Framed Paintings

This vibrant semi-abstract painting is a response to a wildflower meadow managed by Worcestershire Wildlife Trust. Hardwick Green meadows are rich in plants with wonderful names such...

signed and dated Otto Sinding Karlsruhe 1873 lower right oil on relined canvas framed 59 × 101 cm (23.2 × 39.8 in) unframed 41 × 83.5 cm (16.1 × 32.9 in) Provenance: The collection ...

Portrait miniature, French, 19th century of a fine lady, oil on vellum on card. The miniature is not signed but is of very good quality. Presented in a period wood frame with a chase...

Art measures 31.49 x 23,62 inches Frame measures 36.22 x 28.34 x 2.36 inches Framed in a high-quality contemporary wooden moulding. Color: antique gold Artist: Roger König b. De...

Rocky Seascape oil on panel The image measures 10 x 14 unframed, 12.5 x 16 framed in original frame as purchased. signed lower left. Milton James Burns 1853-1933, Founding Salmagundi Artist member in ready to hang condition. Minor craquelure in white impasto areas of the surf. Frame abrasion in upper and lower edges of canvas. A few pinpoints of in-paint show up under UV. This scene looks to me to be Black Head, on Monhegan perhaps, as Burns visited the island to draw, etc. as listed below. The following is from "The Jean and Graham Devoe Williford Charitable Trust" Milton Burns...

This atmospheric moonlit landscape from 1888 represents a mature and characteristic work by Amalia von Schwerin, a Swedish aristocrat and professional painter whose artistic career was closely connected to the Düsseldorf and Munich schools of nineteenth century landscape painting. Executed late in her career, the painting demonstrates her assured handling of nocturnal light, pastoral motif, and animal staffage, elements that recur throughout her oeuvre. The composition depicts a tranquil rural scene illuminated by moonlight. A calm body of water reflects the pale glow of the moon, which hangs high in a softly clouded night sky. On the left, a modest cottage is partially concealed by trees, its warmly lit window suggesting human presence and domestic shelter within the surrounding darkness. To the right, a solitary cow stands quietly in the shallow water, its reflection subtly merging with the rippling surface. In the distance, faintly lit buildings and tree silhouettes dissolve into the night, reinforcing the depth and stillness of the scene. Von Schwerin’s treatment of light is central to the painting’s expressive power. The cool silvery tones of the moonlight contrast gently with the warmer hues emanating from the cottage window, creating a balance between natural and human illumination. The reflections in the water are rendered with sensitivity and restraint, enhancing the sense of calm and quietude that permeates the scene. The landscape is not dramatic but contemplative, inviting prolonged viewing rather than immediate narrative engagement. Amalia von Schwerin received her early artistic education at various art schools in Düsseldorf, where her husband owned property, before continuing her studies under Friedrich Voltz in Munich. These environments exposed her to the dominant landscape traditions of the period, particularly the emphasis on tonal unity, careful observation of natural light, and the integration of animal figures within expansive settings. Her work reflects these influences while maintaining a personal sensitivity to mood and atmosphere. Although based for long periods in Germany, von Schwerin remained closely connected to the Swedish art world. She participated extensively in group exhibitions in Sweden during the 1860s and 1870s, including exhibitions at the Royal Swedish Academy of Fine Arts, as well as shows organised by regional art associations across the country. She was also represented at the Paris World Exhibition in 1878. Her home in Düsseldorf became a social and artistic gathering place for younger Scandinavian artists, a role that reflects both her social position and her significance within the artistic community. Von Schwerin’s artistic production consists almost exclusively of landscape paintings with...

In the Canyon oil/canvas laid to panel image 8 x 10 unframed, 13.13 x 14.75 framed signed LR This is a small exquisite painting by Budicin that showcases his wonderful use of composi...

Unknown artist (Naples), 19th century View of the Bay of Naples with Mount Vesuvius oil on metal plate unframed: 7.8 cm (3.1 in) diameter framed: 20.5 × 20.5 cm (8.1 × 8.1 in) Thi...

