Digital Paintings

In this artwork, I've poured my heart into capturing the essence of serenity and divine grace. Through soft brushstrokes and a tranquil palette, the angel embodies a celestial presence, her gaze offering comfort and the apple in her hands symbolizing the gift of life and knowledge. The flowing robes and gentle clouds convey a sense of peace, inviting the viewer to pause and reflect. It's a piece that carries a comforting energy, ready to instill a sense of calm and contemplation in any home. Author's giclee of the original oil painting by Elena Lukina "An Angel...

"Man Cubist Portrait - Limited Edition Textured Canvas Print" Step into the mesmerizing world of "Man Cubist Portrait," a limited edition textured canvas print that redefines artist...

Pop Art Digital Figurative Painting Print - Time to go A woman on her journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to re...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

Pop Art Digital Figurative Painting Print - Time to go A man on his journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to refl...

Set of 2 artworks, 2024 by Rodrigo Etem From the Medium - Screen Time series Mixed Media (oil, giclee print) on canvas Marupá wood Framed Overall Frame size: 52 H x 83 W x 3 D cm. I...

Tiger Painting 40 x 60” inches, Mixed Media: Digital, Watercolor, Acrylic, Gel Medium One-of-a-kind 2017 in Los Angeles One of a kind Mixed Medium o...

This vibrant artwork captures Paul Kostabi's distinctive style - bold, colorful, dynamic and striking. Its expressive energy and dynamic composition make it a fascinating addition to...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

Limited Edition Giclee on Canvas Hand Signed by Stephen Holland

Untitled IV, 2024 by Rodrigo Etem From the Medium - Screen Time series Mixed Media (oil, giclee print) on canvas Marupá wood Framed Frame size: 52 H x 41.5 W x 3 D cm. In this proj...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

Spring Blue and Pink Flowers Painting Embellished Giclee on Canvas 40H X 60W State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPL...

Untitled V, 2024 by Rodrigo Etem From the Medium - Screen Time series Mixed Media (oil, giclee print) on canvas Marupá wood Framed Frame size: 52 H x 41.5 W x 3 D cm. In this proje...

