Framed Interior Paintings

Nadezda's "Jasmine" (2025) is a beautiful handmade oil painting on panel. Part of her 2026 solo exhibition "She is Garden", this piece depicts a portrait of a woman stepping out from...

Still Life by Paul Flaubert (1928-1994, French) signed oil on canvas, framed framed: 17 x 24 inches canvas: 15 x 22 inches provenance: private collection, France condition: very good...

Still Life by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 29 inches Provenance: all the paintings we have by this artist have come...

Nadezda's beautiful handmade oil on panel portrait painting "Wisteria" (2025) depicts a young woman in a patterned white and cerulean dress, reaching up to the soft petals of a wiste...

This painting is in excellent condition and has only been shown in a gallery. This painting features the beautiful Art Deco interior of the Beef Bar Restaurant in Paris. Her works were recently featured in the March issue of American Art Collector magazine 2022. A hardbound-book is included with your purchase. Whether depicting lively night parties on the beach, Parisian streets, or bustling sidewalk cafes of her native Madrid, the paintings of Paloma Hinojosa...

This artwork titled "Interno" c.1990 is an oil painting on canvas by noted Italian artist Umberto Bianchini, 1934-1990. It is signed at the lower lef...

Nerve Center, 2025 (Brightly colored Contemporary Painting of Interior with lush house plants and bright red chair, Framed) by Fred Cohen oil on canvas 36 x 36 inches, framed Fred C...

New Bedroom (Brightly Colored Contemporary oil painting of an Interior with House Plants and red chairs) Painted by Fred Cohen in 2024 oil on canvas 30 x 24 in. Fred Cohen’s painti...

A Room With a View Stig Wernheden (1921-1997) signed oil painting on canvas, in a wooden frame framed: 28 x 24 inches canvas: 27.5 x 23.5 inches provena...

Toulot Jules (1863-nc) Pianist officer in the Second Empire period Oil on canvas signed low right Old frame regilded with gold leaves Dim canvas : 65 X 43 cm Dim frame : 90 X 67 cm TOULOT Jules (1863-nc) French painter 19th century Born 11th November 1863 in Champeinx (Puy de Dôme...

Richard Andres (American, 1927-2013) Magic Garden, c. 1962 oil on canvas signed lower left, signed and titled verso 50 x 42 inches Richard Andres was born in Buffalo, New York in 19...

Oil on canvas Canvas size: 24 x 18.25 inches Framed size: 31.75 x 25.75 inches Signed lower right

Nicolai Cikovsky Moses Soyer Painting in his Studio Signed lower right Oil on board 18 x 15 inches Nicolai S. Cikovsky (1894–1984) was a distinguished Russian-born painter celebrat...

Mediterranean Figurative Painting of Vagabond and Daughter Spanish Modern Artist: Albert Roca Title: The Vagabond and His Daughter Medium: Oil on board Period: Circa 1990 Dimensions artwork: 70 × 50 cm (27.56 × 19.69 in) Dimensions with frame: 83 × 63 cm (32.68 × 24.80 in) Signature: Signed lower right Condition: Very good vintage condition. Minor wear consistent with age. Frame included. Style: Modern Figurative / Mediterranean Expressionism Origin: Spain DESCRIPTION A deeply human and emotionally resonant figurative composition by Spanish painter Albert Roca, depicting an elderly vagabond seated beside a sleeping young girl wrapped in a red shawl. The painting captures a rare balance between tenderness and hardship. The old man’s weary expression contrasts with the peaceful innocence of the child, creating a quietly cinematic scene filled with psychological depth. The small travel sack resting beside them transforms the image into a visual poem about exile, protection and survival. Executed with loose, expressive brushwork and a warm Mediterranean palette of dusty pinks, violets and earthy browns, the composition possesses the direct emotional clarity associated with mid-century European figurative painting. The simplified forms and softened contours give the work a timeless, almost neo-expressionist atmosphere. Albert Roca demonstrates a remarkable ability to humanize marginal characters without sentimentality. The result is a painting that feels intimate, melancholic and profoundly decorative at the same time. An exceptional piece for collectors of Spanish figurative art, modern European painting, emotional portraiture or Mediterranean interiors with soul and narrative presence. This type of emotionally charged figurative scene performs especially well in sophisticated interiors because it immediately creates conversation, atmosphere and psychological texture. It has the rare quality of feeling both humble and monumental. Like a forgotten frame from an arthouse film discovered in a trunk at a railway station somewhere between Barcelona and memory. ARTISTIC CONTEXT This work evokes elements of European social realism and Mediterranean figurative traditions, recalling certain emotional qualities found in the works of Bernard Buffet, early Picasso blue-period humanity, Catalan postwar figurative painters and French expressionist narrative scenes. The combination of simplified anatomy, expressive brushstroke and emotional storytelling gives the painting strong decorative power while maintaining genuine narrative depth. ARTIST BIO Albert Roca is a Spanish painter known for his landscapes and figurative compositions, particularly appreciated for his psychological approach to character depiction. His work has received awards in Spanish and European art competitions and has been exhibited extensively in Spain and France. His paintings are also regularly displayed aboard French CroisiEurope cruise ships, reflecting the broad decorative appeal of his Mediterranean-inspired visual language. Spanish figurative painting, Mediterranean painting, modern European art, emotional portrait, social realism, expressionist figurative art, old man painting...