A huge mid 19th century oil on canvas depicting sheep in an extensive landscape, by Edwin L. Meadows. Excellent quality work on a grand scale by this important British landscape pa...

A charming Impressionist summer pastoral scene depicting the New Hope town near the lake in Bucks County, Pennsylvania. This piece is executed in an intimate yet energetic manner. Ch...

'When Heaven descends in Showers" Cattle in a Dramatic Scottish Highland Landscape original painting by Henry Hadfield Cubley (1858-1934) British signed oil on canvas, framed dated 1...

The Owl Family by P. Welch ( British, 20th Century ) signed oil on board, framed framed: 22.5 x 18.5 inches board: 20 x 16 inches Provenance: private collection, Suffolk, England Con...

Julien Dupre (French, 1857–1910) Pastoral Scene Oil on canvas Signed lower left 20 x 25.5 inches 33.5 x 39.25 inches, framed Julien Dupré was a French painter, born in Paris on Ma...

A beautiful oil on canvas painting by French artist, L Francis. Francis was a Parisian painter known for his colorful cityscapes depicting the times of his generation. This painting ...

Kirsten Savage is one of Colorado’s top representational artists. As an avid world traveler and experienced mountaineer, Kirsten spends her time seeking out beautiful spaces where th...

This piece was executed during Gravina's stay in Paris, where he packed in much detail. Figures are portrayed with utmost detail, allowing you to feel the passage of time effortlessl...

This piece titled "Mist" is an original artwork by Max Seckel is made of flashe, acrylic, and spray paint on canvas. This piece measures 23”h x 31”w x 1.75”d framed, is signed by the...

The figurative surrealistic paintings of Carlos Gamez de Francisco are heavily influenced by his Cuban upbringing in a Russian-governed academic setting. This presence exposed Franci...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Canvas 12-1/4''h, 16''w. unframed and 16 x 20 framed as pictured. oil on canvas, signed lower left. Landscape with figures on a bridge. ...

August Frederick Biehle American, 1885–1979 Landscape in West Virginia, 1922 Gouache, litho crayon and graphite on paper Signed lower right 19 x 17.5 inches 29.5 x 23.5 inches, frame...

This panoramic marine composition presents a fishing fleet gathered on calm waters at sunset, rendered with a refined sensitivity to light and atmosphere. A sequence of sailing vesse...

Portrait of Margaret Cross, (portrait of a lady artist, seated in Regency style, holding an artists sketchbook). Irish School, early 19th century (circa 1820–1835) Oil on panel, oval, in a gilt frame panel: 10 x 8 inches framed: 13 x 11 inches This finely observed Irish Regency portrait depicts Margaret Cross, a woman of notable Anglo-Irish lineage and quiet artistic presence. Rendered in an elegant oval format, the sitter is shown half-length against a dark, restrained ground, her pale muslin dress and composed expression emerging with striking clarity and refinement. Margaret Cross was the daughter of Alexander Cross, Esquire, of Portnelligan, County Armagh, and descended through her mother from the Cote family of Bellamont Forest, County Monaghan, one of Ireland’s established landed families. She later became the wife of Thomas J. Fawcett, Esquire, a barrister-at-law, and the mother of Major William Cross...

Glen Tracy (American, 1883-1956) Summer Landscape, c. 1920 Oil on board Signed lower right, titled verso 12 x 9 inches 17.25 x 14.5 inches, framed Since he studied and taught commer...

The densely treed forest and mountain ledges of Hennen's Virginia home are the subject of this rich, highly detailed landscape painting in oil on panel. An enormous boulder presiding...

A lone sailboat drifts quietly across the glowing sea as the sky burns with the last light of sunset. Fire and water meet at the horizon, capturing a fleeting moment of silence and w...

Title: Inner Order Artist: Sophie Dumont Year: 2022 Medium: Oil on canvas Dimensions (unframed): 60 × 73 cm (23.62 x 28.74 in) Dimensions (framed): 67 x 80 cm (26.37 x 31.49 in)  Si...

