Framed Interior Paintings

Hortense DURY-VASSELON (1860-1924) Still Life with Roses and China Jewel Box Oil on canvas signed and dated 1905 low left DIm canvas : 63 X 50 cm Di...

Up for sale is an antique original oil painting on canvas by listed British artist Henry Martin (1835-1908) depicting a genre scene. Titled "His First Admiring Words". John Henry ...

A vase of pink tulips set against a deep pink tablecloth and a bright turquoise chair against a midnight blue wall is the subject of this delightful oi...

Mid 20th Century oil on canvas portrait of stylish young woman by the noted Franco Spanish artist Pere Modesto Luis Creixams. The painting is signed bottom left and presented in a ve...

Roses in Vase by Josine Vignon (French 1922-2022) signed oil painting on canvas, framed framed: 29 x 20 inches canvas: 22 x 13 inches very good conditio...

Claude Le Sauteur, Canadian, 1926-2007 GERBES SOUS LE SOLEIL, 1980 Oil on canvas 8 x 10 in signed and dated on lower left Le Sauteur 80; Signed, dated and titled verso; Kastel Galler...

Imbued with the vigor of expressionism and the gentleness of impressionism, this piece marries the tangible with the emotional. It's a tribute to nature's intricate design and a medi...

Paul De Frick 1864 - Paris - 1935 French Painter “A Lady playing with a Cat” Signature: signed lower left and dated ‘P. de Frick. 96’ Medium: oil on canvas
 Dimensions: image size ...

This charming 19th-century oil depicts an intimate 18th-century parlour scene. Husband and wife inhabit the richly furnished interior, whilst their King Charles spaniel rests at thei...

Signed lower left: Vasily (Wilhelm) Filippovich Levi (1878 - 1954). The uncommon view of Venice was depicted by gifted artist in even more modernism manner than his other works of same period. IMO this one worth special acceptance being very rare and highly desired masterwork. The scorching sun gilds the sparkling expanse of the canal with its rays. At this hour the city is empty. Calm waves gently lap against the keel of the gondola. The artist perfectly transferred to the canvas the atmospheric idyll and romantic magic of old Venice. Oil painting on wood, signed, framed. Size app.: 47 x 64 cm (roughly 18.5 x 25.2 in) and beautiful antique frame ca 64.5 x 81 cm (roughly 25.4 x 31.9 in). Very Good condition, ready to hang condition, age wear (just minor wear to frame finish). Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 3.2 kg is going to measure some 5 kg packed for shipment. V. F. Levi - lawyer, collector, and also an artist. He spent his childhood in Riga, studied at the Alexander Gymnasium. He graduated from the 1st Kharkov Gymnasium (1899) and the Faculty of Law of Kharkov University. In 1916 he moved to Terijoki, built a house there and decided to devote himself to art. In 1918, on the advice of I. I. Brodsky, he showed his works to I. E. Repin and received his approval. After some time, he became Repin's confidant: during 1919-1930, he organized more than 50 Repin exhibitions in Helsinki, Prague, The Hague, Hamburg, Nice, Cannes and other European cities. In 1930-1939 he lived in Paris. In 1930 he participated in the Exhibition of Paintings by Russian Masters...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...

Light still life of white peonies is a wonderful wall decor. This painting is very warm. It looks great in the interior will delight You and Your loved ones and be sure to give posit...

Hermann Werner Samswegen 1816 – 1905 Düsseldorf German Painter ‘Meal Time for all’ Signature: signed lower right and dated ‘H. Werner. 1870
' Medium: oil on canvas
 Dimensions: ima...

Juris Zvirbulis was born in 1944 in Riga. 1970 graduated from the Riga Secondary School of Applied Arts decorators department. 1971 Member Artists' Union of the Latvia. In 1971 F...

