Board Paintings

High Street Shopping III by Sean Durkin, is an original painitng on board. Sean paints a high street full of people walking, running and talking on a gloomy day. ADDTIONAL INFORMATI...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Dancing with Sun (22) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, unsigned Size: 26 x 21 in. (66.04 x 53.34 cm) Frame Size: 27 x 22.5 inches

WŁODZIMIERZ KARCZMARZYK (born in 1930) Painter and an architect. He studied at KUL in Lublin, Academy of Fine Arts and University of Technology in Warsaw. Long-term professor of draw...

Certificate of authenticity and artist catalogue are included. Bruno Paoli (1915-2005) Teaching the masters helped create this contemporary master. Bruno was a professor of art in F...

James Noble (British, 1919–1989) Lilac Charm Medium: Oil on board Framed size: 19 x 24 Inches Canvas size 12 x 16 Inches Signed (lower left) Provenance: Stacey-Marks Gallery Hay...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. He...

Adam Styka, Polish (1890-1959) Portrait of an orientalist beauty  Signed Adam Stryka (ll) Oil on panel Framed 20 x 17 inches 12.5 x 10 inches (31.8 x 25.4 cm)

Floral Still Life (44) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board, not signed Size: 16 in. x 12 in. (40.64 cm x 30.48 cm)

SURREALIST STILL LIFE Size: 29.5 x 34 cm (including frame) Tempera on board A brilliantly executed and characterful surrealist still life composition, executed in tempera on board, ...

J.G. Tyler late 19th century Seascape with ship and boats. Oil on canvas board. 8 x 12 unframed, 14.75 x 18.5 framed.

Mountain Lake - Plein Aire Landscape Acrylic on Board Lush mountain landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer looks out over a mountain ...

Dennis was a landscape painter based in Nottingham, England. Known for his impressionistic, pastoral landscape paintings, Dennis painted mostly in oil, capturing rural scenes around ...

Diptych comprising of River Cottage Series (Large) and Hampshire Garden II. The size given is the width of the two paintings side by side (105cm).  INDIVIDUAL ARTWORKS: River Cotta...

Stroud valley is an original painting by Eleanor Woolley. Painted Al fresco the scene shows the river Severn disappearing in the distance, and the grassy green fields on a sunny sum...

Ruth Todd (1909-2006, American Woman Artist) one of Colorado’s most prominent avant-garde artists and played a significant role in Colorado’s art history. Known for painting and collage. Still life with lemon and banana on kitchen table. Ruth Thomas Todd was born in 1909 in Sanford, North Carolina. She arrived in New York City in the 1930s where she began her career as a fashion model supporting herself as she attended classes at the Art Students League. For reasons of health she moved to Colorado Springs to treat her condition. During her recuperation she started to draw and studied under famous American abstract painter Robert Motherwell, who was teaching at the Colorado Springs Fine Arts Center at the time. By the 1950s, her career as an abstract expressionist painter was blooming. She was one of Colorado’s most visible and avant-garde artists. Ruth married Littleton Todd, a poet and a woodworker. In 1953, Todd traveled to Europe (Paris, France) to study art and to paint. Littleton Todd opened a design studio in Denver where he manufactured and sold modern furniture. She would incorporate sawdust and other found materials from the workshop imbued with oil paint into her abstract work to create unique topographies and patterns. She showed at numerous Gilpin County Art Exhibitions, the Denver Art Museum, the Colorado Springs Fine Arts Center, Colorado Women’s College, the University of Colorado, Boulder, the Colorado State Fair, and the Jewish Community Center. Among the Colorado Modernists that she exhibited with were Vance Kirkland, Frank Vavra, Martha Epp, Ardis Sturdy...

A fantastic modern portrait of a young boy. This work is signed what appears to be Paul Sellers and dated 1937, but we have not found information on the artist. The work dated 1936...

This plain air painting captures a quiet landscape at dusk painted near the village of Zhitkovo in the Tver region, which is characterized by a harmonious combination of colors. The ...

This plain art painting depicts a calm seascape at dusk, painted in soft pastel tones. The painting depicts a quiet harbor in the village of Gumbet in Turkey, where the quiet waves r...

