Board Interior Paintings

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

Still Life with Fruit in Basket - Vintage Oil in Ornate Frame by British Artist Art measures 12 x 10 inches Frame measures 18.5 x 16.5 inches Roy Hodrien, born in Lancashire in M...

This beautiful floral painting, "The Symbiosis of Waterlilies and Lotus", created by French artist Natalya Mougenot, is a tribute to the artistic legacy of Claude Monet. As an artist...

Early 20th Century Still-Life with Vessel attributed to American School framed: 32 x 28 inches

Dianne L. Massey Dunbar's (US based) "Nine Bottles" is an original, handmade oil painting that depicts 9 root beer bottles. About the artist: When Dianne M...

Old city 1980s, oil on cardboard, 50x61 cm The artwork depicts a view of an old cityscape, characterized by its architectural features and urban atmosphere. The artist's portrayal ...

Antique American school realist fruit still life oil painting. Oil on board. Unsigned. Framed. Image size, 16L x 16H.

Mood. Riga. 1979. Oil on cardboard, 69.5 x 48 cm Artwork published in Japanese catalog This depiction of trees shows artist Laimdots Murnieks as a master of nature representation. ...

JOAN SERRA MELGOSA (Lleida, 1899 – Barcelona, 1970). "Artist's Studio Interior, Oil on Board by Joan Serra Melgosa." Oil on board. Signed lower right. Original title: "Interior." Dat...

Dianne L. Massey Dunbar's (US based) "6 Pack" is an original, handmade oil painting that depicts Coors light beer bottles with a white background. "6 Pa...

Medium: Acrylic on Board Signature: Signed Lower Right

Dianne L. Massey Dunbar's (US based) "Pepper" is an original, handmade oil painting that depicts a still life composed of many forms of pepper: Dr. Pepper, Pepper seasoning, and hatch green pepper chilies. About the artist: When Dianne Massey...

A mother helps her son put on a tie in preparation for a formal party. Original cover for The Saturday Evening Post, October 16, 1948. George Hughes used his neighbors, the Rockwells, as models. The young man is Thomas Rockwell, the son of famed Norman Rockwell, and the mother is modeled after Thomas' actual mother and Norman's then-wife, Mary Rockwell...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Late 20th Century oil on card view of a sunny garden. The painting is signed to the card mount and is presented in a fine custom gilt frame under glass. This charming painting is a ...

Saturday Evening Post, September 24, 1960, cover illustration. The present work was published as the cover illustration of the September 24, 1960 issue of The Saturday Evening Post....

Natalya enjoys working on abstract artworks with an expressive touch. Title: "Embracing life" This artwork was done with acrylic paints on a heavyweight cardboard. Gloss was applie...

A fine impressionist still life with flowers in a cut glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and d...

"A Warm Summer Rain" captures the essence of a fleeting summer shower, a moment of both melancholy and invigoration. The focal point, a vibrant red umbrella, stands out against a gen...

In creating this painting, I sought to capture the essence and vitality of the sea. With each brushstroke, I instilled the raw power and restless spirit of ocean waves. This piece, c...

This charming and exuberant posy of peonies immediately made me think of similar works by Marcel Dyf - but it is actually a work by the ultimate master of art deco...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

A gorgeous floral still life which marries the depth and the richness found in the work of the Flemish old masters with the elegance and light of French painting. As you will see, th...

Mid century portrait of two children, a young boy and girl in traditional dress, set in a rustic interior by M. Ray Stancliff (American, b. 1925). Signed "M. Ray Stancliff" in the lo...

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

"La Chevauchèe des Couleurs" is an original oil on board painting that measures 30x40 inches and comes unframed. Gaugy uses his textured lines and hues o...

Signed lower right, 'Find' for Ludvig Find (Danish, 1869-1945) and painted circa 1900. Ludvig Find first attended Copenhagen's School of Fine Arts and Kroyer's school (1888) before ...

Approximate Date: 1902 Medium: Charcoal, Watercolor and Oil on Illustration Board Signature: Signed Lower Right Sight Size 23.50" x 15.50", Framed 31.50" x 23.00" Bed-Time, published...

Medium: Oil on Board Signature: Signed Lower Right

"La Recontre" is an original oil on board painting by Jean-Claude Gaugy. The painting is a contemporary portrait of a couple looking at each other seductively on a four-piece master ...

"Of Ships and Men" - Nautical Trompe l'Oeil Composition in Oil on Board Maritime still life by Russell Tripp (American, 1942-2025). This hyper-realistic painting captures a collecti...

From a collection by a long time Miami Beach art dealer on the old Lincoln Rd. This is a piece he brought back from hungary. from a collection of good Hungarian artists and Illustrat...

RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930).. original expressionist acrylic painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. ...

