Vertical Paintings

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Celia Lees...

Shepard Fairey Jasper Johns Red, 2010 Silkscreen and mixed media collage on wood. Hand signed twice - on both the front and the back 23 3/4 × 17 1/2 inches Frame included Edition HPM...

Abstract expressionist style painting on canvas paper in teal, dark blue, and pink with accents of green 'Untitled 2 (Blue & Pink)' by Jenny Nelson Oil on canvas paper, Painted in 2016 14.5 x 10.5 inch painting in 20 x 16 inch white 8-ply mat This modern abstract expressionist oil painting was painted by Woodstock, NY based artist, Jenny Nelson, in 2016. The colorful abstract is composed of calming tones of teal and dark blue. The contrasting patches of pinks and green beautifully pop against the subtle pale pink background. Color is applied in light layers which is noticeable in the faint yet visible under tones of the painting. The oil painting includes an 20 x 16 inch 8 ply matte and is signed on the lower right hand corner. About the Artist: It is with her commitment to a lifelong, organic process that Jenny Nelson has achieved what so many artists and creatives work for; a language and a technique that is very much her own. She has wooed audiences here and abroad with consistently exquisite and balanced abstract paintings in neutral palettes of blues and grays that give way to pops of pink and orange. But to pin her as solely an abstractionist would be limiting her skill and versatility as a painter. Classically trained at Bard College, Nelson’s thorough knowledge of composition and color relationships as experienced through drawing from life are the tools that prepared her to work in abstraction and develop her technique. Nelson begins all her paintings the same way; she mixes an extensive palette of colors, preps the square canvas, and goes to town obliterating the surface with lots of color and wild gestures using oil sticks and brushes. After sitting with the discomfort and rawness that remains, Nelson turns the canvas around and around until a shape or color comes to the foreground. The next step is reductive as she blocks out bits of chaos with a solid color applied with a palette knife, oil sticks and brushes. Tension is built through the push and pull of paint as it is layered over colors and unruly forms. Nelson studies the painting at all stages of this process, waiting for it to communicate the next step until harmony and balance is achieved. Each work, with its own identity demanding attention and complete surrender to the process, may seem daunting at the onset. But Nelson is comforted by the perspective that painting is infinite and each new canvas is just one of many, therefore easing her expectations. Some pieces in this new body of work differ from previous paintings in that the abstractions are once again rooted in life. Inspired by the photographs of artist Joseph Podlesnik, Nelson uses his architectural and observational compositions as the framework for her new work. While the origins of the photographs’ subjects are not recognizable in the finished painting, she channels the energy discovered in his real-life findings to her canvas for a result that is entirely abstract. Invigorated by this approach, Nelson bravely moves forward, prepared to shift genres if that is where her journey takes her. A graduate of Bard College, Jenny Nelson also studied at the Lacoste School of the Arts in France and Maine College of Art. She completed a Residency at Byrdcliffe Art Colony from 2004 – 2008 and has exhibited regionally and nationally for many years. Nelson currently teaches workshops and an ongoing weekly class at the Woodstock School of Art. More about the artist: Jenny Nelson attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has been exhibiting for many years nationally and regionally including, Tria Gallery, Manhattan, NY; Hidell Brooks Gallery in Charlotte, North Carolina; Carrie Haddad, Hudson, NY. SELECTED EXHIBITIONS: Solo Shows: 2019 Carrie Haddad Gallery, Hudson, NY 2019 Hidell Brooks Gallery, Charlotte