Vintage American modernist still life oil painting. Oil on board. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 14 by 16 inches overall. Handsomely framed ...

Holland Cunningham 1967 - Current Respite, 2024 Oil on board 20.3 x 20.3 cm 8 x 8 in

Wonderful mid century landscape titled "Late Afternoon in Novato" by Ted Lewy (American, 1912-1963). Presented in a rustic wooden frame. Signed "Ted Lewy" and dated "1962" lower righ...

I saw this landscape in a deserted place in winter. It was snowing and strong wind. The wind stopped blowing and I saw this surrealism. The picture is framed in a wooden frame. Size ...

Christopher Rainham has always been inspired by the natural world and more specifically an experience of the natural world. He is inspired by the way flora and fauna are woven into l...

Beautiful oil painting on board of a sunset in Epsom, England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold painted over original gilding. Overall framed measurements are 14 by 20 inches. Condition is very good. Epsom is a market town in Surrey, England, 13.7 miles (22.0 km) southwest of London, between Ashtead and Ewell. The town straddles chalk downland (Epsom Downs...

Garçon with Red Shirt by Raymond Debiève is a charming and character-driven French figurative oil painting, executed on board in a distinctly mid-century style. The young subject is ...

Abstracted landscape by Derrik Van Nimwegen (American, b. 1969). Moody and expressive, the "background" landscape captures the feel of winter with ...

Composition is an original drawing in oil on cardboard realized by an unknown artist in 1989. This Artwork is depicted through strong and confident s...

Ruz- green and gray original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are ...

Luminous energy fills this coastal scene. Thick impasto strokes create a tactile surface. The water shimmers with deep indigos and bright whites. Light dances across the ripples. A f...

ADAM NIEMCZYC (born in 1914) Painter, graphic artist, poet, novelist. He practiced easel, mural painting and book illustration. Since 1958 he participated in numerous exhibitions in ...

Striking vertical landscape of a dramatic rocky mountain peak towering above the tree line by Ken Lucas (American, 20th Century). "Ken Lucas" and "#33 March 3, 1993" are written on ...

Robert Petrick's "Post Metro" is a fusion of meticulous geometry and bold abstract expression. From the artist's Ziggurat series, this piece is both timeless and contemporary, offeri...

