Panel Interior Paintings

"Hide & Seek" Painting 53" x 39" inch by Tasneem El-Meshad Medium: acrylic on wood Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of the ...

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

In his painting entitled "Interior with iMac and Venetian Chandelier", Andrew Conklin uses a loose paint brush to capture the scene. The interior scene shows a woman seated at a cloth covered table working on an early version iMac computer. Above her is an elaborate Venetian glass chandelier giving the interior an elegant feel. A vintage framed poster...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

"Club" is an original piece by Kay Seohyung Lee made from oil on canvas. This piece measures 24"h x 36"w and comes with a gallery-issued Certificate of Authenticity. Kay Seohyung L...

A contemporary painting in oil on panel with an interior scene focusing on a hallway floor, the wood grain of the floorboards lovingly depicted, and a teal baseboard offset by white ...

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 THE PAINTER AND HIS MODEL signed "E. L Garrido" (lower right) oil on mahogany wood panel 19-3/4 x 24-1/8 inches (50 x 61 cm.) framed: 28-1/2 x 32-3/4 inches (72 x 83 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

While Jayne Wrightman’s taste was universally recognized as exquisite—she was a peerless collector and long served as a trustee at the Metropolitan Museum of Art—the society grande dame and philanthropist chose to work with Parisian decorators Maison Jansen upon acquiring her palatial Fifth Avenue home. In fact, Jansen had already started; the apartment’s previous owner, private dealer Renée de Becker, had brought them in. Wrightsman and husband Charles continued with Jansen; upon principal Stephane Boudin’s death, they began working with Henri Samuel, thus beginning a long association. While the bones of the room owe much to Jansen, the decoration—the colors, the upholstery, and most of the furnishings—are Samuel. Shown here is the sprawling 31-foot-by-21-foot drawing...

Oil on panel Panel size: 26.5 x 19.5 inches Framed size: 35 x 28 inches Signed and dated 1878 lower left

"Teapot" is an oil painting by Daniela Astone. A contemporary realist still life in bright yellow, silver and peach. Daniela Astone was born in Pisa, Italy, in 1980 and raised in Po...

The window (La ventana) . Folk Art, Acrylic on wood panel painting by Spanish author Raquel Fariñas. Dimensions in centimetres (H) 177,3 x (W) 95 x (D) 4 In inches: (H) 69.7 x (W)...

Oil on panel Panel size: 14 x 11 inches Signed lower right

Elena Burykina's "The Big Mirror" (2023) is an original, handmade oil painting that depicts a blurry portrait of a woman standing in front of a large m...

"Horse Sketch 1" is Amy Florence's study of an Alfred Munnings painting, one of her favorite artists. Artist Bio Amy Florence is a London born artist working out of her studio in F...

Whispering of Spring captures the quiet elegance of a fresh spring bouquet, painted from life with soft, expressive brushstrokes. Delicate white and soft blue blossoms gracefully eme...

"Meat" is an oil painting of two raw cuts of meat resting on a wooden cutting board, atop a rickety wooden tabletop. A perfect painting for the kitchen or pantry. Painted from life, using classical techniques. Painting dimensions: 12 x 16 inches Framed dimensions: 14.5 x 18.5 inches Framed in a black frame with silver trim. Matthew Weigle...

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

Signed lower left. Image dimensions: 40cm x 35cm / 16 inches x 14 inches Framed dimensions: 49.6cm x 45cm / 19.5 inches x 17.7 inches Pieter Wagemans was born in 1948 in Merksem, c...

Bed, Original Contemporary Surrealist Painting, 2012 18" x 11.25" x 1.625" (HxWxD) This muted, dream-like surrealist painting by artist Megan Frazer can be compared to both the subject matter and painterly style of the work of Leonara Carrington...

ROGELIO DE EGUSQUIZA Y BARRENA LADY IN YELLOW signed "R. Egusquiza" (lower right) oil on panel 28-5/8 X 20-3/4 inches (72.5 X 52.7 cm.) framed: 32-5/8 X 24-3/4 inches (82.5 X 62.5 cm.) Rogelio de Egusquiza y Barrena (1845 – 10 February 1915) was a Spanish painter, known for his friendship with the German composer Richard Wagner, whose works he helped make familiar in Spain He was born in El Astillero, into a well-to-do family. He studied in Madrid and with Léon Bonnat at the École des Beaux-Arts in Paris. In 1868, after travelling and participating several times in the National Exhibition of Fine Arts, he returned to Paris and settled there. At first, he painted historical scenes, but later turned to genre scenes and portraits in the Academic style. Following the death of Marià Fortuny, he moved to Rome at the invitation of the Madrazos, Raimundo and Ricardo, taking Fortuny's place at their studio through 1875 and attending classes at the Spanish Academy in Rome. He heard Wagner's music for the first time in 1876, after returning to Paris. Three years later, he travelled to Munich to hear a performance of The Ring of the Nibelungen. His enthusiasm for what he heard led him to go to Bayreuth, where he introduced himself to Wagner and became his friend. In the following years, he and Wagner got together again several times; in Venice (1880), Berlín (1881) and Bayreuth (1882); where he was a guest at the premiere of Parsifal. After his first meeting with Wagner, he decided to devote his career to doing works on Wagnerian themes; mostly portraits of the characters rather than specific scenes. During his visits to Germany, he also created portraits of Arthur Schopenhauer (posthumous) and King Ludwig II...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

Elena Burykina's "The Big Mirror 1" (2023) is an original, handmade oil painting that depicts a portrait of a woman in a red coat stretching her arms behind her head.. This piece mea...

