Pot Landscape Paintings

An original antique watercolor painting by well listed Austrian artist Franz Weidinger. This work is signed and titled lower left and housed in a be...

San Marco, Venise Acrylic on Canvas 60 x 49 cm Signed lower right and on the reverse In San Marco, Venise, Grégoire Mathias translates the timeless elegance of Venice’s architecture into his distinctive language of Diachronic Cubism — a style that captures not only multiple spatial perspectives but also the passage of time within a single composition. The familiar arches and reflections of the Venetian lagoon dissolve into an intricate interplay of geometric planes and shifting tones of turquoise, ivory, and sand. The result is a composition that feels both architectural and fluid — an echo of light dancing on water, where memory and presence coexist. Mathias’s mastery lies in how he balances structure and emotion, transforming an iconic cityscape into a meditation on rhythm, space, and movement. Perfect For: Collectors of modern Cubism • Venice and Italy enthusiasts • Contemporary interiors with neutral or coastal tones • Living rooms or entryways seeking architectural depth and movement Collector’s Insight: This painting belongs to Mathias’s Venetian Series, where he explores the interplay between history and modernity through cubist fragmentation. Its soothing palette and elegant balance make it a perfect statement for collectors drawn to contemporary reinterpretations of classic European subjects. Keywords: Venetian painting, Piazza San Marco, cubist architecture, modern cubism, French contemporary art, Greg Mathias, Diachronic Cubism, contemporary Cubism, modern architecture art...

Artist: Boris Sveshnikov, Russian (1927 - 1998) Title: April Year: 1987 Medium: Watercolor on Paper Size: 27 x 19.25 in. (68.58 x 48.9 cm)

This piece is a pertinent example of Belgian artist Henri Joseph Pauwels ' sought-after works, depicting a view of a table set for tea in the garden by the shore on a serene summer a...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

This captivating summer day beach scene is a remarkable display of Van der Plas's true passion for outdoor genre paintings. A wonderfully rich beach scene executed in the 21st Centur...

Dimensions with frame: 37 x 52,5 x 3 cm. Signed "R. Fuchs" in the lower right corner. Sunset over Garda Lake with Mountains and Moon Italy A serene and atmospheric landscape captur...

Pocket Pale Blue Sloes 2 is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil pai...

This intimate landscape from 1888 belongs to Anton Genberg’s early mature period and reveals the qualities that would later establish him as one of Sweden’s foremost painters of atmo...

Antoine Blanchard 20th Century. Picture size: 15 x 30" (38 x 75cm) Outside Frame Size: 22 x 37 (56 x 94cm) Signed bottom right Oil on canvas BIOGRAPHY - Antoine Blanchard (1910 - 1...

Severin Nilson (1846–1918) Sweden Children in a Flower Meadow signed lower right Severin Nilson oil on board laid on panel unframed 25 × 18 cm (9.8 × 7.1 in) framed 32.5 × 26.5 cm ...

This vibrant artwork captures a serene rural landscape, where rustic charm meets vivid color. A cluster of barns, their roofs painted in striking hues of red and blue, sit nestled am...