This superb exhibited Scottish interior oil painting with excellent provenance is by noted artist Patrick William Adam. Painted in 1915 it was exhibited that year at the Royal Scottish Academy and entitled the Drawing Room, 27 Drumsheugh Gardens which is in the Haymarket area of Edinburgh. It was lent for exhibition by its owner, J R Findlay who was Sir John Richie Findlay (1866-1930) 1st Baronet and Chairman of the National Galleries of Scotland and for a long time Chairman of the Edinburgh College of Art. He was also an original member of the Royal Fine Art Commission for Scotland. The painting is of a magnificent drawing room with a table with white flowers, possibly narcissi on in the middle. To the left is a glass cabinet with ornaments and to the right are several paintings on the wall in beautiful gilt frames, caught in the light. although the walls are quite dark, the section of wall below the dado rail is light yellow as are the coving and ceiling, really lightening the painting. There are numerous other ornaments and vases in the room and we can just see the edge of a much larger painting to the left. The detail and brushwork are superb as is the depiction of glancing. This is an excellent example of Adam's work with very good exhibition and ownership provenance and a really beautiful Scottish interior oil painting. Signed lower right and dated 1915. Provenance. Exhibited at the Royal Scottish Academy in 1915 no. 281 entitled The Drawing Room, 27 Drumsheugh Gardens (Haymarket Edinburgh) Lent by J R Findlay esq. P Findlay written on strecher verso. Written on stretcher verso that the painting was hung in the drawing room, right of fire. Doig, Wilson and Wheatley Edinburgh framers label verso. Remnants of another label verso. 1353 inscribed in chalk on stretcher verso. Condition. Oil on canvas, 35 inches by 25 inches and in good condition. Frame. Housed in the original ornate gilt frame, 43 inches by 33 inches, in good condition. Patrick William Adam RSA (1852-1929) - born in Edinburgh 12 October 1852 to Patrick Adam, a writer, and Louisa Roberts, Patrick William Adam exhibited an early talent for art. He began classes at the RSA in 1874 and studied under William McTaggart and GP Chalmers. Some of his work of that period is in the East Lothian collection: the then curriculum involved intensive study of ‘Old Masters’ – and the production of copies in the Masters’ styles. Adam won the Stuart prize for Life Drawing in 1877, by which time he had already been exhibiting at the RSA for several years He travelled to Rome, Venice and Russia and produced work in several media – watercolour, pastel and (principally) oil; subjects varied from landscapes through portraits to still life but his genre paintings and interiors were reckoned his best work. Much of this was (recognisably) produced from his studio at Ardilea, North Berwick, where he settled in 1908. In 1912 he became a founder member of the Society of Eight, a group of friends who exhibited for many years at the New Gallery in Shandwick Place, Edinburgh. Others in the original group were David Alison, FCB Cadell...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

In this piece, I've captured the tender essence of blooms, imbuing the canvas with a sense of serenity and timeless beauty. Each stroke embodies the dance between light and shadow, c...

A striking abstract still life painting in the ’Modern British’ style, also popular amongst artists in Edinburgh in the 1950s and ’60s. Signed indistinctly.

Eliseo SALA, attributed to (Milan, 1813 – Triuggio, 1879) Dream of freedom Oil on canvas 46 x 38 cm without frame 66x 57 with frame Around 1846 Related work: La toeletta del matti...

"In the Guest Room" painted in 2022 by Carl Grauer Contemporary Still Life Painting of a view into the Guest Bedroom Acrylic on Canvas in Custom Frame 16 x 12 inches, 19.5 x 15.5 x 2 inches framed in custom grey painted wooden frame Signed en verso In a new series titled Qu(i)e(t)er Interiors, Carl Grauer turns inward and brings us into an intimate space; his home. From a place of repose and safety, this environment provides warmth, comfort, and a stage to observe relationships among objects, beings, and the passage of light. His perspective tracks varied emotions, different points of view, and how the light is experienced by candlelight or sunlight reflected on walls and hardwood. “I found peace in observing the changes in light, and observing with slowness and mindfulness that comes during times of meditation.” Simple household objects are the subject of the rather complex compositions with layered perspectives. Grauer merges adept technical abilities with a penchant for authentic expression. This painting recalls the Dutch masters with its composition and soft application of paint. Sunlight streams in through the bedroom window, raking across a bed made up with white cotton sheets, and pooling onto the brown hard wood floor. This work is intimate, tranquil and is exquisite in its technical rendering. Artist Bio: Carl Grauer is a painter based in Poughkeepsie, NY in the beautiful Hudson Valley. He primarily works in oil, painting mostly portraits and figure-based contemporary realistic paintings. Born in rural Kansas, Grauer left to complete his degrees in human biology and his MFA in medical illustration...

Artist/ School: British mid 20th century, signed Title: Still life of flowers within an interior Medium: oil painting on canvas, framed framed: 21.75 x 2...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 63x55 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Span...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Charles BALAY Saint-Etienne, 1861 - Lyon, 1943 Oil on canvas Signed lower left “Balay” 56 x 46 cm (71 x 62 cm with the frame) Exhibition stamp on the verso of the exhibition of 1938 ...

This is a colourful abstract triptych. Each painting is framed in a black wooden frame, ready to hang. (size of each painting framed: 34x34x3,5 cm). The size of the triptych is 34 x ...

Very impressive antique American flower still life oil painting. Stunning and unique original frame. Oil on canvas. Painting size, 18H by 14L. Exceptional quality. Signe...

Very impressive mid 20th century modernist interior view. So well painted with great color and bold expressive strokes. Signed illegibly. Housed in a period modernist frame. Oil ...

