Paint Figurative Paintings

Two figures, cast in shadows, stand in the foreground between a nude female figure in the background. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the mystery of this gathering of characters. This artwork is mounted to a wood cradle and can hang directly on the wall. Please contact the gallery for framing options. Georgia Hinaris...

The Education of Achilles by the Centaur Chiron Signed and dated "A.C. Chrétien 1861" (lower right) Oil on canvas A masterpiece of French N...

"Fishing Boats, Rotterdam" 14 by 20 inches, Oil on Panel, Signed and Framed. JAMES WEBB British 1825 – 1895 Another beautiful painting by the wonderful J...

Rene Legrand was born in Singapore of Swiss parents he came to England in his formative years and showed early promise in Art. Legrand studied Old Masters at the Slade School of Art...

A thwarted lover cannot conceal her shame so she jumps into the lake to become a fish but her beauty cannot be hidden - thus the legend of the mermaid is born. Here, Bruno Surdo bri...

The fifth emperor of Rome, Nero was the last in the Julio-Claudian dynasty line of emperors following his suicide. Nero was popular with the lower-class Roman citizens during his tim...

A charming relic of a bygone era, this rare oil is the work of the inimitable American illustrator, Norman Rockwell. The iconic artist’s ability to render the details and nuances of ...

Rene Jerome Legrand (British, Born 1953) The Rockpool (Corfu) - Oil on Canvas, 30 by 40 inches, Signed and Framed 38 by 48 inches. Rene Legrand st...

French Post-Impressionist painter Georges d’Espagnat captures a charming moment between a mother and her child in this vibrant oil on canvas. Rendered with a studied use of complementary colors and bold brushstrokes, the painting showcases the artist's unique Post-Impressionist style. Remembered as one of the most individualistic artists of the 20th century, his distinctive canvases bring together the loose brushwork of the Impressionists and the bold color palette favored by the Fauves. Together, they achieve a vibrant spontaneity that lends itself well to the carefree subjects of the present work. Masterfully composed, La lecture au jardin moves beyond the Impressionist instinct to capture a fleeting moment on canvas. Rather, d'Espagnat succeeds in creating a deep feeling of harmony in the work. Warm colors are perfectly balanced with cool tones, while vertical and horizontal lines are softened by the curves of the foliage and his subjects' figures. Through his simplification of forms and intentional use of color and line, he creates a scene that is carefully designed and thoroughly modern. A similar view of a mother and her child by d'Espagnat is currently in the collection of the Metropolitan Museum of Art (New York). The Post-Impressionist painter was an individualist since his youth, choosing to forgo traditional schooling in order to independently study the Old Masters in the Louvre. He soon became involved with the most prominent Impressionist and Post-Impressionist painters of the age, including Pierre-Auguste Renoir and Paul Signac, who themselves existed outside the traditional norms of French Academic training. In 1891, he exhibited at the Salon des Refusés, and again the following year at the Salon des Indépendants. By 1895, he held his first one-man show in Paris, and just three years later his success earned him a solo show at the prestigious Durand-Ruel Gallery. Between 1905 and 1910 he made several trips to visit Renoir on the Côte d’Azur. Their close friendship resulted in a group exhibition at Marcel Bernheim...

Acquiring a mid-20th-century Fauvist painting by Wilhelm Henning is an opportunity to own a piece of art that captures the vibrant spirit and expressive color palette of the Fauvist ...

Jennifer unveils her bare breast, luring her unsuspecting rapist towards her so that she may seek her revenge. Should her morals be questioned? It makes no difference to her animal companion. This dog’s family was murdered and his response is to bite on a pair of dentures. Morality is exclusive to humanity. Nature simply carries forward. Featuring the films "I Spit on Your Grave", 1978, "High Tension", 2003 and "Angst", 1983. Georgia Hinaris I Spit on Your Angst oil on panel 28h x 56w in 71.12h x 142.24w cm GHS012 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

"Faces I" Oil on Carton Abstract Painting 28" x 22" inch by Youssef Sida Signed and dated 1990 Youssef Sida 1922-1994 Born in 1922 in Damietta, and in 1...

