Board Paintings

MANUEL SALINAS Spanish, 1940 - 2021 UNTITLED signed "Salinas" (lower right) mixed media on paper on cardboard 19-3/4 x 27-1/2 inches (50 x 70 cm.) framed: 26-3/4 x 34-5/8 inches (68...

Beautiful ca. 1955 oil painting by American artist, Eve Peri. Oil on illustration board, panel measures 10 x 15 inches; 15.75 x 20.75 inches framed. Signed lower left. Excellent condition. Vintage...

Dan McCaw's (US based) "Waiting" is an original, handmade oil painting that depicts an abstracted figure in an interior setting. Artist Statement: Born: 1942 A solid foundation o...

A beautiful Peter Keil original painting. Keil's signature style is shown in these Picasso inspired portraits. These portraits are characteristic of Keil's work in the 1980s when the...

-Greens and roses colors- original abstract paper acrylic painting Artwork by Spanish artist ISIDRO CAHUE. Acrylic on paper Perfect state The personality of the artist is reflected...

Bookatz's artistic practice embodies a dynamic and multifaceted approach to creation. His canvases resonate with an improvisational interplay, a reflection reminiscent of the nuance...

£975.00 ADD GIFT NOTE BEFORE YOU BUY ADD TO CART ABOUT THIS WORK OF ART Maria Floyd Echoes Original Abstract Expressionist Painting Mixed Media on Board Framed Size: H 41cm x W 125...

Abstract (57) John F. Leonard American (1921–1987) Date: 1977 Oil on Board, signed l.r. Size: 16 in. x 20 in. (40.64 cm x 50.8 cm) Frame Size: 18.5 x 22.5 inches

Orange-toned abstract figurative work by contemporary Missouri artist Michael Stack. The work features a light cream and silver silhouette of a headless ...

ESTEBAN VICENTE (1903-2001) UNTITLED signed and dated "1980 Esteban Vicente” (lower right) collage, watercolor and pencil on cardboard 14 x 17 inches (35.5 x 43 cm.) framed: 19-3/4 x...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted Tiffany Blue background, black abstract portrait with many ...

Katherine Bello Title: Yellow Vase Oil on board Year: 2021 Dimensions: 12"x12"x1" Signed by hand Framed in a white floater frame COA provided ---------------------------------- Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, abstract art, contemporary art, Contemporary Fine Art, Fine Art, Painting, acrylic, Jackson Pollack, Mark Rothko, Kandinsky, Franz Kline, Lee Krasner, Helen Frankenthaler, Robert Motherwell, Mark Rothko, Amy...

This abstract painting from new Series “Geoforms" is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work will be ...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Dan McCaw's "Harmony" created in 2024, is a striking oil painting measuring 30 x 24 inches. This original artwork features an abstract composition of figures, rendered with rich text...

Late 20th century abstract Expressionist oil on board by French artist Emmanuelle Bardet. Signed bottom right and dated 95 and titled "La Corrida" to the reverse along with a dedicat...

VESSELS AND BOWL Size: 52.5 x 42.5 cm (including frame) Oil on board A striking mid-century modernist style sill life composition, executed in oil onto board and dated 1953. The su...

Golfam Jozdani Saint Minecraft XXVII Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing ...

PICNIC UNDER THE PINES Size: 54 x 66.5 cm (including frame) Oil on board A mid-century figurative painting that captures a lively outdoor gathering beneath two abstracted pine trees...

"Harvest Moon" by Edmund E. Niemann is a striking example of Abstract Expressionism, a movement known for its emphasis on spontaneous, automatic, or subconscious creation. Niemann's ...

Danny McCaw's (US based) "Afternoon Glow" is an original, handmade oil painting with impasto brushstrokes that depicts an abstracted female figure. Bio/artist statement: Danny McCaw...

ARCHES OF THE SEA Size: 59 x 51 cm (including frame) Oil on board A mid-century modern painting that features a dreamlike coastal landscape, defined by its geometric abstractions an...

“Resonant Lines” is part of my Landscapes of the inner eye series of paintings which explore the memory of places that we carry in our imagination rather tha...

