Panel Interior Paintings

Delton Demarest's "Mystery Japanese Frame," completed in 2024, is an oil on panel artwork measuring 4 x 6 x 0.25 inches. This original painting featur...

A single vent can be seen along the baseboard of a nondescript white wall in a quiet interior. The warmth of the worn, golden brown hardwood floor is unexpectedly dramatic against th...

Elena Burykina's "The Big Mirror 1" (2023) is an original, handmade oil painting that depicts a portrait of a woman in a red coat stretching her arms behind her head.. This piece mea...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Elena Burykina's "The Big Mirror" (2023) is an original, handmade oil painting that depicts a blurry portrait of a woman standing in front of a large m...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

Riley Doyle's "Cool Light" (2023) is an original, handmade oil painting of an interior. This piece measures at 17 x 14 inches in it's frame and is ready to hang.

An intimate interior scene of a woman reclining in her living room with a bouquet of flowers on a sunny afternoon. We are charmed by the rich choice of color and intimate details thr...

Samuel Rothbort (1881-1972) Floral, oil on canvas mounted board 22 x 30 1/2 in (55.9 x 77.5 cm), Hand signed lower right. Provenance: From the estate of the artist by descent to the granddaughter. Samuel Rothbort (Russian American Jewish folk artist 1881-1972) was born in the small town, shtetl of Wolkovisk in the Russian Woodlands.During his youth he worked as a cantor and traveled to various towns and villages, gaining many impressions of life in that era. Poverty as well as the political unrest of the times led to his immigration to America in 1904. Upon arrival in America, Samuel Rothbort worked as a laborer and muralist eventually giving that up to become a watchman of newly built homes. While on duty he began molding figures in clay and upon the advice and encouragement of his employer and colleagues he began to take his artistic talents more seriously and pursued this endeavor. Rothbort therefore began doing free-hand painting, murals on walls and ceilings for private homes and commercial establishments. In 1909 he met and married Rose Kravitz, which marked the start of his career as an artist. Well known for his scenes of New York City life, executed in heavy impasto. Rothbort exhibited from the 1920s-60s, at the Salons of America, Pratt Institute, Brooklyn Museum, and a gallery at Rockefeller Center; however, he refused to sell his work, and in 1948, opened the Rothbort Home Museum of Direct Art, in his studio-home. Samuel Rothbort was a self taught outsider artist painting every subject in his own folk art impressionistic style. His artistic range was broad and he never stopped creating. He was fascinated with nature and his works are filled with his delightful perceptions of his surroundings. Rothbort worked in oil, watercolor, and pen & ink. In the years of the depression there was little money, Rothbort could not afford paint or canvas. It was there that he began carving wood and stone using found materials like driftwood, rails, and old fence posts. While not associated with the WPA, he was an artist of that period and sensibility. Rothbort entered the art world and spent much of his life in pursuit of modernist painting and sculpture. He was a member the Society of Independent artists, the Salons of America, the People's Art Guild, and the Brooklyn Society of Artists. During the 1920's and early 1930's , Samuel Rothbort was regularly represented in exhibitions organized by The Brooklyn Museum of Art. Through the 1930's , Rothbort exhibited his watercolors and sculptures at Grant Studios in Brooklyn. In 1940, he began a 28 year relationship with the Barzansky Gallery on Madison Avenue in New York City exhibiting oils, watercolors, and sculpture in individual and group shows. From 1915 through the 1960's, he was represented by many commercial galleries. Hamilton Easter Field, artist, publisher and founder of the Brooklyn Society of Artists was an early supporter of Rothbort's art work and helped further his career. Rothbort received much recognition for his naive folk art paintings which he often displayed in unique primitive frames that he had hand-carved he is also known for his social realist street scene paintings. In 1952, Rothbort wrote a book on his sculpture, entitled "Out of Wood and Stone", which he dedicated to Hamilton Easter Field. A significant expression for Samuel Rothbort's career occurred in the late 1930's through the 1940's when he began painting "memory paintings " or recreation of his boyhood experiences of life in the ghettos and surrounding areas of the woodlands and marshes of Polesia - White Russia. A prized winning documentary, "Memories of The Shtetl" was produced by Harriet Semegram (previously titled " The Ghetto Pillow ") and shown at the Edinburgh Film Festival. It utilized 215 of Samuel Rothbort's watercolors and became the major visual resource material for Jerome Robbins movie and play, " Fiddler On The Roof ". Another award winning documentary on Jewish Folk Art " The Lost Wooden Synagogues of Eastern Europe " which was produced by Albert Barry and Florida Atlantic University, used many of Rothbort's paintings in the film to show life in pre-war Eastern Europe. The film was shown at the U.S. Holocaust Museum in Washington, D.C. and on Public Television. He was a member of The Brooklyn Soc. of Artists; Soc. of Indp. Artists; and Brooklyn WCC. He exhibited at the SIA, 1917-40; Pratt Inst., 1919-22; Salons of Am., 1922-34; Brooklyn Mus., 1922-33; Charles Barzansky Gal., NY, 1940-44; Jewish Mus., NYC, 1984-85. His works hang in the NMAA; Brooklyn Mus.; Heckscher Mus.; Mus. of Stony Brook; Montclair AM; Sardoni AG; and Rutgers Univ. AG. Samuel was best known for his scenes painted in and around NYC. He had a bold style marked by heavy impasto. Selected Solo Exhibitions: 2003 New York, NY; Luise Ross Gallery New York, NY; Hollis Taggart Galleries 1998 East Hampton, NY; Morgan Rank Gallery New York, NY; Benjamin Cardozo Gallery, Yeshiva University Museum 1997 New York, NY; Giampietro Gallery 1985 Brooklyn, NY; Chassidic Art Institute 1968, 64 New York, NY; Kaufman Art Center 1940-6, 54, 56, 61, 65 New York, NY; Charles Barzansky Galleries 1960 Chicago, IL; Welna Gallery 1940 Brooklyn, NY; Tilden Gallery 1938 Brooklyn, NY; Lincoln Gallery 1934 Brooklyn, NY; Grant Studios Selected Group Exhibitions: 1998 Huntington, NY; Heckscher Museum, Celebrating New York: A Centennial Exhibition 1984-86 New York, NY; The Jewish Museum, The Jewish Heritage in American Folk Art (Travelling exhibition) 1968 New York, NY; National Arts and Antiques Show 1940-68 New York, NY; Charles Barzansky Galleries 1964 Bethesda, MD; Chevy Chase Gallery 1963 Huntington, NY; Heckscher Museum 1944 Richmond, VA; Virginia Museum of Fine Arts 1917-23, 25-31, 34, 38-40 New York, NY; Society of Independent Artists 1939 New York, NY; Academy of Allied Arts Gallery 1937-39 New York, NY; Vendome Gallery 1934, 39 New York, NY; Fifteen Gallery...

