Panel Interior Paintings

A Garden with Tulips Daens Antoine Brussels 1871 – 1946 Belgian Painter Signature: Signed bottom left and dated 1936 Dimensions: Image size 53 x 69 cm, frame size 61 x 77 cm Medium...

Behind Pretty Things (2022), oil on wood panel painting by Max Vesuvius Budnick, portrait, patterns, faux naif Classic faux naif portrait and interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and loves to render them by hand. In this painting he renders the ribbed pattern of his green corduroy hat, the tropical jungle motif of his bandana neckerchief complete with tropical birds, the tropical palm leaf pattern of his cell phone case, the blue stripe pattern of his button down shirt and the purple gradient of the walls behind him as he poses for a selfie in the mirror. His red beard peeks out from behind his bandana and on the wall behind him is a framed print of the painting, "Floral Still Life," by WWI veteran and African American artist, Horace Pippin...

A trompe l'oeil oil painting of a child's beach shovel. Morfis' incredible realism contrasts the quaint illustration on the shovel. Framed dimensions: 23.5 x 17.5 inches John Morfis was born in Bayville, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown...

This is a beautiful small painting on wood panel in artist frame. Cole’s work, From Tokyo to Berlin, is the culmination of three years of travel (from 2015 to 2018) both east and we...

The Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

Its owner unknown, this room in West London’s Mayfair neighborhood was decorated by the Iranian-born designer known as Alidad. The arrangement hints at ...

Inspired by a still from the 1977 horror film, "Rabid". This is the division of morality. A portrait of an individual cast mostly in shadow. The only portion of his face hit with light has no eye, leaving him to only see through his darkness. The bold heavy brushstrokes of this painting give an abstract quality where the shadows and light are transformed it into a dynamic and vibrantly alive scene. Georgia Hinaris Rabid oil on panel 18h x 18w in 45.72h x 45.72w cm GHS010 Horror films are the most profound and visceral of films, garnering the most extreme responses: vehement hatred and cultish admiration. Horror elicits a controlled neurosis while exposing the rejected weaknesses and brutalities of humanity. I embrace the power of cinema and its ability to alter perception, as it is media that is a reflection of our primordial desires. I’m fascinated by concepts involving the limits of human perception, the ambiguity of morality in relation to nature, the paradoxical nature of reality, and the human struggle to reckon with uncertainty. Humans bear the burden of being as we are, all caught in a flux of unbelievable cognitive abilities and animalistic instincts. Every painting is in its own universe and I cater to it. Nothing is precious. Chaos is embraced. Georgia Hinaris, b. 1993, Chicago, Illinois Education 2019 MFA Painting, New York Academy of Art, New York, NY 2015 BFA Painting, Pratt Institute, Brooklyn, NY Exhibitions 2020 Summer Exhibition, Flowers Gallery, New York, NY Summer Juried Exhibition, Prince Street Gallery, New York, NY 2019 Di Donna Gallery, New York, NY AXA Art Prize, San Francisco Art Institute, San Francisco, CA, Richard Gray...

"Dancers resting VII". Impressionist interior scene with two girls. Oil on panel Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork , signed IF in the left down corner, by the author Iain Faulkner, is a very well studied composition with two dancers, dressed in blue color, lying on a beautiful mosaic floor with gold border, having a rest. The circle design of the mosaic, the figures in three quarters in parallel; opposite the postures, the suits, and the colors blue and flesh. This complementation above and below, and to the left and right of the painting, gives the painting a surprising composition and excellent balance. Despite the thick brushwork, the author achieves a very subtle effect in the definition of the two beautiful figures and very successful effects of light and shadow. Iain Faulkner acknowledges the influence on his painting of artists such as Sargent, Degas, Whistler and, especially, Vermeer, showing scenes with figures performing everyday tasks while lost in thought, like this two dancers. This piece was originaly purchased from Albemarle Gallery in London. ABOUT THE ARTIST Born in Glasgow in 1973 and graduating from Glasgow School of Art in 1996 with a BA (Honours) in Fine Art. His degree show was sell-out. Iain Faulkner is now one of Britain's top figurative painters, a stablished artist with the Albemarle/Pontone Galleries in London, and with numerous solo shows in New York, Paris, Geneva, Monaco and Bologna . His work appears in many private and corporate collections and in the Scottish National Portrait Gallery. In 2010 he was commissioned to paint the European Ryder Cup...

Signed and dated impressionist oil on panel landscape by French painter Henri Duhem. The work depicts a view of a cottage in a rural landscape. Smoke escapes the chimney and contrast...

