Framed Interior Paintings

This is a floral, textured acrylic diptych with deep (4 cm) painted edges. It will be sold without a frame and is ready to hang. The size of the diptych varies as the paintings can b...

Bright and cheery painting of a young girl by a wind by Helen Rayburn Caswell, (American, 1923 - 2018) she was born in Long Beach, California. Image, 12"H x 11"W Frame, 16"H x 15"W ...

This work is part of the artist's Les Naturenales series which celebrates the contemplation of nature through sensual artworks on paper. The background of the work, realized on water...

Mi obra, creada con oleos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocional ...

Mi obra, creada con oleos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocional ...

Signed lower right. A beautiful painting of a woman with her back to the viewer, watering a plant in front of an old brick wall. She is wearing a red skirt. A fruit arrangement sits...

"Tailor" WPA American Scene Social Realism Modernism Mid Century Modern Fashion Mervin Jules (1912 – 1994) "The Tailor" 9 1/2 x 15 1/2 inches Oil on masonite, c. 1930s Signed lower ...

This authentic Mexican ex-voto is a heartfelt tribute of gratitude, painted in oil on tin with ink circa 1940 by an anonymous Mexican artist. It is beautifully framed in a hand-carve...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame Vincente Esparza was born in Graus, Huesca in 1946. In 1967 he began his studie...

This artwork titled "The Study" c.2000, is an oil painting on canvas by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower left corner by t...

This painting depicts an interior scene done in Paris. The fun details are what make this painting so attractive and desirable; the living room opens out into the terrace, as we are ...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

This is a colourful abstract expressionist painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 53,5x53.5x3,5 cm) Please feel free to ask any quest...

Reference number F356 Framed with an ebony color wood floated frame. 61 x 44 cm frame included (41 x 24 cm without frame) This work is painted with oil on a board and placed in a mad...

Mural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing. Study to Scale Mural Sketch for “Evolution of Textile Production” East. All,...

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...

The person who follows the Sun will not stray from the path. No matter how difficult the moments life throws at you, when it seems like everything is becoming dull and gloomy. But you will overcome it, for there is a sun shining within you. And when you feel its benevolent influence on your life, you start to notice the manifestations of the sun more and more often - in the glints of light in your beloved's hair, in the sunbeams on the pavement, in the changes of light and shadow in the park. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

This retablo was purchased by the gallery in Mexico City. I knew the family that sold this retablo to me. The writing says" August 8,1944,I give thanks...

A fine oil by Italian artist Ugo de Cesare (b.1950) depicting a lady and a young boy lighting a traditional Italian advent calendar table. Signed to the lower right. On canvas on str...

Jaremi Picz (1955) - Epicentrum Quantinum U/G/W Acrylic on canvas from 2024. The work is enhanced with UV paint. Dimensions of work: 120 x 120 cm. Hand signed and titled on the ba...

Miriam Schapiro Cabinet, 1999 Fabric, Rickrack, photography, magazine images, greeting cards, lithography, collage, text Hand Signed and dated by the artist on the lower right front ...

"Summer Morning" is a painting that depicts a sunrise over a picturesque rural landscape. The first rays of the sun penetrate through the trees and touch the fresh greenery, creating...

This bright and colorful floral painting, "Pinch of Pink", is an 8x8 still life oil painting on board by Maryann Lucas. Featured is a bountiful pink bouquet of flowers with green leaves. The maroon...

This art piece was creating in wonderfull summer day on plain air. Will be sent with decorative frame. The artwork are treated with a lightly glossy top coat that seals and prote...

How many things a woman has to consider on her way? She is like an acrobat on a rope, watched by a crowd, either waiting for an imprudent step or afraid of it. And she walks, keeping...

This is a colourful abstract painting. The painting is framed in a black wooden frame, ready to hang. (size framed: 53,5x53.5x3,5 cm) Please feel free to ask any questions if needed...

In this oil painting, I unleashed my passion for nature's vibrant dance, capturing the vivid hues and dynamic textures of blooming flowers in a lively composition. My brushstrokes br...

Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Mi obra, creada con acrílicos, refleja una exploración abstracta y vibrante del espíritu humano. La elección de colores vivos y las formas entrelazadas capturan la complejidad emocio...

Work on wood Frame measures 54x61 cm

«Autumn Forest» is a painting depicting the picturesque autumnal nature. On the canvas, you can see colorful leaves of trees, creating a vivid contrast against the backdrop of dark t...

Impressive early American modernist interior oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 20L.

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

Purple Dining Interior English artist, indistinctly signed contemporary / 21st century signed oil on canvas, framed Framed: 30.5 x 24.5 inches Canvas: 24 x 18 inches Provenance: Private collection, England Condition: This painting is in excellent condition, with vibrant colors and well-preserved details. The canvas is intact, and the paint shows no signs of cracking or fading. The piece is framed in a white wooden frame, which complements the bright and lively nature of the artwork. Description: This vibrant oil painting captures a sunlit breakfast nook, showcasing a delightful interplay of colors and light. The artist uses bold and dynamic brushstrokes to depict a round table set...

David Pearce is a British painter. After travelling widely throughout the 1980s, Pearce returned to settle and work near Padstow in Cornwall. As a self-taught artist, he sought i...

Diptych (2 paintings together) - «Meeting in the Night» & «The Night of Love», The diptych is dedicated to the love of people who are forced to...

My paintings accentuate colour and pattern. Lately, I have introduced representation by means of flowers in vases, most recently including them within interior spaces. I am intereste...

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Late 20th century oil on board of a colourful still-life, fruit and a coffee pot by Bill Brown. Signed and dated 1979 to the bottom left and signed, titled ...

This charming Victorian genre oil painting is by noted British artist Frederick George Pasmore junior. The painting is full of rich colour and tells a story. The scene is a detailed ...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

A painting in abstract enamel is an explosion of shapes, textures, and colors that invite personal interpretation. Across the canvas, dynamic and free brushstrokes intertwine, creati...

Tropical Still Life with Green Pot and Ukulele in Oil on Canvas Vibrant still life by Santa Cruz County artist N. Weber (20th Century). There are ...

This painting depicts a whimsical portrait of a young boy with light brown hair against a viridian green background. The piece is done in a highly impressionistic manner and is a won...

This is a small beautiful textured mixed-media painting. The painting is framed in a natural wooden frame (framed size is 34x34x3,5 cm) Nature is my greatest source of inspiration. I am trying to convey the deeply spiritual atmosphere of the present moment. The image of water relaxes, calms down, gives aesthetic pleasure. The energy of peace, harmony, stillness, and serenity helps to slow down and relax. Because of the interaction of colors, structures, and different textures, each painting is unique and unrepeatable. This painting has a lot of structures and layers. Oil and acrylic mixed media art...

This lovely Scottish Edwardian interior portrait oil painting is by noted Scottish artist Arthur Percy Dixon. Painted in 1906 it is a seated portrait of a lady in the corner of a roo...

This lovely Scottish interior genre oil painting is by noted Scottish artist Robert Gemmell Hutchison. Painted circa 1890 Hutchison painted several versions of this scene of a young ...

Rare pair of Italian paintings from the second half of the 17th century. Oil on canvas artworks from the Lombard school depicting splendid vases of flowers with birds and insects, of...

Artist/ School: French School, 20th century, signed lower corner Title: Still Life of Red, Green and Yellow Peppers Medium: oil painting on canvas, framed Size: frame: 18 x 21...

Still Life with Daises and Wisteria in Acrylic on Masonite Still life by a window by Richard M. Bacon (American, 20th Century). A still life with a bouquet, a glass of wine, and a b...

This is a hand painted acrylic and spray paint on canvas piece framed by Pez Barcelona - signed on reverse Pez creates his own unique characters and is a worldwide sensation in the ...

Title: Interior Scene Medium: Watercolor on paper Style: Impressionist Size: 11"" x 15"" Frame Size: 18"" x 22"" Age: 1940s Signature: William Fisher Artist: William Fisher (...