Framed Paintings

Known for his winter scenes, here is an exquisite example of Cochran's talent and artistic vision with this summer piece. The application of paint is just beautiful to view in perso...

"Veiled Morn" is a framed oil painting on canvas by Eric Abrecht, depicting an abstracted landscape with warm coloring. The artist's technique of painterly, smooth brushstrokes gives...

Sunlit Voyage, Gondoliers, Venice is a beautiful oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a pair of gondoliers heading through...

Karen Offutt's (US based) "Glimmer" is an original, handmade oil painting that depicts a nude female wearing a translucent robe, posing with her arms above her head. The painting is ...

Antique French realist flower still life painting by Jules Edouard Diart (1840 - 1890) . Oil on canvas. Signed. In excellent original condition. Handsomely framed in a period go...

This piece is an original oil painting on panel. A garden is shown with the subtle shadow cast by a picket fence on the path between the flowers. In a wide, linen-lined frame, the ov...

Portrait of a Young Noble Lady Dutch Old Master, 17th century oil painting on cradled panel, framed in 17th/ 18th century frame framed: 16.5 x 14.5 inches panel: 12 x 10 inches Pro...

➡️The River from Rousseau⬅️ "Il est tombé par terre, C'est la faute à Voltaire, Le nez dans le ruisseau, C'est la faute à Rousseau" - He fell to the ground, It's Voltaire's fault, H...

19th Century oil on canvas painting of sheep in a manger in it's original frame by French artist Hyacinthe Florentin Lepesqueu. This painting is signed in the bottom left corner. I...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle tonalist painting by Ryder incorporating a farmer/farmhand probably moving cows about the pastures mid right in the scene. Ryder uses a subtle S design from lower left that zig zags up to the figure and cows. The painting shows Ryder's masterful use of abstract design and technique utilizing textures in his application of paint giving the painting life and interest. Original frame, some craquelure in sky, old surface. Bears Newhouse Galleries, possibly NYC, label verso. The painting hangs in my collection currently and would benefit from a cleaning and new varnish. It is a large museum quality oil painting. SHIPPING-This will need In Home Delivery service as it is too large for me to pack. The handling time is listed as 10 days but is dependent on who 1stdibs hires and their schedule to pick up and deliver. 3 -7 weeks is listed in the shipping section for this service. Buyer can also arrange for their own pick up. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

George Smith of Chichester (Chichester 1714-1776) Landscape with figures resting by a river; River landscape with figures outside a thatched cottag...

Mediterranean Landscape by G. Grillon-Leduc, French mid 20th century signed oil on on board, framed framed: 29 x 24.5 inches board : 26 x 21 inches Provenance: private collection, F...

Lucien Neuquelman, French (1909 - 1988) - Spring Walk, Year: 1938, Medium: Oil on Canvas, signed and dated lower right, Size: 13 x 9.5 in. (33.02 x 24.13 cm), Frame Size: 20.5 x ...

The Swan Dance by Einar Forseth, (1892-1988), oil on canvas. A very colorful and decorative painting by one of Swedens most influential artists of his time. Forseth had many talents ...

Oil on hardboard signed R. QUEYRIE, France, 1950s. "Walking the streets". With frame: 55x47 cm - 21.65x18.5 inches - without frame: 46x38cm - 18.1x15 inches. 8F format. Signed "R. Qu...

The Madonna and Christ Child English School, 19th century after the earlier painting by Sir Anthony van Dyck oil on canvas, framed in fine elaborate gilt frame. Framed: 49 x 39.5 in...

Attributed to Aelbert Cuyp (1620-1691) An Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman Signed 'A. Cuyp. fe...

Mid Century California Oak Tree Original Oil Painting by Louise Cunningham Iconic California Oak tree during summer with golden tones and olive green foliage by Santa Cruz, California artist Louise H. Grosset Cunningham (American, 1881-1983) circa 1960. Displayed in a new carved giltwood frame. A gem of a California landscape painting by one of the six Monterey Bay area distinguished women artists. Medium: Oil paint on canvas Signed lower right "Louise Cunningham" Condition: Excellent Presented in new, gold gilt-toned wood frame Image, 16"H x 20"L. Framed size: 22"H x 26"W x 2.50"D A painter / architect/ pasteli, Louise Cunningham was born in Berkeley, California on May 4, 1881 of French parents. (Her uncle, Jules Jacques, was a distinguished Paris artist and a member of the French Royal Academy.) Louise Grossett began her art studies at age eleven at the Mark Hopkins Institute in San Francisco a program run by UC Berkley. She then spent most of her life as a resident of California, Berkley, San Francisco, Mt Lassen, Yosemite and then retired to Felton CA in 1955, She ran art classes from her studio on Lazy Woods Rd. She was the wife of Robert Cunningham...

