Panel Interior Paintings

Abstract painting in shades of light aqua evoking the swirling sea at tide’s turn. With a surface full of interesting texture and contrast. Seaweed and detritus on the beach is being...

"Lemons" is a contemporary realist interior yellow green and blue still life of fresh cut produce from the Italian countryside. Frame Dimensions 24.19 x 20.25in Daniela Astone was...

Image dimensions: 46cm x 38cm Framed dimensions: 62.5cm x 54.9cm Signed lower left. This beautiful original oil painting by Emile Mesnager depicts a bouquet of flowers in a tumbler...

An unsuspecting woman showers in a small tiled bath somewhere in Venice. This intimate portrait is painted on panel with a black trimmed edges therefore not requiring framing. Please contact the gallery for framing options. Bruno Surdo Venetian Shower, 2023 oil on panel 36h x 24w in 91.44h x 60.96w cm BRS119 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2023 New Work, Gallery VICTOR, Chicago, IL 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...

"Dancers reading III", Impressionist Indoor scene with tow girls. Oil on panel. Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork, signed IF by Scottish artist Iain Faulkner...

"Horse Sketch 2" is an oil painting by Amy Florence, a study of an Alfred Munnings painting, an artist she takes inspiration from. A horse is standing against a pale green ground, c...

"Dering Harbor Sunset" is a contemporary blue & purple seascape with sailboats. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurative works was c...

Mia Bergeron's (US based) "Tranquility" is an oil painting that depicts a lone white bowl filled with pomegranate seeds sitting with a halved pomegranate on a white surface. Mia Be...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

Carol Stewart September Patterns oil on paper on panel 12h x 12w x 1.50d in 13.25h x 13.25w x 2d inches (framed) 33.66h x 33.66w x 5.08d cm CST015 Through her ethereal and often dre...

"Basket Weave" is an original abstract graphic painting on wooden panel. It has patterns, stripes and a dynamic color palette, featuring pinks and blue. A stunning and contemporary u...

Signed lower left: Vasily (Wilhelm) Filippovich Levi (1878 - 1954). The uncommon view of Venice was depicted by gifted artist in even more modernism manner than his other works of same period. IMO this one worth special acceptance being very rare and highly desired masterwork. The scorching sun gilds the sparkling expanse of the canal with its rays. At this hour the city is empty. Calm waves gently lap against the keel of the gondola. The artist perfectly transferred to the canvas the atmospheric idyll and romantic magic of old Venice. Oil painting on wood, signed, framed. Size app.: 47 x 64 cm (roughly 18.5 x 25.2 in) and beautiful antique frame ca 64.5 x 81 cm (roughly 25.4 x 31.9 in). Very Good condition, ready to hang condition, age wear (just minor wear to frame finish). Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 3.2 kg is going to measure some 5 kg packed for shipment. V. F. Levi - lawyer, collector, and also an artist. He spent his childhood in Riga, studied at the Alexander Gymnasium. He graduated from the 1st Kharkov Gymnasium (1899) and the Faculty of Law of Kharkov University. In 1916 he moved to Terijoki, built a house there and decided to devote himself to art. In 1918, on the advice of I. I. Brodsky, he showed his works to I. E. Repin and received his approval. After some time, he became Repin's confidant: during 1919-1930, he organized more than 50 Repin exhibitions in Helsinki, Prague, The Hague, Hamburg, Nice, Cannes and other European cities. In 1930-1939 he lived in Paris. In 1930 he participated in the Exhibition of Paintings by Russian Masters...

"Golden Roses" Original Oil on wood Panel 17th Annual Carmel Art Festival 2010 The painting features several roses in various stages of bloom by Laurie Kersey (American 20th C), wit...

Image dimensions: 8 x 6 inches Framed dimensions: 16 x 14 inches An original oil study by the artist Jacob Collins. "Library Afternoon" is a study of the artist's home in Sharon, C...

An oil painting of a man resting on a bed. His arms reach to the left of the panel, and one leg bent, the other extending towards the end of the bed and the viewer. The edges of the ...

"Teapot" is an oil painting by Daniela Astone. A contemporary realist still life in bright yellow, silver and peach. Daniela Astone was born in Pisa, Italy, in 1980 and raised in Po...

JOSÉ GALLEGOS Y ARNOSA Spanish, 1857 - 1917 CORO DE MONAGUILLOS ENSAYANDO signed, located and dated "JGallegos / Roma 1883" (lower right) oil on...

Classically trained artist, Andrew Conklin, has captured the moment just before or just after the subject, Ashley, has laid down her guitar. She is seated on a Tom Vac Chair...

Oil on panel Panel size: 21.5 x 17.25 inches Signed??

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

The Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 THE PAINTER AND HIS MODEL signed "E. L Garrido" (lower right) oil on mahogany wood panel 19-3/4 x 24-1/8 inches (50 x 61 cm.) framed: 28-1/2 x 32-3/4 inches (72 x 83 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches. John Hrehov Dessert, 2022 oil on canvas on panel 20h x 29w in 50.80h x 73.66w cm JHR008 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

The window (La ventana) . Folk Art, Acrylic on wood panel painting by Spanish author Raquel Fariñas. Dimensions in centimetres (H) 177,3 x (W) 95 x (D) 4 In inches: (H) 69.7 x (W)...

Keimpe van der Kooi Winter 116 x 83 cm Framed: 126x 93 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint s...

