Framed Figurative Paintings

MANE-KATZ RABBIS, c. 1935 Oil on canvas 18 H. x 14 W. 1/2 in. (45.5 x 35.8 cm.) Signed PROVENANCE Dominion Gallery, Montreal Christies, New York, November 04, 1982. Lot 177: $11,000 Private Collection, New Jersey, 1982-2021 Estate of the above, 2021. Raised in an orthodox Jewish family in Russia, Mane-Katz was born in the Ukraine and became an early 20th-century artist, known especially for portraits and paintings with Jewish themes. From childhood, he had been influenced by stories of Jewish mysticism, which was reflected in his paintings. He had a peripatetic life between Russia, France, Israel, and America. He first studied art in Kiev at the Beaux Arts Academy, and in 1913, went to Paris where he associated with Chaim Soutine and Marc Chagall and continued his art studies there at the Beaux Arts Academy. During World War I, he tried to join the Foreign Legion but was rejected because he was too short. He went back in Russia again, this time joining the Soviet Revolution but rejected the cause because he was so horrified by Josef Stalin. He worked briefly for the Russian ballets, and in 1921, he returned to Paris where in 1927 he took French citizenship. For the next twelve years, he traveled widely, showing his art work and doing many paintings. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

Portrait of a Young Girl by Anna de Banguy (French circa 1960's) signed oil painting on board, framed framed: 17.5 x 14 inches board: 14 x 10.5 inches provenance: private collection ...

This artwork titled "The Coast Near San Diego" 1949, is an oil painting on board by noted California artist Jean Martin (Eugenia Victoria Weir Martin) 1906-1986. It is signed at the lower right corner by the artist. The artwork (board) size is 16 x 20 inches, framed size is 24.35 x 28.35 inches. Framed in original wooden brown frame, with fabric liner. it is in excellent condition. About the artist: Eugenia "Jean" Victoria Weir Martin 1906-1986 San Diego, California Landscapes, Seascapes artist Eugenia Victoria Weir Martin was a painter and art instructor in Southern California. She was born in Tennessee on March 7, 1906. "Jean", as she was called, was brought to La Jolla, California as a small child by her parents, and remained in that area the rest of her life. Her Father was a businessman in the early stages of the development of La Jolla. He operated a General Store in the early village. They resided in "Windemere", which is now the home of the La Jolla Historical Society. At the age of 10 she studied art with a Mrs. Fletcher, an artist in residence at the 1916 California Exposition in Balboa Park. She also studied at the San Diego Academy of Fine Arts. Early in her career she also studied with Maurice Braun, Alfred Mitchell, Edward Langley...

Danny McCaw's (US based) "Afternoon Tea" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure of white and grey with a cup of tea on...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

Book Dealers. Oil on canvas, 88x115 cm Size with frame 113x142 cm Alfredo Palmero De Gregorio / Maestro Palmero / Alfredo PALMERO (1901-1991) Alfred...

"Lake Landscape at Dusk with a Rowboat" is a captivating oil painting by the Swedish artist Erik Abrahamsson. Created in 1896, this work masterfully captures the tranquil beauty of a...

Eric Gill "Hawaiian Drummer" Original Airbrush Painting C.1930s Small but mighty airbrush. Classic 1930s Hawaiian painting by Eric Gill. Dimension...

Original acrylic painting on canvas. Hand-signed in acrylic on front by Peter Max. Canvas size 71.75 x 35.75 inches. Custom framed with hand painted filet. Frame size approx 86 x 50 inches. Max studio catalog number and year on verso. Artwork is in excellent condition. Gallery Art issued Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is a German artist known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

"Soey Milk crafts beautiful portraits of women that contain elements of calm alongside calamity. She does this by implementing visual push and pull in all of...

Vintage Oil Painting of Fantasy Cottage in the Woods with Flowers & Gardens Art measures 36 x 24 inches Frame measures 40 x 28 inches

Signed and dated oil on canvas pointillist landscape by Canadian painter Caroline Armington. The piece depicts a view of the Pont Neuf bridge over t...

"It is the man in the street that I'm after, whom I feel closest to, with whom I want to make friends and enter into confidence and connivance, and he is the one I want to please and...

Painting of the Irish Sea Coastline by British Post-War & Contemporary Artist, David Long UWS. The location is Fairhead in County Antrim, Northern Ireland. ...

Antique Oil Painting of Madonna and Child Oil on canvas. Approximate dimensions 20" wide x 24" high. The frame is approximately 22" wide x 2...

