Framed Interior Paintings

A still-life oil painting of pink peonies. Artist Bio Viktor Butko was born in 1978 in Moscow, into a family of artists. He often visited the studio of h...

Thoughts of Home by Lu Haskew Oil 24x30" image size, 30x36" framed (wood with gold leaf) ​ Still life with flowers and fruit amongst a porcelain tea s...

Émile Renard French, (1850-1930) Cordonnier à Jouy, Eure-et-Loir (Cobbler of Jouy) Oil on canvas, signed & dated 1883 Image size: 12.75 inches x 17.5 inches Size including frame: 23.5 inches x 28.25 inches A realist painting of a cobbler in his workshop by Émile Renard. The composition features an elderly shoemaker seated on a rickety chair next to a bench. The light from a window illuminates his work. Émile Henry...

Damien Hirst (British, born 1965) And you know it? (The Currency), 2016 Medium: Enamel paint on handmade paper Dimensions: 20 x 30 cm (7.8 x 11.8 in) Series: Unique variant from The...

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

In creating this piece, I poured my fascination with the cosmos and nature's boundless beauty into each stroke. The interplay of acrylic and oil, the explosive spread of colors acros...

Daugava river near Kraslava. 1986, canvas, oil, 66x81 cm

Georges Croegaert 1848-1923 Belgian The Letter Signed "Georges Croegaert Paris" (lower right) Oil on panel A cardinal pauses while composing a letter in this oil on panel by Belg...

"Dervish Profile I” Figurative Painting 31x31 in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and...

"Dancers reading III", Impressionist Indoor scene with tow girls. Oil on panel. Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork, signed IF by Scottish artist Iain Faulkner...

Bring warmth and charm into your home with this delightful original oil painting by Austrian artist Hans Kerber (b. 1920–?), portraying an elderly gentleman joyfully holding a guitar...

Eberhard Guillaume 1879 – Maastricht – 1949 Dutch Painter 'Young Girl Knitting' Signature: signed lower left and dated 'G Eberhard 1906' Medium: oil on canvas Dimensions: image siz...

This piece is an original oil painting on panel. It is an impressionistic view of an interior with light filtering through windows outside of the picture place, lighting up slices of...

A bright and cheery depiction of a bouquet of colorful and varied flowers. Artist Bio Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also receiv...

Contemporary realistic still life painting by Houston based artist Jerry Greenberg. The work features a group of apples arranged next to a bouquet of light pink flowers. Signed in th...

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different pla...

"Domicile I" Abstract Oil Painting 28" x 39" in (1966) by Zaccaria Zeini Medium: oil on canvas Signed and dated Comes in old original frame Zaccaria El Zeini (1932 - 1993) was ra...

Jules-Arsène Garnier (1847 - 1889) Scene from Rabelais' Third Book, How Panurge Speaks to the Sibyl of Panzoust Oil on canvas 38.5 x 46.5 cm (67 x 74.8 cm with frame) Signed lower r...

Original story illustration for “The Moon’s Our Home” by Faith Baldwin for Cosmopolitan magazine, published December 1935, illustrated pages 66-67. The full caption reads: “‘Darling...

Oil on canvas mounted on panel depicting a study from JP Laurens painting. According to the Gospels, Pilate ordered the execution and crucifixion of this Jewish preacher at the end o...

An impressionist still life painting. Two tables, one larger, painted in creams and ochers, in the background and one smaller, covered in a black and white patterned cloth, in the fo...

In crafting this piece, I fused acrylics and oils to create a tranquil seascape that blends the abstract with the real, invoking a serene horizon where sky meets water. The calm blue...

"Winter Still Life" is an oil painting of drinks and clementines on rustic wooden table, Italy. A box of clementines, a silver espresso maker, a sack...

"The Softest Hour" is a delicate, heartfelt portrait of two tulips rendered with a quiet grace. Small in size, yet rich in atmosphere, this floral painting captures a fleeting moment...

A Royal Greenhouse Interior, Brussels Marcotte Marie-Antoinette Troyes 1869 – 1929 Paris French School Signature: Signed bottom left Dimensions: Image size 101 x 80,50 cm, frame size 103,50 x 93,50 cm Medium: Oil on canvas Biography: Marcotte Marie-Antoinette was a French luminist and impressionist painter and a watercolourist of genre scenes, landscapes, still-life, gardens and flowers. Born in Troyes, France on May 31 in 1869. Settled in a very young age with her family and raised in Antwerp. Follows in the age of nineteen several months lessons in the studio of the famed Jules Joseph Lefèbvre in Paris. Further education at the Academy Royale des Beaux-Art of Brussels (1889 -1891) pupil of Jean François Portaels and Emile Claus...

