Paper More Art

Edition of 250 copies including 8 original lithographs and many b/w illustrations of graphic works by Louis Legrand. One of 200 copies on Papier Vélin. Original editorial softcover ...

L'Assiette au Beurre is a Comic Magazine published in 1905, reproducing drawings by Leal da Camara (1876-1948). Good condition on a yellowed paper, except for some torn paper on the...

Le Rire is a Comic Magazine published in june 1906, reproducing  in lithographs the drawings by Pierre-Georges Jeanniot (1848–1934).

Jean Michel Basquiat New Works: Akira Ikeda Gallery, February 7-28, 1987: Rare sought-after Basquiat exhibition catalog from 1987 published by Akira Ikeda Gallery, Tokyo. A nicely re...

Autographed by Jeff Koons on inside cover with date using silver marker. A limited number of books were autographed by Koons who was present at the show. Released in 2019 on occasion...

Andy Warhol Flowers and Holly (Christmas Card) c. 1955: A well-sized 1950s designed Andy Warhol flowers Christmas print, produced by Warhol circa 1955. Featuring Warhol's printed sig...

1001 Afternoons in New York is an original modern rare book written by Ben Hecht (New York,1894 – New York, 1964) and illustrated by George Grosz (Berlin, 18...

Color offset lithograph. Signed, numbered or inscribed by hand. Edition: 180. In good condition, minimal traces of storage. A beautiful artwork that looks good in every room and ...

Volume 1 of Banksy Captured book by Banksy's ex-manager Steve Lazarides. First edition book. Limited edition of 5000. Numbered inside book. Released in 2019. Has many never before s...

Intricate and layered two-part composition by notable collage artist Graham Moody (American, b. 19XX). Two vertical panels are composed primarily of handwritten musical scores and notations, mounted on maps. Layered atop the sheet music art sections of technical illustrations, topographic maps, magazine cutouts, and books. Exhibited: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California Each piece is signed and dated "Moody 1990" in the lower right. Titled "From Grief" and "I Cannot Measure" in the lower left of each piece. Each piece measures: 25.75"H x 11"W Graham Moody (American, b.1948) studied art history and political science at Humboldt State University, graduating in 1980. While maintaining a career as an artist, Moody also worked as the Art Program Director for Pelican Bay State Prison, bringing art instruction to incarcerated individuals. Moody lives and works in Eureka, California. Moody’s artwork is held in various collections, including: Hewlett Packard Corporation - Palo Alto, California Fresno Museum of Art - Fresno, California Morris Graves Museum of Art - Eureka, California Boston Edison - Boston, Massachusetts Intertael Books - Amsterdam, Holland Kintetsu - Nara, Japan Sun Bank - Jacksonville, Florida Yokohama Royal Park Hotel - Yokohama, Japan Four Seasons Hotel - Las Vegas, Nevada Ontogeny - Potomac, Maryland Fidelity Investments - Boston, Massachusetts New Saint Andrews College - Moscow, Idaho Ken Houldsworth Financial Planner - Arcata, California Bank of America World Headquarters - San Francisco, California Kaiser Permanente Hyatt Regency Hotel Chicago, Illinois Hyatt Hotel - New York, New York La Playa Beach Resort - Naples, Florida Stanford University Hospital - Palo Alto, California Selected Exhibitions: “Two Decades of Collage” - Morris Graves Museum of Art - Eureka, California “Celebration of the Arts” - Robert Allen Fine Art - San Francisco, California Butters Gallery - Portland, Oregon Art LA - Los Angeles, California The Allrich Gallery - San Francisco, California Theatres d'Ermont - Val d'Oise, France Galerie Kunsthaar - Amsterdam, Nederlands Galerie Yurn - Paris, France Galerie Tagliana - Auvers-sur-Oise, France Humboldt Cultural Center - Eureka, California Group Shows: Humboldt Arts Council - Eureka, California “Collecting Ourselves: Works from the Permanent Collection” - Morris Graves Museum of Art - Eureka, California “Persistence: Collage” - Butters Gallery - Portland, Oregon Exposition 'Alcools' - Galerie L'Autre - Paris, France Exposition 'Ars Longa...