Richard Andres (American, 1927-2013) Magic Garden, c. 1962 oil on canvas signed lower left, signed and titled verso 50 x 42 inches Richard Andres was born in Buffalo, New York in 19...

An outstanding oil painting depicting a religious figure seated in a Synagogue with decorated columns and in between arches. The bright colors and quick brush strokes are what make t...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Very nicely painted American school modernist painting. Oil on canvas. Signed. Nicely framed. Image size, 16L x 20H.

Signed impressionist figurative oil on canvas circa 1890 by sought after French impressionist painter Jean Louis Forain. The piece depicts bathers in a dark landscape. Signature: Signed lower right Dimensions: Framed: 32"x37" Unframed: 24"x29" Provenance: Private French collection Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

The painting is signed Description: Frederico Andreotti (1847-1930) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Florence, Andreo...

Very impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Image size, 12H by 16L. Exceptional...

French Modernist artist, 20th century signed lower corner oil on board, framed framed: 19 x 23 inches board: 18 x 22 inches provenance: private collection, France condition: very goo...

Signed figures in interior oil on canvas circa 1910 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjoying dinner in a typical Breton kitchen scene. A man and lady are seated at the table while a woman serves them from a steaming pot. The light of an overhead oil burner illuminates the room. Signature: Signed lower right Dimensions: Framed: 26"x23" Unframed: 18"x15" Provenance: This work will be included in the supplement to Tome III of the Catalgue Raisonne of Edouard Cortes under preparation by Mme. Nicole Verdier This work is accompanied by a photo certificate from Mme. Nicole Verdier under reference EC221203/HT/GEO-241 Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Jordi Curós Ventura (1930-2007) - self portrait Mixed technique on canvas board. Work measurements 46x38 cm. Frame size 63x55 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) i...

Gillis Mostaert Hulst 1534 – 1598 Antwerp Flemish Painter 'Adoration of the Shepherds' Medium: oil on panel Dimensions: image size 38,5 x 46,5 cm, frame size 54 x 62 cm Provenance...

Nice modernist portrait for sale here. Oil on board. Signed. Nicely framed. Image size, 9L x 10H.

‘The Golden Egg’ by Richard Morton Paye F.S.A. (1750-1820). The painting – which depicts the moment the young lovers in Thomas Dibdin’s Georgian pantomime discover the solid gold eg...

"Peachy Pumpkin" is an interior realist still life painted from life, orange and black colors. Framed. Signed on bottom. Sarah Lamb is a talented and dynamic realist painter. With ...

"White on White Blue" is a monochromatic, interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 20" x 16" oil on canvas painting is framed and signed "B ...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Across numerous African nations, where vast stretches of sand dominate the landscape, pockets of human-made oases nurture the growth of lemon and orange trees. This serves as a testament to the Earth's generosity towards those who show kindness and stewardship towards it, offering vital moisture where it is scarce. In these nurturing environments, vibrant lemons thrive, their sunny hues and fragrant aromas a testament to the resilience and abundance found amidst the arid heat. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

Impressive early American modernist flower still life painting by Henrietta Elizabeth Dodd Hoopes (1904 - 1996). Oil on board. Framed. Signed. Image size, 22 by 15 inches.

Bold outlines and strong weighty forms coalesce with a compositional delicacy that forms the hallmark of Hartley's work. The work has a long and distinguished provenance and exhibit...

In this artwork, I've aimed to capture the transient beauty of nature, an expression of life's fleeting moments. Employing gentle strokes and a harmonious palette, I convey the delic...

Impressive early American modernist interior flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 30H by 24L.

In creating this piece, I poured my soul into capturing the serene yet vibrant essence of a park that whispers tales of tranquility and renewal. I employed expressive brushstrokes to...

Jules Rene Herve French, 1887-1981 Ballerinas Descending the Stairs Oil on canvas 9 by 10 ¾ in, w/ frame 13 ¾ by 15 ⅝ in Signed lower right J.R. Herve, an impressionist of our time...

CELSO LAGAR Spanish, 1891 - 1966 STILL LIFE OF FRUITS signed "Lagar" lower left oil on canvas 29-3/4 x 38 inches (75 x 96 cm.) framed: 33-1/2 x 41-3/4 inches (84.5 x 105.5 cm.) PROVENANCE Private French Collector Celso Lagar Arroyo (Ciudad Rodrigo, 1891 - Seville, 1966) was an expressionist Spanish painter of the first generation of the School of Paris, where he lived most of his life. He was influenced by avant-gardes of all kinds, such as cubism and fovism. He painted mainly landscapes and still lifes...

Softness of Pages is part of Sophie Dumont’s series of works that celebrate the intimacy of knowledge and the silent aura of books. With its elongated vertical format, the compositio...

