Panel Interior Paintings

Mia Bergeron's (US based) "Northern Dreams" is an original, handmade oil painting that depicts yellow flowers strewn on a table with an arctic landscape in the background. Mia Berg...

Edouard Dumoulin (1898 ) 1973) The client Propably around 1940s Oil on carboard 73 x 50 cm (82,5 x 64,5 cm with frame) 28.74 x 19.69 in (32.48 x 25.43 in with frame) Backside : The t...

"Little Girl and Dog on Shovel" is a blue, white and red trompe l'oeil oil painting of a child's beach shovel. An antique from the Ohio Art Company, which ...

Carol Stewart Bobbers oil on paper on panel 12h x 12w in 30.48h x 30.48w cm CST020 Through her ethereal and often dreamlike paintings Carol Stewart invites the viewer into her worl...

Alexander Chistov's "Admiring Francesco Solimena'" is an original, handmade oil painting depicting a male figure admiring a historical painting and sculpture within a white interior ...

Victor Abeloos 1881 – Brussels – 1965 Belgian Painter 'Girl at the Mirror' Signature: signed lower left and dated 1920 'V. Abeloos. 1920' Medium: oil on panel Dimensions: ima...

Gregory Block's "Botanicals No. 1" is an original, handmade oil painting that depicts a still life of yellow and white blooms with a blue and clear bottle. About the artist: Greg...

A Sunflower Splash - The bright yellow sunflowers cuddle the dark red chrysanthemum in an embrace as they stand tall in the clear vase, The open faces of the sunny sunflowers are in ...

In his painting entitled "Interior with iMac and Venetian Chandelier", Andrew Conklin uses a loose paint brush to capture the scene. The interior scene shows a woman seated at a cloth covered table working on an early version iMac computer. Above her is an elaborate Venetian glass chandelier giving the interior an elegant feel. A vintage framed poster...

Andrzej Karwacki likes to create warmth within his work by using dark colours. Within this work, Andrzej has used: Black, Orange, Yellow and Red to create a very warm and comforting ...

Quaint mid-century painting of a cabin interior and view by Leslie Buck (American, 1907-1991), 1930. A realistic "slice of life" rendition of the cabin interior provides an image of the artist's life. Various cooking items sit on shelves below the right window, with the sink and water pump below the window on the left. Signed on verso. Description "Kitchen Corner" Davis's Rental Cottage, Porter Beach, Indiana 1930 written on verso. Presented in a wood frame. Image, 7.5"H x 8.5"L. Born in Chicago, she studied at the School of the Art Institute of Chicago and with Claude Buck after their marriage in 1934. With her husband, she moved to the Santa Cruz mountains...

Dance of Shadows is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on honeycomb aluminum panel, patin...

Provenance Acquired by the gallery directly from the artist FRAMED: 13.75" x 25.625" x 1.375" UNFRAMED: 12" x 24" Artist Statement "The chef at work is...

Mia Bergeron's (US based) "Tranquility" is an oil painting that depicts a lone white bowl filled with pomegranate seeds sitting with a halved pomegranate on a white surface. Mia Be...

An impressive still life (oil on panel) of vibrant clementines in android white and blue dish. The attention to detail and the striking ability to find the beautiful within the mund...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

"Red Sand Shovel" is a contemporary trompe l'oeil oil painting of antique object in an interior. The child's shovel is hanging on a hook slightly off kilter. Artist Bio: John Morfi...

This interior by Amy Florence was painted at Ben Fenske’s home in Tavernelle, Italy. This room is the setting of lots of Ben Fenske’s nude-figure paintings. You might even recognize in the upper right, a finished Ben Fenske canvas. Florence invites us into Fenske's bedroom with no pretensions. An un-made bed, an open wardrobe...

Its owner unknown, this room in West London’s Mayfair neighborhood was decorated by the Iranian-born designer known as Alidad. The arrangement hints at ...

"Lemons" is a contemporary realist interior yellow green and blue still life of fresh cut produce from the Italian countryside. Frame Dimensions 24.19 x 20.25in Daniela Astone was...