George Ames Aldrich (American, 1872 - 1941) Normandy Watermill Oil on canvas Signed lower left and verso 25.25 x 30.5 inches 33.5 x 38.5 inches, framed A descendant of early New En...

Armand Guillaumin (1841-1927) Agay: Les Baumettes, 1912 Signed lower right: Guillaumin Oil on Canvas 25 1/2 x 32 inches 65 x 81 cm Listed in Armand Guilllaumin catalog by Christophe...

This expressive vintage oil painting depicts a dramatic coastal seascape with powerful rolling waves crashing against rocky outcrops beneath a turbulent, light-filled sky. The artist...

Abundant Profusion of Flowers French Impressionist, circa 1900 indistinctly signed & inscribed oil on canvas, framed framed: 31 x 38 inches canvas: 26 x 32 inches Provenance: pr...

Edward Potthast (1857-1927) Pastel on paper painting signed. In good condition measures 26x23.

Painted in 1924, River Landscape, Northern Sweden presents an expansive view of a meandering river cutting through densely wooded hills under a golden evening sky. The scene is struc...

Joseph O'Sickey (American, 1918-2013) Garden Scene Oil on canvas Signed lower right 18 x 22 inches 24 x 28 inches, framed Joseph O'Sickey, born in Detroit in 1918, has been a painte...

The Embarkation of the Queen of Sheeba British School, early 19th century, apparently unsigned though the previous owner insisted it was. after the earlier painting by Claude Lorrai...

This finely executed oil on canvas depicts a dramatic maritime scene with several Dutch sailing ships navigating choppy waters under a vast, cloud-filled sky. The central vessel domi...

Landscape with Trees Oil/Canvas 12 x 16 unframed, 21.5 x 25 framed signed LL Painting is in good condition, signed bottom left margin with craquelure in the clouds as shown. Housed ...

This expressive oil on canvas depicts a tall sailing ship cutting through rolling ocean waves under an open, luminous sky. The vessel is shown at an angle, sails fully billowed in sh...

ARTIST: Giorgio De Wolff (early 20th Century) Italian TITLE: "Italian Summer Garden Border" SIGNED: lower left and dated 1929 MEDIUM: watercolour SIZE: 66cm x 58cm inclusive of fram...

Three young Ukrainian women are depicted in portrait format. They are sitting next to each other, occupying the central part of the frame. All three girls are dressed in traditional ...

The Green Park French Post-Impressionist, circa 1950's period oil on board, framed framed: 22 x 19 inches board: 18.5 x 16 inches Provenance: private collection, France Condition: ve...

Luigi Cagliani Original oil painting on canvas “wedding”. In good condition 23x19

Vintage American impressionist still life oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 32 by 32 inches overall. Handsomely fr...

The Close of Day English School, early 19th Century, unsigned oil on canvas, framed framed: 20 x 28.5 inches canvas: 16.5 x 24 inches Provenance: private collection, Surrey, England ...

Portrait of a Woman in a Blue Shirt by Georges Eugène Delhomme (French, 1904-1989) signed oil on board, framed in original vintage frame. framed: 30.5 x 26 inches board: 24 x 32 inc...

Carolien van Olphen Dreamer Oil on wood panel 23 x 35 cm (Framed 31 x 41 cm, frame is included) Dutch artist Carolien van Olphen has left a great impression in many places with her...

John McCaw's (US based) "Still Life" is an abstract oil painting in greens, grey, black and yellow. John McCaw (b. 1967), the eldest son of American expressionist Dan McCaw and bro...

This work depicts a traditional wildflower meadow in full bloom. The colours are drawn from soft green meadow grasses, the white ox-eye daisies in abundance as well as the pretty pi...

Early Texas Impressionist country landscape painting by Porfirio Salinas. The work features a field of bluebonnets in full bloom accented by a few trees. Signed and dated in the fron...

Large vintage oil painting on canvas depicting a traditional English fox hunting scene with riders on horseback accompanied by a pack of hunting hounds moving across an autumn countr...