In this quiet, contemporary still life painting in oil on panel, a single lamp with a yellowed lamp shade stands atop a dark brown mahogany wooden desk with gray metal handles on the...

Riley Doyle's "Warm Light" (2023) is an original, handmade oil painting that depicts a the sun shining through the window. This piece measures at 17 x 14 inches in it's frame and is ...

Delton Demarest's "Sable Poses," completed in 2024, is an oil on panel artwork measuring 3 x 6 x 0.25 inches. This original painting features a restin...

"Keeping it Clean" by Clyde Steadman (United States) is a handmade interior painting that is unframed, but ready to hang.

Oil on panel Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at t...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

"New Year's Interior" is a bright still life with a view in red and pink hues. Traditional gesso base made with marble dust and rabbit glue. Kelly Carmody’s work has been widely exh...

Cats are the true inhabitants of warm countries such as Morocco and Turkey. They embody the essence of city life, where warm sandy walls, vibrant decorative patterns, and fragrant citrus trees define the landscape. Cats effortlessly assume the role of urban royalty, whether lounging beneath palm trees in secluded garden corners, perched proudly in bustling squares, or soaking up the sun's rays beside tranquil pools. Their unhurried pace and ability to savor each moment poignantly remind humans to pause and appreciate life's simple pleasures, particularly after the relentless pursuit of work. This original painting by the Ukrainian artist Ksenia Tsyganyuk...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

Raymond Bonilla's "Study for 'After the Drop Off'" is an original, handmade oil painting that depicts a balcony draped with colorful flowers basking in warm light. About the Artist...

An oil painting of a vase of flowers atop a windowsill. An antique radiator takes space beneath the windowsil. The window is flanked by pink patterned drapes. The paned window gives ...

