Panel Interior Paintings

Wijnand Driessen (Dutch artist) Empty chairs at empty tables 30 x 21 cm (framed, included in price 38 x 29 cm) Oil paint on canvas Artist Wijnand Driessen lives and works in Eindhov...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

An anxious moment waiting to see the doctor is depicted by Clyde Singer in this quiet and still painting. Entitled Doctor's Office (1949), Singer paints a moment of anticipation and...

Urbex is the English acronym for urban exploration and is an activity that consists of searching for and locating abandoned infrastructure with the goal of visiting, photographing an...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Kenny Harris is represented by George Billis Gallery NYC. Kenny Harris’ new paintings evoke the light and mood of architectural spaces from his travels around the world. He is fascin...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Glass of Red Wine, Still Life Interior, Oil Painting Study, Canvas Panel, by Contemporary British Artist, Sarah Victoria Scott (2026) Art measures 5 x 7 inches Glass of Red Wine is an elegant contemporary still life by British artist Sarah Victoria Scott, painted in 2026. With expressive, confident brushwork and a refined understanding of colour, Scott captures the simple pleasure of a glass of red wine, elevating an everyday subject into a sophisticated painterly study. The rich crimson tones of the wine glow beautifully within the delicately rendered glass, contrasting harmoniously against the cool blue backdrop and deep charcoal shadows. Reflections and highlights are suggested with remarkable economy, allowing the transparent form of the glass to emerge through loose yet purposeful strokes of oil paint. The warm ochre tabletop anchors the composition, creating a striking balance between light, atmosphere and colour. Both contemporary and timeless, this intimate oil study celebrates the beauty found in life’s quieter moments. It would make a wonderful addition to a modern interior or a collection of contemporary British still life paintings...

Beautifully executed oil on panel painting of the interior of the Bourges Cathedral in Bourges, France. The artist is Pierre Gaston Rigaud. Rigaud is known for his many interior pai...

Ryan Reynolds creates contemporary paintings that explore the quiet poetry of the everyday world. Working from careful observation as well as memory, his compositions often depict fa...

Kirstin Lamb transforms traditional textile motifs into meticulously crafted contemporary paintings. Built from hundreds of small, individual brushmarks, her compositions evoke the a...

Nadezda's beautiful handmade oil on panel painting "Night Swim" (2024) is a portrait of a woman dressed in an intricate green-gold outfit, donning a headdress and resting in a conten...

Pierre Bergian expresses his fascination for architecture through his paintings by exploring space and structure, making use of the presence of architectural components. His current ...

Nadezda's beautiful handmade oil on panel painting "Listening" (2025) is a portrait of a woman dressed in an intricate gothic outfit, resting with her legs to the side and hands clas...

This is a painting about a man who travels back into the past and engages with a different stage in his life. Arnold Friedman worked at the New York City Post Office for four decades...

Oil on canvas mounted on wooden table, realized by Giovanni Gromo in 1980s. Not signed. Good condition.

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 THE PAINTER AND HIS MODEL signed "E. L Garrido" (lower right) oil on mahogany wood panel 19-3/4 x 24-1/8 inches (50 x 61 cm.) framed: 28-1/2 x 32-3/4 inches (72 x 83 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

Nadezda's beautiful handmade oil on panel painting "Swan-Princess" (2025) is a portrait of a woman dressed in an intricate white outfit, standing in a regal post among several white ...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

This painting depicts a whimsical portrait of a young boy with light brown hair against a viridian green background. The piece is done in a highly impressionistic manner and is a won...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

Artist Commentary: This mixed media painting includes the back of the Ranchos de Taos church that Georgia O'Keefe made famous in her painting. My painting ...

Nadezda's "Jasmine" (2025) is a beautiful handmade oil painting on panel. Part of her 2026 solo exhibition "She is Garden", this piece depicts a portrait of a woman stepping out from...

Nadezda's beautiful handmade oil on panel portrait painting "Wisteria" (2025) depicts a young woman in a patterned white and cerulean dress, reaching up to the soft petals of a wiste...

Carl Smith explores the area between Pop Art and Surrealism and expresses it in one-of-a-kind original works on canvas, paper or wood. With the use of found images he tells slightly ...