As one of the world’s most collected, significant pop artists today, Nelson De La Nuez is a born iconoclast. Using his unique juxtaposition of pop culture and surrealism, blended with America’s rich culture and history, De La Nuez has created works of art that are considered timeless. Listed on the “Who’s Who List of the Most Collected Artists of Our Time,” his works are original, bold and outspoken. De La Nuez is known for his distinctive, trademarked style called “Art on the Edge,” which is creating art on all sides of the canvas and wood. This unique painting measures 48 inches high by 40 inches wide. It is signed on the front and the back by the artist. This artwork is framed in a black wood frame. Size and price include frame. It is wired and ready to hang. Free local Los Angeles area delivery. Affordable U.S. and global shipping options available. A certificate of authenticity issued by the art gallery is included. De La Nuez’s artwork is hanging in some of the most prominent, private collections of movie stars, directors, producers, comedians, corporations and art connoisseurs, as well as purchased recently for future auctions by Sotheby’s. His art has been featured on countless television shows, including: VH1: Fabulous Life of: “The Latest in Billionaire Home Décor,” “Inside Edition,” MTV “Cribs,” HGTV “Designer’s Challenge,” E! “Celebrity Favorites,” “America’s Next Top Model”, HGTV’s “Extreme Homes,” countless Bravo TV shows and “TMZ: Michael Jackson’s Final Art Purchase.” His works have been in high demand at international art shows and galleries. His works are represented by Artplex Gallery, Los Angeles. Nelson De La Nuez was born in 1959 in Havana, Cuba and came to the US at age seven. He was raised in Glendale, CA. De La Nuez studied art history at Boston University. He sees life as a “backwards ride on a Ferris wheel while sitting in an enlightening philosophy course.” His images become performances – his characters the source of laughter and enjoyment. Nelson tries to create a new generation of art lovers, drawing upon icons and art history to entice younger minds, in turn provoking the interest of the generation above them. De La Nuez is an innovative artist who captivates people with his outlandish juxtaposed art. He is constantly creating new, thought-provoking images, which have been collected worldwide. The L.A. Times called De La Nuez “the comedic da Vinci of our times.” His ability to use these non-related images to achieve a whole new and stimulating outlook on life has brought him many awards and published features. The artist continues to challenge himself to incorporate new and exciting ideas into his art and his style. He believes he is a success if his art inspires people to think beyond the norm. Artplex Gallery has been representing and exhibiting Nelson de la Nuez's original artworks since 2016. Artplex Gallery is a partner gallery of Artspace Warehouse. Artspace Warehouse has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a large selection of original artworks from established and emerging international artists with diverse backgrounds at high standards. Artspace Warehouse and Artplex Gallery are known to provide accurate descriptions, images, reliable services, communication, and delivery. REPRESENTATION Artplex Gallery, Los Angeles, California, USA EXHIBITIONS 2023 "Perspectives on Street Art", Artplex Gallery, Los Angeles, CA 2022 "Freestyle Iconography", Artplex Gallery, Los Angeles, CA 2021 Hamptons Market Art & Design. The Bridgehampton Museum 2021 Beach Life, DTR Modern Gallery, Nantucket 2021 “Live It Up” De La Nuez, Jennifer Balcos Gallery, Buckhead, ATL 2021 “Winter Wonderland”, DTR Modern Gallery, Washington DC 2020 DTR Modern Gallery, New York 2020 White Room Gallery, Bridgehampton, NY 2020 A Style Gallery, Solo Show, Hong Kong 2020 DTR Modern Gallery, Boston 2019 Pop Art Then & Now, DTR Modern Gallery, Boston, MA 2019 Melbourne Art Fair, Royal Exhibition Building, Australia 2019 Hamptons Market Art & Design, the Bridgehampton Museum 2019 Art Fair Hong Kong 2018 Art Fair, New York, NY 2018 Baselworld, Basel, Switzerland 2018 Art Market San Francisco, CA 2018 LA Modern & Contemporary Art Show, CA 2018 Pop, Bang; De La Nuez, DTR Modern Palm Beach, FL 2017 Hong Kong, HK 2017 Corum Bubble Watch...

Manchester Central Train Station Urban Art in Bronze Frame by leading Contemporary British Artist, Angela Wakefield. Art measures 14 x 10 inches Frame measures 22 x 18 inches Ange...