The Bar Interior French School, circa 1960's indistinctly signed oil on board, framed framed: 18 x 22 inches board: 12 x 16 inches provenance: private collection, France condition: v...

This stunning, large British Edwardian Newlyn School interior portrait oil painting is by much noted and exhibited artist Walter Langley. Originally from Birmingham, Langley and his family moved to St Ives in 1881. He was one of the first artists to settle and painted the local fishermen and their families. Painted in 1906 and entitled The Evening of Life, the painting is a full length seated portrait of an elderly lady in a cottage interior. She is sat by a table on which she has a bible, jug of flowers and her sewing equipment. Across her lap she has a large patchwork quilt to mend but is lost in thought. In fact the same sitter and quilt can be seen in Memories, also painted in 1906 and in the Ferens Art Gallery, Hull. Memories includes more of the cottage interior but the sitter's head is bowed towards her hands. The Evening of Life is more vibrant and the sitters face is much more visible as are the lovely colours of the quilt. The painting has fantastic detail, great brushwork and the Newlyn school palette of colours. The provenance is excellent, having been kept in the same family ownership so fresh to market. The painting appeared in the artist's catalogue Raisonne and was also in 1997 biography by Langely's grandson, Roger Langley, entitled Walter Langley: Pioneer of the Newlyn Art Colony. This a superb example of Langley's work, a good size and composition and a pleasure to gaze upon. Signed lower left and dated (19)06. Provenance. : Ford, 1906 (£63). Long in the previous family ownership and sold by the executors of the estate. Thomas Wood and Sons label verso. Literature: Langley (R) - Walter Langley Pioneer of the Newlyn Art Colony 1997, catalogue raisonne p.170 (under 1906). Condition. Oil on canvas, 40 inches by 30 inches unframed, in good condition and unlined canvas. Frame. Housed in a gilt frame 47 inches by 37 inches and in good condition. Walter Langley (8 June 1852 – 21 March 1922) was an English painter and founder of the Newlyn School of plein air artists. He was born in Birmingham and his father was a journeyman tailor. At 15 he was apprenticed to a lithographer. At 21 he won a scholarship to South Kensington and he studied designing there for two years. The sometimes highly ornate work is mainly in gold and silver and in a Renaissance style. He returned to Birmingham but took up painting full-time, and in 1881 was elected an Associate of the Royal Birmingham Society of Artists. In the same year he was offered £500 for a year's work by a Mr Thrupp (a Birmingham photographer). With this money he and his family moved to Newlyn where he was one of the first artists to settle and began recording the life of the fishing community. Politically left wing for his era, he was noted for his social realist portrayals of working class figures, particularly fishermen and their families. He was a supporter of Charles Bradlaugh, a radical socialist politician. His own working-class background enabled him to identify with the villagers and the hardships they endured, many of his paintings reflect this sympathy with the working-class fisher-folk amongst whom he lived. One of the best known works is the watercolour For Men Must Work and Women Must Weep (1883; Birmingham Museum and Art Gallery) based on Charles Kingsley's poem The Three Fishers (1851). Another is Between The Tides (1901; Warrington Museum & Art Gallery). Although one of the first to settle in the Newlyn artists' colony Newlyn School, Langley initially benefited little from its growing fame, partly because of his working-class origins and partly because until 1892 he painted largely in watercolour rather than the more prestigious medium of oils. His early training in lithography gives his paintings a detail and texture that show his technical skills. In 1884, Langley was elected a member of the RBSA and continued to exhibit widely throughout the UK and abroad. Later in his career his reputation grew. One of Langley's paintings was singled out as "a beautiful and true work of art" by Leo Tolstoy in his book What is Art?, while in 1895 Langley was invited by the Uffizi to contribute a self-portrait to hang alongside those of Raphael, Rubens and Rembrandt in their collection of portraits of great artists. Today his work is considered "vital to the image of the Newlyn School" and "alongside Stanhope Forbes ... the most consistent in style and substantial in output". Exhibited: Royal Society of Artist Birmingham 57, Dudley Gallery 4, Dowdeswell Gallery 17...

GATHERED BY THE PIANO Size: 32 x 41 cm (including frame) Oil on board An intimate and lively mid-century semi-abstract composition that captures a dynamic group scene, painted in oi...

Italian painter (19th-20th century) - Still life with vase of flowers. 83 x 62 cm without frame, 96.5 x 76.5 cm with frame. Antique oil painting on wood, in a wooden frame (not sig...

Impressive Paris school modernist still life oil painting. Framed. Oil on canvas. Signed. Image size, 36H by 29L and overall 36 by 43 inches.

Keimpe van der Kooi Home 49 x 41 cm Framed: 54x 46 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint still...