Still life with flowers oil/cardboard, 51x40 cm

Golfam Jozdani Saint Minecraft XXVI Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing O...

Elizabeth Higgins Biography b. 1960 Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an insp...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on board. Signed and dated lower right and verso, titled verso. 36.25 x 48 in. 40.5 x 52.25 in. (framed) Framed in contemporary silver, tiered floater frame. Dennis Eugene Norman Burton was a Canadian modernist who was born in Lethbridge, Ontario. He attended the Ontario College of Art from 1952 to 1956, and worked for the Canadian Broadcasting Corporation (CBC) as a graphic designer until 1960. Inspired by a 1955 exhibition of the “Painters Eleven” at Toronto’s Hart House, as well as American Abstract Expressionist artists such as Robert Motherwell, Jack Tworkov, and Willem de Kooning, Burton shifted his focus toward abstraction in the mid-1950s. Burton showed with the famed Isaacs Gallery in Toronto, becoming one of the youngest members on the gallery’s roster. A talented musician, he also played saxophone in the Artist’s Jazz Band in Toronto - a pioneering Canadian free-jazz group...

CANYON EDGE Size: 36 x 46.5 cm (including frame) Oil on board A striking mid-century modernist landscape rendered in a semi-abstract style, that captures the sculptural quality of t...

Modern dark toned abstract figurative triptych painting by Erik Sprohge. The work features a mythical scene of skeletons, snakes, and ind...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

The second work of the “Open Touch” polyptych Series “Dance with a Fan” A fan in the dancer’s hands is an extension of their movement, thoughts, and emotions. It carves trajectories...

This abstract floral encaustic painting by Linda Bigness features a cool green, blue, and violet palette, with large organic botanical forms and line work throughout the composition....

landscape original abstract acrylic paper painting. Artwork by Spanish artist ISIDRO CAHUE. Acrylic on paper Perfect state The personality of the artist is reflected in different f...

This Modern Abstract Expressionist painting by Stanley Bate is made with oil paint on board and features an earth-toned palette. The artist layers paint on the canvas, creating texture among softly blended muted green and umber colors in a highly abstract composition. The painting itself is 43.5" x 24" and measures 44" x 24.5" x 2" framed. It is signed by the artist in the lower right-hand corner of the painting and is framed in a very thin, off-white floater frame. It is ready to hang. Stanley Bate was born on March 26, 1903 in Nashville, Tennessee. The Bates were an established Tennessee family, in fact, Henry’s brother William Bate was the governor of Tennessee from 1883-1887 and a United States Senator from 1887-1905. Stanley studied art at the Watkins Institute in Nashville. In the 1920’s Bate moved to New York City to study at the Art Students League under Frederick Bridgman. He soon landed a job with Encyclopedia Britannica, and from 1927-1929 served as art editor. From 1929 until his death in 1972, Stanley was a self-employed artist. He taught art classes at both the Art Students League and the Albany Institute of History and Art and brought in extra income by making illustrations for magazines such as “Outdoor Life” and “Popular Science”. On January 27, 1934 Stanley married Emilie Rossel. Emilie had emigrated from Switzerland to New York in 1923. She found work as a governess to Alfred Vanderbilt and later as an executive secretary for Wall Street investment brokers Kahn, Loeb and Co. Emilie met Stanley in New York in the early 1930’s when she attended one of his art exhibitions with a friend. The couple, who had no children, lived on 34th Street in Manhattan. During this period, Bate was producing and exhibiting his art and joined several artists groups. Stanley and Emilie became part of the New York art scene, dining weekly at the Society of Illustrators Clubhouse. Stanley Bate’s time in New York was pivotal in the formation of his painting style. He lived in New York during the inception of one of the most important Modern Art movements, one that helped New York replace Paris as the center of avant-garde art. This movement, which was called the New York School...

This modern impressionist painting of lemons, "The Yellow of the Lemons" is an expressive, semi-abstract work created by French artist Natalya Mougenot. Inspired by the vibrant lands...

