Panel Interior Paintings

This previously unpublished painting was first securely attributed to Govert Dircksz Camphuysen in 1944, following an examination at the Nationalmuseum in Stockholm during which the ...

Elisabeth Voigt (German, 20th Century, d. 1977) Oil on board (likely hardboard / Masonite); Dimensions: • Image: 22 × 16 cm • Framed: 35x29x5 cm Signed lower left. A charming and...

French School, 19th century. Still life with oranges. Oil on canvas mounted on panel. 22.5 x 54 cm (49 x 60,5 cm with frame) without signature

Roosters and Hens in a Barn 19th century E. Binam (Belgian? 19th century) Signed lower left Oil on wood panel 8 1/4 x 5 /12 (10 1/4 x 13 1/4 frame) Though little is known about E. ...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Housed in an elaborate late nineteenth-century carved gilt frame lined with deep red velvet, the painting offers a harmonious composition of carefully arranged objects illuminated by...

Beautiful Dutch School painting dating from 17th century. Oil on wood panel measuring 10 3/8 x 14 7/16 inches. Unsigned. No inpainting or conservation. Depicted is a scene with a beautiful young woman singing...

In this interior painting, the corner of a bathroom is slightly visible through the doorway along a white wall in an artist's quiet studio space. The warmth of the worn, paint splatt...

Italian painter (19th century) - Interior with figures in seventeenth-century costume. 29.5 x 43 cm (without frame) - 50 x 65 cm (with frame). Oil on panel, in a period frame in...

The Emerald Archipelago is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized bronze leaves on aluminium panel, patina fixed wit...

Italian painter (19th-20th century) - Still life with vase of flowers. 83 x 62 cm without frame, 96.5 x 76.5 cm with frame. Antique oil painting on wood, in a wooden frame (not sig...

Signed figures in interior oil on panel circa 1910 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a a woman in a white dress and hat seated at a tab...

Nadezda's beautiful handmade oil on panel painting "Night Swim" (2024) is a portrait of a young girl in a surreal scene, laying in ocean waters while carried by a shiver of sharks. ...

Vincent De Vos Two Terriers in a Stable Interior Oil on panel Circa 1870 Signed lower right; further inscribed verso Original frame A finely executed and characterful 19th-century a...

This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, an...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was larg...

Nadezda's beautiful handmade oil on panel painting "Ashore" (2024) is a portrait of a young girl clutching her face contently while resting in a white decorative chair, captured in a...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Nadezda's beautiful new oil on panel painting "Smoking Lady" (2024) is an abstract portrait of a woman wearing a black dress smoking inside of her brightly colored house, she is stan...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Franciscus Melzer (1808-1865) Interior painting with a cat that gives out a scratch Signed lowerright corner F. Melzer Oil on mahogany wooden pane...

Oil painting depicting an ecclesiastical interior with members of a cathedral or collegiate chapter assembled within a choir setting. Several clerics are positioned in carved wooden ...

This painting depicts an impressionistic scene of luminous flowers in a white and blue ceramic vase. The work reminds us of Claude Monet, with impressions similarly captured, reminis...

For the artist, producing works in various formats is beneficial. While all of his paintings primarily focus on large-scale interior paintings, which make up the majority of his port...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

Signed figures in interior oil on panel circa 1915 by French impressionist painter Henry Caro Delvaille. The work depicts three musicians - one man seated playing a piano, another st...

This Italian tempera painted on gilt wood gold ground panel is a Tuscan religious artwork in the style of late Renaissance - early Gothic period. The sc...

This painting depicts an impressionistic scene of Peonies in a Blue Vase, a poetic piece with beautiful details. The work reminds us of Claude Monet, with impressions similarly captu...

Signed and titled figures in interior oil on panel circa 1920 by sought after French impressionist painter Edouard Leon Cortes. This charming and nostalgic work depicts a family enjo...

In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty. She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion. The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings. Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era. With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play...

For the artist, producing works in various formats is beneficial. While all of his paintings primarily focus on large-scale interior paintings, which make up the majority of his port...

Nude figure in bright red interior

Nadezda's beautiful handmade oil on panel painting "Night Swim" (2024) is a portrait of a woman dressed in an intricate green-gold outfit, donning a headdress and resting in a conten...

Victor Abeloos 1881 – Brussels – 1965 Belgian Painter 'Girl at the Mirror' Signature: signed lower left and dated 1920 'V. Abeloos. 1920' Medium: oil on panel Dimensions: ima...

Gillis Mostaert Hulst 1534 – 1598 Antwerp Flemish Painter 'Adoration of the Shepherds' Medium: oil on panel Dimensions: image size 38,5 x 46,5 cm, frame size 54 x 62 cm Provenance...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

Title Dutch Genre Interior Scene, Oil on Panel, Mid-Century, Framed Medium Oil on panel Style Dutch / Northern European genre style Period Mid-20th century, circa 1930–1960 Origi...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

Oil on wooden panel realized by Alessio Paternesi (1937-2023). Hand signed. Very good condition.

Frans Moormans (Dutch, 1831-1893) The Goldfish Bowl, c. 1870 Oil on panel, 8 1/2 x 6 1/4 inches FRAMED: 19 1/2 x 14 1/4 inches (approx.) Signed at lower right: “Frans. Moormans” B...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Group of four oils on panel, in wooden frames (not signed). The serie...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

17th century European oil, Christ and is disciples seated around a table. An interesting and very unique painting. Possibly a fragment originally from a piece of furniture. The s...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. In “Happy Place” by Kirsten Savage, the boundary between imagination and landscape...

An incredibly elegant oil painting of a variety of purple flowers arranged in a glass vase. The hues are heightened against a black backdrop. A cl...

Nadezda's beautiful new oil on panel painting "Something in the Way" (2024) is a surreal portrait of a man stuck in a slouched position with his arms over a bar and his head undernea...

"Rhythms" In a Moroccan garden, you encounter a harmonious balance between earthly delights found in the lush greenery and the spirituality embedded in the garden's philosophy. The ...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

Its owner unknown, this room in West London’s Mayfair neighborhood was decorated by the Iranian-born designer known as Alidad. The arrangement hints at ...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

"Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1942 / 63, reproduced in p. 494 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...