Miriam Schapiro, "Curtain Call" 2002 Hand signed, dated and titled verso and signed and dated recto. acrylic paint, digital images, glitter and textile fabric on canvas, tooling with gold leaf embossing around self edge of painting. size: 60 x 50 in Miriam Schapiro (or Mimi Schapiro) (November 15, 1923 – June 20, 2015) was a Canadian-born artist based in America. She was a painter, sculptor and printmaker. She was a pioneer of feminist art. She was also considered a leader of the Pattern and Decoration art movement. Schapiro's artwork blurs the line between fine art and craft. Her paintings contain craft elements because crafts and decoration is associated with women and femininity. She used icons that are associated with women such as hearts, floral decorations, geometric patterns and the color pink. In the 1970s she made a small woman's object, the fan, heroic by painting it six feet by twelve feet. This bears the influence of the Pattern and Decoration movement artists such as Brad Davis, Mary Grigoriadis, Joyce Kozloff, Robert Kushner, Kim MacConnel, Sonya Rapoport, Miriam Schapiro and Valerie Jaudon. Shapiro was born in Toronto, Ontario, Canada. Her father was an industrial design artist who fostered her desire to be an artist and served as her role model and mentor. Her mother was a stay at home mother who worked part-time during the depression. As a teenager, Schapiro was taught by Victor d’Amico, her first modernist teacher at the Museum of Modern Art. In the evenings she joined WPA classes for adults to study drawing from the nude model. In 1943, Schapiro entered Hunter College in New York City, but eventually transferred to the University of Iowa. At the University of Iowa, Schapiro studied painting with Stuart Edie and James Lechay. She studied printmaking under Mauricio Lasansky and was his personal assistant, which then led her to help form the Iowa Print Group. Lasanky taught his students to use several different printing techniques in their work and to study the masters' work in order to find solutions to technical problems. At the State University of Iowa she met the artist Paul Brach, whom she married in 1946.. By 1951 they moved to New York City and befriended many of the Abstract expressionist artists of the New York School, including Joan Mitchell, Larry Rivers, Knox Martin and Michael Goldberg. Schapiro worked in the style of Abstract expressionism during this time period. Shapiro and Brach lived in New York City during the 1950s and 1960s. During this period Shapiro had a successful career as an abstract expressionist painter in the hard-edge style. In December 1957, André Emmerich selected one of her paintings for the opening of his gallery. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of Mary Cassatt's and Georgia O'keefe's paintings. Early in her career, Schapiro started looking for maternal symbols to unify her own roles as a woman. Her series, Shrines (1963), was her first artistically successful attempt at compartmentalizing her life roles. Her painting, Big Ox No. 1, from 1968, references Shrines, however no longer compartmentalized. The center O takes on the symbol of the egg which exists as the window into the maternal structure with outstretched limbs. Her series, Shrines was created in 1961–63. It is one of her earliest group of work that was also an autobiography. Each section of the work show an aspect of being a woman artist. They are also symbolic of her body and soul. In 1964 Schapiro and her husband Paul both worked at the Tamarind Lithography Workshop. One of Schapiro's biggest turning points in her art career was working at the workshop and experimenting with Josef Albers' Color-Aid paper, where she began making several new shrines and created her first collages. In the 1970s, Schapiro and Brach moved to California so that both could teach in the art department at the University of California. Subsequently, she was able to establish the Feminist Art Program at the California Institute of the Arts, in Valencia with Judy Chicago. The program set out to address the problems in the arts from an institutional position. They wanted the creation of art to be less of a private, introspective adventure and more of a public process through consciousness raising sessions, personal confessions and technical training. She participated in the Womanhouse exhibition in 1972. Schapiro's smaller piece within Womanhouse, called "Dollhouse", was constructed using various scrap pieces to create all the furniture and accessories in the house. Each room signified a particular role a woman plays in society and depicted the conflicts between them. Along with Nancy Spero, Joan Snyder, Joyce Kozloff, Audrey Flack and Judy Chicago, she is from that first generation of Jewish American feminist women artists and includes Judaica in her work. Schapiro's work from the 1970s onwards consists primarily of collages assembled from fabrics, which she called "femmages". As Schapiro traveled the United States giving lectures, she would ask the women she met for a souvenir. These souvenirs would be used in her collage like paintings. Her 1977-1978 essay Waste Not Want Not: An Inquiry into What Women Saved and Assembled - FEMMAGE (written with Melissa Meyer) describes femmage as the activities of collage, assemblage, découpage and photomontage practised by women using "traditional women's techniques - sewing, piercing, hooking, cutting, appliquéing, cooking and the like..." She was involved in Abstract expressionism, Minimalism, Computer art, and Feminist art. She worked with collage, printmaking, painting, femmage [fr] – using women's craft in her artwork, and sculpture. Schapiro not only honored the craft tradition in women's art, but also paid homage to women artists of the past. In the early 1970s she made paintings and collages which included photo reproductions of past artists such as Mary Cassatt. In the mid 1980s she painted portraits of Frida Kahlo on top of her old self-portrait paintings. In the 1990s Schapiro began to include women of the Russian Avant Garde in her work. The Russian Avant Garde was an important moment in Modern Art history for Schapiro to reflect on because women were seen as equals. Schapiro also did collaborative art projects, like her series of etchings Anonymous was a Woman from 1977. She was able to produce the series with a group of nine women studio-art graduates from the University of Oregon. Each print is an impression made from an untransformed doily that was placed in soft ground on a zinc plate, then etched and printed. Her image is included in the iconic 1972 poster Some Living American Women Artists by Mary Beth Edelson...

Giclée photograph printed on metal

Title: "Abstract Cubist Portrait - Dog Abstract Portrait 3" Colorful "Abstract Cubist Figurative - Limited Edition Textured Canvas Print - Picasso Inspired" Discover the captivatin...

'Poppy on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Print...

Amir Baradaran is a New York-based Iranian-Canadian ARtificial artist. As the Arts-Based Creative Research Associate and Adjunct Faculty at Columbia University School of Engineering and Applied Sciences, Baradaran is developing iBegoo, a multi-user software that supports artists with limited knowledge of game design and programing by streamlining and automating the process of writing for, directing, and producing interactive Augmented Reality (AR) experiences that include responsive characters enabled with Artificial Intelligence (AI). Baradaran is the recipient of the Knight Foundation Arts Award, Canada Council for the Arts New-Chapter & 150th Anniversary Prize, UC Berkeley Artist Residency (from Center for Critical Theory, New Media, Race and Gender Studies), International Symposium on Mixed and Augmented Reality Future of Augmented Reality Prize, and Morgan Stanley Pulse Art Fair grant. As a researcher at Columbia University Computer Graphics and User Interfaces Lab and a member of the School of the Arts Digital Storytelling Lab, Baradaran’s praxis and writings focus on a critical {AR}ticulation of visual vocabularies that use AR and AI technologies around notions of interactivity, non-linear narrative formation, po{AI}try, data-mining, failed utopias, racialized and gendered bodies, infiltration, and the ephemeral. Baradaran is a TEDx speaker, and an invited presenter to His Holiness Dalai Lama’s World Headquarters in Dharamsala for the Summit on Fostering Universal Ethics and Compassion through Museums. Baradaran is the co-author of the chapter Augmenting Empathy and Decolonizing AR/VR Mediums: How Do We Reimagine Augmented and Virtual Reality Experiences?” (Ed. By Gokcigdem, 2019), the author of While Data Privacy Talks, Capitalism Walks: Urging for a Critical Take on the Artificial Intelligence Ecosystem, and the Rise of the Machine (Ed. By Brielmaier, Forthcoming), and the co-editor of The Color of Queer Health Care: Experiences of Multiple Oppression in the Lives of Queer People of Color (-with Ryan, B. & Brotman, S. (eds.), 2006). Reviews of Baradaran’s work include Oxford University Press, Art in America, New York Observer, ARTNET, National Public Radio, BBC, Forbes, Euro-News, and L'Actualité. ARTINFO described his public art, Transient (installed in 6,300 NYC...