Frame size 70x59 cm. Caroline Burnett, born in 1940, was a painter known for capturing the charm of urban scenes and landscapes with a vibrant and colorful style. Although little is...

Idyllic Provençal Landscape by Marie-Antoinette Courtellier (French b. 1913) signed oil on board, framed Framed: 15 x 19 inches Board : 9.5 x 13 inches Provenance: private collection...

3423 English writer portrait, oil on board displayed in a gilt -wood frame, signed by Welsh.Image size 10 H x 8 W

Jasper F. Cropsey Janetta Falls, New Jersey, circa 1846 Signed J.F. Cropsey Oil on canvas 12½ x 10¾ inches Provenance Private Collection, New York, 1930s Thence by descent to the pr...

Hyacinthe Rigaud (Perpignan 1659 - Paris 1743) School of Portrait of a gentleman in armour: Joseph Jean Raymond de Lasbordes, Officer of the “Régiment des Landes” (infantry regime...

This classical portrait depicts an affluent gentleman in formal 19th-century attire. The subject is depicted against a muted background, with the artist skilfully capturing the textu...

Antique American impressionist beach scene oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 31 inches overall and 20 by 24 painting alone. In excellent original condition...

Impressive ashcan school modernist street scene painting. Oil on canvas. Rare ashcan school modernist street scene by Isabel Moncayo. In excellent original condition. Handsomely f...

This antique painting on board depicts a tranquil and atmospheric landscape, bathed in the soft glow of dawn or dusk. The composition is rich in depth, with towering trees framing a ...

Carl Johansson (1863–1944) was a Swedish painter renowned for his evocative landscapes, particularly those capturing the striking natural beauty of northern Sweden. His works reflect...

Acrylic and oil on board in the modern form of a stylised African mask on a stand by French artist Créqule. Signed bottom right. The painting is presented in a plain wood frame, unde...

Winter Mountain Snow Landscape Oil Painting - Vintage British Art in a Gold Frame Art measures 20 x 24 inches Frame measures 25 x 29 inches Silver Birch Trees beside a River with...

The Spaniel & Her Puppy English School, 19th century signed 'Burham' lower corner oil painting on board, framed in a maple veneered frame framed: 9.5 x 12.5 inches board : 7 x 10 inc...

Title: Highland Cattle Drive Artist: Henry Garland (British, 1834-1919) Medium: Oil on Canvas Dimensions: Canvas: 30 x 50 inches With Frame: 36 x 56 inches Date: Signed ...

Vintage American school modernist abstract painting. Signed. In excellent original condition. Handsomely framed in a wood molding. Excellent condition, ready to hang and enjoy.

Winter Woodland by S. William (British, late 19th century) signed oil on panel, framed Framed: 18 x 26.5 inches panel: 13 x 21 inches Inscribed verso with old Christies provenance Pr...