Le Rire is a Comic Magazine published in 1896, reproducing  drawings by Lucien Metivet (1848–1934).

Kate Moss (Crude Oils), Print on Card, 2005 Rare promotional card from Banksy's now infamous 2005 Crude Oils exhibition (14th - 24th October 2005). The piece features an image of Ka...

Only 257 of the these books were hand signed by the artist CB HOYO. Each book binding is unique. "I Didn't Know How To Name This" is the new book dedicated to CB Hoyo's life and creative process. Published by SKIRA, the book is an official collection of all his works accompanied by a lengthy interview in which the artist speaks about himself and deepens his friendship with Plan X Art Gallery. The book is a significant chapter in CB Hoyo's artistic career and personal life. It reinforces the solid foundations of a path that the artist continues to build day after day and to which Plan X Art Gallery is happy to contribute. Only 257 of the these books were hand signed by the artist CB HOYO. Each book binding is unique. "I Didn't Know How To Name This" is the new book dedicated to CB Hoyo's life and creative process. Published by SKIRA, the book is an official collection of all his works accompanied by a lengthy interview in which the artist speaks about himself and deepens his friendship with Plan X Art Gallery. The book is a significant chapter in CB Hoyo's artistic career and personal life. It reinforces the solid foundations of a path that the artist continues to build day after day and to which Plan X Art Gallery is happy to contribute. Medium: Books and Portfolios: Condition: Book is in great condition and hand signed by the artist, CB HOYO in black ball point pen. Signature: Hand-signed by artist, Hand Signed by the artist CB HOYO on the binding of the pages. Please and thank you...

Suite of Ten etchings and dry-points: • L’Auberge des Trois-Corbeaux. Wentworth 29 (i/iii) • Quarrelling. Wentworth 18 • The Rubens’ Hat. Wentworth 8 • The Thames, Wentworth 20 • Bas...

PRODUCTION: The Lion King, 1994 MEDIUM: Storyboard, Double Sided SIZE: 10" x 5.5" SKU: CCV1940 ABOUT THE MEDIUM: Original Storyboard Drawings show what’s moving in each shot, and in which direction, so that the production team is crystal clear on the desired end result, which is exactly what a professional storyboard should do. Having an original production storyboard from one of your favorite movies or short films is a great collector's piece! Comes with a Certificate of Authenticity! ABOUT THE FILM: The Lion King tells the story of Simba (Swahili for lion), a young lion...

Untitled (Smiley self portrait) By Damien Hirst Damien Hirst is a British contemporary artist known for his provocative and often controversial works that explore themes of life, ...

Abstract Composition is an original artwork realized by Antonio Marasco in the 1970s. Mixed colored collage on paper Hand signed on the lower right. Includes a wooden frame: 48 x ...

Volume 2 of Banksy Captured book by Banksy’s ex-manager Steve Lazarides. Features images from his show in Los Angeles, Crude Oils and many other locations. Has many never before seen...

Presented here is the rare iconic Basquiat New York Times Magazine 1985: The New York Times Magazine, February 10, 1985 edition famously entitled “New Art, New Money: The Marketing ...

Condition: Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the seller’s listing for full details. Book ...

Thirty-third Venice International Art Biennial is the catalogue of the Art Biennal of 1966.  Book with photographs 252 pages plus plates. Good conditions, exept some yellowing due...

Kristen Martincic earned her BFA from Bowling Green State University and her MFA from the University of Nebraska-Lincoln. The artist, who currently lives and works in Columbia, Misso...

The artist works with layering of material for a certain poetic subtlety: the power of expressionistic charge. Subtly suggested places emerge, deformed by creation but always recognisable. They are cities and areas recalled by the suggestive imagery of this artist. Colourful Screen Print, Handsigned and Numbered e/a. Can be framed accordingly. Contact us for possibilities. Sheet size: 110x50 per each artwork. Motif size: 90x40 per each artwork. About Nicole Schaap...

burnt lines, logwood dyed fabric on indigo & madder dyed paper

L'Assiette au Beurre is a Comic Magazine published in 1901, reproducing drawings by Hermann-Paul (1864–1940), Henry Gustave Jossot (1866 –1951), Pierre-Georges Jeanniot (1848–1934). ...

