Framed Interior Paintings

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. A luscious plum, its dusky mauve skin infused with hints of de...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

Enrique Medina (b.1935). La Puerta, 1985. Acrylic on canvas, measuring 32 x 32 inches; 33 x 33 inches framed. Signed lower right. Signed, dated, titled on verso. Personal Information...

Still Life with Fruit in Basket - Vintage Oil in Ornate Frame by British Artist Art measures 12 x 10 inches Frame measures 18.5 x 16.5 inches Roy Hodrien, born in Lancashire in M...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

German School, early 20th century oil on canvas, framed framed: 33 x 27.5 inches canvas: 30 x 25 inches private collection, UK the painting is in overall very ...

An original Gouache painting measuring 16 x 20 inches by Joseph Margulies. The painting is signed lower right. Born in Vienna, Joseph Margulies becam...

Still Life French Modernist, 1960's indistinctly signed and dated oil on canvas, framed Framed: 28 x 33 inches Canvas : 21.5 x 25 inches Provenance: private collection, France Condit...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Oil on board realized by Emile François Rouseau in 1910. Hand signed, dated and dedicated by the author. Includes a coeval gilded wooden frame.

A charming, diminutive 1930s Modern painting depicting laundry hanging in a Vermont lake house window by notable Chicago artist Harold Haydon. Artwork size: 8 x 8 1/4 inches. Fram...

Incredible early American illustration of an opera scene by Richard W. Baldwin (1920 - 2012) . Oil on canvas. Framed. Signed.

Vintage American modernist framed still life painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

Courtyard with Fountain - Interior Landscape in Oil on Canvas Moody interior scene by Muriel Kittock (American, 1919-1996). Against a far wall, there is an ornate bench...

Wijnand Driessen (Dutch artist) Empty chairs at empty tables 30 x 21 cm (framed, included in price 38 x 29 cm) Oil paint on canvas Artist Wijnand Driessen lives and works in Eindhov...

Three Terrier Dogs in Barn Interior Attributed to George Armfield (British 1808-1893) oil on canvas, framed within antique oval inset gilt swept frame framed: 27 x 31 inches canvas: ...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Artwork sold with frame (114 x 93 x 6 cm) Jules-Ami Courvoisier was a prominent Swiss painter, illustrator, and poster artist, born in La Chaux-de-Fonds in 1884. He studied under Ch...

Artist/ School: Berthe Noufflard, French 1886-1971, signed and dated 1937. Berthe Noufflard was the favourite pupil of Jaques Emile Blanche Title: 'Edga...

Still Life of Flowers Carlo Cherubini (Italian 1897-1978) signed oil on canvas, framed framed: 23 x 29 inches canvas: 18 x 24 inches Provenance: private collection Condition: very g...

Herbert Rothgaengel was a well known German artist who paunted female nude The painting we have for sale is a wonderful 1920’s example by the artist house in a Newcomb Macklin frame...

Presenting an original oil by French artist Paul Charlemagne, “Femme du Cirque”, an original oil on canvas, signed, c.1930, with an image dimension of 30 x 24 inches.

This still-life painting by George Weissbort exemplifies his mastery of classical realism and meticulous attention to detail. The composition is elegantly restrained, featuring a rus...

Theodorus Van Oorschot (1910-1989), oil on canvas. An expressive interior depiction of a kitchen around 1900. Signed 'Th. Oorschot' to the lower right. Presented in a 20th-century cr...

A sweet and intimate family scene by the rarest of artists: French early 19th Century child prodigy Henri-Louis-Hippolyte Poterlet (1804-1835). Poterlet was a close friend and confi...

A still life of Native American pottery, moccasins, and fur, that was likely arranged during one of the artist's many trips to New Mexico and California. This painting embraces th...