Anonimo Pittore da Giuseppe Cesari detto il Cavalier D’Arpino L’estasi di San Francesco Olio su tavola, Sec. XVII, cm 56,5x41,4; con cornice 78x64 Il d...

"Dancers reading III", Impressionist Indoor scene with tow girls. Oil on panel. Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork, signed IF by Scottish artist Iain Faulkner...

An oil painting of an interior - a fireplace in action. Flames blaze and cast smoke upwards. A red wall meets a cream painted wall, which meets a black chimney. The fireplace is lined with red bricks. Fire pokers, a cast iron pan...

Keimpe van der Kooi Home 49 x 41 cm Framed: 54x 46 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint still...

Panel painting has bright colors abstracted portrait faces, interior, flowers, loose visible gestural brushstrokes C. Dimitri says this painting is a tribute to a painter friend of ...

An Old Man Pointing at Pocket Watch Artist 19th Century European School Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 46 x 55,50 cm

A suite of 3 small works that are each 12 x 12 inches. Painted in oil on wood panel. 'Everything is Pee Chee' 12 x 12 inches 2019. 'Game Select' 12 x 12 inches, 2019 'You're Livin''...

Two figures, cast in shadows, stand in the foreground between a nude female figure in the background. Loose brushwork, thick with expressive, bold colors and strong contrast in shadows, add to the mystery of this gathering of characters. This artwork is mounted to a wood cradle and can hang directly on the wall. Please contact the gallery for framing options. Georgia Hinaris...

A wonderful oil on panel by French impressionist painter Jean-Francois Raffaelli depicting two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. The work is accompanied by a certificate from Brame & Lorenceau and is included in the catalogue raisonne of the painter. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

An oil painting of a plate of a selection Kolbasa and accoutrements. On a plain plate is a spread of cut cured meat, including Russian sausage. Diagonally across the plate are three ...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

A cozy little jewel, we are charmed by the rich choice of color and intimate details throughout this miniature work. This painting depicts a woman in her bedroom near the Mantel with...

Johnny Defeo’s work belongs to the concept of souvenir, attempting to capture the experiences he has in the natural world, where he feels free and most at home. His paintings and rug...

The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...

The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...

Keimpe van der Kooi Yellow Gerbera's 50 x 50 cm Framed: 55x 55 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to...

IKEA (2022), oil on wood panel painting by Max Vesuvius Budnick, coral reef and banana, bright pattern, faux naif Classic faux naif interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and was enamored with this IKEA shower curtain...

Figurative style using pastel colours, we see still life of an interior through Zachariadis' unique mind. Ready to hang.

The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...

The artworks in the series It’s Always Darkest Before the Dawn are an expression of feeling in dealing with personal issues and political events. These feelings stem from both reacti...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

Henry Charles Hannig "Mother and Daughter" Original Oil Painting C.1930 Original oil on panel Dimensions 15" wide x 18" high The lightly distressed frame measures 18" wide x 21" h...

This 30" x 24" acrylic on panel painting from 2013 by John Wolfe depicts a rural church in Davidson, Oklahoma. Wolfe's depiction focuses on the profile of the stark white church agai...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

Story Teller With Cat and Mouse, painting by Melanie Yazzie, Navajo, Denver Yazzie was asked by the Denver Art Museum to select several items from its collection that were immediatel...

Porcupine Basket, painting by Melanie Yazzie, Denver Art Museum, Native American Yazzie was asked by the Denver Art Museum to select several items from its ...

Artist Commentary: This mixed media painting includes the back of the Ranchos de Taos church that Georgia O'Keefe made famous in her painting. My painting ...

Keimpe van der Kooi Winter 116 x 83 cm Framed: 126x 93 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint s...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

'Tulip', oil, alabaster and gold leaf on panel is 10 x 10 inches, and created in 2019 ay American artist Stephanie Peek. This white tulip flower appears to float in mid air, and it glows on its small, jewel like panel, that is 10 x 10 inches. Peek's floral series...

