Paper More Art

MARINI, Marino. Tout Pres de Marino. Text by Egle Marini. Illustrated with 10 original etchings by Marini. Atlas folio, loose as issued in wrappers and cloth folding box. Paris:...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Jennifer Losch Bartlett Rhapsody (hand signed and inscribed), 1985 Hardback monograph with dust jacket (hand signed and inscribed to Nadine) Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page 12 × 12 × 1 inches Provenance signed for the present owner at Paula Cooper Gallery on January 21, 2016 This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016. Makes an excellent gift Book information: Publisher‏: ‎ Harry N Abrams (November 1, 1985) English; Hardcover; 108 pages with color illustrations Editorial Review: Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended. About Jennifer Bartlett: By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...

Jean-Michel Basquiat The Notebooks 1993 (catalogue): A comprehensive pictorial overview of the history of Basquiat's notebooks. The early 1990's first edition featuring an introducti...

This piece titled "Surge" is an original piece by Han Cao and is made from embroidery, inkjet print, and a vintage photograph. This piece measures 15.25"h x 12.25"w framed and is shi...

Ecce Homo is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1923. Original First Edition. Published by Malik Verlag, Berlin. Format: Lar...

Ex Libris - Jose Piresy is a Modern Artwork realized in the mid-20th Century. Woodcut print on paper.  The work is glued on a cardboard. Good conditions.

This is the Correspondance between Jean-Pierre Guillermet (Porrentruy, Switzerland, 1921- San José 2017) and Nesto Jacometti (Locarno, 1898- 1973). Composed of 8 items written in Fr...

These 3 Autographs Signed by Mario Praz / all Oppé to the Countess Pecci-Blunt Written In Italian, from 1950 to 1953, are perfectly readable and in excellent conditions with origin...

This piece titled "Taco Tuesday" is an original artwork made from hand embroidered thread on paper by Kelly Kozma. This piece is shipped in the pictured white frame and measures 8.75...

Interesting collection of 4 letters by Jean Dubuffet (2 hand written and 2 typescript) addressed to the swiss editor Nesto Jacometti. All of them are dated 1955. Very good conditions...

Richard Nonas (hand signed by Richard Nonas), 2004 Softcover monograph (hand signed by Richard Nonas) Hand signed by Richard Nonas for the present owner ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising, and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood. Mixed Media Collage...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

Exuberantly colorful, symmetric colleges with ovoid shapes, called emissaries, originate from another cosmic dimension. We are troubled by the unsettling apprehension that they may b...

This series of analog collages is constructed from precise assemblages of printed fragments, forming symmetrical compositions that suggest entities or emissaries from an alternate co...

This series of analog collages is constructed from precise assemblages of printed fragments, forming symmetrical compositions that suggest entities or emissaries from an alternate co...

Marina Abramović A Visual Biography (Hand signed by BOTH Marina Abramovic and Katya Tylevich), 2023 Large (huge!) hardback monograph with no dust jacket as issued Hand signed by BOT...

Die Glucksritter is an original modern rare book illustrated by Hans Meid (1883 - 1957) and written by Josef Von Eichendorff (1788 – Nysa, 1857) in 1928. P...

Inspired by Matisse, Flower Vase, 2020 by a.muse blooms with color and energy. A 14" x 10" one-of-a-kind abstract art on watercolor paper hand-pulled by the artist on an etching pres...

Das Neue Gesicht der Herrschenden Klasse is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1930. Original First Edition. Published by Malik, Berlin. Format: in 4°. The book includes 126 pages with 60 full page reproductions of drawings. Mint conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Limited edition. Specimen number 91 of 565 copies so divided: 50 numbered copies (1-50) on Holland paper including two original etchings; 500 numbered copies (51-550) on Alfa paper; ...

"Evening ", paper/oil, 70x50 cm.

This piece titled "High Score" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame ...

Chuck Close, Richard Estes Picturing America (hand signed by both Chuck Close and Richard Estes), 2009 Hardback Monograph (hand signed by Chuck Close and Richard Estes) Boldly signed by Chuck Close and Richard Estes 9 1/4 × 10 × 1/2 inches We have not seen another hand signed by both Chuck Close and Richard Estes anywhere else in the world - ever. And none with such fine provenance: This highly collectible monograph was hand signed by Chuck Close for the present owner at a special event held by Artifex Press held at the New York Public Library; then signed by Richard Estes at his retrospective at the Museum of Design in New York Published on the occasion of the exhibition Picturing America: Photorealism in the 1970s/Picturing America: Fotorealismus der 70er Jahre. The book was signed for the present owner by Chuck Close at Artifex Press held at the New York Public Library on December 19, 2012, and by Richard Estes at the Museum of Design. About the monograph, which itself is a collectors item: Title: Picturing America Publisher: Deutsche Guggenheim, 2009 Hardcover, 176 pp. replete with full-color images of the photorealistic work of some of the most celebrated names in American realism painting...