Laslett John Pott RSA British, (1837-1898) Bess of Hardwick Receiving Visitors at the High Great Chamber, Hardwick Hall Oil on canvas, signed & dated 1872 Image size: 18.75 inches x 29.5 inches Size including frame: 25.25 inches x 36 inches Provenance: Frost & Reed no. 30819 A wonderful historical painting by Laslett John Pott of figures at a table in the High Great Chamber at Hardwick Hall, Derbyshire. Two men in Elizabethan costume can be seen standing up to toast a lady as she reclines in a chair holding a fan, whilst a dog watches on. Meanwhile, another woman looks across the table as her seated companion has his glass refilled by a man servant. To the left of the painting, a lute with sheets of music can be seen lying on the ground whilst on the opposite side sits a wine cistern with a bottle next to it. The fashionable dress and bearing of the woman seated on the right indicate a woman of wealth and standing, most likely Bess of Hardwick, Countess of Shrewsbury who built Hardwick Hall in 1590. She was lady in waiting to Queen Elizabeth I and one of the wealthiest women in England. She commissioned the architect Robert Smythson to design the house, which included the extraordinary High Great Chamber located on the second floor. Decorated with a plaster frieze depicting Diana the huntress, a large alabaster and marble chimney piece and Brussels tapestries on the lower walls, it was used by the countess to greet and entertain guests. After her death, the property passed to her son William Cavendish 1st Earl of Devonshire in 1608 and later to his great grandson, William who was made the 1st Duke of Devonshire in 1694. In 1959, the property was transferred to the National Trust and most of its original features, including the plaster friezes, chimney piece and tapestries depicted in this painting, can still be seen today. The painting bears an old label for Frost & Reed, no. 30819, with the title ‘Interior of Haddon Hall’ which was wrongly given to the painting at the time. Later research uncovered the correct location as being Hardwick Hall. Pott used Hardwick Hall as the backdrop for a number of his works including: Mary Queen of Scots Being Led to her Execution, His Highness in Disgrace, Waiting for the King’s Favourite and Wayland Smith Showing Amy Robsart her Wedding Dress. Laslett John Pott was a genre and historical painter born in Newark, Nottinghamshire in 1837, the son of John Manger Pott, and his wife Sophia Charlotte Moss. His father was a successful auctioneer and land valuer and his wealth enabled Pott to receive a good education. Although he showed an early talent for art, his father wanted him to become an architect and at the age of 16 he became an apprentice at a local firm. After his apprenticeship, he was able to persuade his father to let him change careers and enrol at the Bloomsbury Art...

Georges Croegaert Antwerp 1848 – 1923 Paris Belgian – French Painter 'Cardinal in His Thoughts' Signature: signed lower right and placed ‘Georges Croegaert Paris’ Medium: oil on pa...

Saint Mark's Basilica Venice Oil Painting Signed, lower left dated, titled verso. Romanesque Bizantine Basilica. canvas 35"x45" framed 46.5 x56.5. Frank LeB...

This intriguing British Edwardian figurative interior oil painting is by noted artist Arthur Croft Mitchell. It is entitled Two Worlds verso and dated as c1910. The composition of th...

Beautifully executed realistic Southwestern still life of traditional Native American pottery, with a patterned textile, feather, and ear of red corn, by an unknown artist (20th cent...

Still Life with Apples is an exquisite still-life painting that captures a quiet moment of abundance and peace. On a humble wooden table lies a cluster of ripe apples, their rosy and...

Artist: Fermin Santos Alcade Title: Catedral de Toledo, Espana II Year: Circa 1960 Medium: Oil on canvas board Canvas board size: 28.5 x 21.25 inches...

Jacques Daufin ( Born 1930) French School signed and dated 1957 oil on canvas, framed framed: 32 x 24 inches canvas: 26 x 18 inches Provenance: private collection Condition: very go...

This piece titled "Nine Lives VI" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5" a...

6073 Oversized Modernist Flower arrangement

Contemporary Impressionist Still Life by Helen Greenfield (British 20th century) signed initials oil painting on board, framed framed: 25 x 31 inches board: 24 x 30 inches condition:...

Artist/ School: French School, signed lower left, circa 1970's Title: The Interior. Medium: oil painting, on canvas, framed. Size: frame: 25 x 41inches painting: 23.5 x...

Medium: Oil on linen canvas Canvas size: 50 x 50 cm (19.68 x 19.68 in) Framed size: 57 x 57 cm (22.44 x 22.44 in) Frame: American box frame (choice of black or natural wood) Year: 2025 Style: Abstract, geometric, textured Category: Contemporary Painting Technique: Palette knife, thick impasto In L’Énergie des Livres (“The Energy of Books”), French contemporary artist Sophie Dumont transforms the quiet presence of a library into a composition pulsing with rhythm and color. Organized in three horizontal tiers, this abstract bookshelf...

Still Life by M. Peiffer, French 1940's signed and dated 1946 oil on canvas, framed framed: 26 x 30 inches canvas: 24 x 28 inches Provenance: private collection, Paris Condition: ve...

