Charcoal Paintings

"Being Kind" by Ritchelly Oliveira is a poignant portrayal of compassion and empathy, set against a backdrop of pristine white. At the center of the canvas stands a man. In front of...

This unique perspective cityscape piece titled, "Manhattan" is a 46x46" mixed media painting on canvas by artist Abraham Pinto. Featuring a bird's eye view of the New York City, Pint...

“Now as Julia sat there drinking tea from the quaintest of old-fashioned china cups, and eating slices of thin bread and butter, and cakes that almost melted in her mouth, she could ...

Shadow & Fog IV, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Shadow & Fog III, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive int...

Shadow & Fog II, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Shadow & Fog I, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into ...

Surrendering Compulsion, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a d...

Not Tranquility, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive into...

Restless Thoughts, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a dive in...

Intoxication & Trauma, 2018 Oil and charcoal on canvas 42 x 57 inches Signed and dated on verso The Decent Series The realization that wholeness comes from self reflection and a div...

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly ...

Acrylic paint and charcoal on canvas Unique work Hand-signed by the artist THE IMAGINARY LAND OF ZAHRA ZEINALI “Over time Zahra Zeinali develops her universe, which evolves slowly ...

“As Cartas que Eu Escrevo” (2025) by Ritchelly Oliveira – acrylic and cardboard on canvas, 100 cm diameter (116 cm with frame) A striking round portrait surrounded by symbolic doves ...

Magazine story illustration: “Mr. and Mrs. Fixit”, author: Ring Lardner, Liberty Magazine; publisher: (Liberty Weekly, Inc.), Vol. 2, no 1, May 9, 1925. The full caption reads: “...

"'I choose this,' said Polly, holding up a long white kid glove, shrunken and yellow with time, but looking as if it had a history." Illustration for An Old-Fashioned Girl by Louisa...

More A Lover than a Fighter - 2013 - smoke on paper, framed on a contemporary box frame - all archival materials. Artwork size: 30x22 inches Frame size: 35x27x2.5 inches Frame style: black wood box frame, UV glass, archival matboard The Smokes consist of images that are created by capturing smoke on paper as evidence of a transformation and preservation of the ephemeral. During the process, credit cards, gift cards, photos, and even slides of the artists’ artwork are burned to remove their growing presence in daily life, and explore the idea of transformation. In 2014, Rob was awarded the John Ringling...

ANNE-VALÉRIE DUPOND (b. 1976, France) Anne-Valérie Dupond, born in 1976, studied at Marc Bloch University in Strasbourg, and obtained her Master’s degree in Fine Arts in 2000. Since...

Story illustration for “Rich White Trash” by Margaret Culkin Banning for Red Book Magazine, published April 1924, page 39. The full caption reads: “He became immensely serious. ‘If...

This work emerges from Ricky Lee Gordon’s close relationship with nature, where making art becomes a quiet, meditative act rather than a purely visual exercise. Using pigments and dy...

This work emerges from Ricky Lee Gordon’s close relationship with nature, where making art becomes a quiet, meditative act rather than a purely visual exercise. Using pigments and dy...

Encaustic abstract painting by Katherine Filice, incorporating charcoal, ink, wax, and found objects on a wood panel. Part of the artist’s newest series, "Common Ground", this painti...

Oil paint, pastel and charcoal on paper Signed and dated by the artist

Signature: Unsigned Medium: Oil and Charcoal on Canvas This piece is a preparatory study for J.C. Leyendecker’s final painting, Trimming the Pie (19...

Isabel Turbán Untitled , 2017 Mixed media on paper 30 x 22 in (76.2h x 55.88w cm)

Oil paint, pastel and charcoal on paper Signed and dated by the artist lower left

Acrylic on canvas Diptych 2 x (30 x 30 cm) Hochstrasser Cinzia born in 1979 is a Swiss artist who lives and works in Lugano, Switzerland. She is a self-taught artist who started pa...

Acrylic on canvas Diptych 2 x (80 x 40 cm) Hochstrasser Cinzia born in 1979 is a Swiss artist who lives and works in Lugano, Switzerland. She is a self-taught artist who started pa...

Acrylic & charcoal on canvas Hochstrasser Cinzia born in 1979 is a Swiss artist who lives and works in Lugano, Switzerland. She is a self-taught artist who started painting and dra...

Acrylic & charcoal on canvas Hochstrasser Cinzia born in 1979 is a Swiss artist who lives and works in Lugano, Switzerland. She is a self-taught artist who started painting and dra...