The artist is a master at storytelling. He sets the stage for the viewer to bring the events to a particular scene. Here, the artist has set two wine glasses, napkins and a small plate of desserts on a geometrically patterned table cloth, draping so it almost appears to be falling over the frame. The viewer is required to ask the questions about the scene but the answers may only lie in their own imagination. The painting, which is painted on canvas then mounted to a panel, is framed in a simple wooden frame measuring 21 x 30 inches. John Hrehov Dessert, 2022 oil on canvas on panel 20h x 29w in 50.80h x 73.66w cm JHR008 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas Gallery, Indiana University East, Richmond, IN. 2012 Shades from White to Black, New Drawings. Denise Bibro Fine Art, New York, NY. 2011 John Hrehov: Charcoal. Indiana University - Purdue University Fort Wayne. 2009 John Hrehov: A Survey 1999-2009 Denise Bibro Fine Art, New York, NY. Paintings and Drawings. Seerveld Gallery, Trinity Christian College, Palos Heights, IL. 2004 John Hrehov: Drawings and Paintings. Denise Bibro Fine Art, New York, NY. 2002 Paintings. Denise Bibro Fine Art, New York, NY. 2001 Charcoal. Indiana University - Purdue University Fort Wayne. John Hrehov, Paintings and Drawings. Wood Street Gallery, Chicago, IL. 2000 The Picture Proper. Denise Bibro Fine Art, New York, NY. Fearful Symmetry. Fort Wayne Museum of Art, Fort Wayne, IN. Allegories in Contemporary Life. Yvonne Rapp Gallery, Louisville, KY. 1999 Paintings and Working Drawings. Adams Hall Gallery, Wheaton College, Wheaton, IL. 1998 John Hrehov. Denise Bibro Fine Art, New York, NY. John Hrehov: Paintings and Drawings. Wood Street Gallery, Chicago, IL. 1997 Object Lesson, Paintings, and Drawings by John Hrehov. Yvonne Rapp Gallery, Louisville, KY. 1995 John Hrehov. Trinity Art Gallery, Trinity Christian College, Palos Heights, IL. 1993 John Hrehov: Selected Works 1980-1992 Indiana University - Purdue University Fort Wayne. Group Exhibitions 2019 2019 Alumni Exhibition. Reinberger Gallery at The Cleveland Institute of Art, Cleveland, OH. Out Of The Closet. Denise Bibro Fine Art, New York, NY. 1026 West Berry Street: The Fort Wayne Art School. Fort Wayne Museum of Art, Fort Wayne, IN. 2018 Artlink Regional Exhibition. Artlink Contemporary Art Gallery, Fort Wayne, IN. 2017 Sola Grace-Faith-Scripture: An Exhibition of Sacred Visual Art. Good Shepherd Institute at Concordia Theological Seminary, Fort Wayne, IN. Norman Bradley...

Keimpe van der Kooi Autumn 122 x 100 cm framed: 132x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint...

Keimpe van der Kooi Summer 100 x 122 cm framed: 110-132 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint ...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Based in Toronto, Canada, T.M. Glass is a digital artist whose practice explores the historical, technological, and aesthetic conditions of photography to stretch it beyond its tradi...

Red draped figure look out window onto landscape

John Grabach "Artist and Model" Original Oil Painting c.1950 Original oil on panel Dimensions 16" wide x 12" high The frame measures 21" wide x 17" high Signed lower margin at ce...

Wings Built for Distance and Waiting for the Rain Diptych by Louisa Longstaff-Scales [2021] original Oil on cradled panel Image size: H:31 cm x W:51....

The interconnectivity between one's waking life and one’s dreams offers a point of convergence between the real and the surreal, the ordinary and the absurd. Daily observations are recycled into nightly visions, and consciousness becomes an in-between state. Experiences turn into memories which turn into dreams which turn into experiences. This piece appears as part of two-person exhibition with Jason Stout at Channel To Channel...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

'Trio of Apples' by Barbara Vanhove is an exceptional still-life painting. You can almost pick up the apples to eat them, such is the detail with which they have been painted. Barbar...

Space Race and Wiltshire Walks Diptych by Rosie Shorrock [2020] original acrylic on panel Image size: H:140 cm x W:100 cm Complete Size of Unframed Wor...

"Coffee, Fireworks, and Amphetamines" is an oil painting of the titled items, a to-go coffee cup is the focal point, a few red firecrackers resemble miniature dynamite sticks. Pills scattered about the tabletop in capsules and tablet forms. A single match with a red tip rests along the table's edge, ready to ignite a spark. A diagonal shadow dissects the composition. A hole in the wall can be found on the upper right. Painting dimensions: 11 x 14 inches Framed dimensions: 13.5 x 16.5 inches Matthew Weigle...

An oil painting of a man resting on a bed. His arms reach to the left of the panel, and one leg bent, the other extending towards the end of the bed and the viewer. The edges of the ...