Board Paintings

Emma's artwork is inspired by the Parisian luxury world of fashion, textures and pure colour. "Night 01" is a stylish and contemporary bright blue abstract painting. It is created us...

This vivid oil on board, signed by Abraham P. Hankins, showcases the artist's engagement with urban and industrial themes. Titled Tugboat, the work captures a bold red tugboat positi...

Nathan Hoffman Brighton Beach, August 5, 1941 Signed, titled, dated and estate stamped on the reverse Oil on board 9 3/4 x 14 inches Born in Russia, th...

Boats/Tulips. Bilateral. 1975., cardboard, oil, 34.5x46.3 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingr...

This piece, "Sunny Bunny", is a 10x10 oil painting on board by artist Leslie Peck featuring a beautiful rabbit sitting amongst lush green Grass. The rabbit faces away from the viewer...

We are so blessed with such a variety of beautiful bird species within the UK. I feel inspired and 'Over The Moon' with joy, watching them and listening to their quirky chatter. Thes...

"Guac" is an 11x14 original oil painting by artist Jonathan Stasko. Featured is a still life of the ingredients that go into making fresh guacamole. Avocado, red onion, garlic, and...

Painting with plaster and gilt details. Attributed to Edgar levy. A modernist still-life painter whose style leaned towards Cubism, Edgar Levy had a studio...

Gregory Block's (US based) "Iced Cruller" is an original, handmade oil painting that depicts a pastry filles with ridges and translucent frosting. Gregory was born in Kansas City,...

Iwan Albertovich Puni (also known as Jean Pougny) was a Russian avant-garde artist (Suprematism, Cubo-Futurism) who later became French. He evolved towards Lyric Primitivism, influen...

Framed 24 x 30 in

"I welcome the continual emergence of change, evolution, and the inevitable challenges that form a large part of a working artist’s life." With CHEF'S HAT, a recent and evolving work, I am moving into more dimensionality and space. My intention is to push patterned and embellished surfaces on paper from its naturally flat surface into a more structural and spatial plane. This involves making sculptural pieces from paper and experimenting with new construction methods using strips and lengths of paper over-lapped and fastened together, shaped into objects with physical presence. I feel I am migrating from the flat surface into the third dimension. I envision the paper constructions as a landscape to be wandered in and out of, through and around, a space that invites all and sundry to enter on their own terms. I hold firmly to the belief that my work exhibits a playfulness that belies a more serious assessment of our social world. I am interested in how something that is initially perceived as frivolous and celebratory can constitute a reaction against and resistance to the shadowy world of misfortune, hard luck, and weariness. Born in 1959, Lanie Gannon was predominantly inspired by the 1970s. Conceptualism is often perceived as a reaction to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to evolve and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched...

This bright and colorful floral painting, "Pinch of Pink", is an 8x8 still life oil painting on board by Maryann Lucas. Featured is a bountiful pink bouquet of flowers with green leaves. The maroon...

Sargy Mann (1937-2015) Hilary's Garden, Shennington Signed lower left and inscribed with the title to the reverse Oil on board 17½ x 14½ inches excluding the frame 21 x 18 inches wit...

Vintage American impressionist dog portrait oil painting. Oil on board. Framed. Measuring: 9 by 9 inches. Handsomely framed in giltwood molding. Excellent condition, ready to hang ...

Reflection. 1999, cardboard, oil, 20,5x12 cm Laimdots Murnieks (1922-2011) studied at Cesis and Jelgava teachers’ institutes (1938 – 44). He graduated from the Painting Department o...

Framed Size - 80 x 105 cm Inspired by the stunning Jurassic coastline and the rolling hills of Somerset and Dorset, Katie Brent works expressively with a variety of mediums: oils, a...

"Old School Haying", is a 18x36 oil painting on board by artist Leslie Peck featuring two Amish farmers and their horses in the hay field harvesting food f...

Signed post impressionist animals in landscape oil on board by French painter Henri Le Sidaner. This stunning piece depicts cattle in a field. The sun is starting to set casting blue...

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Original Painting Published Fortune Mag Cover 1935 Jewels Jewelry Illustration Antonio Petruccelli (1907 – 1994) Fortune cover published, Decembe...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Vivid seascape where turbulent waves meet a glowing horizon of shifting light Art measures 16 x 12 inches Frame measures 22 x 18 inches Angela Wakefield (ASW) - Abstract Seascape ...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Landscape by the lake. Oil on cardboard, 40x50 cm Arnolds Pankoks (born 1914.21.IX - 2008.) Graduated Art Academy of Latvia (1937 – 43, 1945 – 47) with diploma work "Restoration of ...

A whimsical depiction of Sarah Jessica Parker, Kristin Davis and Cynthia Nixon from an image out of "And Just Like That" set on the streets of Manhattan. This piece captures the esse...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the fee...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the f...

Arthur Smith (American, 1897-1972) Untitled, 20th century Oil on board 8 x 9 7/8 in. Framed: 14 1/4 x 16 3/8 in. Signed lower left: A Smith Arthur Smith is a listed American paint...

In Francis William Edmonds' family portrait, six women and three men are elegantly arranged in a formal yet intimate setting, capturing a moment of togetherness. The composition refl...

