Abstract More Art

Painted mirror in white

Paula Valenzuela Stay Awake, 2019 Mixed media on panel with cold wax finish Unframed dimensions: 16 x 16 x 2 inches Framed dimensions: 17 x 17 x 2 inches The title for this painting...

1/8" – 3/8" high on-edge paper on mat board. Handcut Stardream® Bluebell paper on gray background. Call them brushstrokes, or call them waves. These are beginning explorations ...

Drop. Small abstract sculpture from porcelain, h 12,5 cm

White Musical plate 2011, porcelain, 13x17 cm inside in the plate small pearls, which make a pleasant sound reminiscent of the sound of the sea, when you move the plate

Musical plate 2011, porcelain, 4x33,5x24,5 cm inside in the plate small pearls, which make a pleasant sound reminiscent of the sound of the sea, when you move the plate

Oval bowl with tree motif 2013, stone ware, 3,5x26x18,5 cm

Vase with silver glaze 2017. Stone mass, 19x23,5x15,5 cm

Vase blue flower. 2017. Stone mass, h 17,5 cm, diam. 21.5 cm

Painted mirror

Gary Goldberg Finding the Universe in Oaxaca, Sunset, 2019 Textile, wool felting 48 x 32 in Edition of 3 One of Gary Goldberg’s photographs from his Finding the Universe in Oaxaca s...

Gary Goldberg Finding the Universe in Oaxaca, Red Band in the Universe, 2023 Dry wool needle felting 72 x 48 in Edition of 3 One of Gary Goldberg’s photographs from his Finding the ...

Neda Dana-Haeri Un-shore, 2022 Oil on canvas 80 x 60 cm 31 1/2 x 23 5/8 in

Neda Dana-Haeri Untitled, 2016 Oil on canvas 100 x 70 cm 39 3/8 x 27 1/2 in

Shooq AlShawi The Signs, 2025 Oil and oil stick on canvas 90 x 60 cm 35 3/8 x 23 5/8 in

Shooq AlShawi As If it Would Last Forever, 2026 Oil and stick on linen 70 x 200 cm 27 1/2 x 78 3/4 in

Shooq AlShawi To Pick a Crocus, 2026 Oil and Stick on Linen 55 x 55 cm each 21 5/8 x 21 5/8 in

Shooq AlShawi At The Edge of Knowing, 2026 Oil and stick on linen 60 x 40 cm each 23 5/8 x 15 3/4 in

Translated title: "Water Parabola". Water is the symbol of the soul, that comes down from the sky, fulfills its journey on earth and then evaporates back to where it belongs and bei...

City, Oil on Canvas Painting by Jon Probert B. 1966 Additional information: Medium: Oil on canvas Dimensions: 123 x 92 cm 48 3/8 x 36 1/4 in Signed verso Having studied Fine Art an...

Grande vaso in ceramica invetriata e smaltata a base azzurra con decorazione a astratta a rilievi rosa. Sulla base presenta in nero lo stemma della manifattura di Marcello Fantoni, ...

World in Motion by Indalecio Etchebarne, Carrara Abstract Marble Sculpture 2023 Carrara Marble World in Motion by Indalecio Etchebarne is a refined abstract sculpture carved from wh...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cerulean blue form nestles against a vibrant nearly neon orange shape, with linear gestur...

48"x40" photogram Wendy Small’s “Remedy” photograms are made by collecting leaves, weeds, or flowers from a specific place (indicated in the title) and placing those leaves directly ...

This painting by Rebecca Mendoza is compelling for its quiet intensity and its confident use of restraint. Rather than relying on overt gesture or saturated color, Mendoza builds the...

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Magenta and blue forms central to the painting are surrounded by rose pink, mauve, lavender rise over a field of blue. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

Christopher Ruess large scale painting, spatial environs, blue rising, encapsulated polymer & acrylic on canvas. A Pennsylvania-born artist, Chris Ruess later studied at the Memphis ...

Utiliza piedras rayadas o bancos de corte sobre las que coloca las telas y hace frottage con grafito para luego intervenirlas con óleo. Su obra habla acerca del paisaje y de la natur...

This rectangular painting by Linda King Ferguson is primarily color blocked into two sections, as it is split horizontally down the center into a ...

This painting by Linda King Ferguson, like all of her work, Depicts an abstaction of the female body. An oblong pink shape jutts out from the top of the diamon-shaped canvas. A teard...

This painting by Linda King Ferguson depicts a red diamond canvas with a Vesica Piscis shape in the center. The color of the Vesica Piscis is a gradient, transitioning from a maroon ...

This painting on cut linen canvas by Linda King Ferguson depicts a diamond shape that is halved horizontally by a color break. The top triangular section on the diamond is a salmon o...