Ex- Libris - Frohe Ostern is an Artwork realized in 1959. Etching print on colored paper. The work is glued on green cardboard. Hand Signed on the right margin and dated '59. Total...

Third futurist manifesto (wrongly believed to be the second), appeared for the first time with this title on the literary magazine directed by F.T. Marinetti "Poesia", anno V, n.7-8-...

"Il Selvaggio, no.9 - 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcuts by the artist Mino Maccari....

In crowd, 2023, 78x54 cm The work is sold without a frame.

Night Thoughts is an original Modern Rare book written by Edward Young (1683 – 1765) and engraved by Sir William Blake (London, 1757 - London, 1827) in 1797. It includes a suite of ...

In the world of cartoon, and animation for that matter, there are a handful of names that stand out. One that is at the top of such a list is Chuck Jones. He was an American animated filmmaker and cartoonist, best known for his work with Warner Brothers on the Looney Tunes and Merrie Melodies shorts. He wrote, produced, and/or directed many classic animated cartoons shorts starring Bugs Bunny, Daffy Duck Wile Coyote...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 5.5 X 19.5 Dated August 13, 1954 in top right corner. Like her contemporaries, Aggie Mack, Candy and Patsy Walker (before her conversion to a superhero), Susie Q. Smith was a female Archie-type — not exactly an imitator, because Archie, who had started only four years earlier, hadn't yet become popular enough to spawn imitators, but part of his genre. She attended high school, where her teachers often seemed unreasonable to her, interacted with the opposite gender in a typically adolescent way, and her parents didn't completely understand her. And she was cute and perky as only a teenage girl can be. Susie was the star of a comic strip distributed by King Features, the biggest of the comic strip syndicates, whose other offerings have ranged from Jackys Diary to Prince Valiant. King launched the strip in both daily and Sunday form in 1945. Daily, she was only in a panel at first, but it expanded into a full, multi-panel strip on February 7, 1953. In a very odd turn of events, in 1953 the Walters chose to leave King Features behind and hitch their wagon at the McNaught Syndicate. The creators were Harold "Jerry" Walter and his wife, Linda. Jerry was also responsible for Jellybean Jones, who has nothing to do with Jughead Jones's young sister, a modern-day addition to the Archie cast of characters. Together, they did The Lively Ones during the 1960s. Though each was capable of doing both major jobs in comic strip production, their usual working method was for Jerry to dream up the ideas and write the dialog, while Linda did the artwork. The Walters also collaborated on a series of Susie Q. Smith comic books for Dell Comics. Instead of reprinting newspaper strips, these ran new stories by the Walters. Between 1951 and '54, four issues were published as part of the Four Color Comics series, where many minor comic strips, including Dotty Dripple, Timmy and Rusty Riley had found a home. It had no other media spin-offs. Susie Q. Smith had a respectable run in the newspapers, but it ended in 1959. Jerry Walter (1915 - 2007) was an abstract expressionist artist whose output of energetic and colorful paintings were the products of the rich artistic milieu of post-war New York City. He was born Harold Frank Walter in Mount Pleasant, Iowa on November 25, 1915. After graduating from Colgate University in 1937, Walter moved to New York City, where he studied drawing and painting at the New School and the Art Students’ League. Before concentrating seriously on his art, he spent several years as a successful copywriter and idea man for the advertising agencies of J. Walter