Geometric trompe l'oeil, oil on canvas, measurements 100 x 100 x 3 cm. By Danish artist Peter Kramer, who creates an optical illusion on the canvas through his meticulous brush strok...

Françoise Juvin - Small bouquet of buttercups Reference number FJ106 Framed with a black wood floated frame. 24,5 x 31,5 cm frame included (19 x 26 cm ...

Most of what you’re looking at here is empty. Not absence — space. The kind that makes a room feel larger just by being there, doing nothing in particular. This painting has more silence in it than colour. That’s not a flaw. That’s the point. A handful of roses, yellow and rose-pink, fall down the canvas in loose, uneven intervals — not crowded together, not reaching for each other. Bare linen stretches between them, wide and untouched, the silvered grey doing as much work as the flowers do. Looking at it feels less like looking at a garden and more like looking at the gaps between thoughts — the ones that are usually too quick to notice. There’s a particular kind of attention that opens up around restraint. When everything isn’t filled, the eye has somewhere to rest. Anastassia Skopp...

A painting by Santiago Carbonell. "Untitled" is an interior, realism painting, oil on canvas executed in a warm palette of browns, beiges, and black...

Richard Andres (American, 1927-2013) Erie Shore, c. 1975 acrylic on canvas signed lower right, signed and titled verso 50 x 72 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Max Herve (French, 1926-2018) La Clarinette et La Baignoire oil on canvas signed lower right 21.5 in. h x 25.75 in. w., canvas 28 in. h. x 31.25 in. w., as framed Max Hervé was an a...

Title: Pensées Entrelacées Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood floater frame (black optional) Signed lower right – ...

Americana Still Life Painting of American Diner Table Condiments & Sauces Art by Leading British Urban Painter, Angela Wakefield Art measures 12 ...

Watercolour painting of Russian peasants feasting by Teikh Russian, 1872 Frame: Height 92cm, width 122cm, depth 6cm Sheet: Height 76cm, width 107cm This fine watercolour painting is...

Mid Century Post-Impressionist Still Life with Shoes and Flowers, Spanish Oil on Paper, Framed, c.1980 Artist: Carmen Espel (b. 1926, Spanish) Title: Untitled (Still Life with Shoes and Flowers) Date: circa 1980 Medium: Oil on paper Dimensions (image): Height: 70 cm (27.56 in) Width: 50 cm (19.69 in) Frame dimensions: Height: 75 cm (29.53 in) Width: 55 cm (21.65 in) Condition: Good overall condition. Minor signs of age consistent with medium and period. Paper stable. Colors remain vivid and well preserved. Frame: Original wooden frame included Style: Post-Impressionist Period: Late 20th Century (1980–1989) Origin: Spain A bold and characterful post-impressionist still life that plays with contrast, texture, and narrative. At first glance, it’s a simple composition: a pair of worn shoes, a ceramic pot with vivid flowers, and a glass bottle. But the execution transforms the scene into something far more engaging. The brushwork is energetic, almost tactile, and the color palette—rich reds, deep greens, and earthy browns—creates a strong visual rhythm. There’s a subtle tension here: elegance versus use, beauty versus everyday life. The shoes feel lived-in, the flowers freshly alive, the bottle quietly observing. It’s not just a still life—it’s a moment suspended between presence and absence. From a collector’s standpoint, figurative still lifes with personality and strong color contrast perform consistently well, especially when they include relatable objects and a decorative yet expressive quality. This is a piece that adds warmth, story, and visual interest to a space without being predictable. Carmen Espel (born 1926, Barcelona) is a Spanish painter associated with post-impressionist tendencies. A disciple of Ramón Sanvisens and Teresa Llàcer, she developed a vibrant and expressive style focused on landscapes, still lifes, and floral compositions. Her work is characterized by strong color contrasts and a confident, gestural brushstroke rooted in the Catalan artistic tradition of the late 20th century. Still life painting...

Richard Andres (American, 1927-2013) Untitled, c. 1949 oil on canvas 18 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Living Room Window (Brightly Colored Contemporary oil painting of an Interior with House Plants) Painted by Fred Cohen in 2025 30 x 30 inches x 1.5 inches, custom light wood frame W...

This is an original Charles Gruppe oil painting on board. Painting is in good shape with some minor paint loss. It measures 48x33

Vintage Latin American modernist oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection.

CAMPBELL MACKIE MBE, ARIBA, ARIAS (1886-1952) Thomas Callender Campbell Mackie was a Scottish artist and architect, originally from Helensburgh. He studied at Glasgow School of Art u...

Sophie Dumont is a French contemporary painter whose work explores abstraction through memory, architecture, and the silent presence of objects. Working primarily with oil on canvas,...