NC 2018 Light Waves, Hidell Brooks Gallery, Charlotte NC 2017 New Works, Carrie Haddad Gallery, Hudson NY 2016 Sailing in Place, Hidell Brooks Gallery, Charlotte NC 2013 Traveling Light, Tria Gallery, Manhattan NY 2012 New Work, Smink Modern, Dallas TX 2012 New Work, Carrie Haddad Gallery, Hudson NY 2011 Awakenings (Duo with Keun Young Park) Tria Gallery, Manhattan NY 2010 New Paintings, Chace-Randall Gallery, Andes NY 2008 Autumn Elegance, Asher Neiman Gallery, Red Bank NJ 2008 The Light Between, Chace-Randall Gallery, Andes NY 2007 New Work, Carrie Haddad Gallery, Hudson NY 2006 Of Line and Light, Chace-Randall Gallery, Andes NY 2006 Abstractions, Gallery 100, Saratoga NY 2005 Spring Collection, Coffey Gallery, Kingston NY 2005 New Work, Carrie Haddad Gallery, Hudson NY 2004 Summer, Omega Institute, Rhinebeck NY 2004 New Work, Carrie Haddad Gallery, Hudson NY 2003 Paintings from Shady, Coffey Gallery, Kingston NY 2001 Fisher Studio Art Gallery, Annandale-on-Hudson Group Exhibitions: 2018 20th Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2017 Due East: Woodstock Artists in Nantucket, Nantucket Arts Center, Nantucket, MA 2017 Composition: The Abstract Landscape, Kleinert/James Gallery, Woodstock NY 2014 Women in Abstract, Hidell Brooks Gallery, Charlotte NC 2013 Hidell Brooks Anniversary Show, Hidell Brooks Gallery, Charlotte, NC 2013 AD Boston Art Fair, Gold Gallery, Boston 2012 Contemporary Painters, Carrie Haddad Gallery Hudson, NY 2012 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2012 Tria Gallery Summer Exhibition, Manhattan, NY 2012 AAF NYC, Tria Gallery, Manhattan, NY 2011 Featured Artist, Dragonfly Gallery, Martha's Vineyard, MA 2011 AAF NYC, Tria Gallery, Manhattan, NY 2011 Figures and Abstractions, Carrie Haddad Gallery, Hudson NY 2010 Art Hamptons, Tria Gallery, Manhattan NY 2010 Featured Artist, Dragonfly Gallery, Martha's Vineyard MA 2009 LA Art Fair, Bryant Street Gallery, Palo Alto CA 2009 Curators Choice, Chace-Randall Gallery, Andes NY 2009 Instructors Exhibition, Woodstock School of Art, Woodstock NY 2009 Group Exhibition, Bryant Street Gallery, Palo Alto CA 2009 Small Works, Anne Irwin Fine Art, Atlanta GA 2009 Winter White, Tria Gallery, Manhattan NY 2009 Contrasts, Anne Irwin Fine Art, Atlanta GA 2009 AAF NYC Tria Gallery, Manhattan NY 2008 Summer Cocktail, Tria Gallery, Manhattan NY 2008 5"x7" Show, Kleinart-James Gallery, Woodstock NY 2007 Faculty Plus One, Columbia Greene Community College, Hudson NY 2007 Art Basel Miami, Carrie Haddad Gallery, Hudson NY 2007 One New Work, Chace-Randall Gallery, Andes NY 2007 5"x7" Show, Kleinart-James Gallery, Woodstock, NY 2006 Beach, Gallery Yellow, Cross River NY 2006 Flow, Kleinart/James Gallery, Woodstock, NY 2006 Group Exhibition, James Cox Gallery, Woodstock NY 2006 Collectors Choice, Kleinert/James Gallery, Woodstock NY 2005 Group Exhibition, Chace Randall Gallery, Andes NY 2005 Passionate About Art, Kleinert/James Gallery, Woodstock NY 2005 New Talent, Alpha Gallery, Boston MA 2004 Six Women Painters, Albert Shahinian Fine Art, Poughkeepsie NY 2004 New York Underground Art Fair, Pool Art Addict, Four Points Hotel NY 2003 Senate House Show, Kingston NY 2002 Group Exhibition, Carrie Haddad Gallery, Hudson NY Juried Exhibitions: 2004 Woodstock Artists Association, Woodstock NY 2002 Hudson Valley Artists 2002, Samuel Dorsky Museum, New Paltz NY Selected Collections: Warren Bierwirth, Paris, France Cecilia Greene, New York NY Helen Chapman, New York NY Michael & Sheila Faharty, New York NY Christopher Dlutowski, New York NY Jim & Dianne Footlicke, New York NY Laurent Gaudry, New York NY Nancy Seigal, Boca Raton FL Holli Gersh, Boca Raton FL Kenneth & Margaret Uhle, Ridgefield CT Dr. Lee Sider, Mt. Tremper NY Friedrike Merck, Woodstock NY Weston & Julia Blelock, Woodstock NY Miller Howard Investments, Woodstock NY Kingston Hospital, Kingston NY Media: Jenny Nelson, Accidental Storyteller, Carrie Haddad Gallery, 2017 Jenny Nelson's chaos, Hudson Valley One, 2017 A Conversation with Artist Jenny Nelson,, Blog Talk Radio...