This stunning British Victorian Pre-Raphaelite Royal Academy exhibited oil painting is by noted historical female artist and suffragette Jessie MacGregor. She was tutored by Lord Frederick Leighton at the Royal Academy art schools in the 1870's and his influence can be seen here. Painted in 1892 and exhibited that year, the subject matter is when Dante, (1265-1321) later an Italian Florentine poet, first met Beatrice, the love of his life when he was nine. They met in a gathering at her father's palazzo in Florence. She was a few months younger than Dante and dressed in a crimson dress. They never actually spoke for another nine years although Dante often observed her. They were both married off during this time, as was the custom then and Beatrice died aged only 24. Dante remained devoted to Beatrice for the rest of his life and she was his principal inspiration for much of his well known work, such as La Vita Nuova (The New Life) and La Divina Commedia (The Divine Comedy). (see below biography for more details on Dante and Beatrice). This stunning Pre-Raphaelite oil painting depicts Beatrice kneeling on the grass, holding flowers and gazing up at Dante as he stands beside her, hands over her head, perhaps miming crowning her. Other children and their maids dance around them. Beyond them is a Florentine garden with beautiful arches and some figures to the right. To the left one can glimpse the landscape under a summer's sky. MacGregor has portrayed superb detail in the figures expressions and clothing with rich red and gold tones and the vivid blue sky echoing in the little boy's tunic. The brushwork is fantastic. MacGregor painted some fantastic paintings in her time, many of which were exhibited and now hang in art galleries. This painting is a superb example of her work, with excellent provenance and would grace any wall. Signed twice 'Jessie Macgregor/1892' lower right. Provenance. Anon. sale, Sotheby's, Belgravia, 11 December 1972, lot 195. Exhibited London, Royal Academy, 1892, no. 905 entitled In the Childhood of Dante. From this time forward love ruled my heart. Literature Royal Academy Illustrated, 1892, p. 78. Condition. Oil on canvas, 65 inches by 35 inches and in good condition. Frame. Housed in a gilt frame with ornate flower corners and reeded edge, 87 inches by 57 inches, in good condition. Jessie MacGregor (1847–1919) was a British painter. She was born in Liverpool to a Scottish father, Alexander (1820-1898) and Liverpudlian mother, Sarah (1820-1894). She had an older brother and 7 younger siblings. MacGregor first learned drawing at the drawing academy in Liverpool run by her grandfather Andrew Hunt, a landscape painter. Her mother taught her to use water colours. Her parents went to live in London and she began to study painting there, becoming a pupil at the Royal Academy Schools in 1870 for seven years where her teachers were Lord Leighton, P. H. Calderon, R.A., and John Pettie, R.A. She won a gold medal at the Royal Academy for history painting in December 1871, the prescribed subject being An Act of Mercy. She was the second woman after Louisa Starr's gold medal in 1867, and the last woman to do so until 1909. She first exhibited at the RA whilst still a student, in 1871. She continued with a historical genre when history paintings were broadening their reach towards literature and romance. Her subjects were almost always women or children. MacGregor was made an Academician for the Liverpool Academy of Art in 1874. By 1880 she was using a studio on Elm Tree Road and exhibiting regularly at the Royal Academy. in 1884 her brother Archibald also started working from this address and they both had paintings at the RA that year. In 1888 she moved studio to Hill Road St John's Wood. In 1892 MacGregor had two painting at the RA, a portrait of Miss Phyllis Eden and our painting, In the Childhood of Dante. This was described as a fresh bit of Italian Childhood and harmonious colour grouping by the Western Daily Press. Portraits rarely got a mention in the papers but narrative works were much more popular. She lectured widely for the Victorian University extension scheme at the Arts Clubs of Liverpool, the National Gallery and Leighton House museum and other regional centres. MacGregor had a studio in Chalcot Gardens Hampstead from 1900 and began to get involved with women's issues. In 1904 she was on the committee of the Lyceum Club London along side Henrietta...

Unsigned. Presented in a wooden frame. Acquired from auction with Christie's provenance attached to one of the frame's verso. On board.

As described in the Financial Times: "With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil painti...

Van Cuyck Octave Ostend 1870 – 1956 Liége Belgian Painter 'Portrait of a Great Dane – Harlequin' This striking life-size portrait by Belgian painter Octave Van Cuyck captures the c...

A whimsical oil painting depicting a Parisian Flower Market scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in t...

Christ on the Cross attributed to Jan Luyken (Dutch, 1649–1712) inscribed 1674 upper corner pencil drawing, watercolor and ink wash on paper over oard, framed framed: 12 x 11 inches ...

Suzy Smith's "Meringues" is an original, handmade oil painting that depicts a portrait of a female nude set against a backdrop inspired by a Wayne Thiebaud pie painting...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

Edward Patry (1856–1940) I’m Better Now, oil on canvas, circa 1890–1900, in the original frame This tender and exquisitely rendered portrait by Edward Patry captures a moment of qui...

Large French Post Impressionist oil on canvas view of the Port of Cannes in the South of France by Moroccan Monegasque painter Emmanuel Bellini. The painting is signed bottom left an...

A very beautiful early 20th century oil on canvas landscape depicting a lake with hills beyond, by Frederick John Widgery. The location is lik...

With layers of bright oils, whisking brush strokes, and thrown paint, Shaoul captures a love story through her paint pallet and abstract expression. The artist explores something new...

Pastoral Scene with Figures Dutch Old Master, 17th century oil on canvas, framed Framed: 16.5 x 24 inches Canvas : 13 x 21 inches Provenance: private collection, UK Condition: very g...

