$6,575Sale Price|20% Off
Christ Supported by an Angel in the Garden of Gethsemane, On Slate
Located in Stockholm, SE
This evocative Veronese School painting captures the moment in the Garden of Gethsemane when Christ, overwhelmed with sorrow, prays to God before his arrest and crucifixion. Supporte...
Slate
$5,946Sale Price|20% Off
H 14.18 in W 12.21 in
Madonna Molinari Paint 17th Century Oil on copper Old master Religious Art Italy
By ANTONIO MOLINARI (Venice, 1655-1704)
Located in Riva del Garda, IT
Antonio Molinari (Venice, 1655-1704) attributable Madonna and Child with Saint John the Baptist Oil on copper (24 x 20 cm - In frame 36 x 31 cm) This exquisite copper paint...
Oil
$8,053
H 12.2 in W 15.7 in
17th Century Classical Oil Painting - Diana With Her Attendants in a Grotto
By Abraham van Cuylenborch
Located in London, GB
Abraham van CUYLENBROCH (1620-1658) Diana With Her Attendants in a Grotto 1651 signed oil on panel 12.2 in x 15.7 inches, inc. frame; 31 x 40 cm Provenance: Sale of Sotheby's Lo...
Oil
$2,710
H 24 in W 28.5 in
18th century French Garden or Féte a Bride and musicians playing music
Located in Woodbury, CT
This enchanting 18th-century French fête galante captures the elegance and joy of aristocratic leisure, set amidst a lush garden adorned with flowers. A scene of refined celebration,...
Canvas, Oil
$9,442
H 29 in W 38 in D 1 in
Large 17th Century Dutch Old Master Panel Shipping on Stormy Seas Rocky Coast
Located in Cirencester, Gloucestershire
Shipping on Rough Seas by Jacob Adriaensz Bellevois (1621-1675, Dutch), unsigned oil painting on wood panel, framed panel: 23.25 x 32.75 inches framed: 29 x 38 inches. condition: s...
Oil, Wood Panel
$8,231Sale Price|20% Off
H 34.26 in W 44.1 in
Architectural Capriccio Paint Garola 17/18th Century Oil on canvas Old master
Located in Riva del Garda, IT
Pier Francesco Garola (Turin 1638 - Rome 1716) Architectural capriccio with coastal view Oil on canvas 74 x 99 cm With frame 87 x 112 cm Reference bibliography: G. Sestieri,...
Oil
$5,528Sale Price|20% Off
H 30.32 in W 25.6 in
Lamentation Christ Van Dyck Paint 17/18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Lamentation of Christ Follower of Anthony van Dyck (Antwerp 1599 - London 1641) Late 17th-early 18th century Oil on canvas (64 x 51 cm. - Framed 77 x 65 cm.) This is a very...
Oil
$19,656
H 18.51 in W 21.66 in D 0.48 in
Two Arcadic Landscapes - J.F. Van Bloemen (follower of) - Oil on Canvas
By Jan Frans van Bloemen (Orizzonte)
Located in Roma, IT
Two Arcadic Landscapes are a couple of original oil paintings by a follower of the Flemish artist, Jan Frans Van Bloemen (1662-1749). These old master's original paintings represen...
Oil
$18,460Sale Price|20% Off
H 42.13 in W 61.03 in
Allegory Of Truth Garzy Paint 17/18th Century Oil on canvas Old master
Located in Riva del Garda, IT
Luigi Garzi (Rome, 1638 – Rome, 1721) Allegory of Time Unveiling Truth Oil on canvas (91 x 140 cm – Framed 107 x 155 cm) Work accompanied by an expert report by Dr. Arabella Ci...
Oil
$9,530
H 17.72 in W 21.66 in D 2.96 in
Pair of XIX Century Nord Italian Landscape Giovan Battista Lelli
Located in Roma, IT
Pair of XIX Century Nord Italian Landscape Giovan Battista Lelli This not signed wonderful pair of landscape paintings, can be definitely can be assigned tothe Milanese painter Giov...
Canvas, Oil
$9,787Sale Price|20% Off
H 33.08 in W 38.98 in
Myth Apollo Issa De Lairesse Paint 17/18th Century Oil on canvas Old master Art
Located in Riva del Garda, IT
Gérard de Lairesse (Liège 1641 - Amsterdam 1711) workshop The Myth of Apollo and Issa (from Ovid, Metamorphoses, book VI, 122-124) Oil on canvas 65 x 82 cm. - Framed 84 x 99 cm...
Oil
$6,070Sale Price|20% Off
H 38.98 in W 14.97 in
Rebecca At Well De Mura Paint 18th Century Oil on canvas Old master Flemish
Located in Riva del Garda, IT
Francesco de Mura (Naples 1696 - Naples 1782) workshop Rebecca at the Well Oil on canvas 26 x 87 cm. - Framed 38 x 99 cm. NB: The darker strip at the top of the painting is t...
Oil
$10,126
H 11.03 in W 13.78 in
Bustling 17th century harbour landscape with fishermen, visitors and merchants
Located in Aartselaar, BE
A bustling scene of fishermen, merchants, and visitors in a peaceful and picturesque port village This engaging painting offers a vivid and atmospheric glimpse into daily life in th...
Canvas, Oil
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H 16 in W 21 in
19th century English warship off the Italian, Mediterranean coast, with village
Located in Woodbury, CT
Outstanding 19th century English warship off the Italian, Mediterranean coast, with village, mountains and hills. A very interesting and somewhat unique oil on slate depicting an English ship at anchor in what looks like an Italian or Mediterranean coastline. The piece has influences from John Thomas Serres...
Slate
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H 29.14 in W 26.78 in
Marie Madeleine Paint Oil on canvas 17th Century Old master Leonardo Italy Rome
Located in Riva del Garda, IT
Mary Magdalene Roman classicism of the 17th century Circle of Gian Domenico Cerrini (Perugia, 1609 - Rome, 1681) Oil on slate 54.5 x 47.5 cm. Framed 74 x 68 cm. A female character who has always been a favorite in art for her often contrasting faces, Mary Magdalene is beautifully portrayed here according to the canons of ideal beauty imposed by the classicism of the early 17th century With his hands he holds the ampoule of ointment (Maddalena mirrofora), its typical iconographic element, which the sinner used to perfume the feet of Jesus, who also refers to the episode of the discovery of the resurrection, when Mary went to the sepulcher for sprinkle the body of the Messiah with perfumed balm. Our Maddalene fully reflects the canons of classicism, whose aesthetic ideals tended to idealize the subjects portrayed: the Saint is in fact rendered with a classic pose, almost like an ancient statue, her hair neatly lifted by the wind and an ethereal expression, as well as the his white face. In particular, the work recalls, for style and compositional taste, the compositions of the Perugian Giovanni Domenico Cerrini, one of the most distinguished exponents of Roman classicism, and among the main collaborators of Guido Reni in his workshop in Rome. According to various sources, he would have also worked for Domenichino, until he himself acquired an independent artistic personality in Rome. Enjoying soon the favors of the Roman patrician families Spada and Rospigliosi, in particular thanks to the cardinals Bernardino Spada and Giulio Rospigliosi, Cerrini soon achieved great success, receiving many positions of the Roman curia and aristocracy. The painting is made in oil on a slate support, according to a widely used technique starting from the first half of the sixteenth century. On a collector level, painting on marble...
Slate