Pierre Olivier Joseph Coomans 1816–1889 Belgian Pompeian Woman Oil on canvas Signed and dated “Joseph Coomans, 1870” (lower left) A leading figure in 19th-century Belgian paintin...

Madonna with Sleeping Child Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) Roman painter 18th century Oil on canvas Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm. This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil. The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands. This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces. Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.  In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and descriptive iconographic card. We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the gallery in Riva del Garda...

The work took part in the exhibition 2023, "Ukraine residence of FREEDOM," Riga, Latvia The third work of the triptych "Dance with a Fan" (“Dance with a Fan” Series) The work "Dance...

Unframed this piece measures 16 x 12. Millie Gosch is an avid plein air painter who paints studies from real life and from these studies she creates her beautiful landscape pieces. ...

Title: Historic Miniature Watercolor of Brunel’s Ships, Great Western and Great Britain by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Contemporary Psychedelic Abstract Painting, Canvas, Colorful Patterning, Meyer Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, inv...

Antique Oil Painting (pair) Jovial Monk with a Drink Attributed to Eduard VON GRÜTZNER (XIX - XX) Medium: Oil on Panel Dimensions: Framed: 37 x 30 cm Artwork: 27 x 21 cm Framed 38 x 31 cm Flat 27 x 22 cm Style: Traditional European Genre Painting This charming oil paintings, attributed to Eduard VON GRÜTZNER, depicts a jovial, cheerful monk raising a glass in a toast. The composition reflects the long-standing European tradition of genre painting, capturing moments of everyday life with warmth and humor. The subject, dressed in a flowing brown robe and wearing a Renaissance-style beret, exudes an air of contentment and mirth, making this work a delightful representation of the age-old connection between monastic life and brewing culture. Executed in oil on panel, the painting exhibits fine attention to detail, particularly in the expressive facial features and rich textures of the monk’s clothing. The deep blue background contrasts beautifully with the warm tones of the figure, creating a striking visual impact. This type of subject matter was popular in 19th and early 20th-century European art, often appearing in German, Flemish, and Dutch tavern scenes...

The picture of the helicopter with a flower collage elements was painted 2 weeks before the start of the war in Ukraine in 2022.

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts bathers in a river on a sunny summer's day...

Work on cardboard Wooden frame 44 x 37.5 x 3 cm

Unique piece More sizes and an Essay from Lyle Rexer about this series on request. Joachim Schmeisser’s work rescues photography from the centuries-old straightjacket of realism to...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Painting Size: 38 H x 28 W x 0.1 in Ships in a tube Painting: latex, acrylic and Oil crayon on Paper. Oh My... is an exclamation of joy to me. This painting is created on a be...

The painter has revived an old motif for this painting. The earliest flower still lifes in Europe originate from Early Netherlandish painting. Earlier flower paintings come from West...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Signed with the initials 'A. M. G.' Presented in a gilt frame with acanthus details and a panel slip. On canvas laid to board.

A finely detailed silhouette a Victorian gentleman Peter Skeolan (1815-1871) Portrait of a gentleman, profile turned to the left, wearing coat and cravat Watercolour with gold highlighting on paper/card Stencilled with artist's details to the reverse 3¼ x 2¾ inches, oval, without the frame 5½ x 4¾ inches with the frame Peter Skoelan the son of Stephen Skoelan was born in Ireland in 1815. During his early career he worked as an itinerant miniature portrait painter and profilist, possibly as early as the 1830s. The 1841 census shows us that he was working in Leeds, his stated occupation was painter, aged 25. He was lodging with Thomas Lacy, a Tailor. By this time he had married and had a son and daughter...

19th Century Italian Orientalist Masterpiece Painting "Four Women In The Harem" circa 1880, in the Circle of Rudolf Ernst. Oil on canvas. "The O...