Abstract surrealist black and white airbrush painting of an Absolut Vodka bottle surrounded by a variety of figures. The piece includes the faces of ...

Sunil Das - Untitled - 31 x 20 inches (unframed size) Wood, Iron, Oil & Mixed Media on Board Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern I...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 11/11". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

Wanawhite (Abstract painting) Cement & marble powder on foam panel. Structural and hanging frame on the back. Auville works with construction cement. Applying techniques used in th...

Gregory Block's (US based) "Powdered Jelly" is an original, handmade oil painting that depicts a powdered donut with a white background. Gregory was born in Kansas City, Missouri, ...

BEHIND THE MASK Size: 43 x 35 cm (including frame) Oil on board A bold and enigmatic mid-century figurative portrait, executed in oil onto board and dated 1957. The composition dep...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

Oil on board Board size: 14 x 18 inches Framed size: 18.25 x 22.75 inches Signed lower left

Isabella Howland Portrait of a Woman, Paris, 1925 Oil on canvas laid on board 19 1/2 x 16 1/2 inches Provenance: Hammer Galleries, New York Private C...

dated and signed ‘1951 Foujita’ (lower right); inscribed ‘Ghardaia (Marché)’ (on the verso) Literature: S. & D. Buisson, Leonard-Tsuguharu Foujita, vol. 1, Paris, 2001, pp. 473 & 57...

Peter Klasen is a German artist who settled in Paris in 1959. He joined the international Avant-Garde in Paris, fleeing post-war defeated and divided Germany. He is among the artists...

Signed and dated "Vytlacil 38" lower left, and signed and dated verso. Provenance: Estate of the artist #1602; Martin Diamond Fine Art About this artist: Born in 1892 to Czechoslov...

Ruz- original abstract acrylic painting. Virtual frame Original work of the artist RUZ Acrylic on paper Perfect state While contemplating the painting of Ruz, we are inclined to ta...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Anthony Rickards This piece titled "Summer Park" was created using oil on board and is in a handmade swept composite frame. Keywords: park, summertime, grass, field, fields, tree, ...

Joyce Twice Acrylic on canvas board 19 × 27 cm (unframed) Signed: Lower right Condition: Excellent, presented in a gilt frame In Joyce Twice, Grégoire Mathias pays homage to the lit...

William R Davis's "Florida Waterway" is a breathtaking contemporary painting that encapsulates the vibrant atmosphere of Florida's coastal landscapes. This stunning artwork presents ...

Cubist acrylic and oil on board in the modern form of a stylised mannequin figure portrait by French artist Créqule. The painting is influenced by the paintings of Giorgio de Chirico...

Louis-Charles Verwee A Summer's Day 1832-1882 Oil on panel, signed lower left Image size: 14 1/4 x 9 3/4 inches Contemporary style giltwood frame The subject matter of this painting...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

This plein air painting depicts a tranquil seascape in Bali, Crete, dominated by a multitude of boats moored at the village pier. The composition captures the serene ambiance of twil...

Guy C. Wiggins (1883 - 1962) Locomotive Train in Snowstorm, 1957 Oil on paperboard 8 x 10 inches Signed lower left; signed and dated on the reverse Guy Carleton Wiggins is best known for his impressionistic snow scenes of New York in 1920's. Wiggins lived in Old Lyme and Essex where he operated an art school. The Connecticut country-side was conducive to his impressionist technique of plein-air painting and broken brushwork.  Ironically, although his work includes many fine Connecticut landscapes, he is best remembered for some snow scenes of New York City. Like many other American Impressionists, Wiggins had one foot in the city and the other in the country (Vermont Hillside, South Londonderry).  Wiggins was born in Brooklyn, New York, went to England with his family as a boy, received an English grammar school education, and traveled widely abroad. He was the son of a prominent artist, Carleton Wiggins, a painter in the Barbizon style who studied with George Inness and admired Anton Mauve and Dwight Tryon...

Signed (at lower right): KLINE EXHIBITED: Pratt Institute, Brooklyn, New York, November 1–30, 1960, The November Show, as “Moonlight in Lower Manhattan” // Pratt Institute, Brooklyn...

negli anni approfondisce anche lo studio della storia dell’arte e, in particolare, si appassiona ai pittori che lui stesso ama definire “fuori dall’onda”, per lo “spirito di novità” ...

PICNIC UNDER THE PINES Size: 54 x 66.5 cm (including frame) Oil on board A mid-century figurative painting that captures a lively outdoor gathering beneath two abstracted pine trees...

"On an overcast day there was light where the Sacred laid" by Sharon Pomales Tousey is an original, handmade soft pastel painting on board that measures 23 x 30 inches framed and is ...

A Turkish Garden Party Early 19th Century Oil on board Image size: 16 x 20 inches Contemporary frame

Mona Lisa Mickey Mouse Manga Cartoon Pop Art by British Urban Graffiti Artist, Chris Pegg. This striking mixed media artwork by Chris Pegg exemplifies his vibrant, satirical style t...

Aaron Bohrod Baa-Relief, 1986 Signed lower left Oil on gesso panel 8 x 10 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...