE SADDLE  HOLLYWOOD WESTERN ARTIST

EDWARD BOHLIN 1930S SILVER MOUNTED PARADE SADDLE HOLLYWOOD WESTERN ARTIST

By Edward H. Bohlin

Located in San Antonio, TX

Edward Bohlin silver mounted parade saddle. 14 inch seat. Black. Great Bohlin Stamp. Cowboy Saddle, Western Saddle. 1930s his most desirable period. Bohlin of Hollywood California. He made all of the saddles and other related western gear for the movies. The Corona is original. The Corona was custom made using the original Corona as the sample to copy. Biography Edward Bohlin (1895-1980) Edward H Bohlin Company Saddlery-Saddle Maker 1895-1980 BP: Sweden LKL: Hollywood, CA. Born in Sweden in 1895, Edward Bohlin ran away from home at age 15, working his way to America on a huge four-mast schooner with dreams of Buffalo Bill Cody's Wild West in his head. Ed worked cattle drives around Montana before opening his first saddle shop in Cody, Wyoming where he did rope tricks in front of his shop to draw business. He met Tom Mix while performing at the Pantages Theatre in Hollywood and Mix convinced Ed to stay and produce silver and leather items in the Los Angeles area. From his humble beginnings to his fame in Hollywood for high-end pieces, Ed crafted more than 12,000 Bohlin saddles including many grand silver outfits of Tournament of Roses Parade fame. He also dressed many silver screen heroes and horses with his grand style of buckles, spurs and gun belts. His company was without equal among western style silversmiths building a reputation on flawless workmanship. The Edward H Bohlin company, which operated from the early 1920s through the 1980s (under Ed's watchful eye but continues to operate under other ownership), reached its apex in the 1930s when the Hollywood cowboys reigned supreme. Bohlin was a stickler for details and employed the finest silver and leather workers of his era to satisfy discriminating clients including Mae West, Hopalong Cassidy, Monte Hale, Lyndon Johnson and Ronald Reagan. Bohlin Saddles Roy Roger's Diamond Special Bohlin Saddle Ed Bohlin was known for his beautifully crafted parade saddles. A perfectionist, for good and bad, he never accepted anything less than the best craftsmanship. The leather on his saddles still squeak after 60 years. The silver requires only a cloth to clean because he used the highest grade of sterling. He and his artisans made many of the pieces by hand, especially the gold figures on his saddles. His carving was stunning and recognizable. Many of High Noon's customers remember going into Bohlin's shop as children while their fathers purchased saddles, buckles, belts, bolos and money clips. Some time the kids got a special gift, too, from their dads. A few child's saddles (The Jackie Cooper model) were made to match their fathers' for parades. The Tim McCoy model and others were made for the stars of the era. Fiesta was truly a work of art, both in the silver and the pictorial carving. The Murietta was one of his brilliant models, mounted with Indian and Tepee design with distant hills all done in three shades of gold. The Dicksons were used many times for riders who wanted to twinkle with silver in parades.Bohlin saddles have always been valued higher than any other maker and have kept their value throughout the years. Both riders and collectors of Western Americana still clamor for Bohlin, whether they plan to ride using them or only to display them proudly in their offices or living rooms as art. Bohlin Buckles...

Category

1930s Realist Leather More Art

Materials

Silver

Leather more art for sale on 1stDibs.

Find a wide variety of authentic Leather more art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add more art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Louise Bourgeois, Jean Cocteau, Edward H. Bohlin, and Jeff Koons. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Leather more art, so small editions measuring 0.1 inches across are also available Prices for more art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $929,058, while the average work can sell for $1,100.