A masterful example of Italian Mannerist painting, this exceptional panel was composed by the renowned Florentine painter Domenico Puligo. Alongside Jacopo Pontormo and Rosso Fiorentino, Puligo is remembered as one of the foremost figures of the Mannerist movement that rose to prominence during the 16th century in Florence. This panel of the Virgin Mary with the Christ child and Saint John the Baptist is a characteristic example of his celebrated devotional images, which grace museums such as the Metropolitan Museum of Art (New York), Museo del Prado (Madrid), Palazzo Borghese (Rome), and Palazzo Pitti (Florence), among many others. Puligo’s skill with color is fully demonstrated in the beautifully preserved work. Considering its age, the vibrancy and the sheer range of color is remarkable. The Virgin Mary’s crimson dress...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

This intimate portrait was composed by the Bulgarian-born French Expressionist painter Jules Pascin. Known as the "Prince of Montparnasse," Pascin made a name for himself throughout ...

This painting, like each of the paintings in the Purple Dawn series, is based on an earlier work that was lost or destroyed in the course of time. Feeling that I wanted to finish wha...

The blond figure, along with the floating peonies, combine to explore the dynamic between the eternal and the temporal, as well as our own relationship with nature. The gold leaf adds a three-dimensional softness as well as a glow upon which the female figure floats. Her skin is seductively painted; her teal dress falls off her shoulder; white peonies float by; the scene is set for a dreamy visual feast. The painting is framed in a gilt frame. Michael Van Zeyl Peonies in White Light oil and 12K gold leaf on linen wrapped panel 24h x 36w in 60.96h x 91.44w cm EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...

This figure of St. Sebastian has long been a favorite subjects for artists. In this modern interpretation we see St. Sebastian shackled in chains and leather restraints against an industrial graffiti covered wall. He gazes upwards while his body is pummeled with rubber suction cup darts. Historical references are ripe for interpretation in this painting. St. Sebastian is known as the patron saint for athletes, soldiers and warriors. He is said to have survived his initial wounds from arrows by way of divine intervention only to be beaten to death later after warning the emperor of his sins. St. Sebastian is known to be a protector from plague. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

ARTIST STATEMENT I'm currently working with figures and portraits and combine human forms with botanicals to explore our relationship with natural elements. Capturing the movement of the figure or an expression of a living soul presents endless possibilities and inspiration enabling me to blend with different themes. I've studied classical methods of oil painting with a focus on the 17th century Dutch Masters. The subjects I am drawn to are individuals with character, athletic figures and blooming floral arrangements with elegance and ethereal beauty. The reference for my work comes from my direct observation of natural day light in my north light studio illuminating and blanketing the form of my subjects. I am fascinated and challenged by the process of transforming a flat, blank canvas into the illusion of dimensional form, atmosphere and mood. That process is usually well thought out but sometimes painted direct and use intuition to complete my idea. Both of these methods present challenges but each way fills the void of the other and opens up the possibility of new visual ideas to meet my objective. BIOGRAPHY For Michael Van Zeyl, portraiture is much more than a one-sided translation of the artist’s point of view taking form in a subject. It’s an engaging visual dialogue that renders a soul in light, shadow and pigment, continuing the conversation for future generations to appreciate. While subtle observation and technical skill are only part of Michael’s gift, his experience has honed his craft to the highest standard. His talents were apparent by age seven and he spent subsequent decades mastering a wide range of painting techniques. In particular, 17th century Dutch and 19th century impressionist styles have resonated with him and surfaced in his own works. His formal training began at the American Academy of Art in Chicago, continuing on at Chicago’s Historic Palette & Chisel Academy and the Art Students League in New York, where he studied with the most accomplished artists who also paint directly from life under natural light. Michael is currently a faculty and board member at the Palette & Chisel and has been the club’s most popular instructor for several years. Michael’s work is already appreciated in many public and private collections, such as the United States District Court, University of Chicago, DePaul University School of Law, Chicago Theological Seminary and American Hotel Register. He has received awards from the Portrait Society of America, The Artists Guild, the Oil Painters of America and the 2014 recipient of the Dorothy Driehaus Mellin Fellowship for Midwestern Artists. EDUCATION 1987-1990 American Academy of Art, Chicago, IL 1999-2000 American Academy of Art, Chicago, IL - Life Drawing & Oil Painting Palette & Chisel Academy, Chicago, IL - Painting & Life Drawing Art Students League, New York, NY - Painting EXHIBITIONS 2017 “Anne Harris...