"Tea and Cookies" by Sarah van der Helm is an original oil painting depicting tea kettle, three fortune cookies, and a traditional Japanese motif in the b...

Clarity plus precision in execution could yield, in this case, serenity. Perhaps this is the magic formula that has put James Carter’s works into such high-powered corporate collecti...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

Found It, Original Signed Contemporary Satirical Surrealist Painting, 2014 18" x 11" x 1.625" Gouache on Wood Panel Hand-signed by the artist. When socks go missing, this disarticulated human arm can find them! In this dream-like surrealistic painting by artist Megan Frazer a laundry basket full of blue, red, and yellow clothing...

Cats are the true inhabitants of warm countries such as Morocco and Turkey. They embody the essence of city life, where warm sandy walls, vibrant decorative patterns, and fragrant citrus trees define the landscape. Cats effortlessly assume the role of urban royalty, whether lounging beneath palm trees in secluded garden corners, perched proudly in bustling squares, or soaking up the sun's rays beside tranquil pools. Their unhurried pace and ability to savor each moment poignantly remind humans to pause and appreciate life's simple pleasures, particularly after the relentless pursuit of work. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

Alfred Weber 1859-1922 I Swiss The Musician Signed “Alfred Weber” (lower left) Oil on panel This work by Swiss ecclesiastical genre painter Alfred Weber, best known for his humorous and meticulously detailed paintings, features a cardinal enjoying his leisure time. Weber's talent for rendering opulent interiors and his keen sense of comic narrative are evident in this painting. The cardinal, looking blissfully content, sits in his lavish living space playing the violin, accompanied by a flutist. Alfred Charles Weber...

An oil painting of a washroom, soaked in pale yellow hues. A horizontal mirror hangs on the wall above the tub, abstractly reflecting the artist and the back of her easel. Framed i...

American plein-air painter, Marc Dalessio, depicts a band playing at a local tavern. We can tell they are playing folk music because of their instruments, a fiddle (violin), and a ba...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

Raymond Bonilla's "Study for 'After the Drop Off'" is an original, handmade oil painting that depicts a balcony draped with colorful flowers basking in warm light. About the Artist...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impressionist...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

In this interior painting, the corner of a bathroom is slightly visible through the doorway along a white wall in an artist's quiet studio space. The warmth of the worn, paint splatt...

In Flower Painting 47, Lori Larusso offers a minimalist yet evocative still life that turns a single flower into a bold visual statement. A soft pink carnation leans delicately from ...

Delton Demarest's "Mystery Japanese Frame," completed in 2024, is an oil on panel artwork measuring 4 x 6 x 0.25 inches. This original painting featur...

This piece titled "Lamia" is an original piece by Andrew McIntosh and is made from oil on tradtional gesso panel. This piece measures 16.5”h x 12.75” f...

After Achille Leonardi (Italian, 1800-1870), "Beatrice Cenci in Prison Sketched by Guido Reni", Oil on Panel, signed "Ceronetti - Carlo" lower right, giltwood frame. Image: 11.75" H ...

Represented by George Billis Gallery, NYC & LA --Mooers writes of his work, “My paintings begin with a serious sense of play, both in the staging and the creating of the compositions...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Image dimensions: 46cm x 38cm Framed dimensions: 62.5cm x 54.9cm Signed lower left. This beautiful original oil painting by Emile Mesnager depicts a bouquet of flowers in a tumbler...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Oil on panel Panel size: 4.75 x 6 inches each Framed size: 9.25 x 11 inches each Monogrammed and dates '66

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

Georges Croegaert 1848-1923 Belgian The Connoisseur Signed "Georges Croegaert Paris" (lower right) Oil on panel A Cardinal peers through a magnifying glass at gilded treasures in...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1942 / 63, reproduced in p. 494 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

"Kollabs is a collaborative project between artists Luis Garcia Nerey and Anke Schofield. In our work, we create compositions juxtaposing undomesticated animals within domestic and u...

Dutch School Late 18th century Oil on panel 6 1/4 inches x 5 1/2 inches (15.9 x 14 cm) Framed: 14 x 12 inches (35.5 x 30.5 cm) Signed lower right This delightful study of a lute pl...

An unsuspecting woman showers in a small tiled bath somewhere in Venice. This intimate portrait is painted on panel with a black trimmed edges therefore not requiring framing. Please contact the gallery for framing options. Bruno Surdo Venetian Shower, 2023 oil on panel 36h x 24w in 91.44h x 60.96w cm BRS119 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2023 New Work, Gallery VICTOR, Chicago, IL 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...