"Sunflowers" is a rustic still life of yellow flowers in blue and white vase. Amy Florence creates a dark interior that is brightened by the three sunflowers that casually rest in th...

Joel Sager (1980) was born in Saint Joseph, Missouri, the son of a minister and a stay-at-home mother who fostered from an early age his love of drawing and painting. It was under th...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Keimpe van der Kooi Yellow Gerbera's 50 x 50 cm Framed: 55x 55 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to...

Mia Bergeron's (US based) "Afterglow" is an oil painting that depicts a lone white bowl filled with pomegranate seeds sitting with a halved pomegranate on a white surface. Mia Berg...

Keimpe van der Kooi Summer 100 x 122 cm framed: 110-132 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint ...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

In her work, Allison Gildersleeve addresses the theme of memory, exploring the phenomenon of past and present becoming collapsed or entwined by the emotional experience. Gildersle...

Oil Painting on plywood realized by Miloslava Vrbova (1909-1991) in the mid-20th Century. Good condition.

Including the frame, the overall dimensions are 31 x 38 inches Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

Clarity plus precision in execution could yield, in this case, serenity. Perhaps this is the magic formula that has put James Carter’s works into such high-powered corporate collecti...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

A rare, early original oil painting by American artist Robert McIntosh(1916-2010) Robert McIntosh was extremely prolific and exhibited throughout his lifetime, including first prize...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

IKEA (2022), oil on wood panel painting by Max Vesuvius Budnick, coral reef and banana, bright pattern, faux naif Classic faux naif interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and was enamored with this IKEA shower curtain...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

Sara Scribner's (US based) "Nightfall" is an original, handmade oil painting that depicts a realistic portrait of a feminine form in blue cradling a smal...

Red draped figure look out window onto landscape

John Ferry Modern X2 #1 Medium: Oil on Panel Year: 2019 Size: 6.5x16.5 in Signed, dated and inscribed by hand Framed COA provided Ref.: JF-19-34 “Ferry’s w...

Ximena Rendon's "Entre Sueños" is an original, handmade oil painting on aluminum panel that depicts two feminine models inside a bedroom with one appearing to be asleep.

WILD HORSES, 2016, subway train, curve, graffiti, street art, figurative, panel. Acrylic on wood panel.

Artist: Ian Hornak (1944-2002) Title: Homage to Redon Year: 1997 Medium: Oil on panel Size: 20 x 16 inches Condition: Good Inscription: Signed by artist, recto. Provenance: Estate o...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

'Dreaming in Lavender' is 15.5 x 16 inches and professionally framed. The painting can hang on a wall of sit on a table or shelf like a piece of sculpture. Inspired by the concepts...

Alexander Chistov's "Wildwood Regional Parks, Thousand Oaks" is an original, handmade, plein air oil painting depicting the landscape in southe...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

"My interest in the formal and pictorial aspects of painting is in addition to my interest in the sensuality of the oil medium, nuanced edges, and subtleties of light. Each painting ...

Carol Stewart September Patterns oil on paper on panel 12h x 12w x 1.50d in 13.25h x 13.25w x 2d inches (framed) 33.66h x 33.66w x 5.08d cm CST015 Through her ethereal and often dre...

"Campanula" is a stunning exploration of depth and delicacy, featuring three graceful bluebell stalks in crisp focus against a lush, blurred meadow. The vibrant blue petals are the f...

LIANG YIFENG (Taiwanese, born 1937), Figure in Blue, oil and oil pastel on canvas panel, Hand signed lower right. Approximate dimensions - framed: 36 1/4 x 24 1/8 inches, panel: 24 ...

Carol Stewart Still Life with Green Parrot oil on paper on panel 24h x 24w x 1.75d in 60.96h x 60.96w x 4.45d cm CST018 Through her ethereal and often dreamlike paintings Carol Stew...

JOSÉ GALLEGOS Y ARNOSA Spanish, 1857 - 1917 CORO DE MONAGUILLOS ENSAYANDO signed, located and dated "JGallegos / Roma 1883" (lower right) oil on...

Mia Bergeron's (US based) "Northern Dreams" is an original, handmade oil painting that depicts yellow flowers strewn on a table with an arctic landscape in the background. Mia Berg...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...