French contemporary artist oil on canvas, thin wooden frame painting: 36 x 29 inches provenance: private collection condition: very good and sound condition

Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...

Baron Robert Heinrich Freiherr von Doblhoff (1880 Vienna - 1960 ibid.) Woman with Red Hair Ink and watercolor on paper, image measures 6.25 x 7.25 inc...

Winter landscape with snow covered fields & farmhouse in the English Countryside by British Artist Art measures 30 x 20 inches Frame measures 35 x 25 inches Richard Wood was born i...

Original cover for The Saturday Evening Post, published November 22, 1930 A sweet scene of a child ill in bed and getting checked by a doctor as his concerned mother and dog look on...

Baroque Landscape with Figures French School, 17th century oil on canvas, framed Framed: 29.5 x 23.5 inches Canvas : 25.5 x 19 inches Provenance: private collection, France Condition...

Louis-Gabriel BLANCHET (Versailles, 1701 – Rome, 1772) Presumed self-portrait of the artist Oil on canvas H. 73 cm; W. 60 cm Circa 1730 Originally presented in a Restoration period frame with a "Mignard" cartouche, this beautiful painting initially appeared to us as a work from northern Italy. However, it exuded a rather French form of refinement, suggesting that its artist may have assimilated a dual influence from both sides of the Alps. We thank our colleague and friend Philippe Mendès for spontaneously and judiciously "bringing out" the name of Louis-Gabriel Blanchet, a Romanized French portraitist, whose spirit and stylistic characteristics we clearly recognize here. Blanchet's "French" years, before his final departure for Rome in 1728, following his winning of the second Grand Prix for painting after Subleyras in 1727, are extremely poorly documented. His father, Gabriel, was valet to Blouin, himself Louis XIV's first valet at the time. According to Thierry Lefrançois, Blanchet was one of the few students of Nicolas Bertin (1667-1736), whose studio he is said to have joined in the early 1720s. At a baptism on March 24, 1724, where he was godfather, he is mentioned as a painter in the picture store of the Duke of Antin, the director of buildings between 1708 and 1736. At this time, he was probably already married to Jeanne Quément, with whom he had a daughter also named Jeanne, who would marry Nicolas Aviet, the son of a valet in the queen's wardrobe, in Versailles in 1738. When Blanchet arrived in Rome in October 1728, he was accompanied by Subleyras, Trémolières, and Slodtz. He enjoyed the goodwill of Vleughels, the director of the Académie de France, which had been based at the Palazzo Mancini since 1725, even though the latter was not always kind to our resident. From 1732, he was under the protection of the Duke of Saint-Aignan when he took up his post as ambassador to Rome. Along with Slodtz and Subleyras, they formed a trio of friends, joined by Joseph Vernet shortly after his arrival in Rome in 1734. Slodtz and Blanchet, on the occasion of Subleyras's marriage in 1739, were there to attest that their friend was not bound by any marital commitment, and Blanchet was a witness at Vernet's wedding in 1745. It is most likely from these early years in Rome that our portrait of the artist dates, the expression and turn of his face irresistibly reminiscent of a self-portrait. The still relatively youthful features may correspond to Blanchet's thirty-something years, and the fluffy wig was still fashionable at this time. The painting fits well with the depiction of a young painter wanting to display both the beginnings of success and a certain simplicity or restraint. A slight smile expresses a form of assurance in this man with a gentle, sincere gaze and a face radiating a keen sense of wit. We find here the air of intimacy present in almost all of Blanchet's portraits, even those from the 1750s and 1760s, as well as an almost complicity with the viewer. The spirit of the painting is quite close to that of the presumed portrait of Bouchardon (painted around 1730) and the portrait of Pannini, painted in 1736, but it possesses a more natural quality, notably thanks to the absence of decorum. Our work exhibits the characteristics of Blanchet's paintings: elegance, luminosity (especially in the whites), vibrant and refined colors (here, the harmony of the garnet of the garment and the slate blue of the background, whose uniformity is tempered by a very sketched landscape and a grove of greenery), light complexions, rather rosy cheekbones, often full lips, and rather tight framing. According to the Academy's rules, Blanchet's stay should have ended in the spring of 1732, but, for reasons unknown, he remained in the Eternal City until his death, as did his friend Subleyras, with whom he shared accommodation until the late 1730s. The latter regularly called upon him to collaborate on his paintings, such as The Meal at Simon's. Through Saint-Aignan's intervention, Blanchet was employed in the late 1730s by the Stuart princely family, then exiled in Italy. He notably produced copies (now lost) after Liotard of the portraits of Charles Edward and Henry Benedict, the sons of James III Stuart. The latter also commissioned three other portraits (now in the National Portrait Gallery in London), whose more formal character contrasts with the intimate spirit of Blanchet's portraits. Blanchet frequented English painters, such as the landscape painter Richard Wilson, and studied with the Scottish portraitist Katherine Read...