The Old Victorian House by Vivian Crome (British 1842-1926) signed & dated 1885 oil on canvas, framed Framed: 35.5 x 30.25 inches Canvas: 32 x 26 inches Provenance: private collectio...

Man Walking the Dog at a River Side in the Lush Green English Countryside by 20th Century British Artist Art measures 20 x 16 inches Frame measures 25 x 21 inches John Haskins...

'Portraits of Timeless Expressions No. 11', oil on canvas mounted on board, by Florentine School (circa 1980s-90s). This gallery has ...

At Escat Gallery, we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of A...

Beautiful Post-Impressionist landscape painted in Bloomsbury Group era period and style. Oil on canvas, 18 x 24 inches; 22 x 28 inches framed. Unsigned. Some areas of paint loss as...

Sunlit Mediterranean Grove by Georges Bordonave (French contemporary) signed oil painting on canvas, framed framed: 24 x 28 inches canvas: 18 x 22 inches condition: very good provena...

After Thomas Moran Harbor, Venice oil/canvas board signed LL 15.75 x 20 unframed, 24 x 28 framed Good original as purchased condition in what looks to be a period frame? Possibly original. Signature looks similar to others found online. The last two photos are of similar signatures from two paintings listed in Brunks Auction in 2025. Small dent, lower center, under the two black objects as seen in photo. Might benefit from a light professional cleaning. Purchased at Stair Auctions Also shown here is a similar venetian painting by Moran sold at Shannons Auctioneers 2022 for $162.500 including premium showing a similar signature. Biography Thomas Moran was born 12 February 1837 in Bolton, England, not far from Manchester, the birthplace of the Industrial Revolution. Several generations of the Moran family had worked as handloom weavers in Bolton until the introduction of power looms radically changed the industry. In 1842/1843, seeking public education for his children and economic opportunity in a new land, Thomas Moran, Sr., journeyed to America. The following year his wife and children joined him and the reunited family settled in Kensington, a suburb of Philadelphia, where they became part of a well-established community of immigrant textile workers. While still a teenager Thomas became an apprentice at the Philadelphia engraving firm of Scattergood and Telfer. After three years he withdrew from his apprenticeship and began working in the studio of his older brother, Edward, who had begun to establish himself as a marine painter. Serving, in effect, a second apprenticeship, Moran benefitted not only from the advice of his brother but also from that of James Hamilton (1819-1878), a well-known Philadelphia painter who had befriended Edward. Described by contemporaries as the "American Turner," Hamilton may have sparked Thomas Moran's life-long interest in the work of English artist J.M.W. Turner. In 1861, after several years of studying Turner's work in reproduction, Thomas and Edward journeyed to London where they spent several months studying and copying Turner's work at the National Gallery. A decade later, when Thomas journeyed west to join Ferdinand Vandiver Hayden's expedition to Yellowstone, the watercolors he produced on site bore clear evidence of his debt to Turner. Moran's trip to Yellowstone in 1871 marked the turning point of his career. The previous year he had been asked by Scribner's Magazine to rework sketches made in Yellowstone by a member of an earlier expedition party. Intrigued by the geysers and mudpots of Yellowstone, he borrowed money to make the trip himself. Numerous paintings and commissions resulted from this journey, but the sale of his enormous (7 by 12 feet) Grand Canyon of the Yellowstone (1872, National Museum of American Art) to Congress shortly after passage of the bill that set Yellowstone aside as the first National Park, brought Moran considerable attention. In 1873, following up on his earlier success, Moran joined John Wesley Powell's expedition down the Colorado River through the Grand Canyon. Shortly after his return he set to work on a second canvas equal in size to his earlier Yellowstone painting...

Antique American abstract oil painting by Martin Rosenthal (1899 - 1974). Oil on board. Measuring 28 by 42 inches overall and 26 by 40 painting alone. Oil on board. Signed. In exc...

"Digal" (2018) is a mixed media painting on canvas by Inés Silvalde, measuring 22.5 x 27.6 x 5 cm, presented with frame. This piece, part of the Influencers de Taberna series, portra...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts a gestural figure of a light purple bunny on a Purple background with thick use of paint ...

Dancing Figures Flemish School, 17th century oil on on canvas, framed framed: 21.5 x 28.5 inches canvas : 16.5 x 24 inches Provenance: private collection, France Condition: very good...