'Dahlia on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Prin...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

'Poppy on Ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. Print...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

'Dahlia on Ink #3' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

'Chrysantemum on ink' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. ...

'Dahlia on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

'Dahlia on Ink #2' 2023 Black and white floral film photography combination with ink painting. Made using a large format 4x5 film camera, developed in the studio by the artist. P...

Abstract digital print on black/white photo paper 31.5 x 26.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed Thi...

"Nothing Ventured" is a digital print on 5 acrylic panels by Michelle Jader.

Celebrating the Academy with this Limited Oscar Art Series by Mauro Oliveira. Limited edition of 30 museum quality giclee prints on CANVAS, signed and numbered by the artist. A "C...

Anne Sager (American, 1930-2024), "Exit", Digitized Iris Print on Paper, 1999, signed lower right, Arlene Bujese Gallery descriptive label to verso, cerused wood frame. Image: 10" H ...

Michael Knigin, American (1942 - 2011) - Cosmic Desire V, Year: 2009, Medium: Chromogenic Print and Acrylic on canvas, signed and dated in pen lower left, titled on verso, Size: 49.7...

"Quiet Descent" is a digital print on 5 acrylic panels by Michelle Jader.

Graffiti Street Art on Canvas, Mixed Medium on Canvas 45W x 60H" Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed This is an o...

Peacock I Blue Green Painting, Mixed Media Textured on Canvas 60 H X 40" W inches, Mixed Media: Digital, Watercolor, Acrylic, Gel Medium One-of-a-kind 2017 in Los Angeles SPECIFICA...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a tend...

To celebrate Stanza's three recent solo exhibitions at HNF in Paderborn Germany 2023, Deutsches Museum 2023 and Samek Art Museum USA we are pleased to present thirty of his works for...

Chinese Report #2 by Liu Bolin, Chinese (1973) Date: 2008 Inkjet and Oil on Canvas, signed and dated verso Size: 57 x 78.25 in. (144.78 x 198.76 cm)

Green Floral Painting Hand Embellished Giclee on Canvas 40H X 60W Warm Breeze State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edi...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

"Phantasmagorical 4," is an original oil painting on 2 acrylic panels by Michelle Jader. It is framed and ready-to-hang.

Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original paintings today! ❘❙❙❚❚ Discover Art You Love. Start and build your art collection. Innovative and Conte...

This is an original gouache painting layered on an original inkjet print using alternative process photography. Image measures 8" x 8" on 11" x 8.5" paper. Ava Blitz...

Joe Biden Portrait Pop Art Painting printed plexiglass for Sale In his work, Ralf Schmidt combines elements of illustration, graphic design, and painting to create a distinctive, st...

"Embracing Impermanence" is a digital print on 5 acrylic panels by Michelle Jader.

"Into the Blue" is a digital print on 5 acrylic panels by Michelle Jader.

The print edition is 150 The size of print is  40cm X 44cm image size 50cm X 54cm paper size ( approx ) Each print is signed and numbered by Susan Brown Giclée Print on Paper E...

Faces Abstract Collection - HFC 74-1 "Abstract Cubist Figurative - Limited Edition Textured Canvas Print - Human Face Collection - Picasso Inspired" Experience the captivating all...

Degree of independence Abstract Yellow Art Textured Giclee on Canvas 40Hx 60W" State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited e...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works a...

Reut Harel is a Pop Art artist who works in Tel Aviv and creates colorful, optimistic, vibrant art that combines detailed elements and emotions. Her works are characterized by a ten...

ALBERTO SANCHEZ Born 1971, Spain Alberto Sánchez is a photographer and multi-media artist based between Byron Bay, Australia and Madrid, Spain. He -invents his own photographs using...

Digital illustration, print, illustration for a children magazine, suitable for children, signed by the author, limited 5.

Vibrant Colorful Abstract-0-74,' an exquisite piece of Mid Century Modern Art by the acclaimed artist Irena Orlov. This is more than just a work of art; it's a limited edition Gicle...