Panel Interior Paintings

Mark Andrew Bailey's "Limelight" is an original, handmade oil painting that depicts an impressionistic interior setting of a restaurant or dining hall. About the Artist: Artist Mar...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

17th century European oil, Christ and is disciples seated around a table. An interesting and very unique painting. Possibly a fragment originally from a piece of furniture. The s...

In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty. She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion. The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings. Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era. With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play...

Signed figures in interior oil on panel circa 1910 by Russian-born post impressionist painter Elie Anatole Pavil. The piece depicts a a woman in a white dress and hat seated at a tab...

Sara Scribner's (US based) "Nightfall" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in blue cradling a smal...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Italian painter (18th century) - The Four Evangelists. 25.5 x 19 cm (without frame) - 29 x 22.5 cm (with frame). Group of four oils on panel, in wooden frames (not signed). The se...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

"Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

The 'Sculptor in His Studio' oil on panel painting, signed by F Vogler, captures the intense, intimate atmosphere of an artist at work. The scene is set in a small, sunlit studio. T...

"Tea and Cookies" by Sarah van der Helm is an original oil painting depicting tea kettle, three fortune cookies, and a traditional Japanese motif in the b...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

This interior by Amy Florence was painted at Ben Fenske’s home in Tavernelle, Italy. This room is the setting of lots of Ben Fenske’s still life paintings. You might even recognize i...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

This is an oil painting, in the style of "Trompe l-oeil" of an antique hand drill, on a grey background. Painted by American contemporary painter, ...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Born in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

Seen together, the painting unfolds as a quiet but charged meditation on domestic space as a site where intimacy, memory, and structural violence converge, a central concern in Esteb...

Thirty pigeon holes Ron Piller is a beautiful, contemporary painting with a mix of mediums: Acrylic, Gloss Medium Varnish on Canvas. It's strong colors and geometry with white, red a...

Keimpe van der Kooi Yellow Gerbera's 50 x 50 cm Framed: 55x 55 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to...

"Rhythms" In a Moroccan garden, you encounter a harmonious balance between earthly delights found in the lush greenery and the spirituality embedded in the garden's philosophy. The ...

A refined, vibrant Precisionist still-life painting of a glazed plate and jug by famed Chicago Modern artist Harold Haydon. A superb example of Haydon's early practiced skill in Mod...

This painting is John Hrehov’s Tangent, an oil on panel from 2025. In it, a modern red sofa runs straight across the back of the room, set against a grid of tall windows that open on...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

The Fish Seller Dutch School, circa 1720's circle of Willem van Mieris (Dutch 1662-1747), unsigned oil painting on partially cradled panel, presented in antique gilt frame panel: 15...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

Gillis Mostaert Hulst 1534 – 1598 Antwerp Flemish Painter 'Adoration of the Shepherds' Medium: oil on panel Dimensions: image size 38,5 x 46,5 cm, frame size 54 x 62 cm Provenance...

Breakfast at Goretto Cafe Florence Oil Table Top Interior Morning Espresso 8" x 12" Look for free shipping at checkout The painting measures 8" x 12...

A wonderfully detailed interior genre oil painting by Flemish artist Louis Tielemans (1826-1856). Tielemans was born in Anvers, and became known for his active genre scenes, emulatin...

Kenny Harris is represented by George Billis Gallery NYC. The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive p...

Signed figures in interior oil on panel circa 1915 by French impressionist painter Henry Caro Delvaille. The work depicts three musicians - one man seated playing a piano, another st...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

John Baptista Verbruggen was an English actor and painter born of Dutch descent. His date of birth is unknown but his death was recorded in 1708. His historical biography is confusin...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

John Hrehov’s Tempest: a large cobalt-blue vase bearing the image of a Baltimore clipper, encircled by sunflowers. Hrehov calls his approach “allegorical realism”: precisely rendered...

Elizabeth Zanzinger's (US based) "Shop Fan" is an oil painting that depicts a whimsical still life of a brightly colored, vintage teal fan. Elizabeth Zanzinger is an award-winning ...

Christopher Clark's "Toulouse Canal de Brienne Bridge" is an original, handmade oil & acrylic painting that depicts an abstracted landscape with a small bridge going over a river sur...

Frans Moormans (Dutch, 1831-1893) The Goldfish Bowl, c. 1870 Oil on panel, 8 1/2 x 6 1/4 inches FRAMED: 19 1/2 x 14 1/4 inches (approx.) Signed at lower right: “Frans. Moormans” B...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

An oil painting of a washroom, soaked in pale yellow hues. A horizontal mirror hangs on the wall above the tub, abstractly reflecting the artist and the back of her easel. Framed i...

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

Serge de Vries, Dutch artist Interior with red walls 90 x 70 cm Oil on canvas A jug, a sugar bowl, a tea bag – these are objects that we hold carelessly every day, but Dutch fine p...

Victor Abeloos 1881 – Brussels – 1965 Belgian Painter 'Girl at the Mirror' Signature: signed lower left and dated 1920 'V. Abeloos. 1920' Medium: oil on panel Dimensions: ima...

This is a recent oil on linen canvas mounted on cradled wood panel signed and dated on reverse . Created earlier this year, the artist has titled it in response to the current politi...

Breakfast at Nencioni Cafe Florence Oil Table Top Interior Morning Espresso 8" x 12" Look for free shipping at checkout The painting measures 8" x ...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

Attributed to Peter Candid / Pieter de Witte (Bruges c. 1540 - 1628 Munich) Sacra Conversazione Oil on wood, 29 x 37 cm The painter, sculptor and architect Peter Candid, known in Italy as Pietro Candido, was born in Bruges between 1540 and 1548. In the 1560s he stayed in Florence, where he worked in the workshop of Giorgio Vasari, with whom he collaborated on a number of commissions for the House of Medici. After a brief stay in Volterra, he went to Munich in 1586. For the next 42 years, until his death, he remained court painter to Duke William V...

Gerard Portielje Antwerp 1856 – 1929 Remich, Luxembourg Belgian Painter 'Cutting the Bread' Signature: signed lower left 'Gerard Portielje', artist’...

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...

Robin Cole's (Us based) "Beginnings" is an oil painting that depicts a window partially blocked with a white curtain, with the contending light and shadows making patterns on its for...

Black Pool Ball, 8 Ball, Still Life Oil Painting Study on Canvas Panel, 2026, by Contemporary British Artist, Sarah Victoria Scott Art measures 5 x 7 inches Black Pool Ball (8 Ball) is a striking contemporary still life by British artist Sarah Victoria Scott, painted in 2026. With bold simplicity and assured brushwork, Scott transforms the familiar form of a billiard ball into a compelling study of light, reflection and colour. Set against a richly textured field of vibrant blue, the deep black surface of the 8 ball is brought to life through crisp highlights and subtle reflected tones that reveal its polished, spherical form. Loose, expressive brushstrokes contrast with the precision of the object itself, creating a painting that is both playful and sophisticated. The restrained composition invites the viewer to appreciate the quiet beauty found within an everyday subject, demonstrating the artist’s confident command of observation and painterly expression. A wonderful example of contemporary British still life painting...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...