Elena Burykina's "The Big Mirror 2" (2023) is an original, handmade oil painting that depicts a portrait of a person in dim light. This piece measures 6 x 6 in and is ready to hang. ...

"Basket Weave" is an original abstract graphic painting on wooden panel. It has patterns, stripes and a dynamic color palette, featuring pinks and blue. A stunning and contemporary u...

This artwork depicts a view of an airport luggage conveyor belt. This piece was created with a mixed technique of acrylic painting on photograms on pa...

Layers of stripes inspired by bookshelves. The colours and patterns repeat throughout the composition. Rosie Shorrock, painter, is available for sale online and in our art gallery at...

An oil painting of a washroom, soaked in pale yellow hues. A horizontal mirror hangs on the wall above the tub, abstractly reflecting the artist and the back of her easel. Framed i...

Orchard Fruit [2022] Please note that insitu images are purely an indication of how a piece may look Late Summer colours. A small painting which can be hung as part of a series or a...

'Hot and Hotter', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35.5...

Abstract painting in shades of light aqua evoking the swirling sea at tide’s turn. With a surface full of interesting texture and contrast. Seaweed and detritus on the beach is being...

Signed lower right - Jacques - Joseph Lécurieux (Jacques - Joseph Lecurieux, 1801-1867). "Rituel du Serpent. Bou Saada" ("Snake Ritual. Bou Saada") - highly informative and masterly painted picture of Algerian street scene by acknowledged and talented 19th century french artist. His genre scenes, his landscapes and his still lifes are particularly remarkable, as well as his engravings. His life nonetheless remains mysterious, but until now his work continues to be studied and appreciated by art enthusiasts around the world. Antique oil painting on wood panel...

Stacker PC [2019] original acrylic on box-mounted MDF panels Image size: H:36 cm x W:23 cm Complete Size of Unframed Work: H:36 cm x W:23 cm x D:6cm Sold Unframed Please note th...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

An anxious moment waiting to see the doctor is depicted by Clyde Singer in this quiet and still painting. Entitled Doctor's Office (1949), Singer paints a moment of anticipation and...

Descriptive text: Cellophane wrapped orchids caught the eye of artist Carole Garland, and she chose to paint the peekaboo flowers in this abstracted oil painting. This is a new subje...

Searching for Andy (Warhol) references woman looking at one of the 199 paintings that Andy Warhol did of Mao. This painting is usually seen in the museum exhibitions around the world Looking for Andy (Warhol) is 16" x 10" and is framed which makes it 20 " x 14" . The artist describes himself as one of the New Orientalists which is a traveling painter in the modern world. Raj Chaudhuri (b 1967) My work comes from my life as a human being. I paint what I know and love. Capturing people and their interaction with the environment interests me—be it urban or rural, cityscape or landscape. I strive to find beauty in everyday happenings and how we experience this amazing world in which we live. Growing up in India, I feel my work is enriched by the depth of culture, vibrant colors and energy there. Twenty-three years ago, Colorado became home, giving me a longstanding enjoyment of the mountains, the brilliance of people here and the rich history of the west. I truly enjoy traveling and painting on location; I thrive in painting subjects with which I have a deep connection and understanding of people, structures and landscape. Art has always been my passion. I found ways to incorporate my artistic abilities in UI design and software development before coming to art full time. To a great extent I find that what like in computer design and now in art is that we are creating abstractions of the real world. There are repeating patterns in how we solve problems in many arenas. The creation of a painting is a technical and visionary problem, with many aspects behind the brushstrokes and values. These challenges underlie the thrill of creating a piece that speaks to viewers, to see what we feel and know about the world around us in art. To me painting is about finding beauty, balance and something visually engaging. I am fascinated by how light illuminates my compositions. It is different literally in every painting! The design of a painting to me is paramount, and I try and find something beautiful, simple and clear in the composition and then build in layers upon layers of complexity. I want to lead the viewer through a visual journey and have them stay connected to the painting. Art is a way of expressing something deeply personal along with the pure enjoyment of the visual. My goal is to find an interesting design clearly present in each painting, so the viewer sees the abstract visual dialogue that sets up the appealing story of the subject in the painting. 2024 Best of Show Presented by the Coors Western Art Advisory Committee (last image of horse in snow...