Painting Description: This painting began as an adaptation of a sketch I made after figures in an old Irish manuscript- probably The Book of Kells or Li...

A beautiful mid 17th century Flemish Old Master oil on panel depicting figures in a tavern interior by Anthonie Victoryns. Excellent quality early F...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart o...

Walking in the Poppy Field French Impressionist school, 20th century after Claude Monet's work oil on board, framed framed: 27.5 x 34 inches board: 23 x 30 inches provenance: privat...

VERY RARE Oil PAINTING Antique 19th Century By Listed artist CHARLES CATTERMOLE (1832-1900) British old master in Beautiful Gold Gilt Frame MORE PIECES AT WWW.OLDFINEART.COM ( late...

‘The Thames near Runnymede’ by Henry Dawson R.B.A. (1811-1878). The painting – which depicts an angler fishing on the riverbank under a spectacular evening sunset – is signed by th...

THOMSEN René Born in Paris in 1897 and died in 1976 in Paris. 20th century. French. Painter of figures, nudes, portraits, landscape, still life, flowers. Pupil of Louis ...

"A troubadour was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). The texts of troubadour songs deal mainly with themes of chivalry and ...

Richard E Howard (1912 - 1996) Massachusetts. Medium: Gouache / Paper Frame Size: 19.5" x 19" Size: 13" x 13 " Condition:great, no visible damage Provenance: ...

Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...

‘Diana Nemorensis’ by Max Nonnenbruch (1857-1922). The painting – which depicts the Goddess Diana of the Woods beside Lake Nemi – is signed by the artist and presented in a fine gol...

The Lady in Red British School, 20th century signed oil on board, framed in heavy thick wooden frame framed: 30 x 23 inches board: 23 x 16 inches provenance: private collection, UK c...

Giacomo Guardi (Venice 1764 - Venice 1835) - Venice, view with the church of S. Simeon Piccolo. 36 x 30 cm without frame, 60.5 x 50.5 cm with frame. Antique oil painting on wood, i...

The Dapper Young Gentleman English School, circa 1820's period oil on canvas, framed framed: 40 x 34 inches canvas: 32 x 27 inches provenance: private collection, England condition: ...

Work on canvas mounted on cardboard

Portrait of Franklin Atwood Park, VP of Singer Mfg. Co. Stately portrait of Franklin Atwood Park by Arthur Trevethin Nowell (British, 1862-1940). Park is sitting for a classical por...

The painting captures a beautiful moment of a girl, who got excited that she could afford something good for herself. We should learn to find our true happiness whether in the little...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City ...

Ritratto del Re di Sardegna Vittorio Amedeo III di Savoia. Ambito di Giovanni Panelalbo. Ritratto di Vittorio Amedeo III di Savoia (Torino, 26 giugno 1726 – Moncalieri, 16 ottobre 1...

It's about the quiet yet profound dialogue between the reader and the text, a silent exchange where ideas dance and imagination takes flight. This moment, seemingly still yet brimmin...

Painting after Gerard Ter Borch. The orginal "The Letter" is in Munich, Alte Pinakothek . It measures height: 56 cm (22 in); width: 46.5 cm (18.3 in) and dates from c. 1655.

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

Artist: John McCormick, American Title: 1956 Ford Thunderbird Year: 1983 Medium: Oil on Canvas Size: 18 in. x 32 in. (45.72 cm x 81.28 cm)

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

PS 238 Le temps des Jonquilles Portrait of a woman with back naked. Structural analysis: Such as Impressionist painting, the subject is firstly a study of light on human body, cr...

This painting was 1stDibs curator Brooke Wise's number 1 favorite. She called it: a more tender and revealed version of David Hockney's 82 portraits and a still life. A beautiful c...

A beautiful oil on canvas painting by the French artist, Francesco Pagliazzi. Pagliazzi was a French painter known for his colorfully rich cityscapes depicting the times of his gene...

The Cottage Steps By Gunn Gwennet (British early 1900’s) signed watercolor painting on paper mounted in a frame. framed: 21 x 18 inches Image: 14 x 9.75 inches provenance: private co...