Portrait of a Woman in Thought French School, early 20th century indistinctly signed oil on board, glass covering framed (please note the frame is a modern example) framed: 13 x 9 in...

THE HENKEEPER Size: 76.5 x 61.5 cm (including frame) Oil on canvas A striking mid-century modernist painting depicting a woman tending to a group of chickens, rendered in a bold, ab...

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. 18 x 13 cm. Good conditions

Original and unique artwork by Hunt Slonem. Oil on wood Painting is framed, as seen in the images. Dimensions of the artwork with the frame: 40,64 x 35,56 cm Signed Verso Please not...

Rowing on the River English Impressionist, 1980's period signed oil on canvas, framed framed: 25 x 30.5 inches canvas: 20 x 26 inches Provenance: private collection, UK Condition: ve...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This original painting is a striking example of contemporary e...

Nude Lady in Interior Scene French School, mid 20th century signed oil on board , framed framed: 14.5 x 20 inches board: 12 x 17.5 inches provenance: private collection, France condi...

Signed to the lower right. Well presented in a gilt frame with pierces foliate ornamentation. On canvas.

Calvin Lai's (US based) "Approaching Equilibrium" is an original, handmade oil painting that depicts a nude female figure, standing, with her face in profile and dappled in light. ...

Italian painting from the second half of the 17th century. Oil painting on canvas from the Neapolitan school attributable to the great painter Domenico Viola: specialized in religiou...

Pittoni came from a family of painters and architects. He received lessons from his uncle Francesco Pittoni in Venice and later from Antonio Balestra....

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Michael Magrin's ( US based) "Moonrise Over the South Platte" is an original, handmade oil painting of a moonlit evening along a Colorado river. This piece is framed in a natural float frame and is ready to hang. Michael Magrin b.1978 Since moving to Colorado from New York in 2001, I have sought to capture the elements ubiquitous to the Western landscape through oil painting, with an emphasis on the sky. Inspired by master artists like Maynard Dixon, E. Martin Hennings...

Art and nature collide in this ethereal abstract painting—one of a series created en plein air by Viktor Mitic. The ‘rain paintings’ are evocative landscapes rendered in expressive b...

Acquired by the gallery directly from the artist UNFRAMED: 58" x 45" FRAMED: 66" x 53" x 4" Artist Statement “The painting was created during a live rodeo, and shows the skills, e...

Portrait of Lord Jeffreys of Wem British School, 20th century (presumably after an earlier work) oil painting on canvas, framed framed: 30.5 x 24.5 inches canvas: 26 x 20 inches prov...

This painting is featured in a hand-carved wood frame imported from Spain. Justo Revilla, born in Madrid, Spain in 1940 began his artistic career at the age of thirteen where he also...

The Group Portrait by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1991 oil painting on canvas, framed canvas: 42 x 52 inches framed: 33 x 43 inches Very good condition. Provenance: from the artists estate, France Maria Tort Xirau ( Figueres , 26 May 1924 – 6 June 2018) was a painter and photographic and cinematographic editor from Emporda. She developed a long professional career in leading photographic studios, in films for The Walt Disney Company and also in advertising claims for companies such as Educa Borràs . The second half of her life was dedicated to painting, exercising a luminous, varied and nostalgic chromatic style in the techniques of oil and watercolor and with exhibitions of her work in Barcelona and Figueres. The Biographical Dictionary of Art Empordà defined Tort Xirau's work as "a painting that is characterized by the strength of the strokes, the vividness and brightness of the chromatic range and exudes mastery of the photographic technique. A mixture of nostalgia and tenderness is evident.". Tort Xirau's paintings were exhibited in the two towns where she spent her life: in 1992 she exhibited his work at the Caixa de Figueres Exhibition Hall. Two years later, she did it at Sala Conex in Barcelona and in 2007 and 2013 the Consortium of Sant Ferran Castle and the Figueres Town Council organized tribute exhibitions. In 2013, she ceded to the council of the city of Figueres her work Mercat de la plaça de l'Ajuntament , watercolored on paper around 1991, which is exhibited in the rest room of the building. On June 6, 2018, she died in Figueres at the age of 94, receiving the apostolic blessing . Two years after her death, part of her paintings were included in the exhibition Paint, create, live. Women artists in the Alt...