This painting by Linda King Ferguson is part of her equivalence series, which began as a feminist project; works that subvert the historically male gaze and a material language speaking of gendered concerns. The diamond shaped canvas is primarily a brown cardboard color, with two circles dominating the center of the composition. Stacked vertically, the topmost circle is a light lavender color, and the lower circle is a creamy, salmon orange. Two cuts have been made in the canvas on either side of the center, where the edges of the two circles meet. Her color choices first came from Helen Molesworth’s essay, Painting With Ambivalence, published in WACK! Art of the Feminist Revolution. The Essay includes a large reproduction of Mary Heilmann’s 1979 painting...

This painting by Linda King Ferguson is a geometric abstraction inspired by the female body. Circles, ellipses and scalloped edges decorate the canvas in Salmon orange, wine red, and...

Introducing "Noumenon" — a captivating sculpture crafted from premium Carrara marble, renowned for its luminous quality and timeless elegance. This piece embodies the artist's profou...

Lambdaprint "4 Beings" behind glass on aluminum, edition 1. single size: 150 x 43 cm.

This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vertical elongated forms in rose pink, mauve, lavender and turquoise blue rise over a layered field of cream white brushed with violet. Washes of red and orange fade into hot pink in this vibrant abstract painting by the artist. You can see the influence of tropical colors in this canvas and a wistful yearning for the beach and the sea. Debra Drexler is an American painter, installation artist, curator and professor. Her work is informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific since 1992. She has participated in over thirty solo and over 100 group exhibitions in national and international venues including Front Room Gallery, Exit Art, The Drawing Center, White Box-The Annex, Art Finance Partners, Van Der Plas Gallery, Sideshow Gallery, and Denise Bibro Gallery in New York, as well The Honolulu Museum of Art and Maui Arts and Cultural Center. Debra Drexler is a Professor at the University of Hawaii, where she is Chair of the Drawing and Painting Area. She maintains studios in Brooklyn, NY and on the island of Oahu in Hawai’i. Debra Drexler's most recent work is highly experimental large-scale abstract painting. In a recent review of a two-person exhibition (Whitehot Magazine,2017) Drexler's work as clearly referencing the long tradition of American abstraction and the established legacy of the New York School. The reviewer, Jonathan Goodman, described the work as a “new non-objectivity” that comes out of the current moment. He states that Drexler's painting “quite accurately describes the spirit of abstract art today, in which painting is struggling to break free of the constraints of time." Debra Drexler frequently uses hot pink, a color with heavily gendered associations. Her hot pink brushstrokes...

60"x48" abstract composition in golden yellow with lavender, violet and light cream. Large gestural movements overlay one and other on the on canvas. The painting surface incorporates impasto brushwork and poured paint to give an active composition. This painting is signed on reverse by the artist, Debra Drexler. Debra Drexler maintains studios in both New York and Oahu, Hawaii, and her work is informed by her unique bi-coastal experience. In her luminous, large-scale abstract paintings, she brings the transcendent experience of the Hawaiian landscape to a New York audience. Through her New York based studio and curatorial practices, she is also deeply engaged in critical conversation surrounding new abstraction. She states “Abstraction takes us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. While our insistent digital projections can take us away from both our animal and spiritual nature, abstract painting reminds us again of what it means to be human. The corporality of the paint mirrors the flesh of the body and transports us into the timeless.” Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

48"x 72" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Deep blue waves of color are i...

60"x48" oil and acrylic on canvas, signed on reverse by the artist. Hot pink, violet, tangerine and sherbert colors flow into forms or cerulean blue and orange in this abstract paint...

This large scale abstract oil painting contains a line based composition over a neutral blue - grey ground, that appears sometimes blue, sometimes violet given the time of day and q...

Bright, vivid, and saturated colors in combination with a furious treatment of the medium compel this work to stand out as an iconic blend of passion and poise. Born in Tokyo in 1932, Ushio Shinohara (nicknamed "Gyu-chan"), is a Japanese Neo-Dadaist artist who has lived and worked in the United States since 1969. Shinohara is well known for his boxing paintings...

Sculpture Lulo 1 Limited edition of 12 Dimensions : H. 80 cm x D. 27 cm Mediums: Ash, oil, brass Japanese technique Yakisugi LULO - Collection Climbing. Both word and action are ...