This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California artist David D....

OLD FINE Original Antique 19th Century British OLD MASTER OIL PAINTING Very Good Condition Canvas , a little crazing due to age . Professional Cleaned & Re-vanished , Re-lined Ready to hang. " Beautiful frame is in Very Good condition , this work alone would cost £700 alone (See Pictures) Fine Original Antique 19th Century British OLD MASTER OIL PAINTING Romantic Scene GOLD GILT FRAME By The Reverend Robert Woodley-Brown 1798 - 1869 Similar $4,000 Premier Collection This Piece is Exceptional good for its age , nice piece of British history Description ( 19th century ) Title: Romantic Scene 1845 Artist: The Reverend Robert Woodley-Brown 1798 - 1869 Signed : maybe under the frame edge Provenance: john Castagno art signature directory Medium : Oil painting on Canvas Condition: Very Good Country: British school Frame size : 23 in x 19 in ( 58 cm x 48 cm) Canvas size : 16" x 12" With an estimate of £3000 - £4000 in a London west End Gallery Description : The Reverend Robert Woodley-Brown was one of those early English landscape painters whose style is so distinct that it is nearly impossible not to be able to instantly recognize his work. This one is no exception.; His paintings remind me of the old movie, “Shangri-La,” where the travelers found a magical place while crossing the Himalayas. The Reverend’s paintings have that kind of magic in them; perhaps it’s his rich color palette or his slightly provincial, yet very Georgian style. It seems there are always pretty skies along with mountains in the background and rivers or lochs somewhere in his compositions. In any case, the result is still pure magic.; This is an accomplished yet charming painting by an artist thought to be actively painting from around 1810 to 1850 and specializing in the stunning scenery of England’s Lake District. Unfortunately, little is known about Reverend Brown’s personal life, and he did not sign most of his works. I have handled several of his paintings in the course of my career and he always has been among my favorite artists.; This gorgeous landscape delivers all of Reverend Woodley-Brown’s quintessential style, color and romantic feel for which his work is admired. His figures, though seemingly entranced themselves by the beauty around them, are there primarily to give scale and a focal point. The trees are in deep, rich greens, while the pink-tinged sky further show off his talent in the realm of color. We are immediately pulled into the artist’s world. The serenity of the scene, as in all of his works, is overwhelming, making the viewer a willing partner in the artist’s interpretation of it. The very Woodley-Brownish romantic folly only adds to the scene’s charm.; In the world of Reverend Brown, his cottages often became follies shrouded in greenery. The background mountains rose...

OLD MASTER LATE 18th /EARLY 19th CENTURY CIRCLE of THOMAS GAINSBOROUGH OIL PAINTING Fine OIL PAINTING Old Master 18th Century R.A artist in a ...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academiJirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to open to the United States. This period was very important in his life because his father took him to many cities in Europe and exposed him to great works of art. Zorthian arrived in the United States at the age of eleven and settled with his family in New Haven, Connecticut. He obtained his formal education there, after graduating from Yale in 1932, the Winchester Fellowship granted him a year and a half at the American Academy in Rome with travel and study throughout Europe. His art career branched into various directions on his return to the United States. As a mural painter his reputation was established. He has forty two (42) murals throughout the United States. Zorthian worked and taught painting at some of the finest art academies on the west coast including both the Chouinard Art Institute and the Otis Art Institute. es on the west coast including both the Chouinard Art Institute and the Otis Art Institute. The Gathering...

A Venetian Gentleman 18th Century Venetian School oil painting on board, framed framed: 7.25 x 6 inches board: 5.25 x 4 inches provenance: private collection, UK condition: sound bu...

Signed and dated oil on canvas landscape by post impressionist Emilio Grau Sala. The work depicts waterlilies on a pond. The bright blue of the sky is reflecting in the water. Signa...

Urianium Oil Painting on Panel Pareidolia Surrealism Still Life In Stock Daniel Douglas (Dedemsvaart, the Netherlands, 1984) Growing up on the countryside of the Netherlands, Dani...

Konstantin Razumov (Born 1974) Russian Lady in Harem Costume in a Mediterranean Garden Oil on canvas: 18 x 15 inches. Frame: 26 x 23 inches. Signed. Konstantin Razumov's work has...