Charming 17th-century genre scene, attributed to the entourage of Adriaen van Ostade, and appraised by Cabinet Turquin. The work vividly illustrates a lively peasant interior, where ...

Nadezda's beautiful handmade oil on panel painting "Wild Flowers" (2025) is a portrait of a young girl resting contently in a courtyard, holding a bouquet of dandelions and cornflowe...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

VICNTE PALMAROLI y GONZÁLEZ Spanish, 1834 - 1896 PLAYING HIDE AND SEEK signed "V. Palmaroli" (lower right) oil on mahogany panel 17-3/4 x 13-1/2 inches (45 X 34 cm.) framed: 25-1/4 X 21-1/4 inches (64 X 53.7 cm.) PROVENANCE Leslie Hindman Inc., Auctionners Private Collector, Madrid Oil on table by Vicente Palmaroli...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

Sunday Concert Oil Painting on Panel Portrait Redhead Playing Piano In Stock Shaun Downey (1978, Mississauga, Ontario) is a Canadian figurative painter whose work revitalises the t...

Including the frame, the overall dimensions are 31 x 38 inches Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

In Flower Painting 47, Lori Larusso offers a minimalist yet evocative still life that turns a single flower into a bold visual statement. A soft pink carnation leans delicately from ...

Marie Cameron’s paintings emerge from moments of quiet astonishment in the natural world. This work is from her 'Bird and Tea Cup' series A gathering of hummingbirds is known as a c...

Far away mountains is a unique painting by French contemporary artist Frédérique Domergue. This painting is made with oxidized zinc and bronze leaves on aluminum panel, patina fixed ...

An intimate interior scene of a nude laying on the couch during the day. We are charmed by the rich choice of color and intimate details throughout this miniature work. This painting...

This painting depicts a whimsical scene of a figure reclining and reading. The figure is done in a quick way, where the scene almost is abstracted. The bright colors and quick brush ...

Mia Bergeron's (US based) "Meteor Shower" is an original, handmade oil painting, depicting a beautiful surrealist scene of a sea of colored shooting stars pelting the ocean, leaving ...

Nadezda's beautiful new oil on panel painting "Morgan la Fay" (2024) is a portrait of a mysterious, seductive female with an elaborate headdress. Nadezda is a painter, sculptor, ph...

An oil painting, painted en plein-air in Soho, NYC, by American Artist Marc Dalessio. The painting depicts a city street lined with cars. Looking south, The Freedom Tower can be seen...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

Poppies in Blue Vase is an original painting by Diana Forbes. The artwork is a reflection on garden treasures at the end of the summer. Additional information: Oil on Panel 50 H x 4...

Riley Doyle's "Cool Light" (2023) is an original, handmade oil painting of an interior. This piece measures at 17 x 14 inches in it's frame and is ready to hang.

Fruit in Antique Bowl is an original painting by Diana Forbes. The artwork shows a ceramic bowl which is a repeating object in Diana's work and also a nod to her Studio Flower series...

Provenance Acquired by the gallery directly from the artist FRAMED: 13.75" x 25.625" x 1.375" UNFRAMED: 12" x 24" Artist Statement "The chef at work is...

In this contemporary oil painting on panel, two wooden tables stand against a white wall worn with marks from past artworks in an artist's quiet studio. The warmth of the golden brow...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

Elena Zolotnitsky is a Russian American painter whose work explores beauty, adolescence, and the passage of time. Her paintings emphasize the tactile physicality of paint, creating s...

Red draped figure look out window onto landscape

Lori Larusso’s Rosemary Cocktail presents a meticulously composed still life that elevates the language of everyday indulgence into a sharply observed, contemporary visual experience...

Figure standing with window

Kirstin Lamb creates intricate paintings that blur the line between textile and image. Working with thousands of small, carefully placed brushmarks, she builds compositions that evok...

The greenhouse became a favorite subject of Donald Vogel's in the 1980's. As Vogel reflected in the 1998 catalogue published for his traveling retrospective exhibition, "The greenhou...

"Cozy corner" There's something wonderful about having a cozy corner in the garden where fruit trees thrive and the warm evening breeze carries the scent of citrus. Moroccan gardens...