Dimensions (unframed): 80 x 80 x 2 cm (31.5 x 31.5 x 0.79 in) Framed dimensions: 87 x 87 x 3.5 cm (34.25 x 34.25 x 1.38 in) Color frame: light wood or black (collector's choice) This...

5120 Impressionist oil painting of an interior table setting

Triumphal arch. 2023. Oil on canvas, 45x70 cm Hyperrealistic atrwork with Triumphal arch 1976 Born: Jurmala, Latvia 1987–1994 Rozental’s Art School, Riga, Latvia 1998 Bachelor of Ar...

"Grapefruit and Strawberries" is a classical realist still life of fruit. Signed bottom right corner Framed Dimensions: 19.25 x 19.25 inches Steven J. Levin - (b. 1964) is classica...

An auction at Drouot's in Paris. Oil on canvas. Signed lower right. Around 1900-1910. René François Xavier Prinet (31 December 1861, Vitry-le-François – 26 January 1946, Bourbonne-les-Bains) was a French painter and illustrator who drew his subjects from middle-class society. He was born to Henri Prinet, an Imperial Prosecutor in Vitry-le-François. A promotion led to him being posted in Paris, where they lived in a home not far from the École Nationale Supérieure des Beaux-Arts. His father painted as a hobby and was supportive of his desire to study art, having him seek the advice of Louis Charles Timbal [fr], a well-known church painter and friend of the family. Around 1880, he began his studies in earnest, in the studios of Jean-Léon Gérôme; remaining with him until 1885. That year, his painting "The Infant Jesus" was accepted for display at the Salon. This was followed by studies at the Académie Julian. At this time, he also became associated with a group of young artists known as the Bande Noire (Black Stripe), which included Lucien Simon, André Dauchez...

* No import duty to the US on this item * A superb 1930's French oil on canvas depicting a drinker in a bar interior. Very high quality naif/Paris School work which is indistinctly ...

ARTIST: Unsigned (early / mid 20th Century) English School TITLE: "Self Portrait In A Round Mirror" SIGNED: appears unsigned MEDIUM: oil on canvas SIZE: 73cm x 62cm inc frame CONDIT...

A captivating interior study full of middle eastern colour. Presented in a contemporary gilt-effect frame. Illegibly signed to the lower left and dated 1996. On canvas on stretchers.

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

Julian Stanczak (American, 1928-2017) Double Focus II, 1963 acrylic on canvas signed and dated verso 33 x 40 inches Julian Stanczak (American, b. November 5, 1928) was an American ...

"The Circumnavigators Route" Charles Willis 1878 - 1963 Portrait painter and commercial artist who also painted historical conversation pieces. Painted many portraits of Royalty, sev...

«Autumn Forest» is a painting depicting the picturesque autumnal nature. On the canvas, you can see colorful leaves of trees, creating a vivid contrast against the backdrop of dark t...

This work by Austrian artist Ivo Saliger (1894-1987) is an expression of devotion, of a tradition central to Austrian life a century ago. Then, Austria had a strong Catholic heritage, supported by more than six centuries of Hapsburg rule. The subjects of this reverential painting appear to be members of a family wearing traditional Austrian "tracht" or dress. Hands clasped in prayer, they are about to dine together, with the elder parents joined by their grown children and perhaps a spouse. Resolving any doubt in the viewer’s mind about the activity, a crucifix hangs above the gathering in the dining area’s corner adjacent to a painting of the Virgin Mary...

Artist/ School: by Henri Van Der Beck (French 1886-1956), signed lower right Title: Portrait of a lady seated on a golden yellow chair within an interior...

Louis Bosa (American, 1905-1981) Nuns in My Studio Oil on canvas Signed lower right 10 x 14 inches 15.5 x 19.5 inches, framed Born in Codroipo, a small village only a few miles from...

Industrial Mid-20th Century WPA Modern Men Working American Scene Social Realism George Pearse Ennis (American, 1884-1936) "Forging a Gun Tube #1...

Antique American modernist interior easel painting. Oil on canvas, circa 1960. Signed on verso. Housed in a period modern frame.

Large French Mid 20th Century, oil on paper laid on canvas, portrait of a seated female figure by Sylvain Vigny. The painting is signed bottom left and presented in a very fine carve...

A Delightful Mid-Century Modern Painting of Mother and Child by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). Artwork size: 5 3/4 x 4 Inches (Framed size: 9 3/4 x 8 1/2 inc...

5162 Vintage American framed oil painting signed Linda Haber Image size 17x13"