Picabia La Nuit espagnole - Poster Exhibition is a mixed colored offset print realized in 1986. This print was realized on the occasion of the exhibition dedicated to the artist and...

Manufacturer: 1xRUN Edition Details: Year: 2021 Class: Art Print Run: 175 Technique: Giclee Paper: Perforated Blotter Size: 7.5 X 7.5 Markings: Signed & Numbered by the artist in pe...

This piece titled "Emblem" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame and measures 6"h x 6"w framed. The catalyst for this new body of work was a jar of leftover magazine cutouts from a collage I made in 2010. Reusing leftover materials as well repurposing items that might end up thrown away, has become a very important part of my process the past decade. Stumbling across this jar of coin sized images that had waited patiently on a shelf for 12 years, ignited my creative process and drove me to explore collage in a new way. Unlike the piece from 2010 in which I assembled the images by piecing them together, I decided to examine each individual cut out on its on. By removing the image from any other context it allows you to focus solely on its meaning, purpose or feelings that it may evoke. Each image is embedded in a field of French knots which felt like a way of creating a time capsule of sorts for the object. Another inspiration behind this collection is my six year old son and his endless piles of sticks, stones, leaves, etc in our home. Only to him they aren’t sticks and stones, they are treasures. His ability to find a tiny twig or scrap of paper and not only cherish it but give it a backstory of why it is so special, is a beautiful thing and one I have tried to tap into with my new work. By placing a picture of a rubberband ball or a set of Dracula teeth or a banana in this embroidered box...

Ballads is an original modern rare book written by William Hayley (Chichester 1745 - Felpham, Sussex, 1820) and illustrated by Sir William Blake (London, 1757 - London, 1827) in 1805...

"Memento Morididdle Movement #91" is an original hand-cut paper sculpture in a found frame by Charles Clary. This piece measures 11in x 9.5in x 2in. Bio // Charles Clary was born i...

Real Life in London is an original couple of books written by William Combe (25 March 1742 – 19 June 1823) and illustrated by Thomas Rowlandson (13 July 1757 – 21 April 1827) in 1821...

Edition of 143 copies. One of 25 copies on pur fil. Near perfect conditions and partially uncut.  Louis Aragon was born in 1897 and died in 1982. He was a French poet and writer,long...

 Ex libris - Giovanni Botta is an Artwork realized in 1958 by the artist Giulio Cisari. Etching on colored paper. The work is glued on ivory cardboard. Total dimensions: 18x14 cm. ...

Original vintage British Railways advertising poster "Progress: Every week British railways modernization plan goes further ahead." Print from a painting by Terence Cuneo for the cov...

Chez les Passants is an original Rare Book written by Philippe-Auguste, comte de Villiers de l'Isle-Adam (7 November 1838 – 19 August 1889) and illustrated by Félicien Rops (Namur, 7 luglio 1833 – Essonnes, 23 agosto 1898) in 1890. Original First Edition. Published by Comptoir d’édition, Paris. Format: in 12°. The dimensions and the weight are indicative. The book includes 320 pages with full page frontispiece etching. Good conditions. Félicien Victor Joseph Rops (7 July 1833 – 23 August 1898) was a Belgian artist associated with Symbolism and the Parisian Fin-de Siecle. He was a painter, illustrator, caricaturist and a prolific and innovative print maker, particularly in intaglio (etching and aquatint). Although not well known to the general public, Rops was greatly respected by his peers and actively pursued and celebrated as an illustrator by the publishers, authors, and poets of his time and provided frontispieces and illustrations for Jules Barbey d'Aurevilly, Charles Baudelaire, Charles De Coster...

Les Facheux is a ballet of Boris Kochno, inspired by Molière's comedy, with the choreography of Bronislava Nijinska, music by Georges Auric, costumes by Georges Braque. First perfor...

Christopher Wool 2004 CAMDEN ARTS CENTRE (Hand signed and dated by Christopher Wool), 2004 Softcover catalogue (Hand signed and dated by Christopher Wool) Hand signed and dated 2017 ...

Autograph postcard signed by Renato Guttuso to the Countess Pecci-Blunt. On the front, there is a reproduction of a detail of the Leonardo's "Cenaco...

This piece is an original artwork by Jason Chen titled "Wayward". It is made of archival pigment prints from the artist's photography that he then cuts into strips and weaves togethe...

Picasso. Etchings 1930-1936 includes the list of Pablo Picasso's etchings exhibited at St. George's Gallery Prints (London), 21 June-23 July, 1955. In-8º, text in English, unnumbered pages, b/w illustrations, cm 21.6 x 0.1 x 14. Introduction by Joseph Rykwert...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Young football player, 30x20cm, monotype/paper

Manifeste technique de la sculpture futuriste. Edited in Milan, April 22, 1912, and printed in September of the same year. Written by Umberto Boccioni (Reggio Calabria, 1882– Chievo,...