Seated Woman (20) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 15 in. x 12 in. (38.1 cm x 30.48 cm)

Johann Berthelsen began his career as a professional singer. Graduating from the Chicago Musical College in 1905, Berthelsen toured the United States and Canada, performing in operas...

“Points of Contact “ second painting in the “Dance with a Fan” series Each work in the polyptych “Points of Contact” reveals moments of unity and interaction through the imagery of...

Impasto Abstract Seascape Landscape Miniature Study by Contemporary British Artist Angela Wakefield Art measures 6 x 5 inches Angela Wakefield has twice been on the front cover of ...

Little Blue, 2020 Encaustic & collage on thin edged board 12" X 12" This abstract geometric composition on wooden board features a playful geometric motif that is inspired by the artist's interest in architecture and blueprint drawings. The geometric forms are made in a more painterly, gestural manner rather than with a hard edge. Paint is not heavily built up upon the surface but it certainly exhibits a tactile quality which is characteristic of the artist's aesthetic. English's work celebrates the quirky, unexpected qualities of shapes and colors. About the artist: Donise English is a Poughkeepsie-based artist who received her MFA from Bard College and is currently a Professor of Studio Art at Marist College in Poughkeepsie, NY. Artist Statement: I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Resume: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie,NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS Finalist, “Saatchi Showdown” 2010 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 SELECTED JURIED/INVITATIONAL EXHIBITIONS 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”, Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture, Pattern, Fragment”, Krause Gallery, Moses Brown School Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”, Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”, Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition, Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”, Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery, Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

Golfam Jozdani Saint Minecraft XXX Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing Op...

Golfam Jozdani Saint Minecraft XXXV Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing O...

Painted sculpted cardboard Unique work Coming from the artist's studio

Robert Tosa Mid Century Modern Abstract Portraits c.1952 Outstanding Mid Century Modern Painting. Various abstract portraits of a dancer. Original oil on board housed in a handsom...

Abstracted River Canyon Landscape in Oil on Canvas Dramatic landscape by Honora Berg (American, 1897-1985). Three large cliffs tower over a river, creating a massive canyon. The landscape is represented in colors reminiscent of fauvism - greens, yellows, and magentas. Signed "Honora Berg" at the bottom edge. Acquired with a collection of the artist's work. Initialed and numbered "HB 103" on verso Unframed. This piece is on canvas that has been stretched over cardstock by the artist. Board size: 20.5"H x 25.75"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

Paul Resika Skowhegan-Wesserunsett, 1976 Oil on board painting: Abstract Expressionist landscape Signed 'Resika' lower left, also signed, titled and dated on the reverse; verso also ...

This artwork makes part of my series dedicated to the scenes of a summer period. This floral painting called "Gorgeous summer day" is done in an expressive impressionist style. Fl...

Golfam Jozdani Saint Minecraft XXIX Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing O...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...

Antique American abstract oil painting. Oil on board. Framed. In excellent original condition. Handsomely framed in a giltwood molding. Excellent condition, ready to hang and en...

Golfam Jozdani Saint Minecraft XXXIV Mixed Media on Cardboard; Acrylic, Pencil, Colored Pencil Size: 9.44 x 14.17 inches (24 x 36 cm) Signed and dated by hand COA provided *Framing ...

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

This collection brings together many small-format paintings, each of which is a unique butterfly, unique and full of inner light. They soar upward like light fragments of dreams, sca...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Le Figaro. Oil on cardboard, 70x50 cm

Step into the bustling energy of a portside moment with René Genis’ “Les Grues” (The Cranes)”, a captivating oil-on-mat-board painting that transforms the in...

Patrick Hughes (British, b.1939) Assemblage, c. 1970 Oil on floating panel 35.7/8 x 47.7/8 in. (90.8 x 121.3 cm.) Patrick Hughes is a British artist known as the creator of reverspe...

Green, yellow, and blue abstract impressionist Western landscape by Texas artist Fred Darge. The painting depicts an arid desert with a huge desert sage bush against a mountainous landscape with overcast clouds. Signed by the artist at the bottom right corner. Unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago painting...