Panel Interior Paintings

Signed figures in interior oil on panel circa 1910 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a a woman in a white dress and hat seated at a tab...

Seen together, the painting unfolds as a quiet but charged meditation on domestic space as a site where intimacy, memory, and structural violence converge, a central concern in Esteb...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

"Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Oil on canvas mounted on a wooden table, realized by Giovanni Gromo in 1980s. Hand monogrammed. Good condition.

"Tea and Cookies" by Sarah van der Helm is an original oil painting depicting tea kettle, three fortune cookies, and a traditional Japanese motif in the b...

Mark Andrew Bailey's "Limelight" is an original, handmade oil painting that depicts an impressionistic interior setting of a restaurant or dining hall. About the Artist: Artist Mar...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

Oil Painting on plywood realized by Miloslava Vrbova (1909-1991) in the mid-20th Century. Good condition.

Keimpe van der Kooi Home 49 x 41 cm Framed: 54x 46 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint still...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Signed figures in interior oil on panel circa 1915 by French impressionist painter Henry Caro Delvaille. The work depicts three musicians - one man seated playing a piano, another st...

In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty. She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion. The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings. Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era. With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

This is an oil painting, in the style of "Trompe l-oeil" of an antique hand drill, on a grey background. Painted by American contemporary painter, ...

Thirty pigeon holes Ron Piller is a beautiful, contemporary painting with a mix of mediums: Acrylic, Gloss Medium Varnish on Canvas. It's strong colors and geometry with white, red a...

Keimpe van der Kooi Yellow Gerbera's 50 x 50 cm Framed: 55x 55 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to...

The person who follows the Sun will not stray from the path. No matter how difficult the moments life throws at you, when it seems like everything is becoming dull and gloomy. But you will overcome it, for there is a sun shining within you. And when you feel its benevolent influence on your life, you start to notice the manifestations of the sun more and more often - in the glints of light in your beloved's hair, in the sunbeams on the pavement, in the changes of light and shadow in the park. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

Oil on wooden panel realized by Alessio Paternesi (1937-2023). Hand signed. Very good condition.

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Jylian Gustlin creates mixed media paintings that explore the meeting point of art, science, and mathematics. Working primarily with acrylic on wood panel, and often incorporating in...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Sara Scribner's (US based) "Nightfall" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in blue cradling a smal...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

The painting is dated and signed on the bottom left side. Description: Alfred Jacomin was a landscape and genre painter. He was a student of his father, Jean-Marie Jacomin, the Swiss...

Elizabeth Zanzinger's (US based) "Shop Fan" is an oil painting that depicts a whimsical still life of a brightly colored, vintage teal fan. Elizabeth Zanzinger is an award-winning ...

The 'Sculptor in His Studio' oil on panel painting, signed by F Vogler, captures the intense, intimate atmosphere of an artist at work. The scene is set in a small, sunlit studio. T...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

Frans Moormans (Dutch, 1831-1893) The Goldfish Bowl, c. 1870 Oil on panel, 8 1/2 x 6 1/4 inches FRAMED: 19 1/2 x 14 1/4 inches (approx.) Signed at lower right: “Frans. Moormans” B...

Robin Cole's (Us based) "Beginnings" is an oil painting that depicts a window partially blocked with a white curtain, with the contending light and shadows making patterns on its for...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

Nude figure in bright red interior

A fine impressionist painting of figures dancing by American artist Wayman Elbridge Adams (1883-1959). Adams was born in Muncie, Indiana, studied at the Herron Art Institute in India...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

Breakfast at Goretto Cafe Florence Oil Table Top Interior Morning Espresso 8" x 12" Look for free shipping at checkout The painting measures 8" x 12...

Christopher Clark's "Toulouse Canal de Brienne Bridge" is an original, handmade oil & acrylic painting that depicts an abstracted landscape with a small bridge going over a river sur...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

This painting is John Hrehov’s Tangent, an oil on panel from 2025. In it, a modern red sofa runs straight across the back of the room, set against a grid of tall windows that open on...

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

"Hide & Seek" Painting 53" x 39" inch by Tasneem El-Meshad Medium: acrylic on wood Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of ...

This is a recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse . Created earlier this year, the artist has titled it in response to the current politi...

A wonderfully detailed interior genre oil painting by Flemish artist Louis Tielemans (1826-1856). Tielemans was born in Anvers, and became known for his active genre scenes, emulatin...

Attributed to Peter Candid / Pieter de Witte (Bruges c. 1540 - 1628 Munich) Sacra Conversazione Oil on wood, 29 x 37 cm The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Checking the Numbers 16 x 12 oil. Framed. Also shown in images are two other available paintings. Julian Tejera is a contemporary realist from New Jer...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...

A detailed oil painting of a composition of flowers. Artfully composed, this work is an excellent example of the artist's oeuvre. Bright colors depict forms of daisies, roses, blossoms, stems, eucalyptus...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Patrick Hughes b. 1939 British Ideal Home Oil on panel Signed, titled and dated “Ideal Home / Patrick Hughes / 2023” Patrick Hughes, a London artist, creates works that blend pai...