Marc Khonsky (American Russian, 1927-2017) Untitled (Winged Prophet Playing Music) 1978 Oil on board Hand signed and dated lower right Dimensions: board: 14"h x 11"w, overall (with frame): 19.5"h x 16.5"w This depicts a winged angel in the guise of a rabbi, possibly the messiah, moshiach, or Prophet Elijah blowing a shofar over the old city of Jerusalem. A masterpiece laden with mystical symbolism. Marc Klionsky (Марк Клионский) (1927 – 2017) was a Russian-American Jewish artist who worked in New York City from his immigration in 1974 until his passing in 2017. Klionsky developed a style of American Realism uniquely defined by his classical training in the Soviet Union and his perspective of daily life in New York and America. Over the course of his career, Klionsky painted portraits of prominent world figures who shaped the 20th century. John Russell, art critic for The New York Times, described him as "a good man and a brave man and one of the most eloquent painters around. We need him" and as "one of the best portrait painters around." Marc Klionsky was born in Minsk, Belarus to a Jewish family in 1927. His father, Leo (Zev Vulf) Klionsky was a printer from Borisov, Belarus. The son of a woodcutter and engraver Klionsky's father moved to Minsk and eventually married Liza (née Rozenstein) in 1926. As a child, Klionsky attended the Art School for Gifted Children in Minsk. During World War II, Klionsky's family was evacuated to Kazan, Republic of Tatarstan, where Klionsky began to earn a living producing anti-Fascist posters and illustrations for local newspapers and other publications. Klionsky studied at the Drama Institute at the Kazan Theater, where he primarily focused on developing costume designs for various productions. After the war, Mark Klionsky attended first the Serov Art Institute before entering the Ilya Repin Leningrad Institute for Painting, Sculpture and Architecture (now known as the Russian Academy of Arts in Saint Petersburg). Klionsky's diploma piece was reproduced in an edition of 50,000 copies and distributed throughout the USSR. Klionsky received his PhD in 1957, during which period he studied with Professor Boris Ioganson. Klionsky became the youngest artist to be exhibited at the Tretyakov National Gallery in Moscow. During this period, Klionsky met his future wife of nearly 59 years, Irina Klionsky (née Korolik), with whom he had two daughters, Nadia, an artist, and Elena, a pianist. Klionsky established himself in the Soviet Union initially by producing official Social Realist works that depicted political figures and daily life in the Soviet Union. However, in the privacy of his own studio, Klionsky began to explore the themes of Jewish life, anti-Semitism and the Holocaust. He soon discovered the creative and intellectual restrictions of working as a Jewish artist in the Soviet Union. After Klionsky left the Soviet Union with his family in 1974, traveling first to Rome, Italy and then to New York, he expressed in his work the newborn freedom that he found in America. Shortly after his arrival, he was recognized in an ABC television production about his work, Canvases of Freedom. This was followed by a U.S. State Department documentary (produced by the U.S. Information Agency) shown in ninety-two countries about one of his exhibitions at Hammer Galleries. During this period, Klionsky also taught at the School of Visual Arts in New York and at the Pennsylvania Academy of Fine Arts in Philadelphia, birthplace of the Ashcan School of American Realism. While Klionsky took advantage of his creative freedom in the United States to explore a range of abstract styles and media, he ultimately gained prominence as a master of portrait painting and of American Realism. His works include portraits of leaders in the world of politics and humanitarianism, such as Israeli premier Golda Meir, Elie Wiesel, Prince Bandar Bin Sultan, and Vernon Jordan; music, including Dizzy Gillespie, Mstislav Rostropovich, and B.B. King; business leaders Armand Hammer, Steve Forbes, and Dwayne Andreas; and many others. His portraits are in the permanent collections of the National Portrait Gallery in Washington, D.C., the Russian Museum in St. Petersburg, and the Museum of Contemporary Art in Lausanne, Switzerland. Klionsky was also honored during his lifetime to have been selected to sculpt the Nobel Peace Prize Commemorative Medal for Elie Wiesel. During his lifetime, Marc Klionsky's paintings and prints were exhibited throughout the Soviet Union, Europe, America, Israel and Asia, as well as Australia and New Zealand. His Soviet works were exhibited in the Tretyakov National Gallery in Moscow and the State Russian Museum in Leningrad multiple times throughout the 1950s. In 1962, his work was shown alongside that of Marc Chagall at Grosvenor Gallery in London. Separately, his work was shown along with other Soviet artists at the time in West Berlin, Hiroshima, Rome, and New York. After emigrating to New York in 1974, his first international exhibition was held in Paris at the Salon des Reprouves with Galleries Hardy in 1978. His first solo New York show took place a Nakhamkin Fine Arts Gallery on Madison Avenue in 1979, after which Klionsky was represented by Hammer Galleries for the remainder of his career. Klionsky had several solo shows in Europe between 1991 and 1992, showing at the Musée d’Art Contemporain in Lausanne, Switzerland, the Salon Internationale des Musées at the Grand Palais in Paris, France, and his "God Bless America" traveling retrospective that began at the St. Ingbert Museum in Germany. The last exhibition of Klionsky's work during his lifetime was at an event titled "Painting the Face of Russian Jewry: The Art and Journey of Marc Klionsky” at Brandeis University in Waltham, Massachusetts in 2010, with presentations made by Sir Antony Polonsky, Emeritus Professor of Holocaust Studies, and Professor Nancy Scott, former chair of the Fine Arts department at Brandeis University. Marc Klionsky's works hang in the collections of the National Portrait Gallery in Washington, D.C., The Elie Wiesel Foundation for Humanity in New York, the Musée d’Art Contemporain in Lausanne, Switzerland, the Yad Vashem Art Museum in Jerusalem, Israel, and the State Hermitage Museum and the State Russian Museum in St. Petersburg, Russia, among other private and public collections internationally. He was part of a tradition of Soviet Jewish artists that included El Lissitzky, and Natan Altman, Marc Chagall, Robert Falk, Anatoly Kaplan, Ilya Kabakov, Oscar Rabin...

Nathan Hoffman The Beach Estate stamped on the reverse Oil on artist's board 10 1/4 x 14 inches Provenance: Estate of the artist Born in Russia, the s...