Oil portrait of seated church lady . Signed on bottom right hand corner. This is primed canvas on archival board framed with a plain wood frame ready to display. PLEASE NOTE There...

Mid 20th Century oil on board Post-Impressionist still life by Polish painter P Mostowski, signed bottom right, presented in modern contemporary frame. ...

Late 20th century abstract expressionist oil on board representation of a lively jazz night by French artist, Thierry Miramon, signed top left and pres...

This original oil painting captures a chance encounter on a rainy city street. The artist's skillful brushwork blends expressionism with realism, depicting a fleeting moment of conn...

Pierre Coquet - "Les pots gris"/"Grey pitchers" Reference number F438 73 x 54 cm The painting is not framed but it could be with a natural oak floated (s...

Wonderful English Abstract scene of an interior with still life, landscape and table top. William Yates painted exciting colorful vibrant scenes often of interiors and abstract fig...

"The Path, Derbyshire" is an original oil on board and measures 36x48 inches. This impressionistic painting captures the intricate details a long path through the town of Derbyshire ...

Spanish Modernist Portrait of a Woman with Guitar, Catalan Fauvist Interior Artist: Jordi Curós Ventura (Spanish, 1930–2017) Title: Woman with Guitar Date: 1980 Medium: Oil on panel Dimensions: 46 × 38 cm (18.11 × 14.96 in) Framed dimensions: 64 × 56 cm (25.20 × 22.05 in) Signature: Signed and dated lower right Period: Late 20th century Style: Spanish Modernism, Catalan Modern Art, Figurative Expressionism, Fauvist influence Subject: Female portrait, woman, guitar, interior, flowers Condition: Good vintage condition, consistent with age Frame: Framed Description A striking 1980 oil painting by Catalan artist Jordi Curós Ventura, depicting a seated young woman in an intimate interior accompanied by a Spanish guitar and a vase of red flowers. The composition is constructed through large areas of warm, expressive color. The intense coral-orange background establishes an immediate chromatic presence, while the woman's pale yellow jacket, dark violet trousers, blue-green vase and orange guitar create a carefully balanced yet deliberately unconventional palette. Curós simplifies forms without abandoning figuration, giving the painting the visual immediacy associated with postwar European modernism and the coloristic freedom of Fauvism. The sitter occupies the center of the composition, frontal and still, her crossed legs and folded hands producing an almost sculptural stability. Behind her, the guitar introduces an unmistakably Mediterranean and Spanish note, while the vase and small table transform the portrait into an intimate domestic scene. Rather than functioning merely as accessories, these objects divide the composition into chromatic zones and establish a rhythmic dialogue between figure, still life and interior. The painting is signed and dated lower right and retains its substantial period frame. Biography Jordi Curós Ventura (Olot, Girona, 1930–2017) was an important Catalan painter associated with the renewal of Spanish figurative painting during the second half of the 20th century. He trained at the Escola d'Arts i Oficis of Olot, a city with one of Catalonia's most distinguished landscape-painting traditions. His first solo exhibition took place at Galerías Jardín in Barcelona in 1950, and from 1951 he participated in the influential Salons d'Octubre, which played an important role in introducing new artistic languages into postwar Catalan art. Curós exhibited at prominent Barcelona galleries including Sala Caralt, Galerías Layetanas, Galería Syra and Sala Vayreda. His Madrid debut took place at Galerías Biosca in 1953, and he also exhibited internationally. In 1952 he was selected by the influential Catalan intellectual and critic Eugeni d'Ors for the X Salón de los Once. The following year he participated in the II Bienal Hispanoamericana de Arte in Havana. Curós received scholarships that enabled him to work in Paris, first from the Institut Français de Barcelona in 1954 and later from Barcelona City Council in 1958. Contact with the Parisian art world contributed to the development of the increasingly experimental language that characterized his work during the following years. Between approximately 1958 and 1963, his painting moved toward abstraction and Informalism, with strongly textured surfaces, arabesques and enamel-like areas of color. He later returned to figuration, developing a highly personal style characterized by luminous color, simplified forms and an interest in capturing the immediacy of everyday life. From 1965 to 1989 he exhibited repeatedly at Barcelona's historic Sala Parés, one of Spain's oldest and most prestigious commercial galleries. His career also included participation in major exhibitions of contemporary Spanish art in Havana, Rio de Janeiro, Montevideo, Lisbon, Porto and Brussels. The Museu d'Art Modern de Barcelona acquired one of his paintings as early as 1953. Today Curós is regarded as a distinctive representative of postwar Catalan painting, occupying a fascinating territory between Mediterranean figuration, Expressionism, abstraction and the legacy of French modernism. Artistic Inspiration and Context This painting belongs to Curós's mature return to figuration after his experiments with abstraction and Informalism. Its saturated palette and simplified construction recall the great colorist tradition of 20th-century European painting, particularly Henri Matisse, Kees van Dongen and Raoul Dufy, while its psychological directness and deliberately economical drawing place it firmly within Spanish and Catalan postwar figurative art. There is also a subtle connection with the intimate interiors of the School of Paris: a solitary figure, ordinary domestic objects and an apparently simple setting transformed through color into something psychologically charged. The guitar is especially significant. Beyond its decorative function, it introduces a distinctly Spanish cultural symbol into an otherwise cosmopolitan modernist composition. Together with the flowers and intensely colored background, it gives the work a warm Mediterranean character highly characteristic of Curós's mature figurative vocabulary. The result is both portrait and interior, combining Spanish identity, Catalan postwar modernism and the chromatic freedom inherited from Fauvism. Jordi Curós Ventura Spanish Modern Art Catalan Modern Art Catalan Painting Spanish Figurative Painting Spanish Expressionism Fauvist Painting Fauvism Postwar European Art Postwar Spanish Art Mid-Century European Art 20th Century Spanish Painting Modernist Portrait Female Portrait Woman Portrait Painting Woman with Guitar Guitar Painting Spanish Guitar Art...