Giuseppe Garibaldi - Il Secolo  is a national newspaper published on wednesday november 3th, Milan 1880. The cover is a lithograph realized by the artist Ernesto Fontana (1837-1918)...

L.T.S. (Lettre dactylographiée signée) Typewritten letter signed by Albert Field. Headed paper with double heading: in the center “The Salvador Dalì Catalog”, on the upper right “Compiler Albert Field, 20-25 29th Street, Astoria 5, N.Y.” addressed to the Countess Anna Laetitia Pecci - Blunt. Dated: 18th March 1958. One page, only front. In English. Very good conditions with usual folds in the paper and a rip on the higher left corner. Very interesting and amusing letter signed by Albert Field, the official compiler of Dalí’s work, for the Countess Anna Laetitia Pecci-Blunt. A thank-you letter for her "prompt and informative reply" to the previous Field letter of the 8th March 1958. "I must play detective all the time, and of course while this irritates me as a scholar, it fascinates me at the same time". The background: The Surrealist Dalí commissioned to Albert Field the creation of his Official Catalogue of Graphic Works, a guide to the artist’s works for collectors, dealers, gallery owners and museums: an opus magnum encompassing 40 years of production and comprising 1900 illustrations, of which 1500 in color. Albert Field was Dalí’s official archivist, besides the topmost authority regarding the artist’s work, who discovered approximately 17 types of falsification, as he reported to the St. Petersburg Times in 1987. Therefore, the catalog had the function of uncovering false Dalís scattered throughout the world. Nevertheless, Dalí himself reacted to the falsification phenomenon by saying: “Someone who is subjected to forgery the way I am must really be fantastically good''. An eccentric genius like Dalí thus found a kindred spirit in Mr. Field, an English, science, and maths teacher, as well as collector of playing cards, who had a passion for nudism and rambling, and who combined all of his interests by climbing the Appalachian Trail completely naked. At the sight of “Dream of Venus...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Letter addressed to the Countess Laetitia Pecci Blunt. Rome, 25 June 1935. 1p.A4 in pen. In Italian. Nice letter of thanks and attention "of the constant...

Beautiful L.A.F. (signed autograph letter) of two handwritten pages, made by Pietro Mascagni on 18-8-1909 on the headed paper of the Teatro Costanzi in Rome and addressed to Prof. U...

This fabric work titled "Time Warp" is an original artwork by Kelly Kozma made of hand embroidery, colored pencil & acrylic paint on paper. The piece measures 15”h by 15”w framed...

Original Magazine. Florence, (Printers: Tip. A. Vallecchi), Jan 1913-May 1915, 4°, (h. I: 350x250 mm: aa, II-III 370x270mm) 16 pp. per issue (8 in y. III) numbered progressively by year. Complete collection (unbound) of the 69 issues of the famous fortnightly review (weekly in 1915) edited by Papini and Soffici. Lacerba was an Italian literary review (fortnightly at first, then weekly) started by Giovanni Papini and Ardengo Soffici in 1913 In Florence. The title is taken from a 14th Century poem, Lacerba, by Cecco d’Ascoli, as well as the line, “Quinonsicantaal mondodellerane” (“Here we don’t sing to the world of frogs”), used as a slogan printed below the masthead. Many of the most famous futurists contributed to thereview,so that it became the principal vehicle for futurist ideas and graphics between 1913 and 1914. “The intensity of its presence, its luck and the range of its coverage, its polemical tone as well as the richness and scattershot breadth of its subject matter, its language and themes, and its articles and pictures, place it among Europe’s leading avant-garde publications alongside France’s Les Soirées de Paris, Germany’s Der Sturm and Blaue Reiter almanac...

S. written by Sandro Volta, editor-in-chief of the weekly "Oggi", addressed to Mino Maccari. Rome, April 27th XVII. 1p 21x29cm, on “Oggi. Direction and editorial staff ". Perfect state. Request for collaboration for the new publication. Having placed the seals on Leo Longanesi's Omnibus, because it was a magazine not aligned with the regime, the publisher Angelo Rizzoli devises a way not to waste the intelligence and wealth of professionalism that had made the newspaper a new way of doing journalism. He founded a new newspaper that looked at news, literature and history, namely the "Oggi", with the format and setting of the Omnibus, at the direction of which there were two new recruits: Arrigo Benedetti and Mario Pannunzio, who will become the most celebrated couple of Italian journalism. On June 3, 1939, the first issue of Oggi was published, a newspaper that will launch young writers who will reach international fame such as Elio Vittorini, Tommaso Landolfi, Ennio Flaiano, Elsa Morante...

Very intricate silhouette cut out of black paper over white paper background by the Czech artist, Frederich Kaskeline. Signed lower right. Bearing inscription lower left. Circa 1920...