Figurative illustration of people arriving at a church by Charles Kinghan (American, 1895-1984). The church is rendered with exquisite detail, typical ...

Vibrant landscape with a group of trees by H. W. Shankle (20th Century). The trees, clouds, and ground are all swirling, as if warped by the perspective of the viewer, creating a fantastical feeling to the composition. In the Visionary Artist style. Signed and dated "H. Shankle 71" along the bottom edge. Label from exhibition on verso. Presented in a distressed frame. Board size: 16"H x 20"W Hugh W. Shankle (American, b. 1921) was a photo technician with WLBT-TV in Jackson, Mississippi, during the late 1950s and '60s. He was also the official photographer for the Mississippi Art...

Oval Still Life is an artwork realized by an unknown in the mid-20th centry. Oil on canvas mounted on board. 37 x 49 cm ; 53 x 65 cm with frame. Good conditions!

Mid Century Garden Landscape, "In the Old Spanish Garden" by Florence Nuez A charming Spanish home is the focus of this lovely mid century landscape painting by Santa Cruz, Californ...

In the early 1920s, Eric Sloane traveled throughout the Northeast, cultivating a deep appreciation for early American history and architecture, especially covered bridges, barns, and...

Forget Me Not by Susan Thornbury is a contemporary abstract painting defined by its layered surface and softly structured composition. Created with mixed media on panel, the work fea...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Authenticated on verso by Andy Warhol Authentication Board. Custom framed as pictu...

Beautifully detailed oil on heavy card stock painting of an orientalist scene with camels resting and two figures taking the shade under a tree with several large impressive building...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Suchitra Bhosle's "Morning Light" is an original, handmade oil painting that depicts a four poster bed with white sheets and curtains next to a window with sun streaming in. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

BLOSSOMS & FRUIT Size: 69 x 60 cm (including frame) Oil on board A soothing and very pleasant mid-century modernist style still life that presents a luminous arrangement of flow...

Beautiful landscape of gum trees by listed Australian artist John Sharman (Australian, b. 1947), c.1990. These lovely iconic trees appear in the foreground, while the Australian landscape sprawls out into the distance. Signed "John Sharman" lower right. Displayed in a silver tone giltwood frame. Image size, 21"H x 23"L. Born in Sydney in 1947, John Sharman turned to full time professional art practice in 1980. He became part of a group of artists that included Bob Simpson, Doug Sealy, Robert Wilson, Warwick Fuller...

A gorgeous purple nocturnal New York cityscape. Beautifully framed in a silver gilt wooden floater frame. Measuring: 19 by 25 inches overall and 18 by 24 inches image alone. Excellen...

Miguel Padura was born in Havana in 1957. "I was four years old when my family moved to Rodas, in the province of Las Villas. My father was an engineer, ...

A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC governmen...

Modern purple portrait oil painting by San Francisco artist Michael William Eggleston (American, 20th c.).From a collection of his works, unsigned and ...

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

In this oil painting, I explored a junction of surrealism and futurism, where the ordinary meets the fantastically impossible. I have manifest towns with vibrant, whimsical architect...

Spring Mix Floral Still-Life Painting, Signed, Egg Tempera, Vibrant with riotous color, a floral garden still-life titled "Spring Mix" by Gabriel Portoles Ascaso (Spanish, b. 1930). ...

"The Space Between" by Ardith Starostka is an original, handmade oil painting on an Ampersand Museum Series Gessobord that measures 12 x 12 framed and is ready to hang.

Vibrant miniature seascape by Kathleen Murray (American, b. 1958). Signed in lower right corner. Unframed. Image, 8"H x 6"W. Kathleen Murray (American, b. 1958) was born in Los Ange...

Original oil painting, signed by Robert Alexander and dated indistinctly, lower right. Fine painting of a mare and two foals in pastoral landscape setting, this work is presented in...

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...

Vintage American abstract painting. Oil on canvas. Measuring: 24 by 28 inches overall and 20 by 24 artwork alone. Framed. Excellent condition, ready to hang and enjoy.

Pierre Grisot 1911-1995, was a French Painter who painted in the post impressionist manner, he was well known for his depictions of pretty French ladies in various settings. This p...