Signature: Signed Lower Left Medium: Oil Paint Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published September 1940, page 47. ...

"Bedroom" by Robert Richter is an oil painting on wood with the signature on the verso. The frame was made by the artist and hand-carved, making it an integral part of the piece. Per...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

The 'Sculptor in His Studio' oil on panel painting, signed by F Vogler, captures the intense, intimate atmosphere of an artist at work. The scene is set in a small, sunlit studio. T...

"Lilacs, Coffee, Wine" is a Neo-Impressionist rustic still life in Tuscany. Familiar characters in Fenke's kitchen table still lifes include a tea pot, Moka pot, cheese, red wine, a ...

Jean-Baptiste Robie (1821 Brussels - 1910 ibid.). Still life with meadow flowers. Oil on wood, 24.5 x 18.5 cm (inside measurement), 37 x 31 cm (frame), signed and dated (difficult to...

Mushroom rain mantra. 2002, oil on canvas, 95,5x90,5 cm Abstract composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in Latvia Born in Riga, ...

A painting of painter, Ben Fenske, his muse, Beatrice, and his dog. Sitting in front of and underneath Fenske's 2009 painting, "The Break Up." The artist comforts the dog with a nice...

This oil painting is a lively dance of color and texture, merging figurative grace with the boldness of fine art. The impressionistic strokes invite viewers to explore the quint...

This superb British figurative interior oil painting is by noted Newlyn school artist Harold Harvey. Painted circa 1912 the composition is a Cornish family, bathed in golden light, s...

"Woman with Earrings" is an oil on board portrait painting by Philadelphia born Expressionist painter Bernard Harmon of an elegantly dressed woman sitting on a chair. This work features a second environmental portrait on verso. The painting is 40" x 34" in size and is signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Provenance: Estate of the Artist; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke...

"Flowers in Goblet" is an oil painting by Steven J. Levin. Painted in the realist style, this still-life depicts a grouping of flowers in a glass goblet full of water. Small pink bud...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

"Cozy corner" There's something wonderful about having a cozy corner in the garden where fruit trees thrive and the warm evening breeze carries the scent of citrus. Moroccan gardens...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Bowl with Fruits" is an abundant, vibrant still life where col...

I was inspired by the desire to express the inexpressible, to convey the feeling of the unity of the soul and matter, the universe, the cosmos, and all those invisible connections in our lives. ________________________________________________ Artist : Natalia Krykun...

Signed and dated '1910' lower right

"Studio Corner" is a post modern oil on panel painting. It depicts the corner an art studio. There are a variety of paintings, sculptures, and vases that can be seen. Frame Dimensi...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

In this serene composition, I've harmoniously blended acrylics and oils, flirting with both realism and semi-abstract styles. The magic hours' warmth and the turquoise waves' gentle ...

Marguerite by Betty Ball is part of her Flower series. It is Oil on Linen, 12x12. It is framed to 13.5 x 13.5 It is $875. It is a beautiful group of flowers in a vase with water....

The Spanish artist Mònica Castanys (1973) is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impres...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

The artwork measures 18" x 24", and the frame 25" x 29.5" x 1.75". Upon request a video clip of this work may be provided. About this artist: Julio De Diego crafted a formidable per...

Attributed to Antoine Felix Boisselier (19th Century) French (unsigned) 'Classical figures in a bed chamber Medium: oil on canvas, with inscription verso S...

Signed and dated '1890' lower right

L’Instant de l’Esquisse is an original oil painting by French contemporary artist Sophie Dumont, known for her stylized libraries, abstract landscapes, and painterly interiors. Paint...

Signed oil on canvas still life circa 1910 by French post impressionist painter Georges D'Espagnat. The work depicts three ceramic vases of flowers on a table. There is a tale green ...

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

"Woman in Blue” Oil Painting 53" x 27.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

"Imagination" Abstract Oil Painting 39" x 78" inch by Ashraf Zamzami Ashraf El Zamzami was a graduate of the Academy of Fine Arts in Minya, and he fast made a name for himself in th...

Blue, Mid Century Modern interior view of an artists atelier, oil on board, by Maurice Ferdinand Perrot. The painting is signed bottom right and presented in a plain white baton fram...

Accompanied by a certificate of authenticity signed by Mr. Jacques Bailly dated June 23, 2016. This beautiful watercolor drawing of roses by Jean Dufy captures the elegance and vibr...

Coba Ritsema was born in Haarlam in the Netherlands in 1876. At age 15 she attended the School voor Kunstnijverheid in Haarlem where she learned the basics of drawing. In 1893 she wa...