Oil pastel, India ink and charcoal on paper 2020 Signed Unique work Julien Wolf is a French painter born in 1981 in Strasbourg, France. In 2007, he graduated from the DNSEP Art se...

Oil paint, pastel and charcoal on paper Signed and dated by the artist lower left

Chaise #31 by California artist Jeffrey Palladini is a minimalist figurative painting. It is Oil and Charcoal on Wood Panel. It is 24x36. With the wood frame, it is 25x37. It is a ...

Oil paint, pastel and charcoal on paper Signed and dated lower left by the artist

This is a beautiful piece by Alexis Portilla. The rich inky greys, blues and blacks of this piece contrasts against the light and symbolism of vessels and pictographs. Vessels are a recurring theme in Portilla's work as symbolic of the potential for the ability to hold and receive. Owl House...

Oil paint, pastel and charcoal on paper Signed and dated by the artist lower left

"Cutting Power" features black, white and grey with pops of purple. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interdisciplinary artist and design...

"At the Threshold To The Belly Of The Beast (Jaws)" features hues of blue, red, white and black. It is a stretched and framed work on paper. Andrew Herzog is a Brooklyn-based interd...

Chaise #36 by California artist Jeffrey Palladini is a minimalist figurative painting on paper and framed. It is textured Oil and Charcoal on paper. It is 22" x 30". With the white...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

Pelias expounds on her new works . . .   In this group of oil paintings on canvas, I am inspired and informed by my personal history and collective lived experience, as well as the...

This artwork is sold framed. Available for presale. Please note: this artwork will be exhibited during Ashvin Harrison’s solo show (Nov 29–Dec 7) and can be collected or shipped aft...

Saturday Evening Post Story Illustration, November 12, 1938 Both George Brehm and his younger brother Worth, had the ability to illustrate stories about children, particularly boys, sympathetically and convincingly. Perhaps this insight developed from their small-town Hoosier upbringing. George studied at the Art Students League in New York with Twachtman, DuMond, and Bridgman, but did his first illustration for the Reader’s Magazine, published by the Bobbs-Merrill Company near his home in Indianapolis. On the strength of this work, he obtained an assignment from The Delineator in New York, and his career was launched. Over the years, he illustrated a variety of mainstream magazines; his most memorable pictures were done for The Saturday Evening Post for story series by Booth Tarkington...

Rarely do you come across a work of art that is vastly different than just about anything you see. This work is undeniably brilliant and a sheer pleasure to behold. Alexander Leydenfrost...

“Mar Azul” (2025) Charcoal and Acrylic on Canvas 100 x 70 cm / 39.3 x 27.6 in Original work by Ritchelly Oliveira (Brazil, b. 1993) In “Mar Azul”, Ritchelly Oliveira creates a strik...

In Isinmi (Rest) — from the Yoruba word meaning “rest” or “peace” — Israel Agboola Oladapo captures a moment of quiet release and introspection. Reclined against a chair and framed b...

"The Waiting" by Ritchelly Oliveira, 2025 Charcoal and Acrylic on Canvas 120 x 90 cm (47.2 x 35 in) A profound exploration of time, solitude, and introspection, "The Waiting" by Rit...

Tethered to the Echos of You Ink, Charcoal, Embers & Natural Mixed Media on Buried Canvas by Katherine Filice Tethered to the Echos of You is a 39.5 x 27 x 3‑inch work on buried canv...

Bruce McLean Twig Arrangement in front of Garden Arrangement - Yellow, beige wall 2021 Oil, acrylic, charcoal and aluminium collage on canvas 120 x 100 cms (47 1/4 x 39 3/8 ins) BM17727

Football players cloaked in oversized Browns jackets are seen from behind running off the field. Always the graphic innovator, legendary illustrator Bob Peak creates a radical composition by leaving the bottom two-thirds of the picture plane empty of detail. To convey a sense of motion, Peak uses broad strokes of paint similar to the action painters Franz Kline and Willem de Kooning, who were the dominant force in the fine art world in the 1960s. Clearly, one can see a cross-over influence from Fine Art to commercial illustration as Peak strikes a balance between abstract versus figurative art. This work was done on an assignment for Sports Illustrated...

Alison Haley Paul is a contemporary painter of lavishly textured landscapes full of nuanced color. Her work conjures up connotations and geographical memories: that summer you spent ...