Mikael Olson's (US based) "High Dive" is an original, handmade oil painting that depicts the interior of the High Dive Bar in Hamtramck, Michigan. Artist Biography and Statement: B...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

Suchitra Bhosle's "Mystic" is an original, handmade oil painting that depicts a brunette woman, in all white, holding a white sheet behind herself as her gold jewelry glows in the da...

Cloudy Deddington Skies [March 2022] original Oil Paint on Gesso Board Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:3.8cm Sold Unframed Please...

Abstract interior, with figures and bison. Oil on panel.

Ximena Rendon's "Family Recipe (Impossible Soup)" is an original, handmade oil painting on aluminum panel that depicts two feminine models inside a kitchen with something cooking on ...

'One to Chew On' 14 x 11 inches, 2019. A wonderful original work of art by artist Myron Stephens, who realistically recreates images of people, animals and mundane objects that are m...

'Game Select' 12 x 12 inches, 2019. A wonderful original work of art by artist Myron Stephens, who realistically recreates images of people, animals and mundane objects that are mast...

A woman appears to be sleeping in her bed but based on Georgia Hinaris' love of the horror film genre, all that appears may not be so. The artist takes inspiration from these types ...

Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the overall aesthetic. While the task of checking under the sink may seem mundane, artist G...

This is a painting about a man who travels back into the past and engages with a different stage in his life. Arnold Friedman worked at the New York City Post Office for four decades...

Inspired by a still from the 1977 horror film, "Rabid". This is the division of morality. A portrait of an individual cast mostly in shadow. The only portion of his face hit with light has no eye, leaving him to only see through his darkness. The bold heavy brushstrokes of this painting give an abstract quality where the shadows and light are transformed it into a dynamic and vibrantly alive scene. Georgia Hinaris Rabid oil on panel 18h x 18w in 45.72h x 45.72w cm GHS010 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

Carol Stewart Morning Glory, Clementine oil on paper on panel 8h x 8w x 1.50d in 20.32h x 20.32w x 3.81d cm CST016 Through her ethereal and often dreamlike paintings Carol Stewart i...

Carol Stewart Zinnias and Diebenkorn oil on paper on panel 10.50h x 11w x 1.50d in 26.67h x 27.94w x 3.81d cm CST013 Through her ethereal and often dreamlike paintings Carol Stewart...

Represented by George Billis Gallery, Los Angeles -- Artist Statement Nothing But Neon, 2021 I see beauty in old neon signs. I have always been fascinated by the glow inside the h...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

A woman strolls into a living room in a dimly lit apartment. With her back to us, we must decide what is happening. Based on Georgia Hinaris' love of the horror film genre, all that...

"In the Pink" The lush, enfolding petals of the pink peony form a round ball that slowly unfurls into an expansive rose-like flowering. These beautiful flowers are so treasured becau...

Buddhist Monks in Prayer The young monks are bowed in devotional meditation in a Buddhist Prayer Hall. The beautiful harmonized environment and the sacred atmosphere allow serenity a...

I am interested in the abstract elements of the art work as much as the subject matter. My still life paintings are not still. I feel that my paintings are lasting over time and invite repeated exploration. –Carol Stewart...

Alexander Chistov's "Getty Museum'" is an original, handmade oil painting depicting a male figure admiring a historical painting within a blue interior gallery. Artist Bio: Alexa...

A female nude dances in a private moment yet the figure in the background seems to be watching. The figure's face is obscured adding to the intrigue of the subject. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the overall aesthetic. Georgia Hinaris...

Based on Georgia Hinaris' love of the Horror Film genre, all that appears may be so much more in her work. The artist takes inspiration from these types of films with their stark cin...