John McCaw's (US based) "Still Life" is an abstract oil painting in greens, grey, black and yellow. John McCaw (b. 1967), the eldest son of American expressionist Dan McCaw and bro...

Sophie Dumont is a French contemporary painter based in Normandy, France. Working exclusively in oil on canvas, she has developed a distinctive visual language rooted in layering, ma...

An atmospheric maritime scene by Cyril Walduck Edwards (1902-1982) depicting sailing vessels moored in calm waters beneath a brooding, cloud-laden sky. The artist has employed a mute...

This painting, painted by a plain air artist in the studio, depicts a quiet seascape at dusk, where the sea meets rugged cliffs on the left. This place is called the Italian Beach an...

"Foothills of the Catskills," 1915 Oil on canvas Signed and dated lower right: Allen D. Cochran, titled on the frame plaque 24" H x 30" W CONDITION Visual: Generally good cond...

Vintage Post Impressionist framed oil painting on board by French artist Georges Marcel Renard (1899-1964). This attractive landscape oil painting is signed in the lower right. A f...

Indistinctly signed in Bengali, dated ‘79 Bangladesh/Indian Indistinctly signed in Bengali and dated ‘79 Untitled - Fishermen 1979 Watercolour on paper Paper size: 34 x 53 cm Frame Size: 46 x 62.5 cm Provenance: From a private UK family A fabulously evocative watercolour painting showing fisherman, struggling against the elements. This is Bangladesh, 1979, not long after Independence, when the focus was on the working classes, the everyday struggle to make a living and when the artists depicting these times were concurrently exploring and establishing a new aesthetic. The painting combines naturalism with the wash method of watercolour painting and a reduced palette which allows for a rich harmony of shadow and light. Although appearing to simply utilize monotone colours, closer inspection reveals splashes of quite vivid colours; the yellow on the horizon, a deep crimson on the trousers of one of the figures, blue in the nets etc. The colour is subtle but adds a richness to the overall composition implying that this artist has received an academic training; knowing how to get the most from the materials. Add to this the beautiful watery effect from the wash on the paper and we can immediately see references to Bengal school art techniques. It is not surprising that the artist employs this medium. Neuroarthistory points to the rich heritage of Bengal school painters and the fascination with wash technique emanating from their connection to the water which provides the backbone for the region. From supplying food; fish and seafood, to transportation, agriculture and festivities. Bengal and Bangladesh live and die with the water. Some of the leading protagonists of the mid 20th century Bengal school of painters were equally captivated by the same subject and ideology. D P Roy Choudhury was a leading figure in the academic art institutions in the first half of the 20th century. He was also a great experimenter of style. In the image shown,, we can see Choudhury’s treatment of the same subject and how he to chose the monotone palette. It is through observing the similarities and differences that we begin to learn more about the times these artists were painting in and in the case of the Bangladeshi artists how they were approaching the political traumas of the time. The label to the back of the frame tells its own story;. Saju Arts & Crafts, Dacca-12. “Saju was born in 1944 in Ramu, Cox's Bazar. At one point, he became friends with Shamsul Islam Nizami, one of the veteran painters of Bangladesh. At that time, Nizami was a teacher of the Institute of Fine Arts (now Faculty of Fine Arts, University of Dhaka). Nizami introduced Saju to all the notable painters in the contemporary art scenario -- from master painters like Zainul Abedin, Quamrul Hassan...

A wonderful composition of one of Slonem's most iconic subjects, Daffodil flowers. This piece depicts 3 gorgeous flowers in ascension placed in a wonderful intense pink colorful back...

Oil on canvas Unframed: 100 × 100 cm (39.4 × 39.4 in) Framed: 107 × 107 cm (42.1 × 42.1 in) Framed in a black or natural wood floater frame (collector’s choice) Sophie Dumont is a F...

Off The Maine Coast oil/canvas 12 x 16 unframed, 20.25 x 24.25 framed signed LR Housed in the original frame as purchased with a chip on the upper left inside silver section hardly n...

This painting is signed on the back, the frames are made of oak A few words of the artist about his art: When i painting landscapes, I usually choose simple geometric arrangements,...