Oil on board Board size: 8 x 6 inches Framed size: 15 x 13 inches Signed and dated '56 lower right

The Progressive Farmer magazine cover, January 1958 This dynamic scene of a mid-century New Year's Eve party captures the excitement across generations. While adults eagerly anticipate midnight, children watch from the staircase, and an older couple in the background enjoys a quiet moment together at the buffet table. Sarnoff's use of diagonals brings the scene to life, and the inclusion of noisemakers evokes the festive atmosphere. Created as a cover for the January 1958 issue of The Progressive Farmer, this is a prime example of Sarnoff's vibrant style. Approximate Date: 1958 Medium: Oil on Board Signature: Signed Lower Right Size: 25.00" x 22.00" Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

Contemporary striped painting by Ron Piller. Painting: Acrylic, Graphite, Gesso, Household, found printed paper on Wood. Multi-colored stripes, modern contemporary. hang verticall...

"Mount Fuji and Cherry Blossoms at Lake Kawaguchiko" is a beautiful original oil painting that captures the iconic view of Mount Fuji framed by cherry blossoms at Lake Kawaguchiko. P...

Nicolai Cikovsky Moses Soyer Painting in his Studio Signed lower right Oil on board 18 x 15 inches Nicolai S. Cikovsky (1894–1984) was a distinguished Russian-born painter celebrat...

Reference number F355 Framed with a ebony color floated frame 41 x 60 cm frame included (27 x 46 cm without frame) This work is painted with oil on a board. Stamp of the signature in...

Home to Thanksgiving, c. third quarter 20th century, oil on Masonite, signed lower left, 26 ¼ x 20 inches Priscilla Roberts was an American painter who rose to prominence in the 194...

Hand signed and dated lower right Rare Judaica Art. Jewish genre scene. In the tradition of Moritz Oppenheim, Isidor Kauffman and Maurycy Gottlieb and later of Tully Filmus, Zalman ...

Addison Thomas Millar Lady in a Interior Oil on canvas board 14 x 10 inches Millar's father emigrated to the United States from Scotland in 1845. He grew up in Warren, Ohio. During his primary education, he took some painting lessons from John Bell, a local landscape painter. In his late teens, he won three consecutive awards from The Youth's Companion, in their annual art contests. This prompted his parents to allow him to go to Cincinnati to take formal lessons from the genre painter, De Scott...

Early 20th century oil on board portrait of a young schoolboy 'Le Petit Écolier', with Donald Duck, by Pierre Villain (French, 1880-1950). Signed top ri...

Leonard Daniels The Dressing Table, 1941 oil on board 39 x 30 cm 15 3/8 x 11 3/4 in signed and dated

Sara Pope is internationally known for her hyper-realistic paintings of glossy lips. Her work is bold, glamorous and unmistakable, making it highly distincti...

Signed lower left 'Nura' for Nura Woodson Ulreich (American, 1899–1950). Additionally signed, verso, dated March 1928 with artist's New York City address and titled, 'When Guest Stay...

Mid Century Carmel Cypress Plein Air Landscape in Oil Pastel by Genevieve Rogers Two wind-sculpted Monterey cypress trees cling to rugged coastal bluff...

In this piece, I poured my passion into capturing the tender beauty and delicate strength of coral tulips. Using rich oil textures, I blended expressionism and realism to evoke warmt...

Pierre Coquet - Still life with a yellow tablecloth Reference number F380 The painting is not framed but it could be with a natural oak floated or black ...

This beautifully compelling still life, oil on canvas board work was made by renown artist Margaret Thomas, a Modern British painter who trained in the...

In this piece, I poured my soul into capturing the serene majesty of Mount Fuji framed by delicate cherry blossoms. Using oil paints, I blended impressionism and expressionism to evo...