This is a small colourful abstract painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 34x34x3,5 cm) Please feel free to ask any questions if need...

Harry McCormick Original Painting Female Musicians “trio” Oil On Canvas. In good condition measures 54x44

Sophie Dumont – Obscura Oil on canvas – 39.37 × 39.37 in (100 × 100 cm) Framed: 42.13 × 42.13 in (107 × 107 cm) – Natural wood or black floater frame (collector's choice) Signed lowe...

Medium: Oil on Canvas Signature: Signed Lower Right Painting of a pensive woman seated in a chair Hans Amis, born in Canton, China, in 1957, is a graduate of the Fine Art College i...

Vintage American school modernist interior view with chair and flowers oil painting. Oil on canvas. Signed. Framed. Measuring: 27 by 25 inches overall, and 22 by 20 painting alone. ...

Excellent example of Pearson's work in 33" x 38" 23k gold leaf, custom frame. Signed lower left.

French Mid Century oil on board still life by Charles Imbert. The painting is signed bottom left and presented in a Mid-Century gold wood frame. A colourful kitchen scene of bright red peppers in a dish on a table top waiting to be char grilled and prepared. The skillet pan is visible in the background as is a Kilner jar all ready to store the cooked vegetables. Imbert has cleverly used the touches of red in the tea cloth, the pan handle and an onion to echo the colour of the peppers. This carries our eye around the painting. The folds of the cloth are beautifully handled and add to the feeling of perspective and depth in the painting. The whole composition and the tilting of the table plane is very reminiscent of the still life paintings of Cezanne...

A large, colorful Impressionist still life painting of fine porcelain china, glass and stemware by notable Alfred Jansson (Am. 1863 - 1931). The painting is exquisitely painted with...

Alexander Astahov Original Painting on Canvas Signed Interior. In good condition measures 21x16

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Charles Levier original oil painting on canvas In good condition measures 50x40

A late 19th century interior still life depicting an ornately decorated wooden cradle filled with mattress cushion and throws. Well presented in a burr maple frame. Unsigned. On canv...

This atmospheric work by Ukrainian artist Andrii Onyshchenko captures a quiet urban moment after rainfall, when the city dissolves into reflections, light, and movement. Elongated fi...

Introducing a captivating oil painting by Johan Christoffer Boklund (1817-1880). The artwork depicts a young boy practicing his painting skills. Seated beside him is a wooden horse t...

PETER PAONE was born in Philadelphia and educated at the Philadelphia College of Art. He has taught at Pratt Institute in New York, The National Academy of Design in New York and sin...

This piece titled "Nine Lives VIII" is an original artwork by Katherine Fraser and is made of oil on canvas. This piece measures approximately 23.5" x 27.5"...

Still Life Flowers in Copper Pitcher by Nelly CATHALA-MONGOIN (1916, French) signed oil on canvas, framed in ornate inlaid frame framed: 20.5 x 17 inches canvas: 14 x 10.75 inches Pr...

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...

Provencale French interior view, mid century, watercolour on paper by Auguste Drouot. The painting is signed bottom right and presented in a period frame, currently without glass. This charming and captivating painting showcases a sumptuous provincial French interior, brimming with warmth and charm. At the centre an 18th century French vaisselier...

American modernist still life oil painting. Oil on canvas. Signed verso. Framed. Measuring: 15 by 17 inches overall, and 12.75 by 14.75 painting alone. Excellent condition, ready to...

Léon Émile Caille Merville 1836 – 1907 Paris French Painter 'The Apple of Care' Signature: signed lower right and dated 'Léon Caille 1873' Medium: oil on panel Dimensions: image si...

Antique American modernist signed monkey drawing by Aurion M. Proctor (1909 - 1983). Drawing and charcoal on paper. Signed. Framed.

Elena Burykina's "The Big Mirror 2" (2023) is an original, handmade oil painting that depicts a portrait of a person in dim light. This piece measures 6 x 6 in and is ready to hang. ...

Nadezda's beautiful new oil on panel painting "Morgan la Fay" (2024) is a portrait of a mysterious, seductive female with an elaborate headdress. Nadezda is a painter, sculptor, ph...

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

Immerse yourself in the majestic serenity of nature with "Blue Mountains," an original oil painting that captures the breathtaking beauty of the landscape. Every brushstroke is a tes...

Vintage American realist portrait oil painting by Jacob Binder (1887 - 1984). Oil on canvas. Signed. Framed. Measuring: 47 by 41 inches overall, and 42 by...

Dimensions (unframed): 80 x 80 x 2 cm (31.5 x 31.5 x 0.79 in) Framed dimensions: 87 x 87 x 3.5 cm (34.25 x 34.25 x 1.38 in) Color frame: light wood or black (collector's choice) This...

In this piece, I captured the transient beauty of life through the delicate interplay of light and color. My strokes convey a dance between realism and imagination, an expressionisti...

Modern academic style figurative painting by Judith Wyer, "Afterglow," 2024 oil on linen, framed 22 x 18 inches with a slim floater frame 21 x 17 inches unframed The artist Judith W...