72"x60" signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Vibrant red, violet and pink fields of color are contrasted by sky blue and golden yellow in this gestural abstract painting. An impressive statement piece by the artist. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

Violet, blue and red intertwine in this gestural abstract painting by Debra Drexler. This painting is inspired by the intensity of light and colors in Hawaii, where the artist splits her time between there and New York City. Bold lines and brushstrokes enhance the composition in this large scale painting by the artist. Debra Drexler maintains studios in both New York and Oahu, and her work is informed by her unique bi-coastal experience. Her work translates the inner experience into outer form through a vigorous athletic painterly process. Drexler has had over 30 solo exhibits and over 100 group exhibitions at galleries and museums in New York, Hawai’i, Australia, Berlin and across the states. New York, NY. In 2017, her two-person exhibition was reviewed in Whitehot Magazine and Arte Fuse. Her most recent solo New York exhibits were at Van Der Plas Gallery in 2015 and 2017. She had a solo exhibition at The Majestic Theater curated by The Dorado Project in Jersey City in 2016. Other recent New York solo exhibits include: Pool Art Fair, Chelsea Hotel Blue...

Utiliza piedras rayadas o bancos de corte sobre las que coloca las telas y hace frottage con grafito para luego intervenirlas con óleo. Su obra habla acerca del paisaje y de la natur...

This three-dimensional collage entitled "Hopper-Feeder” by Chicago artist Patrick Fitzgerald finds its place alongside his series of abstract “track paintings,” initially born as the...

60"x 48" acrylic on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. Turquoise and violet raspberry colored forms reminiscent of Matisse cut outs, curl in a textural ground of brushed and poured paint. Drexler's process of composed shapes and fields of color are created with brushwork, poured glazes and and textural depth. This immersive and expressive painting is created with vibrant colors, which react beautifully with each other to create a rhythm of forms that is meditative and contemplative. Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic...

braided/knotted exposed warp edges at one end, hemmed edges on the other

72"x48" acrylic and oil on canvas, signed on reverse by the artist. This is a contemporary abstract painting by the New York/ Hawaiian artist, Debra Drexler. A cool blue pool of col...

Vibrant violet and fuchsia pink brushstrokes flow into intense orange fields of color in this abstract painting by Debra Drexler. A large scale painting, Drexler employs methods of gestural abstraction, capturing a warmth in her color palette Debra Drexler's paintings are informed both by participating in the contemporary resurgence of abstraction coming out of New York, and by living in the Post Colonial Pacific for close to three decades. In the 21st century, much of our experience is mediated through the screens of our devices. In contrast, the making and viewing of paintings remains a direct, engaging experience in Drexler's paintings. She aims to take us to a state of timelessness that is primal in its humanity, disconnecting us momentarily from the mediated “now” of our electronic devices, and connecting us to a “now” that gives us a glimpse of the infinite. As a colorist, Debra Drexler provokes unexpected color relationships and creates spatial contradictions that come from those interactions. Some of her color choices reference the post digital experience with its highly saturated synthetic color. The luminosity and saturation also mirror the unique quality of light and tropical color interactions in Hawai’i, where Drexler also lives. Her work is driven by an athletic painting...

This large scale oil painting by Mark Masyga employs a linear abstract composition. Masyga's masterful knowledge and background in color field painting shows a heightened sense and ...

A colorful modernist abstract pottery polychrome wall sculpture, each piece with varying textures, colors, and shapes by American artist and professor Bruce Lenore (b. 1955). Lenore is not only an artist, but was an art teacher at Smithfield High School in Rhode Island, as well as a teen art instructor at RISD. Lenore is a member of the “Memphis” pottery...

Threads V by Vicky Barranguet Super Large Contemporary Abstract Painting, 2022 Acrylic on canvas 78 x 138 in Unstretched Vicky Barranguet found her own voice and colorful expressi...

A wonderful example of an abstract ceramic or sculpture in blue, referred to as a bird house or face vase, by Indian / American artist Gerry Williams (1926-2014). Williams was born in India from American parents, and eventually set up a studio and became a longtime resident of Dunbarton, New Hampshire. Williams took his first pottery lessons from master ceramic artist Vivika Heino at the League of New Hampshire Craftsmen in the late 1940s. He became a juried member of the League in 1952. New Hampshire Governor Jeanne Shaheen named Williams the state’s first artist...

Becoming is a contemporary abstract sculpture, hand-carved from Italian Carrara marble. British sculptor Ian Thomson possesses the skill and expertise requ...

Includes a Certificate of Authenticity

"Landscape Pink & Red" is an original framed pastel drawing by Sue Bartfield. 36" x 25" art 47 1/2" x 36" framed Artist's Statement: "You might be surprised to know that I do not ...

"Two Ladies in White" is an original pastel drawing by Sue Bartfield in white and purple. 27 1/4" x 40 3/4" art 33 5/8" x 48" framed Artist's Statement: "You might be surprised to...

Chic pair of mid century wall ornaments or sculptures crafted in metal in a palm frond form and paint decorated in a lush bronze like finish. Left: H: 42.5 W: 36 D: 1 Right: H: 36 W...