An outstanding oil painting depicting a religious figure seated in a Synagogue with decorated columns and in between arches. The bright colors and quick brush strokes are what make t...

Title: *Courtship in the Forest* Author: French Romantic School Technique: Oil on canvas Support: Canvas mounted on a stretcher Unframed dimensions: 11.4 x 7.9 inches Frame...

"God Bless Our Home" is an interior and figurative scene of a woman sitting on her couch in serious and proper expression. The Americana style paint...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Woman in Yellow Year: 1970 Medium: Oil on Canvas, signed l.l. Size: 15 in. x 21.75 in. (38.1 cm x 55.25 cm) Frame Size: 16 x 23...

This stunning piece by Melanie Vote exemplifies her signature style of subtly surreal landscapes. Featuring a traditional old-master type landscape, the work takes an unexpected turn...

Oil painting on canvas. French school of the seventeenth century. The scene, set at night in the garden of a villa, of which you can glimpse the ornate facade on the right and in which the fountain gushing with cherubs stands out, under a dark sky and further obscured by heavy clouds, proposes two figures who entertain each other in conversation : an elderly modestly dressed is sternly admonishing a seated young man, richly dressed, who seems instead to make the gesture of mea culpa with his hand. The physiognomy and the gestures of the two characters, together with the style of the clothes, would refer to the philosopher Aristotle who was called to the court of Macedon to be the tutor...

Synthetic polymer drawing on paper. Unsigned. Warhol Foundation stamp on verso. Sheet size 31.5 x 23.5 inches. Custom framed as pictured. Artwork is in excellent condition. Cert...

Artist/ School: Continental school, 20th century Title: The Explorers Medium: oil painting on canvas, framed Size: framed: 29.25 x 41.25 inches canvas: 24 x 36 inches Provenance...

Hazel Janicki (American, 1918-1976) Nature Walk, 1960 Tempera on masonite Signed lower left, dated and titled verso 18 x 28.5 inches 23.5 x 34 inches, framed Hazel Middleton was bor...

An original acrylic on canvas by American artist Richard Huntington entitled "Model Shoots Artist". This new work is part of the current gallery exhibition, A Sense of Place which runs through the end of June. This special exhibition is a celebration of the work of 4 extraordinary artists who used to call Western New York home. Travel lust, adventure, and livelihood have taken each of these artists to distant places, including China, Mexico, Massachusetts, and New York City, but they will always be a treasured part of Buffalo's dynamic arts community. Acknowledging that a sense of place can be an element in any work of art, shaping or transforming it depending on intentions and explorations, Resource:Art is thrilled to present this selection of new work by each of these unique artists. Richard Huntington is a writer, printmaker, and painter who lives in Buffalo, N.Y. and San Miguel de Allende, Guanajuato, Mexico. Born in Albany, N.Y., Huntington received a BFA from Syracuse University in 1959 and an MFA in 1963 from the University at Buffalo, where he studied under Seymour Drumlevitch. He taught studio and art history courses at Bradley University in Peoria, Ill.; lived and worked in New York City, where he showed at the Fulton Street Gallery and other venues; was an art critic for the Buffalo Courier...

Interior Passion is an oil on canvas painting, 20 x 19.75 inches, signed and dated 'KOSTABI 2018' in the image, lower left. Framed in a contemporary black frame.

Frank Moss Bennett British, (1874-1952) In the Garden Oil on panel, signed & dated 1917 Image size: 11 inches x 13.5 inches Size including frame: 20 inches x 22.5 inches A charming genre scene of two gentlemen in 18th century costume in a garden by Frank Moss Bennett. The men drink wine and eat fruit at a linen covered table...

Reinhold Grohmann (1877-1915) was a German painter who studied at the Académie Julian in Paris, a renowned art school that attracted students from all over the world. Grohmann's wo...

A beautiful 1940s painting of a seated female nude in a summer landscape by renowned Chicago artist, Francis Chapin (Am. 1899-1965). Painted at the Oxbow School in Saugatuck, Michig...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

Canvas calligram very limited 3 pieces edition Piece 1/3 SOLD Piece 2/3 Available upon request 3 weeks creation time Piece 3/3 Available upon request 3 weeks creation time same siz...