Oil on panel Panel size: 26.5 x 19.5 inches Framed size: 35 x 28 inches Signed and dated 1878 lower left

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

this is oil on wood panel with a rough sandy textured surface . it comes ready to hang with a black frame that nicey complements the color scheme

VICNTE PALMAROLI y GONZÁLEZ Spanish, 1834 - 1896 PLAYING HIDE AND SEEK signed "V. Palmaroli" (lower right) oil on mahogany panel 17-3/4 x 13-1/2 inches (45 X 34 cm.) framed: 25-1/4 X 21-1/4 inches (64 X 53.7 cm.) PROVENANCE Leslie Hindman Inc., Auctionners Private Collector, Madrid Oil on table by Vicente Palmaroli...

This work of a young musician by Frederick E. Wright is set in an exceptional original Doll & Richards, Boston, frame. The framed dimensions are 16' x 13 1/3" x 1". A hand-written la...

Hand signed by artist Antinoo. Figurative, Human figure, Realism, surrealistic, mythology, acrylic and oil on panel

Hand signed by artist "Glass and dried flowers". Figurative, Realism, still life, oil on panel

Based in Toronto, Canada, T.M. Glass is a digital artist whose practice explores the historical, technological, and aesthetic conditions of photography to stretch it beyond its traditional definition. After studying sculpture at the Ontario College of Art and Design and turning to photography as the primary mode of production, Glass discovered rapidly advancing digital technology that made it possible to render a high degree of depth and level of detail as a celebration of nature. While Glass’s painterly photographs and the 3D-printer sculptures have the appearance of an easy kind of naturalness, they are the result of detailed planning and hours of painstaking manipulation. A single work may demand months of production time. Stemming from a deep, personal engagement in horticulture, the primary subject matter became the persistent allure of flowers. Glass pairs flora from renowned gardens including England’s Royal Lodge, India’s Rambagh Palace, and Quebec’s Jardin de Metis with historic vessels...

Hand signed by artist "Bucket". Figurative, Realism, still life, oil on canvas

Patron of the arts and sciences Ann Getty (1941–2020) brought the same bounteousness to her interiors as she did to her philanthropy, most notably at the 191...

"Venice Beauty" captures the romantic allure of Venice with a mesmerizing view of a gondola gliding through turquoise waters. The scene is framed by a row of elegant, sunlit building...

Provenance: Exhibited at Pennsylvania Academy of Fine Arts, 1911 #229 Description: William Wallace Gilchrist (1879-1926) was an American painter known for his captivating depictions of everyday life scenes and his ability to capture the ambiance and aesthetic of the late 19th century. Born in Philadelphia, Gilchrist showed an early passion for art and pursued his artistic education at the Pennsylvania Academy of the Fine Arts Gilchrist’s artwork often revolved around intimate domestic settings, where he skillfully portrayed the beauty and tranquility of ordinary moments. His painting “The Morning News...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is reminiscent of the Impressionist...

oil on panel b. 1985, Phoenix, AZ Jake Fischer, born and raised in Phoenix, Arizona, graduated with a Master of Fine Art from Arizona State University in Drawing and Painting. Whil...

The artist has traveled around the world, painting on location. He is fascinated with subtle light effects and expressive painterly surfaces, focusing on interiors or cityscapes. His...

Watching, Original Contemporary Surrealist Painting, 2014 11.25" x 18" x 1.625" (HxWxD) Gouache on Wood Panel This surreal gouache painting features a woman laying on top of her bed...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

A detailed oil painting of a composition of flowers. Artfully composed, this work is an excellent example of the artist's oeuvre. Bright colors depict forms of daisies, roses, blossoms, stems, eucalyptus...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

'Love lyrics,' a romantic Italian genre painting by Antonio Paoletti Italian, Late 19th Century Panel: height 40cm, width 50cm, depth 1cm Frame:...

Keimpe van der Kooi Summer 100 x 122 cm framed: 110-132 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint ...

The couple is a work of art realized by Giovanna Picciau (1977, Turin) in 1987.  Oil on Canvas. Cm. 90x100.  Very good conditions!

While Jayne Wrightman’s taste was universally recognized as exquisite—she was a peerless collector and long served as a trustee at the Metropolitan Museum of Art—the society grande dame and philanthropist chose to work with Parisian decorators Maison Jansen upon acquiring her palatial Fifth Avenue home. In fact, Jansen had already started; the apartment’s previous owner, private dealer Renée de Becker, had brought them in. Wrightsman and husband Charles continued with Jansen; upon principal Stephane Boudin’s death, they began working with Henri Samuel, thus beginning a long association. While the bones of the room owe much to Jansen, the decoration—the colors, the upholstery, and most of the furnishings—are Samuel. Shown here is the sprawling 31-foot-by-21-foot drawing...

Elena Burykina's "The Big Mirror" (2023) is an original, handmade oil painting that depicts a blurry portrait of a woman standing in front of a large m...

Georges Croegaert 1848-1923 Belgian The Connoisseur Signed "Georges Croegaert Paris" (lower right) Oil on panel A Cardinal peers through a magnifying glass at gilded treasures in...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Oil on panel Panel size: 4.75 x 6 inches each Framed size: 9.25 x 11 inches each Monogrammed and dates '66

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

A contemporary painting in oil on panel with an interior scene focusing on a hallway floor, the wood grain of the floorboards lovingly depicted, and a teal baseboard offset by white ...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

A Sunflower Splash - The bright yellow sunflowers cuddle the dark red chrysanthemum in an embrace as they stand tall in the clear vase, The open faces of the sunny sunflowers are in ...