Thompson, McCann Ericson, and BBDO. During this time, he also worked as a syndicated cartoonist. Collaborating with his wife, Linda, his best-known series was Susie Q. Smith, which first appeared in 1945 and described as a “female Archie type.” Very popular, the cartoon was later the subject of a series of comic books published from 1951 to 1954. After serving in the United States Army for three years during World War II, Walter began to paint seriously. He ascribed his earliest artistic influence to Joan Miró, whose Dog Barking at the Moon (1926) he viewed when he was twelve, the year he published his first cartoon. Walter later wrote that jazz, “the first native expression of so-called modernism” was a strong influence on his work. During the later 1940s, Walters spent time at the Research Studio in Maitland, Florida. Founded in 1937 by artist and architect J. André Smith and supported by the philanthropist Mary Curtis Bok, the Research Studio was a lively colony that hosted prominent artists, including Milton Avery, Ralston Crawford, and Doris Lee. While at the Studio, Walter’s work was purchased by Frank Crowninshield. A founding trustee of the Museum of Modern Art and editor of Vanity Fair, Crowinshield was a noted collector; his collection included important works by Pablo Picasso, Marc Chagall, Henri Matisse, Edgar Degas, George Bellows, and Pierre Bonnard. Returning to New York after his time at the Studio, Walter became an active member of the New York school of the abstract expressionist movement, and in the summer of 1956, Walter exhibited 13 paintings and a selection of drawings at New York’s Chase Gallery. The adroit manipulation of both color and composition evident in his work shows the influence of Abstract Expressionism, particularly Willem de Kooning, Arshile Gorky, and Hans Hofmann. illustrator and female cartoonist Linda Walter was the talented female mind behind the beloved "Susie Q. Smith" comic strip. She played an instrumental role in shaping the cultural landscape through her vibrant illustrations. Known for the timeless charm of the "Susie Q. Smith" comic strip, Linda's artistry brought joy and laughter to countless readers during the 1950s and continues to resonate with fans across generations. She was part of the Woodstock artists community. from Women in Comics: Linda Walter was the artist of newspaper strip Susie Q. Smith, which was written by her husband, Jerry. It was syndicated by King Features Syndicate and ran from 1945 to 1959. The Walters also contributed original Susie Q. Smith stories to Dell's Four Color comic books from 1951 to 1954. From 1964-1965, they created a singled panel comic called The Lively Ones. Vintage Golden Age of Comics era. The Golden Age of Comic Books describes an era in the history of American comic books from 1938 to 1956. During this time, modern comic books were first published and rapidly increased in popularity. The superhero archetype was created. Between 1939 and 1941 Detective Comics (DC) and its sister company, All-American Publications, introduced popular superheroes such as Batman and Robin, Wonder Woman, the Flash, Green Lantern, Doctor Fate, the Atom, Hawkman, Green Arrow and Aquaman. Timely Comics, the 1940s predecessor of Marvel Comics, had million-selling titles featuring the Human Torch, the Sub-Mariner, and Captain America. Another notable series was The Spirit by Will Eisner. Dell Comics' non-superhero characters (particularly the licensed Walt Disney animated-character comics) outsold the superhero comics of the day. The publisher featured licensed movie and literary characters such as Mickey Mouse, Donald Duck, Roy Rogers and Tarzan. Additionally, MLJ's introduction of Archie Andrews in Pep Comics #22 (December 1941) gave rise to teen humor comics, with the Archie Comics...