FINE 20th Century Piece By Louis Dodd SEASCAPE British old master oil Style painting in a Gold Gilt Frame Description “condition is very good for age , o...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* 'Saving Salvador' by Laura Mass is a flip portrait of the one and...

The Banks of the Seine signed by Édouard Righetti (1924-2001) dated 1959 or 1960 framed oil painted on canvas, beautifully painted. very good conditio...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"In the Room Where You Sleep" by Daire Lynch (Ireland based) is an original oil, acrylic and gold leaf on canvas that depicts a red haired nude model in ...

In this gilt wood framed oil on canvas waterscape, American Impressionist artist Harry Hoffman depicts the last moments of a morning sunrise over a river in predominant hues of lavender, purple, pink and blue. The sky is reflected in the water below with a sandy brown beach and large green tree in the foreground. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania’s Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists’ colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman’s antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910, Hoffman married another Old Lyme artist named Beatrice Pope, and the couple had one child in 1921. Hoffman and his wife often escaped New England during the harsh winter months. In the winters of 1914 and 1915 he traveled to Savannah, Georgia with fellow Old Lyme artist William Chadwick...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a black bunny on an Aqua blue background with thick use of paint. It...

This work is offered by CLAMP in New York City.

This intriguing colourful contemporary painting so impressively large in scale and architectural in form is by Canada’s Yvonne Lammerich. Recognized both nationally and international...

Hunting Trophy with Mallard Duck – Circle of Baldassarre de Caro (Naples, 1689–1750) Italy, second half of the 17th century – very early 18th century Oil on canvas, relined Dimension...

Artist/ School: French School, circa 1900. Title: Portrait of a seated man wearing a hat, with a mustache. The work is painted 'en grissaille' deliberately by the artist. Medium: o...

"Workstation 17", 2023 (Gestural Abstract Oil Painting on Canvas Paper) by Jenny Nelson 24 x 18 inches The abstract painter Jenny Nelson is a master at communicating story through...

This is a beautiful landscape painting by Alexandra Czierpka. By reducing color and form to their essentials, she invites the observer to contemplate the harmony between humans and n...

A symbol of the heart, hidden beneath layers. The artichoke is more than a flower — it’s a metaphor for the soul: spiky on the outside, tender within. The painting invites you to pau...

Title: Mid-Century French Pastel of Colourful Garden Trees With Parasol and Villa by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper, with ...

Anton Ebert (Austrian, 1845-1896), Portrait of a Woman, Oil on Oval Canvas laid on Board, 19th century, signed "A. Ebert / Wien" to mid right, original ova...

Artist: Jack Graves III (American, 1988-) Title: "Cara Delevingne Icon XV" Series: Icon *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2022 Medium...

Armando Villagran (Mexican, 1945-1995) Untitled (Figure with Animal), 1991 Oil on canvas, signed and dated lower right Canvas: 55"h x 43.5"w, overall (with frame): 56"h x 44"w Born ...

Juliet M. White was born in Philadelphia in 1880. She studied at the Philadelphia School of Design for Women, which became the largest art school for women in the United States. Its ...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed inscribed verso piece of paper is...

Elias Erdtman (Sweden, 1863–1945) Moonlit Reflections, Heyst-sur-Mer oil on canvas laid on board signed E. Erdman och daterad -84 unframed: 29 x 18.5 cm (11.4 x 7.3 inches) framed:...

Mickaël Doucet is a French, Paris-based artist whose work largely focuses on vibrancy of color and minimalistic interiors, one bouncing off the other to create bright, dynamic scene...

'Perdu dans la Poésie’ by Alfred Stevens (1823-1906) The painting - which depicts a young Parisian society beauty reading beside an open window – is signed by the artist and present...

