Wax Figurative Paintings

Carrie Goller's (US based) "Rialto Beach II, WA" is an original, handmade oil and cold wax painting that along a WA beach. This piece is unfr...

Carrie Goller's (US based) "Cape Flattery I" is an original, handmade oil and cold wax painting that depicts trees on cliffs above a tranquil...

Series: Beehives Beehives, Encaustic Beeswax, Fabric, Beehives Size: 18" x 46"/ 46" x 18" Using unconventional hardware - a blow torch, iron and other heated tools - along with pa...

Triptych Game of Capture-Collagraph prints on tissue paper with cold wax and oilpaint on canvas. This triptych, printed off the surface of textured shrine panels, depicts the feminin...

Mia Bergeron's (US based) "Ritual" is an original, handmade oil painting that depicts the glow of a lit candle glowing red against a dark background. Mia Bergeron's interest in art...

"Jeni Stallings creates work that often draws from her dreams and personal experiences. She tends to render those moments in a muted, femininity-infused surrealism far from the hard-...

Mia Bergeron's (US based) "Vast" is an original, handmade oil painting that depicts the faint glow of a candle cast in blue darkness. Mia Bergeron's interest in art was cultivated ...

Mia Bergeron's (US based) "Samsara" is an original, handmade oil painting that depicts the glow of a lit candle casting a halo on a blue background. Mia Bergeron's interest in art ...

Framed Dimensions: 11h x 11w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he received intensive training and a master of fine arts degree in his homeland’s traditional art academies. He immigrated to San Francisco in 1992, met his future wife in Hattiesburg, Mississippi, then married and settled in New Orleans. He maintains a home and studio in Madisonville, Louisiana, and is a significant but understated figure in the New Orleans art community. As art critic D. Eric Bookhardt suggested in 2002, “Stolin is more accomplished than he is famous.” His art, often exhibited in thematic series that incorporate a variety of media, ranges from intimate portraits to large-scale murals (one measuring twelve feet by seventy-two feet). He has worked on a progressively larger scale, most recently designing and painting projects for the Louisiana film industry. Stolin’s technically proficient and complexly layered art reflects a unique fusion of the academic training he received in Kiev and his evolving response to the very different culture, lifestyle, and subject matter he has discovered in New Orleans, Madisonville, and the Gulf South. Stolin was born on August 30, 1963. His art abilities were quickly recognized when in fourth grade he qualified for admission to the State School of Art in Kiev, which he attended from 1975 to 1981. He decided to concentrate on book illustration and graphic arts, and after graduating he was accepted into the Ivan Fedorov Polygraphic Institute in Moscow, where he studied from 1982 to 1988, graduating with a master of fine arts degree in 1988. He trained as a printmaker, creating etchings and lithographs, and as a graphic designer, and worked as a designer in Kiev. “I illustrated mysteries, science fiction, and different magazines,” he said. In 1988, after his family visited relatives in San Francisco, California, the Stolins decided to immigrate to the United States, a process that took four years. In 1992, Stolin and his parents immigrated to San Francisco, and he worked for graphic design and print businesses in nearby Emeryville, California. During a trip to Hattiesburg, Mississippi, where he was visiting cousins, Stolin met Mary Kay Holmes. The couple soon married and moved to New Orleans, where Stolin established himself as a working artist and began to exhibit in local galleries and group exhibitions. The art Stolin began to create in New Orleans demonstrated his technical skills, knowledge of art history, and the evolving range of his subject matter, reflected from one series and exhibition to the next, yet it was challenging for critics to classify his work. This was evident in the series Stolin exhibited during his first decade in the city, beginning with Byzantium on the Bayou (1993–1994), which combined historical Byzantine art references with New Orleans and Mardi Gras subjects, such as Mardi Gras Madonna and Adoration of St. Gator. In his Midnight Dessert series (1995–1997), he created works such as Tea in Manhattan and Rembrandt and Nathan, a large painting that Bookhardt described as “a vision of Rembrandt and various Dutch masters promenading down the sidewalk past Nathan’s Deli in New York.” Following that, he completed The Water Series (1998–1999), featuring reflective and heavily worked surfaces in paintings such as Reflections #2 and Study of Fish and Swimmers. Stolin’s Face to Face series of portraits, completed from 2000 to 2002, featured New Orleans artists including Douglas Bourgeois...

Ancestors, a new series using cold wax, oil stick, and layers of marked tissue paper with monoprints, explores through transparent layers of overlapping images the subtle awareness a...

A unique, medium to large scale figurative painting with a vivid, exotic background. The painting style shows influences from the post-impressionists, yet is undeniably contemporary,...

The first layer of this painting was an ardent bare-breasted woman warrior reaching for a sword. The next layer that emerged, influenced by the Monk Series, was the outline of a trad...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

Ceravolo's Large scale paintings have received international acclaim for more four decades. Known as "The Rock and Roll Painter" and "Painter of the Stars of Rock" by the media, Cera...

Experimenting with burlap and plaster on wood with beads, the Medial Woman arose as a catalyst to invite the liminal space. The genre is folk art, putting communication between world...

Louisa Chase’s work is represented in the permanent collections of a number of major museums, the Whitney Museum of Art in New York; the Museum of Modern Art, New York (MOMA), the Me...

Fox with Bees 2025 Acrylic paint, cold wax, monoprints, oil stick on canvas. The first layer of this reality is a sweet red-haired woman. In the next layer, she looks out from a two-...

Framed Dimensions: 11.25h x 9.25w in Alexander Stolin, born and raised in Kiev, Ukraine (under the former Soviet Socialist Republic), where he receiv...

True Happiness, cold wax- tissue paper, found object, and oil stick over acrylic paint on canvas, 2025. A child stands as a shaman in his understanding of what creates true happiness...

Love Tyme, Cold wax, monoprints, oil stick on canvas, 2400. We have all experienced how tyme’s absorption in love has a different quality, whether falling in, worrying over a loved o...

In the Layers of Reality Series, the Shaman/child is depicted. In anthropologist Manvir Singh’s definition of shaman, there are three basic features: entering non-ordinary states, en...

Tyme of Revolution, cold wax, monoprints, transfer, oil stick on canvas, 2024. Within history, culture binds values and meaning to time through symbols. These images of flags and gas...

Series: Beehives Beeswax and fabric over beehive and honeycomb panels Size: 36” x 26” x 1.5” This Painting will be shipped directly from the artist's studio.

A woman with a rope wrapped around her, abstracted buildings in the background.

Dancing with Tyme, Cold wax, monoprints, oil stick on canvas, 2024. Embodied in the multiple aspects of movement, we dance to tyme, through tyme, and in tyme People who believe in ...

Figurative realist painting by Steve Hawley

Monks Series, # III, Cold wax, monoprints, oil stick on canvas, 2025. Layers of Reality Series is an ongoing exploration through the visual arts of the idea that there is no single ...

Monks Series, # II, Cold wax, monoprints, oil stick on canvas, 2025, 24 Layers of Reality Series is an ongoing exploration through the visual arts of the idea that there is no sing...

Anthony Goicolea “Tripod” 2023 Oil, cold wax, and sand on linen 20 x 20 inches Contact gallery for price. This work is offered by CLAMP in New York City.