Paritosh Sen - Mother and Child Acrylic on Paper Board 40 x 30 inches, 2005 (Framed & Delivered) Paritosh’s Mother and Child is a powerful portrayal of maternal anguish and vulnerab...

Gene Davis Large Scale Lithograph on Archival paper Signed and numbered in pencil. Titled Yankee Doodle and executed in 1972. Original frame with plexiglass. Printed by Fine Creati...

MEDIUM: ​Original Production Cel on Printed Background IMAGE SIZE: 10.5" x 9" PRODUCTION: Superman the Animated Series, Little Big Head Man SKU: IFA8526 ABOUT THE IMAGE: Superman: T...

Extremely rare set of exhibition offset lithographic poster prints from Yayoi Kusama. They were released by the Matsumoto City Museum of Art in Jap...

The Student is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux", 1852. Published by Manesq & Harvard, Paris. Good Conditions but aged. The artwork is depicted through strong strokes with perfect hatching. Jean Ignace Isidore Gérard...

Le Rire is a Comic Magazine published in 1896, reproducing in lithographs the  drawings by Pierre-Georges Jeanniot (1848–1934).

"Il Selvaggio, no.10- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", inclugind original woodcuts by the artist Mino Maccari....

Still life

"Il Selvaggio, no.21-22- 1924", "Annual supporter subscription - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino Maccari. 8 pages. ...

Basquiat Serpentine Gallery London 1996: A rare, highly collectable 1990's Basquiat exhibition catalog published on the occasion of Basquiat's first major London exhibition: Jean-Mic...

L'Assiette au Beurre is a Comic Magazine published in 1902, reproducing drawings by Armand Clément. Good condition on a yellowed paper, except for some torn paper on the left margin...

Partridges, 59.4 x 42 cm, linocut, paper In stock 9 pcs.

The Tormented Fox is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions b...

Original chromolithograph teaching chart by Heinrich Jung G. Ton Koch, and F. Quentell. Darmstadt, Verlag Frommann & Morian, circa 1902.

Inspired by a coastal walk looking over the cliff. ADDITIONAL INFORMATION: Linocut print on Paper Edition of 10 20 H x 20 W cm (7.87 x 7.87 in) Sold unframed Image size: Height: 2...

Abstract Composition is a print realized by Antonio Marasco in the 1970s. Lithograph on paper. Hand-signed and numbered, edition 25/125 prints. Good conditions. The artwork is r...

Gesänge Gegen Bar is an original modern rare book written by Günther Schwenn (Berlin, 1903 - Geneva, 1991) and engraved by George Grosz (Berlin, 1823 - 1959, Berlin) in 1931. Publis...

G. Ferrari, Matta. Entretiens Morphologiques. Notebook N°1, 1936-1944 , First Edition, Sistan, London 1987. In this book, there is an original lithograph by Matta, hand-signed and n...

Thanksgiving letter from Renato Guttuso to the Countess Anna Laetitia Pecci Blunt. Envelope included.

This piece titled "High Score" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame ...

This piece titled "Lodge Life" is an original artwork made from collage, hand embroidery, and latex paint on canvas by Kelly Kozma. This piece is shipped in the pictured white frame ...

"Fading Worlds vs Emerging Worlds No. 5" is an abstract circular 3-D paper work by Bianca Severijns. Severijns paints and hand-tears the paper to create her unique and one of a kind ...

Abrechnung Folgt! is an original modern rare book illustrated by George Grosz (Berlin, 1823 - 1959, Berlin) in 1923. Original First Edition. Published by Malik Verlag, Berlin. Format: In 4°. The book includes 61 pages with 57 full page reproductions of drawings. Good conditions. George Grosz (Berlin, 1823 - 1959, Berlin). By the war’s end in 1918, Grosz had developed an unmistakable graphic style that combined a highly expressive use of line with ferocious social caricature. Out of his wartime experiences and his observations of chaotic postwar Germany grew a series of drawings savagely attacking militarism, war profiteering, the gulf between rich and poor, social decadence, and Nazism. In drawing collections such as The Face of the Ruling Class (1921) and Ecce Homo (1922), Grosz depicts fat Junkers, greedy capitalists, smug bourgeoisie, drinkers, and lechers—as well as hollow-faced factory labourers, the poor, and the unemployed. At this time Grosz belonged to the Berlin Dada art movement, having befriended the German Dadaist brothers Wieland Herzfelde and John Heartfield...

Colour screen-print. Hand-signed, numbered or labelled, dated, titled. A beautiful artwork that looks good in every room and especially in the living room or bedroom. Can be frame...

Small abstract paper collage in teal and white by Bay Area artist Michael Pauker (American, b. 1957). This piece is created from a few pieces of antique...

Le Rire is a Comic Magazine published in 1928, reproducing  drawings by Abel Faivre (1867–1945).

Visit to a Prisoner is an original lithograph by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvard, Paris. Good Conditions....

"Il Selvaggio, no.7-8- 1935", "Annual supporter subscription - Una Copia 40 Cent - Fortnightly Newspaper of arts and science", including original woodcut prints by the artist Mino M...