Genre: Judaica Subject: Portrait Medium: Oil Surface: Board Country: United States Dimensions: 16 x 11 3/4 Dimensions w/Frame: 23 x 19 William Will Coombs (1946-2007) Originally from New Hampshire, a full-time, professional artist known for his work in oils, watercolors, drawings and printmaking, he began his formal training at the University of Washington concurrently with a scholarship to the Charles and Emma Frye Museum School in Seattle. He continued his advanced studies in New York City at the School of Visual Arts, the Art Students League and the National Academy of Design. In the past 50 years his paintings have been exhibited nationally and internationally and have been awarded over a hundred prizes, among them the Gold Medal, Irish Feis, NYC; First prize Knickerbocker 15th Annual National Arts Club, NYC; Best of Show, North Wildwood, NJ; First Prize, Mystic, CT; First Prize, Moorestown Mall, NJ; First Prize, Ocean City, NJ; Purchase Award, Atlantic City, NJ; First Prize, Ocean City, NJ; Purchase Award, Caldwell, NJ; First Prize, Oyster Bay, NY; Best of Show, Allendale, NJ; First Prize, Shore Mall, Atlantic City, NJ; First Prize, Stone Harbor, NJ. Will Coombs is a Fellow of the American Artist Professional League, a member of the Salmagundi Club, a Life member of the Art Students League of NY, a member of the Ocean County Artists Guild, and the Westfield Art Association. Over the past 25 years the artwork of Will Coombs has been devoted to and deeply involved with his love of Hot Air Ballooning. His paintings and lithographs of Hot Air Balloons gently soaring over the New Jersey landscape...

Youth and wisdom -Ciro De Rosa Italia 2007 - Oil on canvas cm.60x50 Gold leaf gilded wooden frame cm.82x73 available on request The painting by Ciro De Rosa is characterized by light...

Artist: Vahe Yeremyan Title: Trees Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 20" x 12.5" x 0.8" inch (51 x 32 x 2cm) Presentation: Unframed, Gallery Wrapped on...

In contrasting colors that pop Live Composition II, 2024 by African American artist Bai is a 30” x 22” abstract acrylic, oil pastel, and ballpoint pen work on paper, presented in an ...

This original painting from collection «Unity with Nature» in which the theme of herbal spirits helping us to remain in harmony with nature speaks on a symbolic level about the re...

Interior design paintings. Part of the triptych “Does not see. Does not hear. Does not speak”. The artwork was done with watercolor on watercolor paper 360g. The works are 14 by 11 i...

Jane Peterson (1876-1965) Lilies Oil on canvas, 1952-1953 Signed by the artist lower right: JANE PETERSON (see photo) Painting size: 29 x 23 inches Frame size: 38 x 32-1/2...

Noel Daggett, American (1925 - 2005) - Fan Nap: Vietnam Sketchbook, Year: 1970, Medium: Oil on Canvas, signed, Size: 24 x 20 in. (60.96 x 50.8 cm), Frame Size: 33 x 28 inches

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted with acrylic and mixed media on heavyweight stonehenge paper, and is signed by the artist lower right. Art measures 30 x 22 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

French late 20th Century Abstract Expressionist oil on canvas by Abstrus. The painting is signed bottom right and signed titled and dated to the rear stretcher. Presented in a fine b...

Josep Maria Vayreda Canadell (1932-2001) - Venice Italy - Oil canvas Oil measures 55x46 cm. Frameless. Josep Maria Vayreda Canadell Year of birth: 1932 Biography: Member of a family spanish saga of artists, which highlighted Joaquim Vayreda...

Antique Dog Painting "Collies in Horse Stable with Saddle and Blanket" Auguste Vimar (French 1851-1916) Circa 1900 21 x 17 1/2 (29 x 25 1/2 frame) inches An excellent depiction of collies in the barn awaiting their master. The color and textures are very evocative of an actual stable right down to the hay scattered about. With its original frame, this is quite the statement piece. Auguste Vimar was a French painter, sculptor, designer and illustrator though he is best known for his talents as an illustrator. He illustrated great classics like La Fontaine's Fables or books by his friends, such as L'Arche de Noé by Paul Guigou...

The work is about a bond so strong, and love so true. Through laughter and tears, they stand as one, and in times of need, they lend a hand, supporting each other. Standing together ...

Elegant Early 20th Century Floral Still Life of Soft Pink and Red Hybrid Tea Roses Realistic early 20th Century floral still life by L. Griffin (English, 19th/20th century), 1904, f...

Jean-Jacques RENÉ Garden Under the Snow Original oil painting on canvas Hansigned 61 x 50 cm (c. 24 x 20 inch) Excellent condition